Instagram Story Viewer
Przeglądaj historie na Instagramie anonimowo
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Merged Layer
Toli, Xinjiang, 2025
Artist: Chengtao Yi
Material: Polycarbonate
Size variable
#art #landart #artist #contemporaryart #149art
Elliipsis of the world, 2025
Cessna 172 Aircraft , Nylon banner
Video installation view @tathata.io
Elliipsis of the world, 2025
Cessna 172 Aircraft , Nylon banner
Video installation view @tathata.io
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Introducing @side.view.on , objects for looking, touching, and living with.
Our official website is now live for a preview of what’s to come. Release updates to follow.
Learn more at sideview-work.com
Chengtao Yi, Standard Eye Chart, 2025
Chengtao Yi‘s installation engages the apparatus of perspective and perception, exposing the institutional logic of vision through the Standard Eye Chart. The work employs the ”tumbling E“ chart, composed of a single letter rotated in different directions, originally designed to test acuity through gesture rather than reading. These ”E“ forms are made into physical objects, arranged and repositioned within natural settings — suspended among trees, aligned along a receding path, and dispersed across layered fields of depth. Placed back into the landscape, the letters operate as material markers of orientation. Their directional openings invite bodily response, transforming measurement into spatial negotiation. The eye chart becomes less a clinical device than a compositional structure, emphasizing perspective, distance, and alignment. In a contemporary world where perception is constantly mediated and ordered, the potentiality of vision risks reduction. Yi questions our ability to see — both literally and metaphorically — when nature becomes “landscape,” and seeing risks becoming mirroring.
@peachyiii
For Lack of a Better Word
February 27-March 18, 2026
TaThaTa 塔
191 Henry St, New York, NY 10002
Chengtao Yi, Standard Eye Chart, 2025
Chengtao Yi‘s installation engages the apparatus of perspective and perception, exposing the institutional logic of vision through the Standard Eye Chart. The work employs the ”tumbling E“ chart, composed of a single letter rotated in different directions, originally designed to test acuity through gesture rather than reading. These ”E“ forms are made into physical objects, arranged and repositioned within natural settings — suspended among trees, aligned along a receding path, and dispersed across layered fields of depth. Placed back into the landscape, the letters operate as material markers of orientation. Their directional openings invite bodily response, transforming measurement into spatial negotiation. The eye chart becomes less a clinical device than a compositional structure, emphasizing perspective, distance, and alignment. In a contemporary world where perception is constantly mediated and ordered, the potentiality of vision risks reduction. Yi questions our ability to see — both literally and metaphorically — when nature becomes “landscape,” and seeing risks becoming mirroring.
@peachyiii
For Lack of a Better Word
February 27-March 18, 2026
TaThaTa 塔
191 Henry St, New York, NY 10002
Chengtao Yi, Standard Eye Chart, 2025
Chengtao Yi‘s installation engages the apparatus of perspective and perception, exposing the institutional logic of vision through the Standard Eye Chart. The work employs the ”tumbling E“ chart, composed of a single letter rotated in different directions, originally designed to test acuity through gesture rather than reading. These ”E“ forms are made into physical objects, arranged and repositioned within natural settings — suspended among trees, aligned along a receding path, and dispersed across layered fields of depth. Placed back into the landscape, the letters operate as material markers of orientation. Their directional openings invite bodily response, transforming measurement into spatial negotiation. The eye chart becomes less a clinical device than a compositional structure, emphasizing perspective, distance, and alignment. In a contemporary world where perception is constantly mediated and ordered, the potentiality of vision risks reduction. Yi questions our ability to see — both literally and metaphorically — when nature becomes “landscape,” and seeing risks becoming mirroring.
@peachyiii
For Lack of a Better Word
February 27-March 18, 2026
TaThaTa 塔
191 Henry St, New York, NY 10002
View from the other side
Standard eye chart - Jiaolin 蕉岭，2025
Stainless Steel
Installation as part of Guangdong Jiaolin Art Festival
#landart #vision #installation
View from the other side
Standard eye chart - Jiaolin 蕉岭，2025
Stainless Steel
Installation as part of Guangdong Jiaolin Art Festival
#landart #vision #installation
View from the other side
Standard eye chart - Jiaolin 蕉岭，2025
Stainless Steel
Installation as part of Guangdong Jiaolin Art Festival
#landart #vision #installation
View from the other side
Standard eye chart - Jiaolin 蕉岭，2025
Stainless Steel
Installation as part of Guangdong Jiaolin Art Festival
#landart #vision #installation
View from the other side
Standard eye chart - Jiaolin 蕉岭，2025
Stainless Steel
Installation as part of Guangdong Jiaolin Art Festival
#landart #vision #installation
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer - Tuoli, 2025
Polycarbonate
新疆托里县
Installation & documentation: @149.art
Merged Layer-Tuoli, 2025
Polycarbonate
Shown as part of the land art group exhibition STRATA in Xinjiang Tuoli county. Organized by @149.art
Installation & documentation:
@149.art
Support:
Tsinghua University Academy of Arts&Design
Tuoli People’s government
#art #landart #artist
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Invited Artist | City Gazes: Artistic Perspectives on Place International Exhibition
Trope02, 2024, Anodized aluminum, artificial flower, 12 x 3 x 15 cm
Trope05, 2024, Anodized aluminum, artificial flower, 17 x 8 x 15 cm
Chengtao Yi @peachyiii , born in 1992 in Chengdu, China, is a New York-based artist whose work explores cultural and perceptual landscapes by investigating the historical and ontological development of man-made objects and systems. His practice spans painting, sculpture, installation, and digital media, often focusing on the subject of vision, the act of seeing and the mechanism of human perception. Yi’s work integrates both physical and virtual contexts, highlighting the technological and cultural forces that shape objects and their meanings.
Chengtao’s work has been exhibited internationally, including at The Chengdu Art Museum, Chengdu Biennale (2021), Yulingson Project Space, as well as at Madein Gallery in Shanghai and Rainain Gallery, Below Grand Gallery, and NARS Foundation in New York. His notable accolades include receiving Atlantic’s Blank Canvas Fund in 2020 and the A’Design Award Silver in 2016. He completed two seasons of NARS Foundation art residencies in 2023. He earned his Bachelor of Industrial Design from Pratt Institute and his MPS in Interactive Arts from NYU. He is currently a visiting lecturer at Pratt Institute.
🌐 Website: https://www.chengtaoyi.com
✨ Follow @asianartcontemporary for the full interview with Chengtao Yi and discover more inspiring stories of contemporary Asian artists!
#artistspotlight #artistinterview #chengtaoyi #chengdu #newyorkartist #contemporaryart #sculptureart #digitalmediaart #installationart #paintingartist #culturalidentity
Standard eye chart - Long Branch 01, 2025
Acrylic, steel
Installation View
Photo: @iisacwjh
Standard eye chart - Long Branch 01, 2025
Acrylic, steel
Installation View
Photo: @iisacwjh
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis