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‘She’s a woman that dreams in patterns’, says Matteo Norzi, the co-curator of ‘Sara Flores: From Other Worlds’.
Watch as Matteo Norzi (@matteonorzi) reflects on Sara Flores’s (@sarafloresvalera) work at the Peru Pavilion at La Biennale di Venezia 2026.
Rooted in Kené, the ancestral visual language of the Shipibo-Konibo, Sara’s practice articulates a system of relationships that extends beyond the human, encompassing plants, animals, land and spirit.
Across the pavilion, painting, sculpture and film unfold as interconnected structures, inviting a sensory and introspective encounter with a worldview grounded in reciprocity and interconnection.
🔗 Click the link in our bio to learn more
📍 ‘Sara Flores: From Other Worlds’ is on view from 9 May – 22 November 2026 at the 61st International Art Exhibition of La Biennale di Venezia
Following her presentation in Venice, White Cube New York will present a solo exhibition by Sara Flores from 25 June – 14 August 2026.
@issela.ccoyllo @pacupe.peru @labiennale @icarosavision
Video © White Cube (Maco Film) 2026
‘Colour proposes many different possibilities for understanding the world. It is a very direct medium.’ – Katharina Grosse
Working without preparatory sketches, Katharina’s (@katharina_grosse) paintings emerge through a direct engagement with the surface, where thinking, doing and acting converge in a single process.
In this way, colour operates independently of the ground on which it is applied, transforming what we see and shifting our perception of space.
📍 ‘I Set Out, I Walked Fast’ is on view at White Cube Bermondsey until 31 May 2026.
🔗 Click the link in our bio to learn more about the exhibition.
Video © White Cube (Sam Smith)
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Explore the life and artwork of Greek artist Takis (1925–2019) with this monograph, which celebrates his fascination with cosmology, experimental physics and new technologies.
✨ An essay by Toby Kamps (@tobykamps ), titled ‘Magnetic Brain’ after Takis’s 1975 suspended sculptural work, delves into the personal experiences and challenges that motivated the artist.
✨ Curator Pavel Pyś (@pavelpys ) explores the cross-disciplinary exchanges that informed the artist’s investigation into spaces shared by humans and machines.
📍 ‘Duett: Takis and Nam June Paik’ will be on view at White Cube Seoul until 5 June 2026.
🔗 Click the link in our bio to shop the book online.
Edited and co-ordinated by Honey Luard (@honeyluard ).
@takisfoundation #WhiteCubePublications
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
Closing Soon: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube’s presentation showcases a selection of Cai’s (@caistudio) gunpowder paintings made in the last few years.
Cai has said: ‘I pursue ‘eternity’ through the instantaneous, perceiving and grasping its mysterious force within moments of chaos. Moments with gunpowder are uncontrollable and transient; is it not the same with life?’
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@tefaf
Images: Cai Guo-Qiang, TEFAF New York, 14 – 19 May 2026. © the artist. Photo © On White Wall.
This summer, White Cube presents a major group exhibition hosted by the National Trust across the eighteenth-century interiors of Claydon House and its surrounding grounds.
Installed throughout the house’s historic rooms and across the estate, works by more than 20 artists engage in dialogue with the site’s layered history, unfolding across spaces including the grand staterooms, the Black and White Hall and the Chinese Room.
Featuring artists including Enrico David, Tracey Emin (@traceyeminstudio), Antony Gormley, Cai Guo-Qiang (@caistudio), Mona Hatoum and Marguerite Humeau (@marguerite_humeau), the exhibition extends across both interior and landscape, activating the architecture and grounds of the estate.
📍 ‘White Cube at Claydon’ will be on view from 6 June – 14 September 2026 at Claydon House, Buckinghamshire
🔗 Click the link in our bio to learn more
@nationaltrust
@tunjiaj @daltmejd @elanatsui.art @juliecurtissartist #EnricoDavid #TraceyEmin #CerithWynEvans#AntonyGormley #MonaHatoum @richardhuntsculptor #AnselmKiefer#RachelKneebone #IsamuNoguchi@minoru_nomata @_gabrrriel.orozco_ @virginiaovertonstudio @cinga_samson @raqibshawstudio @tarwuk #DanhVo #JeffWall
This summer, White Cube presents a major group exhibition hosted by the National Trust across the eighteenth-century interiors of Claydon House and its surrounding grounds.
