Tiny Pricks Project
All the words fit to stitch by @dianaweymar - author of “Crafting A Better World” (HarperCollins) DM to purchase or commission work

It did. Boy, did it ever. If @colbertlateshow made your day better, please share. And share the love. ❤️

It did. Boy, did it ever. If @colbertlateshow made your day better, please share. And share the love. ❤️

Advanced Vance. “Vice President JD Vance made an interesting word choice on Monday when he called for Americans to “vote against the crazy leadership in Washington, D.C.”
That comment jumped out at some — considering Vance’s boss President Donald Trump is in the White House. And also because his fellow Republicans control both the House of Representatives and the Senate.
He made the remark while giving a speech at Milbank Manufacturing in Kansas City, Missouri. It came as he was telling the crowd he doesn’t expect them to agree with Republicans on every issue, but that he still believed his party was much better suited than the Democrats to address the needs of the American people.“

Days like these require each other. And @colbert @colbertlateshow Here’s to Stephen Colbert who has brought us so much joy during the walk of life.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

Monday with @mollyjongfast @nytopinion piece “I Forgave My Mother, but It Was Too Late” in which she writes: “When my children were small, two of them had developmental issues that meant spending hours and hours with therapists. I stopped writing so I could take them from physical therapy to speech therapy to occupational therapy. The therapists’ waiting rooms became my second home, and sometimes my mother would come and sit with me. It was weird because she wouldn’t do that kind of thing with me when I was a kid. I’d beg her to pick me up at school, but she never could. Sometimes when we were sitting in those waiting rooms staring at our phones, she would apologize. I could have told her it was OK, but I didn’t want to let her off the hook.
I regret that now. I should have forgiven her. I’ve forgiven her now, but she won’t ever know.” Additional images from @planthousegallery catalog for a 2022 exhibit of pieces I stitched of Molly’s quotes.

I know someone out there needs this today as much as I do … @brenebrown is the gift that keeps on giving but not without collecting data

Cheryl Strayed Announces Death of Husband, Filmmaker Brian Lindstrom: ‘Forever in Our Hearts’
“We can only walk this dark path and search for the beauty Brian knew was there,” Strayed said in a May 15 statementHis directing credits included the documentaries Alien Boy: The Life and Death of James Chasse (2013) and Lost Angel: The Genius of Judee Sill (2022). In 2019, Strayed and Lindstrom co-directed the documentary short We Are Forbidden.
“He made films about incarcerated moms and their kids, about people with mental illness and substance use disorders, about teens living in homeless shelters, foster care and detention centers, about people who were at the bottom and trying to climb up,” Strayed said.
“He showed them to us so we’d see what he saw: that every one of us is deserving of love and respect; mercy and honor. Again and again, he went to the darkness to show us how much light is there.” Lindstrom’s “greatest legacy,” however, was his two children, Strayed said.
“Their extraordinary grace, courage and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” the author said. - @people le

“Nobody’s Girl by Virginia Roberts Giuffre crowned book of the year at the Nibbies - also sharing an award with an expose of Facebook with an extraordinary twist. There were cheers at the packed ceremony, hosted by journalist and TV presenter Steph McGovern at the Grosvenor House Hotel, when the winner was revealed. In a video speech, Roberts Guiffre’s co-writer @msamywallace said: “It was the honour of my career, and it is my honour to be talking to you right now, thanking you for recognising her brave and powerful book. She always wanted this book to reach as many people as possible, and she particularly wanted it to help other survivors of sexual abuse, not just those who suffered at the hands of Jeffrey Epstein and Ghislane Maxwell.”
Nobody’s Girl also shared the Nibbies’ freedom to publish award with Careless People by Sarah Wynn-Williams, a damning expose of Facebook. In an extraordinary twist because of draconian legal rulings on behalf of Facebook owner Meta, former Silicon Valley exec Wynn-Williams is not allowed to promote or talk about her book – or even appear beside it.
So the cover was blurred for the ceremony and her editor Mike Harpley spoke on her behalf – telling the audience: “The push for accountability is only possible because of brave whistleblowers like Sarah Wynn-Williams“ – as she received a standing ovation and cries of “f*** them” from the audience.
While not allowed to speak about her own book, Wynn-Williams took to the stage to pay tribute to the late Roberts Guiffre, telling the audience: “Virginia understood who silence protected and realised that only truth can protect everyone else.” She added: We are all living in a world that now, more than ever, is dominated by networks of powerful elites, whose wealth too often puts them above the law,” she said. “As they rewrite the rules, they grow arrogant with entitlement and impunity.”

“Nobody’s Girl by Virginia Roberts Giuffre crowned book of the year at the Nibbies - also sharing an award with an expose of Facebook with an extraordinary twist. There were cheers at the packed ceremony, hosted by journalist and TV presenter Steph McGovern at the Grosvenor House Hotel, when the winner was revealed. In a video speech, Roberts Guiffre’s co-writer @msamywallace said: “It was the honour of my career, and it is my honour to be talking to you right now, thanking you for recognising her brave and powerful book. She always wanted this book to reach as many people as possible, and she particularly wanted it to help other survivors of sexual abuse, not just those who suffered at the hands of Jeffrey Epstein and Ghislane Maxwell.”
Nobody’s Girl also shared the Nibbies’ freedom to publish award with Careless People by Sarah Wynn-Williams, a damning expose of Facebook. In an extraordinary twist because of draconian legal rulings on behalf of Facebook owner Meta, former Silicon Valley exec Wynn-Williams is not allowed to promote or talk about her book – or even appear beside it.
So the cover was blurred for the ceremony and her editor Mike Harpley spoke on her behalf – telling the audience: “The push for accountability is only possible because of brave whistleblowers like Sarah Wynn-Williams“ – as she received a standing ovation and cries of “f*** them” from the audience.
While not allowed to speak about her own book, Wynn-Williams took to the stage to pay tribute to the late Roberts Guiffre, telling the audience: “Virginia understood who silence protected and realised that only truth can protect everyone else.” She added: We are all living in a world that now, more than ever, is dominated by networks of powerful elites, whose wealth too often puts them above the law,” she said. “As they rewrite the rules, they grow arrogant with entitlement and impunity.”

“Nobody’s Girl by Virginia Roberts Giuffre crowned book of the year at the Nibbies - also sharing an award with an expose of Facebook with an extraordinary twist. There were cheers at the packed ceremony, hosted by journalist and TV presenter Steph McGovern at the Grosvenor House Hotel, when the winner was revealed. In a video speech, Roberts Guiffre’s co-writer @msamywallace said: “It was the honour of my career, and it is my honour to be talking to you right now, thanking you for recognising her brave and powerful book. She always wanted this book to reach as many people as possible, and she particularly wanted it to help other survivors of sexual abuse, not just those who suffered at the hands of Jeffrey Epstein and Ghislane Maxwell.”
Nobody’s Girl also shared the Nibbies’ freedom to publish award with Careless People by Sarah Wynn-Williams, a damning expose of Facebook. In an extraordinary twist because of draconian legal rulings on behalf of Facebook owner Meta, former Silicon Valley exec Wynn-Williams is not allowed to promote or talk about her book – or even appear beside it.
So the cover was blurred for the ceremony and her editor Mike Harpley spoke on her behalf – telling the audience: “The push for accountability is only possible because of brave whistleblowers like Sarah Wynn-Williams“ – as she received a standing ovation and cries of “f*** them” from the audience.
While not allowed to speak about her own book, Wynn-Williams took to the stage to pay tribute to the late Roberts Guiffre, telling the audience: “Virginia understood who silence protected and realised that only truth can protect everyone else.” She added: We are all living in a world that now, more than ever, is dominated by networks of powerful elites, whose wealth too often puts them above the law,” she said. “As they rewrite the rules, they grow arrogant with entitlement and impunity.”

Happy Birthday @colbert 🎂 You are a gift. (Quote from interview with @andersoncooper for podcast)

Something BIG coming to New York City the 4th week of June!!!!! Cannot wait to come back!! (Image: Betsy Ross stitching social media, designed and stitched by @dianaweymar in 2017 and submitted @newyorkermag as a potential cover, rejected, but I stand by it!) More details about big event to come!
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Usługa jest bezpłatna.
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis