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thomaswheller
Thomas Wheller
Objects
A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.
A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.
A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.
A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.
A carved oak comb patinated using natural reactive stain, and its cast counterpart rendered in bronze. Presented on a plinth of reclaimed pine.
One comb invites touch whilst the other rebels against it due to the reactive nature of the bronze.
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
A collection of some absolutely glorious spoons / utensils carved at the inaugural spoon carving workshop, hosted by @flawk and myself.
It was great to see this group of people come with their unique point of view, grasp a new skill and refine a lump of timber into an expressive functional object.
I can’t wait to do more, next class announced soon!
Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽
Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽
Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽
Carve your own spoon! Come to our Runda housewarming weekend this Saturday or Sunday for a masterclass in wood carving, led by designer and friend of Flawk Thomas Wheeler @thomaswheller .We did a test run of the session a few weeks ago and can say it was a thoroughly satisfying experience to turn a crude block of wood into a functioning utensil – and all the better for being fully analogue (no phones for three hours!).
Saturday: spoon carving workshop
Sunday: cooking spoon/spatula carving workshop.
Both from 10am to 1pm. Book via the Flawk Shop – link in bio. 🫶🏽
RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.
RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.
RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.
RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.
RUNDA HOUSEWARMING WEEKEND & MARKET:
Sat 28th Feb & Sun 1st Mar.
Come over to our new place in Gospel Oak! Hang out, learn how to carve a spoon or pick up vintage furniture, enjoy contemporary art and limited-run homeware.
After a successful trial run at Flawk HQ, designer @thomaswheller will be leading two wood-carving workshops over the course of the weekend, both from 10am to 1pm:
+Saturday: spoon carving workshop
+Sunday: cooking spoon/spatula carving workshop.
£45 each, book via the Flawk Shop – link in bio. 🫶🏽
Drop by anytime between 11am and 5pm over the weekend to see paintings from @miloscgallery ‘s curation of artists @im_na_naina @d.paloma___ .
Enjoy vintage furniture from @mya.k.in , @disjecta___membra and @311_ltd Ltd – all of which will be available for purchase.
We’ll also have homeware and hardware from the Flawk Shop, made by us and our collaborators such as @mo___tong , @monika.kolarz @jakerobertsonsss , and @ppp__lab .
We’ll have a room dedicated to a mini exhibition of ceramic handles made by young students during a Flawk-supported @storeprojects programme last summer. Working alongside practising artists and designers, the students designed, moulded, cast and glazed their own ceramic handles, learning each stage of the process by hand. STORE PROJECTS now produces a number of the handles, with royalties from each piece sold going directly to the young makers.
We look forward to seeing you there x
Image 3 artwork pictured: ‘Girl with Cat’ (2024) by Sophie Vallance Cantor. Courtesy of the Artist and miłość
gallery, London.
Image 5 artwork pictured: ‘Sweet Things I Keep’ (2025) by Kate Burling. Courtesy of the Artist and miłość
gallery, London.
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
SCURA. @scura.magazine When most of us say we’d like to build our own house one day, we use ‘build’ in a non-literal way that implies a heavy – if not total – amount of outsourcing. What designer @thomaswheller means when he says he wants to build his own house is quite literal, and extends far beyond the walls themselves: the structure, the furniture, the pottery, even the clothes inside it. “I just want to make everything,” he says, standing in the kitchen of his current home.
Despite being his first rental – shared with his partner for just two years – the flat in Peckham, south-east London, already clearly conveys that intent, full as it is of furniture, objects and designs that reflect his interest in growing as a maker. “In general, I just find it hard to buy someone else’s designs. I don’t have loads of money or space, but I can make the time,” he says.
Head to the link in our bio for the full tour of Thomas’s home.
📸: our founder Ashley Law
✏️: @charlie__monaghan
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
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Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
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Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
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Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
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Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis