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Off the leash with @robotdogman

New York Knicks .. coming back full circle to NYC with this super special spot .. w/ @billypols and @osei_kakari .
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#kodak #16mm #hawkanamorphic #arri #cinematography #newyork #knicks #cinematography

New York Knicks .. coming back full circle to NYC with this super special spot .. w/ @billypols and @osei_kakari .
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#kodak #16mm #hawkanamorphic #arri #cinematography #newyork #knicks #cinematography

Dhurandhar - The Revenge
Trailer
19.03.26

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
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#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

DP Vikash Nowlakha ISC (@vik_now) brings us into the intense world of “Dhurandhar,” director Aditya Dhar's (@adityadharfilms) spy action thriller starring Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal, and R. Madhavan. Released theatrically on December 5, 2025, the film surpassed the ₹1,000 crore worldwide box-office mark just 21 days later, becoming one of the highest-grossing Hindi films globally.

Vikash Nowlakha, known for his work on “Laapataa Ladies” (2023), “Brahmastra Part One: Shiva” (2022), and “Bloody Brothers” (2021), relied on the ALEXA 35 to capture the film's gritty, documentary-style aesthetic. He says:

“I don't like to think about cameras and that's why I choose the ALEXA 35. With ‘Dhurandhar’ we tried to create a visual language that felt like a real live event unfolding. Often, the choice to make things feel out of control really meant relinquishing control. The dance with chaos is a battle I could only walk into because of my incredible crew and the ALEXA 35. It was important for scenes to not look choreographed, staged, or overly lit. The low-light sensitivity of the ALEXA 35 really helped our actors have the room and walk into its shadows. I love the camera for its weight distribution for handheld work; it's ergonomic, has sophisticated simplicity, and is an absolute dependable beast—as ARRI cameras have long been known for.”
ㅤ
#ARRI #ARRIIndia #ALEXA35 #Dhurandhar #CapturedWithARRI

April adventure to Paris to shoot Olympic film for Mengniu with @matthiaszentner.director

Grateful to be a part of this project as rollerblade steadicam/Omega AR operator. Pure pleasure and fun working with whole team 🥇

Production Shooting Gallery Asia
Executive producers Zhao Shiqing, Hu Chaozeng
ProducerDing Xiaojun

Chief director Zhang Yimou
Executive director Matthias Zentner
DOP China Zhao Xiaoding
DOPFrance Vikash Nowlakha ISC @vik_now
1st AD Alan Finlay @alanfinlay_1ad

Gimbal team @thegang3000
@ivanzhelayzkov_
@rumendoychinov
@roshko

Cam A 1st AC Anais Andreassian @cheesynano
Cam A 2nd AC Marion Coubard @marion_coubard
Cam B 1st AC Sonia Bish
Cam B 2nd AC Romain Rouille
Video Florian Rey @flo_rey__

Gaffer Goerges Harnack

Key Grip Bruno Cellier
Best Boy Ariane Lucon
Grip Elise Missionier
Grip Simon Armengaud

Service production @leimontproductions
Service producer Béstrice Tran
Production Consultant Paul Barrois
Unit production manager Nadège Marti @nmarti1977

Postproduction @velvetmediendesign
Creative supervision Matthias Zentner
Postproduction producer Mariya Zentner
Editor Jochen Kraus
Color grading Michele Ricossa
VFX on set supervisor Falk Buetnner
Composer Zhou Jinjin

#olympics #olympics2024 #paris #mengniu #film #cinematography #filmmaking #filmproduction #filmset #filmproject #cameradept #cameracrew #operating #steadicam #steadicamoperator#rollerblading #mkvomega #alexa35

I’m grateful to have had the opportunity to serve a vision where craft is in service to story.And for filmmakers out there, directors, producers, writers, actors, musicians, editors, who allow us cinematographers the trust to facilitate their vision and capture whats in their hearts.

A big thank you to my precious crew - you all know who you are - you’re family!
And heartfelt gratitude for all those who made it to the cinema (or netflix ;) and allowed this film to touch and move you !

Ne Me Quitte Pas :
Made this short film close to 20 yrs ago, for a clothing label in Madrid called Raasta. The brief was one word ‘nostalgia’. I dug into my own personal life for inspiration, and guided by the unwavering trust of my client and now good friend Kativa Parmar, attempted to make this film about lost love.
Many of my crew on this film have since passed, my focus puller Sanjay Kesari, my loader Jeetu Bhai and my oldest and dearest friend stylist Gary Wallang. I wanted to put this out there as a tribute to them and their spirits that I’ve been fortunate to witness. To celebrate that intangible essence, that the transience of all the beautiful spirits that pass us by, leave us with..
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Credits :
Cast : Kasia Wierzbicka
Sachin Sah

Crew :
1st AC : Shrinivas Acharya
Focus Puller : Sanjay Kumar Kesari
Lights : Shri Ganesh
Set Dresser : Gary Wallang
Styling : Raasta and Gary Wallang
Hair and Makeup : Tanuja Dabir
Editor : Yusuf Khan
Colorist : Albert Goo
Assistant Director : Fahd Shah
Production manager : Christopher Wagner
Music : 'Ne me quitte pas' Nina Simone
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Disclaimer :
When I look at my work there’s always a tinge of embarrassment that accompanies it - perhaps it’s because one outgrows it in the very process of doing it - perhaps it truly is cringe worthy :)
I’ve never publicly shared this before but now it belongs to you - to feel or take or not - whatever you’d like from it ..
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Tech Specs :
Camera : Arri SRII
Film : Expired Kodak Ektachrome 7294 16mm Color Reversal Film graciously processed by Mr. Krishna Shetty at FameAdlabs

Afternoon Burn
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#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag

Without the truck !
A venture into still photography..
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model : @gaurav_ganapathy
makeup : @eshwarlog
apple box : @rudhraveer
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#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag #bnw_demand

Without the truck !
A venture into still photography..
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model : @gaurav_ganapathy
makeup : @eshwarlog
apple box : @rudhraveer
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#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag #bnw_demand

Without the truck !
A venture into still photography..
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model : @gaurav_ganapathy
makeup : @eshwarlog
apple box : @rudhraveer
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#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag #bnw_demand

Without the truck !
A venture into still photography..
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model : @gaurav_ganapathy
makeup : @eshwarlog
apple box : @rudhraveer
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#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag #bnw_demand

Throwback to dancing around the Buick in Shanghai with a kino tube ! Dec 8, 2008 w. Dir. Alexander Paul.
Shot with the Arri 435. 500T Vision 2 5218.

#ifyouleave #friendsinperson #sublimestreet #woofermagazine #fivesixmag #filmic_streets #nowherediary #cinesomnia #artofvisuals #littlerivermag #nightmaremagazine #ambientnightsmag #hikaricreative #cinematic #cimematography #photography #lights #artclassified #artclassifiedcreators #cinebible #burnmagazine #lensculture #featureshoot #shootermag #bnw_demand #film #arri35 #kodak #shotonfilm