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“When a grad student in folklore and mythology fears her monster-of-study might be hunting her, she retreats to a rural cottage to lure it out — and prove she’s not losing her mind.”

Let The Myth Be directed by Carrington Walsh, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“When a grad student in folklore and mythology fears her monster-of-study might be hunting her, she retreats to a rural cottage to lure it out — and prove she’s not losing her mind.”

Let The Myth Be directed by Carrington Walsh, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“When a grad student in folklore and mythology fears her monster-of-study might be hunting her, she retreats to a rural cottage to lure it out — and prove she’s not losing her mind.”

Let The Myth Be directed by Carrington Walsh, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

Carrington Walsh ‘Let The Myth Be’ (15:41)

We asked our directors… here’s what they said 🎬⤵️

“What film(s) inspired you from childhood?”
I absolutely adored (and still adore!) everything that aired on the CW in my adolescence––specifically The Vampire Diaries and Supernatural. I found myself thinking about both of those shows while directing this short. In many ways, I created the main character as a form of justice for characters like Bonnie Bennett. I wanted a Black female character to be the star of her own supernatural thriller, without serving the stories of white protagonists.

“What kind of stories are you most drawn to telling?”
Influenced by my experiences as the golden child at my high school, the Deputy Chief of Staff for the Democratic Party, and a Harvard alumna, most of my villains are institutions. I thrive within institutional structures, but I’ve reckoned with complex emotions upon realizing that the same institutions that have championed me have harmed others. Motivated by exploring the ethics of upholding institutions, I write young adult genre mysteries that unpack questions of identity for the BIPOC ensembles who navigate them––in both pilots and features. My leads are often rule-following or overachievers. They typically undergo a crisis of faith once they realize the rules––or their beliefs––are either unfair or false. The truth is usually veiled by a complex mystery that the main character must unravel if they dare to understand the real world, rather than the story the institution or prevailing belief system proffers.

Carrington Walsh ‘Let The Myth Be’ (15:41)

We asked our directors… here’s what they said 🎬⤵️

“What film(s) inspired you from childhood?”
I absolutely adored (and still adore!) everything that aired on the CW in my adolescence––specifically The Vampire Diaries and Supernatural. I found myself thinking about both of those shows while directing this short. In many ways, I created the main character as a form of justice for characters like Bonnie Bennett. I wanted a Black female character to be the star of her own supernatural thriller, without serving the stories of white protagonists.

“What kind of stories are you most drawn to telling?”
Influenced by my experiences as the golden child at my high school, the Deputy Chief of Staff for the Democratic Party, and a Harvard alumna, most of my villains are institutions. I thrive within institutional structures, but I’ve reckoned with complex emotions upon realizing that the same institutions that have championed me have harmed others. Motivated by exploring the ethics of upholding institutions, I write young adult genre mysteries that unpack questions of identity for the BIPOC ensembles who navigate them––in both pilots and features. My leads are often rule-following or overachievers. They typically undergo a crisis of faith once they realize the rules––or their beliefs––are either unfair or false. The truth is usually veiled by a complex mystery that the main character must unravel if they dare to understand the real world, rather than the story the institution or prevailing belief system proffers.

“A young woman nervously prepares to host a dinner party. Too busy being focused on perfection, she isn’t prepared for what happens when her guests arrive.”

The Dinner party Co-directed by Steven Chau and Jaye Lodhia, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“A young woman nervously prepares to host a dinner party. Too busy being focused on perfection, she isn’t prepared for what happens when her guests arrive.”

The Dinner party Co-directed by Steven Chau and Jaye Lodhia, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“A young woman nervously prepares to host a dinner party. Too busy being focused on perfection, she isn’t prepared for what happens when her guests arrive.”

The Dinner party Co-directed by Steven Chau and Jaye Lodhia, will be a part of our Block 2 Screenings - Resistance, Fear & Freedom

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

Steven Chau & Jaye Lodhia ‘The Dinner Party’ (9:03)

We asked our directors…here’s what they said 🎬⤵️

“What film(s) inspired you from childhood?”
Kill Bill, Spirited Away, Mean Girls, Blair Witch Project, Paranormal Activity, Final Destination, Scream, Harry Potter

“Why should people FUND THE ARTS?”
Because the arts are so under appreciated. It fuels humanity and inspires change/reflection/empathy. We need to make a living too!

“What kind of stories are you most drawn to telling?”
I love expressing anything that feels intense. Intense passion, fear, love, ecstasy, etc. i usually tend to show my works in a very glossy and polished aesthetic. I feel like i play things pretty safe in terms of performances and visual language but i want to really push the envelope and push for more daring choices so my works can leave a heavier impact on folks.

- Steven Chau

“Why should people fund the arts?”
Art is magical, transformative, and universally meaningful. Its ability to support and hold us in innumerable ways is often underappreciated. We’ve all experienced art that has moved us deeply— and I think that alone is worth supporting.

“What is an existing film you wish you made?”
Anything by Joachim Trier

“What films inspired you from childhood?”
As a kid, I was drawn to films that captured a sense of cinematic girlhood - The Parent Trap, Miss Congeniality, The Princess Diaries, and 13 Going on 30 - stories that felt like fun, magical portals and shaped my early love of storytelling. As I got older, I started gravitating toward more introspective coming-of-age films. Gia Coppola’s Palo Alto had a big impact on me, and that shift still influences my work now.

-Jaye Lodhia

Steven Chau & Jaye Lodhia ‘The Dinner Party’ (9:03)

We asked our directors…here’s what they said 🎬⤵️

“What film(s) inspired you from childhood?”
Kill Bill, Spirited Away, Mean Girls, Blair Witch Project, Paranormal Activity, Final Destination, Scream, Harry Potter

“Why should people FUND THE ARTS?”
Because the arts are so under appreciated. It fuels humanity and inspires change/reflection/empathy. We need to make a living too!

“What kind of stories are you most drawn to telling?”
I love expressing anything that feels intense. Intense passion, fear, love, ecstasy, etc. i usually tend to show my works in a very glossy and polished aesthetic. I feel like i play things pretty safe in terms of performances and visual language but i want to really push the envelope and push for more daring choices so my works can leave a heavier impact on folks.

- Steven Chau

“Why should people fund the arts?”
Art is magical, transformative, and universally meaningful. Its ability to support and hold us in innumerable ways is often underappreciated. We’ve all experienced art that has moved us deeply— and I think that alone is worth supporting.

“What is an existing film you wish you made?”
Anything by Joachim Trier

“What films inspired you from childhood?”
As a kid, I was drawn to films that captured a sense of cinematic girlhood - The Parent Trap, Miss Congeniality, The Princess Diaries, and 13 Going on 30 - stories that felt like fun, magical portals and shaped my early love of storytelling. As I got older, I started gravitating toward more introspective coming-of-age films. Gia Coppola’s Palo Alto had a big impact on me, and that shift still influences my work now.

-Jaye Lodhia

Guess what Toronto filmmakers & film lovers!? We are hosting a MAJOR film industry event on May 30th at📍 @westside_studio

Come celebrate the inaugural year of Tiny Hours Film Festival 🎬🎞️ With 10 incredible short films from local directors, as we launch a community for new and diverse voices in cinema.

Tickets are still available online 🎟️ www.tinyhours.ca

Flyer design @abbey.fran
Installation @posteringtoronto

Teaunna Gray ‘A Black Woman Is…’ (8:26)

We asked our directors… here’s what they said 🎬⤵️

“Why should people FUND THE ARTS?”
The arts shape how we understand each other. They preserve stories, challenge perspectives, and create spaces where people feel seen. In difficult times especially, art gives us connection, and hope. Supporting the arts doesn’t always have to mean huge donations or big ticket items. Share an artist’s work. Attend a local screening or gallery show. Buy a ticket. Bring a friend. Talk about the work online. Give art as a gift. Small acts of support help artists keep going. A future without accessible art and community spaces is a much smaller and less honest ones.

“Why do local festivals and community spaces matter?”
Festivals like Tiny Hours exist because artists deserve intentional spaces to gather, share work, and feel supported. There are so many barriers around larger institutions and traditional arts spaces, especially for emerging filmmakers and underrepresented voices.
Community is everything to me. Some of the most meaningful experiences I’ve had around art happened in small rooms filled with people who genuinely cared.

“What kind of stories are you most drawn to telling?”
I’ve always been drawn to people living at the margins of our society. Before filmmaking, my first dream in life was simply to help people and listen to them. Their stories, their questions, their “why.” That’s what drew me to documentaries.
I love that film can introduce us to people and places we may never encounter otherwise. Representation is what drives me. I’m interested in stories that expand our understanding of each other and remind people they deserve to be seen fully.

Teaunna Gray ‘A Black Woman Is…’ (8:26)

We asked our directors… here’s what they said 🎬⤵️

“Why should people FUND THE ARTS?”
The arts shape how we understand each other. They preserve stories, challenge perspectives, and create spaces where people feel seen. In difficult times especially, art gives us connection, and hope. Supporting the arts doesn’t always have to mean huge donations or big ticket items. Share an artist’s work. Attend a local screening or gallery show. Buy a ticket. Bring a friend. Talk about the work online. Give art as a gift. Small acts of support help artists keep going. A future without accessible art and community spaces is a much smaller and less honest ones.

“Why do local festivals and community spaces matter?”
Festivals like Tiny Hours exist because artists deserve intentional spaces to gather, share work, and feel supported. There are so many barriers around larger institutions and traditional arts spaces, especially for emerging filmmakers and underrepresented voices.
Community is everything to me. Some of the most meaningful experiences I’ve had around art happened in small rooms filled with people who genuinely cared.

“What kind of stories are you most drawn to telling?”
I’ve always been drawn to people living at the margins of our society. Before filmmaking, my first dream in life was simply to help people and listen to them. Their stories, their questions, their “why.” That’s what drew me to documentaries.
I love that film can introduce us to people and places we may never encounter otherwise. Representation is what drives me. I’m interested in stories that expand our understanding of each other and remind people they deserve to be seen fully.

“Through the voices of Black women and girls, a documentary reveals a portrait of Black womanhood that refuses to be singular.“

A Black Woman Is… Directed by Teaunna Gray, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“Through the voices of Black women and girls, a documentary reveals a portrait of Black womanhood that refuses to be singular.“

A Black Woman Is… Directed by Teaunna Gray, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“Through the voices of Black women and girls, a documentary reveals a portrait of Black womanhood that refuses to be singular.“

A Black Woman Is… Directed by Teaunna Gray, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

Thipika Balakrishnan ‘Love Letter’ (12:00)

We asked our directors… here’s what they said 🎬⤵️

“Why do local festivals and community spaces matter?”
Local festivals and community spaces remind emerging artists, kids, newcomers, and everyday people that their stories deserve space too. I grew up in community centres and arts programming. The short film I made in high school premiered at Revue Cinema. Sitting in that theatre made me realize that I mattered: that this city had room for me. Without community, art can feel distant. With them, creativity becomes a collective experience.

“What would you say to someone who is sitting on unfinished work right now?”
Leaving it unfinished can feel safer than letting it live outside of you. As I am studying the people I admire - they were not always confident, they were committed. I return to this quote every time from the Greatest Muhammad Ali: “If my mind can conceive it, and my heart can believe it, then I can achieve it.” There’s something powerful about writing it every day. It has turned my belief into practice.

“What film(s) inspired you from childhood?”
I’m grateful to have grown up in a city that exposed me to so many different kinds of films. While I’ve always loved Tamil cinema, music videos and North American TV, spending time at friends’ and neighbours’ homes introduced me to stories and styles I wouldn’t have encountered otherwise. It made me realize from a young age that cinema means something different to everyone. In terms of inspiration as a kid, I loved Baasha, Disney Classics (Lion King, Aladdin), Hoop Dreams, Harry Potter, Shrek, Pokemon 2000 and Rush Hour.

Thipika Balakrishnan ‘Love Letter’ (12:00)

We asked our directors… here’s what they said 🎬⤵️

“Why do local festivals and community spaces matter?”
Local festivals and community spaces remind emerging artists, kids, newcomers, and everyday people that their stories deserve space too. I grew up in community centres and arts programming. The short film I made in high school premiered at Revue Cinema. Sitting in that theatre made me realize that I mattered: that this city had room for me. Without community, art can feel distant. With them, creativity becomes a collective experience.

“What would you say to someone who is sitting on unfinished work right now?”
Leaving it unfinished can feel safer than letting it live outside of you. As I am studying the people I admire - they were not always confident, they were committed. I return to this quote every time from the Greatest Muhammad Ali: “If my mind can conceive it, and my heart can believe it, then I can achieve it.” There’s something powerful about writing it every day. It has turned my belief into practice.

“What film(s) inspired you from childhood?”
I’m grateful to have grown up in a city that exposed me to so many different kinds of films. While I’ve always loved Tamil cinema, music videos and North American TV, spending time at friends’ and neighbours’ homes introduced me to stories and styles I wouldn’t have encountered otherwise. It made me realize from a young age that cinema means something different to everyone. In terms of inspiration as a kid, I loved Baasha, Disney Classics (Lion King, Aladdin), Hoop Dreams, Harry Potter, Shrek, Pokemon 2000 and Rush Hour.

“A young THIPI (7), is saddened by her crush moving away and decides to write him a love letter. Set in the backdrop of 2000s Toronto, within the vibrant, flavourful Tamil immigrant home of Thipi’s grandfather (who is also an astrological fortune teller), Thipi is forced to face the truth about fate and letting go.”

Love Letter Directed by Thipika Balakrishnan, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“A young THIPI (7), is saddened by her crush moving away and decides to write him a love letter. Set in the backdrop of 2000s Toronto, within the vibrant, flavourful Tamil immigrant home of Thipi’s grandfather (who is also an astrological fortune teller), Thipi is forced to face the truth about fate and letting go.”