Installed throughout the house’s historic rooms and across the estate, works by more than 20 artists engage in dialogue with the site’s layered history, unfolding across spaces including the grand staterooms, the Black and White Hall and the Chinese Room.
Featuring artists including Enrico David, Tracey Emin (@traceyeminstudio), Antony Gormley, Cai Guo-Qiang (@caistudio), Mona Hatoum and Marguerite Humeau (@marguerite_humeau), the exhibition extends across both interior and landscape, activating the architecture and grounds of the estate.
📍 ‘White Cube at Claydon’ will be on view from 6 June – 14 September 2026 at Claydon House, Buckinghamshire
🔗 Click the link in our bio to learn more
@nationaltrust
@tunjiaj @daltmejd @elanatsui.art @juliecurtissartist #EnricoDavid #TraceyEmin #CerithWynEvans#AntonyGormley #MonaHatoum @richardhuntsculptor #AnselmKiefer#RachelKneebone #IsamuNoguchi@minoru_nomata @_gabrrriel.orozco_ @virginiaovertonstudio @cinga_samson @raqibshawstudio @tarwuk #DanhVo #JeffWall
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
White Cube’s solo presentation of works by Cai Guo-Qiang is currently on view at TEFAF New York (Booth 355).
The booth features a selection of the artist’s bird gunpowder paintings depicting avian flocks in successive states of flight and decay.
First mapping the image by sprinkling the powder onto canvas, Cai then covers and weighs it down with stones before ignition, such that the blast disperses, recomposes and fuses the matter on the surface.
For the artist, the natural world has long been a touchstone in his work. He says: ‘Flowers and plants have often served as my way of portraying that cosmic cycle – nature’s rhythm mirroring the birth and death of the stars’.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 3, 4, 6: Cai Guo-Qiang, 'Blue Bird and Flowers No. 1', 2021-26; 'Blue Fire and Blue Bird', 2022-26 © the artist. Photo © White Cube (Frankie Tyska).
2, 5: © Cai Studio. Photo © Zicheng Lyu.
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
‘Duett: Takis and Nam June Paik’ is on view at White Cube Seoul ✨️
Taking inspiration from their cacophonous musical collaboration in 1979, ‘Duett’ pairs these two great artistic innovators of the 20th century in an exhibition for the first time, highlighting how they fused technology, science and art through autodidactic experimentation.
In a recently commissioned essay, David Toop writes: ‘They speak of an intense materiality, a world in which objects are so productively entangled with human desires, capacities and physical presence that they are almost human themselves. From a future now utterly transformed beyond recognition, their twitch and spark is raw, noisy, enthrallingly dangerous, monstrous even.’
📍 The exhibition will be on view at White Cube Seoul until 5 June 2026.
@takisfoundation #NamJunePaik
🔗 Click the link in our bio to learn more.
Images:
1, 5: Takis & Nam June Paik, 'Duett', 1979, Cologne. © Rhenish Archive for Artists' Legacies, estate of Dietmar Schneider.
3, 4, 6, 7: © The artists.Video © White Cube (ArtDrunk)
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
In Focus: Sarah Morris, ‘Nvidia’ (2026) at Frieze New York (Booth B9)
‘Nvidia’ addresses the semiconductor company whose graphics processing units have become the defining infrastructure of artificial intelligence, powering everything from large language models to autonomous systems.
Sarah’s (@sarahmorris) fragmented diagonal forms, rendered in stark black and white with punctuating accents of pale blue, red and green, echo the triangulated architecture of Nvidia’s Santa Clara headquarters, where the triangle – the basic unit of 3D graphics rendering – is embedded into the building’s structure.
The painting distils the company’s function, processing and accelerating flows of data at a scale that shapes the conditions of contemporary life. As with Morris’s corporate subjects, the work is less a portrait of an institution than of the systems of power it represents.
‘Nvidia’ (2026) is on view at White Cube’s booth (B9) at Frieze New York.
👉 Visit us at Booth B9 until 17 May 2026
📍 The Shed, New York
🔗 Click the link in our bio to learn more
Images: Sarah Morris, ‘Nvidia’, 2026, © Sarah Morris. Photo © White Cube (Frankie Tyska).
