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At 1112, distillation is practiced year-round, shaped by inherited methods, seasonal botanicals, and the knowledge of grandmothers.

We mark one year of continuing a nearly forgotten household craft.

#1112marrakech #1112teahouse #moroccantea #marrakechrestaurant #atay #المغرب #visitmorocco #moroccanheritage #تقطار_الزهر

Day 1/7 of the 1112 x orange blossom ceremony.
(reserve your table via link in bio)
#1112marrakech #تقطار_الزهر #visitmorocco #المغرب #marrakech

Let the rose ceremony begin… because apparently importing thousands of roses from Kalaat M’Gouna to the middle of Marrakech is now just a casual thing we do.

For a few days only, 1112 smells less like restraint and more like Damascus roses, copper stills, and beautiful excess. A tradition usually witnessed elsewhere in Morocco, now unfolding in our courtyard.🌹✨ #1112marrakech

Book before the roses have other plans.
#المغرب #تقطار_الورد #الورد

Let the rose ceremony begin… because apparently importing thousands of roses from Kalaat M’Gouna to the middle of Marrakech is now just a casual thing we do.

For a few days only, 1112 smells less like restraint and more like Damascus roses, copper stills, and beautiful excess. A tradition usually witnessed elsewhere in Morocco, now unfolding in our courtyard.🌹✨ #1112marrakech

Book before the roses have other plans.
#المغرب #تقطار_الورد #الورد

Let the rose ceremony begin… because apparently importing thousands of roses from Kalaat M’Gouna to the middle of Marrakech is now just a casual thing we do.

For a few days only, 1112 smells less like restraint and more like Damascus roses, copper stills, and beautiful excess. A tradition usually witnessed elsewhere in Morocco, now unfolding in our courtyard.🌹✨ #1112marrakech

Book before the roses have other plans.
#المغرب #تقطار_الورد #الورد

Let the rose ceremony begin… because apparently importing thousands of roses from Kalaat M’Gouna to the middle of Marrakech is now just a casual thing we do.

For a few days only, 1112 smells less like restraint and more like Damascus roses, copper stills, and beautiful excess. A tradition usually witnessed elsewhere in Morocco, now unfolding in our courtyard.🌹✨ #1112marrakech

Book before the roses have other plans.
#المغرب #تقطار_الورد #الورد

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

Our uniform design brief was essentially: what if the staff looked like they inherited impeccable taste from several formidable ancestors?

✨Vintage fabrics only, naturally.

•First slide: Drawing by Delacroix (1832)
#1112marrakech #morocco #المغرب
#قفطان_مغربي

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

A few horizontal outtakes from the rose ceremony. Proof that beauty occasionally refuses to fit the frame. 🌹
#1112marrakech #المغرب #تقطار_الزهر #الملحون

Today’s mood : *حبك القمر بكمالو* 🌙

A Tetouani classic, from the repertoire made famous by Chekara*, with a proverb tucked inside. *“إذا حبّك القمر بكمالو، واش راحلك فالنجوم إلا مالو”* — if the full moon is already yours, why worry about the stars? A northern Moroccan lesson in satisfaction, perspective, and perhaps excellent standards.

Performed by our favorite young family of musicians for the last day of the rose ceremony.

*Abdessadek Chekara was one of Morocco’s most iconic musicians, especially associated with Tetouan and the musical traditions of northern Morocco.

#1112marrakech #abdessadekchekara #المغرب #تقطار_الزهر #الطرب_الاصيل

Today’s mood : *حبك القمر بكمالو* 🌙

A Tetouani classic, from the repertoire made famous by Chekara*, with a proverb tucked inside. *“إذا حبّك القمر بكمالو، واش راحلك فالنجوم إلا مالو”* — if the full moon is already yours, why worry about the stars? A northern Moroccan lesson in satisfaction, perspective, and perhaps excellent standards.

Performed by our favorite young family of musicians for the last day of the rose ceremony.

*Abdessadek Chekara was one of Morocco’s most iconic musicians, especially associated with Tetouan and the musical traditions of northern Morocco.

#1112marrakech #abdessadekchekara #المغرب #تقطار_الزهر #الطرب_الاصيل

Today’s mood : *حبك القمر بكمالو* 🌙

A Tetouani classic, from the repertoire made famous by Chekara*, with a proverb tucked inside. *“إذا حبّك القمر بكمالو، واش راحلك فالنجوم إلا مالو”* — if the full moon is already yours, why worry about the stars? A northern Moroccan lesson in satisfaction, perspective, and perhaps excellent standards.

Performed by our favorite young family of musicians for the last day of the rose ceremony.

*Abdessadek Chekara was one of Morocco’s most iconic musicians, especially associated with Tetouan and the musical traditions of northern Morocco.

#1112marrakech #abdessadekchekara #المغرب #تقطار_الزهر #الطرب_الاصيل

Today’s mood : *حبك القمر بكمالو* 🌙

A Tetouani classic, from the repertoire made famous by Chekara*, with a proverb tucked inside. *“إذا حبّك القمر بكمالو، واش راحلك فالنجوم إلا مالو”* — if the full moon is already yours, why worry about the stars? A northern Moroccan lesson in satisfaction, perspective, and perhaps excellent standards.

Performed by our favorite young family of musicians for the last day of the rose ceremony.

*Abdessadek Chekara was one of Morocco’s most iconic musicians, especially associated with Tetouan and the musical traditions of northern Morocco.

#1112marrakech #abdessadekchekara #المغرب #تقطار_الزهر #الطرب_الاصيل

Today’s mood : *حبك القمر بكمالو* 🌙

A Tetouani classic, from the repertoire made famous by Chekara*, with a proverb tucked inside. *“إذا حبّك القمر بكمالو، واش راحلك فالنجوم إلا مالو”* — if the full moon is already yours, why worry about the stars? A northern Moroccan lesson in satisfaction, perspective, and perhaps excellent standards.

Performed by our favorite young family of musicians for the last day of the rose ceremony.

*Abdessadek Chekara was one of Morocco’s most iconic musicians, especially associated with Tetouan and the musical traditions of northern Morocco.

#1112marrakech #abdessadekchekara #المغرب #تقطار_الزهر #الطرب_الاصيل

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

If you’ve been following our recent content, you already know we’ve entered our ceremonial era.
Here’s a little evidence….✨
•Last chance to witness the rose ceremony tomorrow 11am-5pm.
#1112marrakech #المغرب #تقطارالورد #تقطار_الزهر

What started as a revival of forgotten rituals is quietly becoming part of 1112’s story: bringing Moroccan traditions usually witnessed in other regions of Morocco into the heart of Marrakech.

This time, our surprise is rose water distillation. We’re bringing Damascus roses from Kelaat M’Gouna — Morocco’s rose capital, where this ritual has long been part of local life — and recreating the ceremony live at 1112, alongside livemusic.

Some things deserve to be witnessed, not just remembered. Book ahead.

#1112marrakech #تقطار_الزهر #تقطارالورد #kalaatmgouna #draatafilalet

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

The caftans worn by the women of 1112 are inspired by Moroccan fashion from the early 1900s, particularly the refined garments once worn in the central cities of Morocco — The layered silhouettes made to move elegantly through riad courtyards, tea rituals, and long afternoons of hospitality.

The upper layer wasusually crafted from التليجة “tlija”, a slightly translucent fabric that reveals the ornate textile underneath, often detailed with السفيفة “sfifa”.
For these particular pieces, we searched for vintage Moroccan fabrics. Every pattern, weave, and trim carries traces of another era.

This post documents the making of sfifa as it is practiced today through machines that require precision and craftsmanship of their own. The fully handmade process — slower, rarer, and even more fascinating — deserves its own story, which we will share very soon.

At 1112, preserving heritage is not about nostalgia for nostalgia’s sake. It is about allowing our guests to sit inside a living Morocco — where the tea, the music, the architecture, and even the clothing can momentarily transport you back in time.

•First slide reference: Costumes du Maroc by Jean Besancenot.

#1112marrakech #moroccancaftan #caftanmarocain #قفطان_مغربي #المغرب

Blooming and brewing—our preferred afternoon disciplines.
#1112marrakech#moroccanriad #architecture #flowers #fountain

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

At 1112, some of the most beautiful moments are those created by women in conversation, in craft, and in song.

•
#1112marrakech #morocco #marrakech #moroccantea #marrakechrestaurant

The original residents of every riad: tibibit (Emberiza sahari).
A traditional riad is not fully operational without them.
Small birds with excellent taste in real estate, living off courtyard crumbs, bathing in fountain water, and providing what can only be described as Morocco’s first ambient soundtrack.

#1112marrakech #morocco #marrakech #riad #moroccantea

The original residents of every riad: tibibit (Emberiza sahari).
A traditional riad is not fully operational without them.
Small birds with excellent taste in real estate, living off courtyard crumbs, bathing in fountain water, and providing what can only be described as Morocco’s first ambient soundtrack.

#1112marrakech #morocco #marrakech #riad #moroccantea