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The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The Industrial Worker Newspaper was founded in 1909. Their articles spoke about the struggles of everyday people and how to combat capitalism through militant organization. Cartoons and images were masterfully employed to combat the ruling class’s virtual monopoly on words and images – cornerstones of their ideological project and our ongoing domination. A radical industrial union understood this problem and worked to create words and images that break through the capitalist control over media and insert themselves into the minds of workers.

We are excited to publish an original comic, a graphic history of the IWW, by Raymond Tyler and Noah Van Sciver. Link available in bio.

The latest issue of Long-Haul, the labor and worker quarterly journal, has arrived. Featuring cover illustrations by me and a”brief history of the IWW” comic collaboration with Raymond Tyler.

https://longhaulmag.com

The latest issue of Long-Haul, the labor and worker quarterly journal, has arrived. Featuring cover illustrations by me and a”brief history of the IWW” comic collaboration with Raymond Tyler.

https://longhaulmag.com

The latest issue of Long-Haul, the labor and worker quarterly journal, has arrived. Featuring cover illustrations by me and a”brief history of the IWW” comic collaboration with Raymond Tyler.

https://longhaulmag.com

SPRING 2026 | ISSUE 06

Present Depths
NOEL IGNATIEV

“When I first went to work in the steel mills, after a decade of work in other industries, I was astonished at the degree to which the workers had managed to establish control over their work day. In part it had to do with the nature of steel production: Once the raw materials are in the furnace they can’t be drilled, or assembled, or stacked up, or any of the other things done on assembly lines. The technology is not the whole explanation, however, for the steel companies were forever trying to combine jobs and rationalize assignments to take into account the ‘dead time’ dictated by the furnaces. They were met at every turn by the resistance of the workers; in 1959 there was a three-month strike over job descriptions. That strike was just the visible tip of the conflict that had characterized labor–management relations since the beginning of the modern era of steel production.

“The five-month strike, which took place in 1979, was a watershed in recent labor–management relations. Out of that experience US capital learned that the workers, solidly organized in the mass production industries, could not be defeated in toe-to-toe battle. From that point the strategy of capital became that of shutting down the basic industries, strongholds of proletarian strength.”

“This is what was taking place throughout American industry in the years I spent there, particularly in the old, well-established industries which were for many years the backbone of the US economy – auto, steel, mining, rubber – that is, those industries where the working class had been able to develop confidence in itself and its ability to resist the domination of capital. It was this unceasing battle, in which neither side was able to win a decisive victory or impose its will on the other, that led the country to the crisis of today, in which the old industries are being closed down and moved off to Korea, Brazil, and other places where capital hopes to find a more compliant work force than the one it is leaving behind.”

Read online at longhaulmag.com

illustrations by @noahvscomics

SPRING 2026 | ISSUE 06

Present Depths
NOEL IGNATIEV

“When I first went to work in the steel mills, after a decade of work in other industries, I was astonished at the degree to which the workers had managed to establish control over their work day. In part it had to do with the nature of steel production: Once the raw materials are in the furnace they can’t be drilled, or assembled, or stacked up, or any of the other things done on assembly lines. The technology is not the whole explanation, however, for the steel companies were forever trying to combine jobs and rationalize assignments to take into account the ‘dead time’ dictated by the furnaces. They were met at every turn by the resistance of the workers; in 1959 there was a three-month strike over job descriptions. That strike was just the visible tip of the conflict that had characterized labor–management relations since the beginning of the modern era of steel production.

“The five-month strike, which took place in 1979, was a watershed in recent labor–management relations. Out of that experience US capital learned that the workers, solidly organized in the mass production industries, could not be defeated in toe-to-toe battle. From that point the strategy of capital became that of shutting down the basic industries, strongholds of proletarian strength.”

“This is what was taking place throughout American industry in the years I spent there, particularly in the old, well-established industries which were for many years the backbone of the US economy – auto, steel, mining, rubber – that is, those industries where the working class had been able to develop confidence in itself and its ability to resist the domination of capital. It was this unceasing battle, in which neither side was able to win a decisive victory or impose its will on the other, that led the country to the crisis of today, in which the old industries are being closed down and moved off to Korea, Brazil, and other places where capital hopes to find a more compliant work force than the one it is leaving behind.”

Read online at longhaulmag.com

illustrations by @noahvscomics

SPRING 2026 | ISSUE 06

Present Depths
NOEL IGNATIEV

“When I first went to work in the steel mills, after a decade of work in other industries, I was astonished at the degree to which the workers had managed to establish control over their work day. In part it had to do with the nature of steel production: Once the raw materials are in the furnace they can’t be drilled, or assembled, or stacked up, or any of the other things done on assembly lines. The technology is not the whole explanation, however, for the steel companies were forever trying to combine jobs and rationalize assignments to take into account the ‘dead time’ dictated by the furnaces. They were met at every turn by the resistance of the workers; in 1959 there was a three-month strike over job descriptions. That strike was just the visible tip of the conflict that had characterized labor–management relations since the beginning of the modern era of steel production.