@friezeofficial
‘Kené comes from the heart and from ways of life.’ – Sara Flores
Watch as Sara Flores (@sarafloresvalera) reflects on her practice at the Peru Pavilion, La Biennale di Venezia 2026.
Rooted in Kené, the ancestral visual language of the Shipibo-Konibo, Sara’s practice articulates a system of relationships that extends beyond the human, encompassing plants, animals, land and spirit.
Emerging through a process of deep concentration and drawing on knowledge of the forest and its materials, the works reflect an understanding of culture and environment as part of a shared, interconnected whole.
🔗 Click the link in our bio to learn more
📍 ‘Sara Flores: From Other Worlds’ is on view from 9 May – 22 November 2026 at the 61st International Art Exhibition of La Biennale di Venezia
Following her presentation in Venice, White Cube New York will present a solo exhibition by Sara Flores from 25 June – 14 August 2026.
Video © White Cube (Maco Film) 2026
@matteonorzi @issela.ccoyllo @pacupe.peru @labiennale @icarosavision
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
Now Open: Cai Guo-Qiang at TEFAF New York (Booth 355)
White Cube's presentation at TEFAF New York brings together new and recent works by New York-based artist Cai Guo-Qiang, including bird paintings and pieces from the artist’s ambitious, ongoing project ‘An Individual’s Journey Through Western Art History’.
Initiated in 2017, the project comprises a series of exhibitions realised at institutions across Europe, in which the artist entered into dialogue with important sites, monuments and figures of Western art history.
Following his debut exhibition at White Cube Bermondsey in September 2025, this presentation marks the artist’s first since joining the gallery earlier this year.
👉 Visit us at Booth 355 until 19 May 2026.
📍 Park Avenue Armory, New York
🔗 Click the link in our bio to learn more.
@caistudio @tefaf
Images:
1, 2, 4: 'Blue Bird and Flowers No. 2', 2021-26. Photo © White Cube (Frankie Tyska).
3: Cai Guo-Qiang. Photo © White Cube (Theo Christelis)
5, 6: 'Red Bird 2022, 2026', 2022-26. Photo © White Cube (Frankie Tyska).
7, 8: 'Blue Bird and Blue Flower', 2025-26. Photo © White Cube (Frankie Tyska).
All images © the artist.
‘The relationship between Hammons and Kounellis is very multi-levelled … in terms of their conceptual approach to making art, and their ability to fuse a very distinct vision.’ – Judd Tully
Watch as critic Judd Tully explores ‘David Hammons and Jannis Kounellis’ at White Cube New York.
Bringing into dialogue the practices of Hammons and Kounellis for the first time in over three decades, the exhibition reflects on the artists’ shared material intelligence and poetics of resistance.
Across works spanning more than 50 years, both artists engage notions of displacement, vulnerability and fragmentation, foregrounding the ways in which established systems of meaning may be challenged.
🔗 Click the link in our bio to learn more about the exhibition.
📍 ‘David Hammons and Jannis Kounellis’ is on view at White Cube New York until 13 June 2026.
@judd.tully #DavidHammons #JannisKounellis
Video: © White Cube (Martin Awano)
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
📆 Preview Invitation: ‘Shao Fan: Refrain / 复沓’ at White Cube Mason’s Yard (Thursday 21 May 2026, 6–8pm) 🐰✨
Shao Fan’s first UK exhibition will feature his meticulously rendered ink-on-rice-paper paintings that arise through an intense period of concentration and the slowing down of time.
Repetition in subject matter allows the artist to enter a meditative state while creating the work, contemplating the principles of Taoist philosophy and the distinctions between form, line and tone.
The artist has said: ‘For a rabbit, I may have drawn 200,000 strands of hair – by accumulating the hairs one after another and adding layer upon layer. It is a form created by a myriad of repeated layers.’
📍 ‘Refrain / 复沓’ will be on view from 22 May – 27 June 2026 at White Cube Mason’s Yard.
🔗 Click the link in our bio to learn more about the exhibition.
#ShaoFan
Images: Shao Fan, ‘In The Name of the Rabbit 0322’, 2022. © Shao Fan. Photo © White Cube (Theo Christelis). Video © White Cube (Art-Ba-Ba).
