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FINAL WEEK ON VIEW AND 50% OFF SALE!

Art (by) Dealers, organized by Kathy Huang & Will Leung closes April 25th.

For the final week of Art (by) Dealers, all works are discounted to $250, and offered for sale anonymously. All proceeds will support White Columns’ future programs with both emerging and underrepresented artists.

Visit our online shop at the link in bio to view and purchase artworks made by anonymous dealers.

Gallery Hours: Tues–Sat, 11am–6pm.

Image 1: Anonymous Dealer #7, Forest Ave II, 2026, oil on canvas.
Image 2: Anonymous Dealer #16, Untitled, 2026, mixed media on canvas.
Image 3: Anonymous Dealer #70, Untitled, 2026, mixed media.

FINAL WEEK ON VIEW AND 50% OFF SALE!

Art (by) Dealers, organized by Kathy Huang & Will Leung closes April 25th.

For the final week of Art (by) Dealers, all works are discounted to $250, and offered for sale anonymously. All proceeds will support White Columns’ future programs with both emerging and underrepresented artists.

Visit our online shop at the link in bio to view and purchase artworks made by anonymous dealers.

Gallery Hours: Tues–Sat, 11am–6pm.

Image 1: Anonymous Dealer #7, Forest Ave II, 2026, oil on canvas.
Image 2: Anonymous Dealer #16, Untitled, 2026, mixed media on canvas.
Image 3: Anonymous Dealer #70, Untitled, 2026, mixed media.

FINAL WEEK ON VIEW AND 50% OFF SALE!

Art (by) Dealers, organized by Kathy Huang & Will Leung closes April 25th.

For the final week of Art (by) Dealers, all works are discounted to $250, and offered for sale anonymously. All proceeds will support White Columns’ future programs with both emerging and underrepresented artists.

Visit our online shop at the link in bio to view and purchase artworks made by anonymous dealers.

Gallery Hours: Tues–Sat, 11am–6pm.

Image 1: Anonymous Dealer #7, Forest Ave II, 2026, oil on canvas.
Image 2: Anonymous Dealer #16, Untitled, 2026, mixed media on canvas.
Image 3: Anonymous Dealer #70, Untitled, 2026, mixed media.

Caught in the wild 🚬

Opening this week!

𝘈𝘳𝘵 (𝘣𝘺) 𝘋𝘦𝘢𝘭𝘦𝘳𝘴
organized by Kathy Huang and Will Leung
Viola Angiolini, Mitchell Algus, Jesse Aran Greenberg, Nicelle Beauchene, Polina Berlin, Aurélie Bernard Wortsman, Maria Bernheim, Stefania Bortolami, Ingrid Bromberg Kennedy, Gavin Brown, Marie Catalano, Jaqueline Cedar, Adam Cohen, Anthony Cran, William Croghan, Jeffrey Deitch, Robert Dimin, Bridget Donahue, Brian Faucette, Eric Firestone, Leo Fitzpatrick, Ryan Fontaine, Jessica Fredericks, Andy Freiser, Aron Gent, Sam Gordon, Devon Gordon, Colleen Grennan, Sarah Han, Jack Hanley, Will Hathaway, Joseph Ian Henrikson, Kathy Huang, Rob Hult, Michael Jenkins, Nina Johnson, Pali Kashi, Anton Kern, Anatoly Kirichenko, Jackie Klempay, Margaret Lee, Francesca Leszynski, Will Leung, Perry Levine, Jacob Lewis, Silke Lindner, Lucy Liu, Sibilla Maiarelli, Lauren Marinaro, Lilly McClure, Monique Meloche, Micki Meng, Mario Miron, Jen Mora, Davida Nemeroff, Wendi Norris, Wendy Olsoff, Paola Oxoa, Lucas Page, David Pagliarulo, Sam Parker, Kat Parker, Bill Powers, John Riepenhoff, Ellie Rines, Bennett Roberts, Hannah Root, Nicole Russo, Sara Maria Salamone, Margot Samel, Violet Saxon, Kerry Schuss, Louis Shannon, Samantha Sheiness, Michael Sims, Erin Somerville, Pascal Spengemann, Daniel Sperry, Emily Sundblad, Mike Tan, Benjamin Tischer, Rachel Uffner, Annette Wehrhahn, Sam Wilson, Graham Wilson, Yve Yang, Alivia Zivich, Anna Zorina (list in formation)

Art (by) Dealers is an exhibition of art made by gallerists/dealers/gallery employees. All works are priced at $500 and sold anonymously. The identity of the maker will be revealed after the exhibition closes. All proceeds support White Columns’ work with emerging and underrepresented artists.

Opening Friday, March 13 from 6-8pm at White Columns:
91 Horatio Street
New York, NY

Image: Anonymous dealer, &? (Chaos), 2026. Glazed ceramic on canvas with silver leaf, matt medium, epoxy, and sweepings, 12 x 9 in.

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

Live long and prosper! Galleriat and NYC local, Will braving the elements, NYC 2025 @willnyc willnyc @longstoryshort.nyc

🚨 NOW OPEN 🚨

We are proud to introduce @lito_editions’ first collaboration with @jochenmuehlenbrink exclusively previewed at @artbasel Miami Beach until Sunday 7th December. These two incredible limited editions artworks are available in person only this week at the Art Basel Shop, first come first served - don’t miss out.

#LITOEditions #ArtBasel #ArtBaselMiamiBeach #ArtBaselShop #JochenMühlenbrink

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

🚨 MUST-SEE IN PARIS 🚨
If you see one show this season — make H.R. GIGER PARIS this one!

Long Story Short Paris, in collaboration with @mai36galerie and @kaleidoscopemagazine, presents H.R. GIGER PARIS, an exhibition dedicated to the visionary Swiss artist HR Giger.

Running through November 15, 2025, in sync with Art Basel Paris, the show unites original works spanning Giger’s entire career — from early surrealist experiments to a rare life-size Necronom from Alien III, a haunting sculpture that crystallizes the essence of his biomechanical universe.

Giger (1940–2014) remains a towering figure of 20th-century art. The mind behind Ridley Scott’s 1979 Alien, he built a world where flesh fuses with metal, and dreams decay into industrial nightmares. His “biomechanical” aesthetic — erotic, terrifying, and hypnotically precise — continues to echo across cinema, fashion, music, and contemporary art.

The exhibition retraces his evolution from the late 1960s onward, revealing how his dystopian imagination anticipated our own age — of AI, transhumanism, and environmental dread. In Giger’s dark poetics, the line between man and machine dissolves, exposing the beauty and terror of progress itself.

🕯️ Until November 15, 2025
Wed–Sat, 12–7pm
Long Story Short
23 rue Charlot, 75003 Paris

#longstoryshortparis

Opening Soon:
📌Daido Moriyama opening Wednesday September 3rd at Long Story Short @longstoryshort.nyc from 6-8pm as a part of Chinatown Gallery Night

Long Story Short presents Daido Moriyama’s exhibition, “The Taste of Distance,” featuring a participatory workshop where visitors create photobooks. Highlighting Moriyama’s influential photography, the show emphasizes collaboration and the evolving nature of his art, showcasing Moriyama’s exploration of urban life through images.

Opening sponsored by Showrunner⭐️ #ShowrunnerNYC

Opening Soon:
📌Daido Moriyama opening Wednesday September 3rd at Long Story Short @longstoryshort.nyc from 6-8pm as a part of Chinatown Gallery Night

Long Story Short presents Daido Moriyama’s exhibition, “The Taste of Distance,” featuring a participatory workshop where visitors create photobooks. Highlighting Moriyama’s influential photography, the show emphasizes collaboration and the evolving nature of his art, showcasing Moriyama’s exploration of urban life through images.

Opening sponsored by Showrunner⭐️ #ShowrunnerNYC

David Hockney at LV Foundation w @willnyc

Jochen Mühlenbrink’s (@jochenmuehlenbrink) STILL (Lifes and Dreams) reimagines classical Trompe-l’œil with a conceptual, contemporary twist. Spanning twenty years of the German artist’s work, the show moves from fogged glass illusions and peeled tape to mirrored surfaces that draw the viewer into the frame.

With wit and precision, Mühlenbrink turns stillness into a dream state—where the ordinary blurs, and perception slips into play. On view at Long Story Short (@longstoryshort.nyc) through June 15.

Interview captured by @joshuabgeyer

#art
#artist

a short story at Long Story Short

ARTIST WALKTHROUGH
Join us this Thursday 6-8 pm
52 Henry Street @longstoryshort.nyc
.
Powered by @showrunnerco
.
STILL (Lifes and Dreams), 2025
#jochenmühlenbrink #soloshow

ARTIST WALKTHROUGH
Join us this Thursday 6-8 pm
52 Henry Street @longstoryshort.nyc
.
Powered by @showrunnerco
.
STILL (Lifes and Dreams), 2025
#jochenmühlenbrink #soloshow

ARTIST WALKTHROUGH
Join us this Thursday 6-8 pm
52 Henry Street @longstoryshort.nyc
.
Powered by @showrunnerco
.
STILL (Lifes and Dreams), 2025
#jochenmühlenbrink #soloshow

Last week a wonderful platform @artcube listed 9individual shaping the art world in New York and adding me into their top 10 list. The people on this list are true veteran of this world and I don’t know how I made this list honestly. But I’m super thankful to be part of it.
I come into this world as like most things I do self taught and have no background. I have a drive to learn, understand and challenge what was what and how it works. I have always been difficult in following rules but nonetheless have a respect to follow if it doesn’t work my stubborn ways.
I’ve done close to if not 150 shows in almost 5 years and I don’t know how much more I have in me to continue this way, a change need to come. The world has changed once again but it’s a cycle that has happen before. I want to let everyone know don’t stress too much it will all work out( to some).
Thankful to the handful of artist that do believe in what I do or at least try, I can only do what I think is right with integrity and righteousness.