“The five-month strike, which took place in 1979, was a watershed in recent labor–management relations. Out of that experience US capital learned that the workers, solidly organized in the mass production industries, could not be defeated in toe-to-toe battle. From that point the strategy of capital became that of shutting down the basic industries, strongholds of proletarian strength.”

“This is what was taking place throughout American industry in the years I spent there, particularly in the old, well-established industries which were for many years the backbone of the US economy – auto, steel, mining, rubber – that is, those industries where the working class had been able to develop confidence in itself and its ability to resist the domination of capital. It was this unceasing battle, in which neither side was able to win a decisive victory or impose its will on the other, that led the country to the crisis of today, in which the old industries are being closed down and moved off to Korea, Brazil, and other places where capital hopes to find a more compliant work force than the one it is leaving behind.”

Read online at longhaulmag.com

illustrations by @noahvscomics

SPRING 2026 | ISSUE 06

Present Depths
NOEL IGNATIEV

“When I first went to work in the steel mills, after a decade of work in other industries, I was astonished at the degree to which the workers had managed to establish control over their work day. In part it had to do with the nature of steel production: Once the raw materials are in the furnace they can’t be drilled, or assembled, or stacked up, or any of the other things done on assembly lines. The technology is not the whole explanation, however, for the steel companies were forever trying to combine jobs and rationalize assignments to take into account the ‘dead time’ dictated by the furnaces. They were met at every turn by the resistance of the workers; in 1959 there was a three-month strike over job descriptions. That strike was just the visible tip of the conflict that had characterized labor–management relations since the beginning of the modern era of steel production.

“The five-month strike, which took place in 1979, was a watershed in recent labor–management relations. Out of that experience US capital learned that the workers, solidly organized in the mass production industries, could not be defeated in toe-to-toe battle. From that point the strategy of capital became that of shutting down the basic industries, strongholds of proletarian strength.”

“This is what was taking place throughout American industry in the years I spent there, particularly in the old, well-established industries which were for many years the backbone of the US economy – auto, steel, mining, rubber – that is, those industries where the working class had been able to develop confidence in itself and its ability to resist the domination of capital. It was this unceasing battle, in which neither side was able to win a decisive victory or impose its will on the other, that led the country to the crisis of today, in which the old industries are being closed down and moved off to Korea, Brazil, and other places where capital hopes to find a more compliant work force than the one it is leaving behind.”

Read online at longhaulmag.com

illustrations by @noahvscomics

Lettering day

I'm super excited to announce our headliners for the 2026 @aadlgram A2CAF: Small and Indie Press! We are thrilled that @skellyskellyskelly, @noahvscomics, and @seemybrotherdance are joining us for an epic celebration of comics! Don't miss out on Michigan's premiere indie comics show.

Meeting new friends! Some panels from The Mess my upcoming @fantagraphics release. Preorder link in my bio! #comics #graphicnovels #graphicarts #fantagraphicsbooks #noahvansciver

Meeting new friends! Some panels from The Mess my upcoming @fantagraphics release. Preorder link in my bio! #comics #graphicnovels #graphicarts #fantagraphicsbooks #noahvansciver

Meeting new friends! Some panels from The Mess my upcoming @fantagraphics release. Preorder link in my bio! #comics #graphicnovels #graphicarts #fantagraphicsbooks #noahvansciver

Meeting new friends! Some panels from The Mess my upcoming @fantagraphics release. Preorder link in my bio! #comics #graphicnovels #graphicarts #fantagraphicsbooks #noahvansciver

Meeting new friends! Some panels from The Mess my upcoming @fantagraphics release. Preorder link in my bio! #comics #graphicnovels #graphicarts #fantagraphicsbooks #noahvansciver

“A family death and a missing Picasso send a mother and son on an unexpected spring break that threatens to permanently damage their relationship — if they survive the trip!” I’m very excited for my next book The Mess to be released from @fantagraphics in September! I really took my work in a different direction here and I hope you’ll like it! I’ll put a preorder link in my bio. #fantagraphics #noahvansciver #comics #graphicnovels #books

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

A real treasure from @livingthelineart Charles Dana Gibson 1899-1901. I have a couple of these books in moldy old volumes and so it’s great to have these drawings on nice new paper that doesn’t make me sneeze. #charlesdanagibson #gibsongirls #livingtheline #cartoons #cartoonists

Fante Bukowski complete in one volume in French from @employedumoi

Fante Bukowski complete in one volume in French from @employedumoi

Just set up for South Carolina Comicon in Greenville. #sccomiccon2026

I had a wonderful time discussing my career in comics at the @readfreelyfest this afternoon in Columbia,SC.

I had a wonderful time discussing my career in comics at the @readfreelyfest this afternoon in Columbia,SC.

I had a wonderful time discussing my career in comics at the @readfreelyfest this afternoon in Columbia,SC.

Fante Bukowski Dos by @edicioneslacupula