Przeglądaj historie na Instagramie w tajemnicy
Instagram Story Viewer to proste narzędzie, które pozwala na ciche oglądanie i zapisywanie historii Instagram, filmów, zdjęć lub IGTV. Dzięki tej usłudze możesz pobrać zawartość i cieszyć się nią offline, kiedy chcesz. Jeśli znajdziesz coś interesującego na Instagramie, co chcesz sprawdzić później, lub chcesz oglądać historie pozostając anonimowym, nasz Viewer jest idealny dla Ciebie. Anonstories oferuje doskonałe rozwiązanie do ukrywania swojej tożsamości. Instagram po raz pierwszy uruchomił funkcję historii w sierpniu 2023 roku, która szybko została zaadoptowana przez inne platformy ze względu na jej angażujący, czasowo ograniczony format. Historie pozwalają użytkownikom dzielić się szybkimi aktualizacjami, czy to zdjęciami, filmami, czy selfie, wzbogaconymi o tekst, emotikony lub filtry, i są widoczne tylko przez 24 godziny. Ten ograniczony czas sprawia, że historie cieszą się dużym zaangażowaniem w porównaniu do zwykłych postów. W dzisiejszym świecie historie to jeden z najpopularniejszych sposobów komunikacji na mediach społecznościowych. Jednak gdy oglądasz historię, twórca może zobaczyć Twoje imię na liście oglądających, co może stanowić problem związany z prywatnością. Co jeśli chcesz przeglądać historie, nie będąc zauważonym? Tutaj Anonstories staje się przydatne. Umożliwia oglądanie publicznej zawartości Instagram bez ujawniania tożsamości. Wystarczy wpisać nazwę użytkownika profilu, który Cię interesuje, a narzędzie wyświetli ich najnowsze historie. Cechy Anonstories Viewer: - Anonimowe przeglądanie: Oglądaj historie bez pojawiania się na liście oglądających. - Brak konta: Oglądaj publiczną zawartość bez logowania się na konto Instagram. - Pobieranie zawartości: Zapisuj dowolną zawartość historii bezpośrednio na swoje urządzenie do użytku offline. - Przeglądaj najważniejsze: Dostęp do Instagram Highlights, nawet po 24 godzinach. - Monitorowanie repostów: Śledź reposty lub poziom zaangażowania w historię na prywatnych profilach. Ograniczenia: - Narzędzie działa tylko z publicznymi kontami; konta prywatne pozostają niedostępne. Korzyści: - Przyjazne dla prywatności: Oglądaj zawartość Instagram bez bycia zauważonym. - Proste i łatwe: Brak potrzeby instalacji aplikacji lub rejestracji. - Ekskluzywne narzędzia: Pobieraj i zarządzaj zawartością w sposób, którego Instagram nie oferuje.
Zalety Anonstories
Oglądaj IG Stories Prywatnie
Śledź aktualizacje na Instagramie dyskretnie, chroniąc swoją prywatność i pozostając anonimowym.
Prywatny Viewer na Instagramie
Oglądaj profile i zdjęcia anonimowo za pomocą Prywatnego Viewera.
Bezpłatny Story Viewer
To darmowe narzędzie pozwala oglądać historie Instagram anonimowo, zapewniając, że Twoja aktywność pozostaje ukryta przed twórcą historii.
Najczęściej zadawane pytania
Anonimowość
Anonstories pozwala użytkownikom oglądać historie na Instagramie bez informowania twórcy.
Kompatybilność z urządzeniami
Funkcjonuje płynnie na iOS, Android, Windows, macOS i nowoczesnych przeglądarkach takich jak Chrome i Safari.
Bezpieczeństwo i Prywatność
Priorytetem jest bezpieczne, anonimowe przeglądanie bez konieczności logowania się.
Brak rejestracji
Użytkownicy mogą oglądać publiczne historie, wpisując nazwę użytkownika – bez konieczności zakładania konta.
Obsługiwane formaty
Pobiera zdjęcia (JPEG) i filmy (MP4) z łatwością.
Koszt
Usługa jest bezpłatna.
Konta prywatne
Treści z prywatnych kont mogą być dostępne tylko dla obserwujących.
Użycie plików
Pliki są przeznaczone do użytku osobistego lub edukacyjnego i muszą być zgodne z przepisami dotyczącymi praw autorskich.
Jak to działa
Wpisz publiczną nazwę użytkownika, aby oglądać lub pobrać historie. Usługa generuje bezpośrednie linki do zapis