Love Letter Directed by Thipika Balakrishnan, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“A young THIPI (7), is saddened by her crush moving away and decides to write him a love letter. Set in the backdrop of 2000s Toronto, within the vibrant, flavourful Tamil immigrant home of Thipi’s grandfather (who is also an astrological fortune teller), Thipi is forced to face the truth about fate and letting go.”

Love Letter Directed by Thipika Balakrishnan, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

Lorenza De Benedictis ‘A Thousand Little Trees of Blood’ (6:15)

We asked our directors… here’s what they said 🎬⤵️

“What would you say to someone who is sitting on unfinished work right now?”
I hate this question because I feel like so many people expect me to say - get back to work on it ! Which is how I have felt for a really long time, but I really just think that sometimes work dies and it might come back but maybe unfinished is all it will ever be. Art can be so personal you truly just keep it to yourself. Not everything needs to be out in the world. You can enjoy art just for the sake of trying and failing and moving on and looking back on it and loving the unfinished and rough parts of it. I don’t want to get very deep into it but I think if art is a feeling and an extension of who we are, then we shouldn’t pressure ourselves to finish something, because we are also unfinished.

“What film(s) inspired you from childhood?”
There are so many. I could say maybe Shrek and Yu-Gi-Oh!: The Movie - the one from 2004. Both are so strange in their own way. Shrek has amazing writing that my sister and I constantly quote and it’s a true “family” film in that there are so many adult jokes without them being so overtly gross. I don’t know any other films that have done it as well as that one. Yu-Gi-Oh! is just something I watched all the time because it was on YTV at 7:30 AM every morning before Pokemon, and I love history + mythology so the blending of those things together really excites me. I could also say Peter Pan - favourite Disney movie for no reason other than it just speaks to the impossible. I could name so many films made between 2002 and 2010 that have impacted me greatly because it was a time of massive pop-culture immersion that continues to thrive today.

Lorenza De Benedictis ‘A Thousand Little Trees of Blood’ (6:15)

We asked our directors… here’s what they said 🎬⤵️

“What would you say to someone who is sitting on unfinished work right now?”
I hate this question because I feel like so many people expect me to say - get back to work on it ! Which is how I have felt for a really long time, but I really just think that sometimes work dies and it might come back but maybe unfinished is all it will ever be. Art can be so personal you truly just keep it to yourself. Not everything needs to be out in the world. You can enjoy art just for the sake of trying and failing and moving on and looking back on it and loving the unfinished and rough parts of it. I don’t want to get very deep into it but I think if art is a feeling and an extension of who we are, then we shouldn’t pressure ourselves to finish something, because we are also unfinished.

“What film(s) inspired you from childhood?”
There are so many. I could say maybe Shrek and Yu-Gi-Oh!: The Movie - the one from 2004. Both are so strange in their own way. Shrek has amazing writing that my sister and I constantly quote and it’s a true “family” film in that there are so many adult jokes without them being so overtly gross. I don’t know any other films that have done it as well as that one. Yu-Gi-Oh! is just something I watched all the time because it was on YTV at 7:30 AM every morning before Pokemon, and I love history + mythology so the blending of those things together really excites me. I could also say Peter Pan - favourite Disney movie for no reason other than it just speaks to the impossible. I could name so many films made between 2002 and 2010 that have impacted me greatly because it was a time of massive pop-culture immersion that continues to thrive today.

“Stella and Giulio are on one of their many, stressful dates, when a small catalyst creates an untimely end.”

A Thousand Little Trees of Blood Directed by Lorenza De Benedictis, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“Stella and Giulio are on one of their many, stressful dates, when a small catalyst creates an untimely end.”

A Thousand Little Trees of Blood Directed by Lorenza De Benedictis, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

“Stella and Giulio are on one of their many, stressful dates, when a small catalyst creates an untimely end.”

A Thousand Little Trees of Blood Directed by Lorenza De Benedictis, will be a part of our Block 1 screenings - Love, Memory & Self

🗓️ May 30th Doors Open 2PM
📍70 Ward St @westside_studio
🎟️🔗 Ticket link in our bio

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran

Tiny Hours Film Festival is almost here — MAY 30th we’re gathering at @westside_studio for a full day of short films, conversation, art & community. 🎬✨

Tickets are going fast, visit our link in bio for all the info on program, tickets & film selections. 🔗

This year’s program features 10 films by emerging and independent filmmakers exploring identity, memory, intimacy, culture, grief, joy, and everything in between. The lineup is one we’re so proud to have curated.

Your ticket includes:
🎞️ Both screening blocks
🎞️ Artist panel + conversations
🎞️ Gallery installations
🎞️ Mixer + community gathering

We built Tiny Hours as a space for films that stay with you and for the people who want to experience them together.

Swipe to see this year’s official selections ✨

Tickets available now via the link in bio. Limited capacity.

Poster by the incredible @abbey.fran