Instagram Story Viewer
Przeglądaj historie na Instagramie anonimowo
mssr.works
MSSR WORKS / Mathias Rasmussen
wood machinist
designer-maker
DM for inquiries
All that, to make it flat for @danisharchitecturecenter with @archival_studies @dinesen @dinesen.lab
All that, to make it flat for @danisharchitecturecenter with @archival_studies @dinesen @dinesen.lab
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
I produced 14 planter boxes for the @archival_studies Green Wood furniture series.
@archival_studies and @pihlmann are engaged in an ongoing dialogue about the potential of using ‘green’, undried wood to reduce energy consumption while unlocking new aesthetic possibilities that stay closer to the raw state of the material. This collaboration first took shape in @bikubenfonden_kunst’s community hub @thoravej29. The Green Wood furniture series embodies the material-focused and inquisitive spirit of the overarching transformation project led by Pihlmann Architects.
The lumber for the Green Wood furniture was sourced from Bikubenfonden’s Svanninge Bjerge natural reserve, selecting only trees that needed thinning to support the forest’s health. This approach enabled close collaboration throughout the entire process – from tree selection to the final installation at Thoravej 29.
To ensure that the timber meets the standards of the construction and design industry, natural reactions in the wood are usually avoided. However, anticipating those reactions has great potential. For Thoravej 29, we explore wet wood’s natural drying behavior as an assembly method. Using the dovetail joining technique, one can achieve a strong construction. Through uneven shrinkage, the planks distort, causing the cupping effect, a deviation from flatness across the wood’s width. By maintaining the dimensions of the timber, excessive processing steps are avoided, and the structural integrity and natural appearance of the wood are preserved—an opportunity to remind ourselves of the material’s origin.
Big thanks to @archival_studies @pihlmann @thoravej29
Photos + video by @archival_studies, Karina Tybjerg and me
The Douglas fir used for the Douglas High Chair was naturally dried over several months, avoiding energy-intensive drying in ovens. While formally inspired by @archival_studies Ply High Chair, the Douglas High Chair — produced in Copenhagen by me — features a thinner profile and embraces natural imperfections. Knots, wind cracks, sapwood, and planer marks are intentionally included, demonstrating how both natural and human-made irregularities can serve as examples of sustainable practice and inviting details in an increasingly perfected world. In this way, the chair enters into a dialogue with the building itself. Big thx to @archival_studies @frk_vinthermartinsen @pihlmann @thoravej29 and @bikubenfonden_kunst
The Douglas fir used for the Douglas High Chair was naturally dried over several months, avoiding energy-intensive drying in ovens. While formally inspired by @archival_studies Ply High Chair, the Douglas High Chair — produced in Copenhagen by me — features a thinner profile and embraces natural imperfections. Knots, wind cracks, sapwood, and planer marks are intentionally included, demonstrating how both natural and human-made irregularities can serve as examples of sustainable practice and inviting details in an increasingly perfected world. In this way, the chair enters into a dialogue with the building itself. Big thx to @archival_studies @frk_vinthermartinsen @pihlmann @thoravej29 and @bikubenfonden_kunst
The Douglas fir used for the Douglas High Chair was naturally dried over several months, avoiding energy-intensive drying in ovens. While formally inspired by @archival_studies Ply High Chair, the Douglas High Chair — produced in Copenhagen by me — features a thinner profile and embraces natural imperfections. Knots, wind cracks, sapwood, and planer marks are intentionally included, demonstrating how both natural and human-made irregularities can serve as examples of sustainable practice and inviting details in an increasingly perfected world. In this way, the chair enters into a dialogue with the building itself. Big thx to @archival_studies @frk_vinthermartinsen @pihlmann @thoravej29 and @bikubenfonden_kunst
The Douglas fir used for the Douglas High Chair was naturally dried over several months, avoiding energy-intensive drying in ovens. While formally inspired by @archival_studies Ply High Chair, the Douglas High Chair — produced in Copenhagen by me — features a thinner profile and embraces natural imperfections. Knots, wind cracks, sapwood, and planer marks are intentionally included, demonstrating how both natural and human-made irregularities can serve as examples of sustainable practice and inviting details in an increasingly perfected world. In this way, the chair enters into a dialogue with the building itself. Big thx to @archival_studies @frk_vinthermartinsen @pihlmann @thoravej29 and @bikubenfonden_kunst
The Douglas fir used for the Douglas High Chair was naturally dried over several months, avoiding energy-intensive drying in ovens. While formally inspired by @archival_studies Ply High Chair, the Douglas High Chair — produced in Copenhagen by me — features a thinner profile and embraces natural imperfections. Knots, wind cracks, sapwood, and planer marks are intentionally included, demonstrating how both natural and human-made irregularities can serve as examples of sustainable practice and inviting details in an increasingly perfected world. In this way, the chair enters into a dialogue with the building itself. Big thx to @archival_studies @frk_vinthermartinsen @pihlmann @thoravej29 and @bikubenfonden_kunst
AS Douglas High Chair by @archival_studies for @thoravej29 by @pihlmann Developed and produced at our workshop in Copenhagen by me. The air-dried-only douglas fir lumber comes from @bikubenfonden_kunst ‘s natural reserve Svanninge Bjerge, selecting only trees that needed thinning to support the forest’s health. Photos by @hampusper and @samuelcausse
AS Douglas High Chair by @archival_studies for @thoravej29 by @pihlmann Developed and produced at our workshop in Copenhagen by me. The air-dried-only douglas fir lumber comes from @bikubenfonden_kunst ‘s natural reserve Svanninge Bjerge, selecting only trees that needed thinning to support the forest’s health. Photos by @hampusper and @samuelcausse
AS Douglas High Chair by @archival_studies for @thoravej29 by @pihlmann Developed and produced at our workshop in Copenhagen by me. The air-dried-only douglas fir lumber comes from @bikubenfonden_kunst ‘s natural reserve Svanninge Bjerge, selecting only trees that needed thinning to support the forest’s health. Photos by @hampusper and @samuelcausse
AS Douglas High Chair by @archival_studies for @thoravej29 by @pihlmann Developed and produced at our workshop in Copenhagen by me. The air-dried-only douglas fir lumber comes from @bikubenfonden_kunst ‘s natural reserve Svanninge Bjerge, selecting only trees that needed thinning to support the forest’s health. Photos by @hampusper and @samuelcausse
Crafting another batch of pieces from the dinesen / pawson collection @dinesen @johnpawson
Objects for @dinesen / @gardehvalsoe at the Mejlborg basement. Douglas wood and materials from the @natural.material.studio and @kimlenschow material research and exhibition work “SMULD” 📷 @nikolaj.bonde
Objects for @dinesen / @gardehvalsoe at the Mejlborg basement. Douglas wood and materials from the @natural.material.studio and @kimlenschow material research and exhibition work “SMULD” 📷 @nikolaj.bonde
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis