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Fuyumi Murata & Fumiaki Nagao continues at the gallery through the weekend. We will be open Friday to Sunday 12–6PM, with a gallery walkthrough Saturday morning at 10AM.

Fumiaki Nagao
“Drawing”
Graphite on paper
16 1/2 x 13 3/8 x 3/4 in
42 x 34 x 2 cm

Fuyumi Murata & Fumiaki Nagao continues at the gallery through the weekend. We will be open Friday to Sunday 12–6PM, with a gallery walkthrough Saturday morning at 10AM.

Fumiaki Nagao
“Drawing”
Graphite on paper
16 1/2 x 13 3/8 x 3/4 in
42 x 34 x 2 cm

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Jan Vorisek ‘Together Alone’(2025) by @hanapooo
@v0r1sickn3ss #janvorisek

Parloir @_parloir_ is now open to the public. We look forward to welcoming you to view Yusuke Abe’s works.

Opening
April 23: 4 - 9 PM (free entry)
- Public days
April 24:10 AM - 8 PM
April 25:10 AM - 7 PM
April 26:10 AM - 5 PM

PARTICIPATING GALLERIES
- 4649 (Tokyo)
- BEIGE (Brussels)
- Conradi (Hamburg)
- Edouard Montassut (Paris)
- Ehrlich Steinberg (Los Angeles)
- Eli Kerr (Montreal)
- Final Hot Desert (London)
- Gauli Zitter (Brussels)
- KIN (Brussels)
- Khoshbakht (Cologne)
- Sophie Tappeiner (Vienna)

VENUE
Rue d'Arlon 104, 1040 Brussels

#yusukeabe

We will be presenting a new works by Japanese artist Yusuke Abe at Parloir @_parloir_ a new art fair opening tomorrow in Brussels. Please email or DM us to request a preview of the booth.

DATES
- Preview
April 22: 4 - 9 PM (by invitation)
- Opening
April 23: 4 - 9 PM (free entry)
- Public days
April 24:10 AM - 8 PM
April 25:10 AM - 7 PM
April 26:10 AM - 5 PM

PARTICIPATING GALLERIES
- 4649 (Tokyo)
- BEIGE (Brussels)
- Conradi (Hamburg)
- Edouard Montassut (Paris)
- Ehrlich Steinberg (Los Angeles)
- Eli Kerr (Montreal)
- Final Hot Desert (London)
- Gauli Zitter (Brussels)
- KIN (Brussels)
- Khoshbakht (Cologne)
- Sophie Tappeiner (Vienna)

VENUE
Rue d’Arlon 104, 1040

[image]
Yusuke Abe
Time bridge, 2024
33.3 x 24.2 x 6.5 cm
Oil, gesso, wood, glue on wood panel

@gauli_zitter
#yusukeabe

Opening tonight at Calea Griviței 21A
April 18 18:00–21:00
Fuyumi Murata & Fumiaki Nagao

Fuyumi Murata
“Figure,” 2014-2026
Gelatin silver print
11 x 12 x 3/4 in
27.9 x 30.5 x 2 cm
(framed)

Fuyumi Murata & Fumiaki Nagao
Opening Saturday, April 18th 18:00–21:00

Fumiaki Nagao
“Shapes and Times No. 20,” 2026
Acrylic on old galley tray for letterpress printing and canvas
10 5/8 x 7 1/4 x 5/8 in
27 x 18.4 x 1.7 cm

4649 at Parloir with Yusuke Abe!

Opening 23.4. from 16.00 at Rue D’Arlon 104, 1040 Brussels.

Image 1:

踏み外し / Collapse, 2024
Acrylic, pencil on wood panel
35 x 27 cm

Image 2:

Parloir 2026 Brussels

4649 at Parloir with Yusuke Abe!

Opening 23.4. from 16.00 at Rue D’Arlon 104, 1040 Brussels.

Image 1:

踏み外し / Collapse, 2024
Acrylic, pencil on wood panel
35 x 27 cm

Image 2:

Parloir 2026 Brussels

Introducing our participating artist represented by 4649, Yusuke Abe:

Yusuke Abe was born in Yamagata, Japan, and currently lives and works in Saitama. Centered on painting, his practice combines oil and spray painting while incorporating various heterogeneous materials such as plastic, cards, video game software, and wood. Through collage and layering, these elements form complex compositions that exist between the flatness of painting and the presence of relief.

Abe’s work draws largely from personal memories and formative experiences. Childhood activities in nature—such as fishing and collecting insects—alongside video games, card games, and the unconscious doodles left in the corners of notebooks and textbooks, frequently reappear as visual motifs. Insects, fish, and monster-like characters often populate his paintings. Abe has noted that in his work these motifs are “completely equal in existence” to a casual line drawn with a brush. Just as insects inhabit grasslands, fish live in water, and monsters belong to the worlds of trading cards or video games—each existing according to the rules of its own environment—this perspective gradually led him to realize that humans likewise live within the limited framework of what we call the “human world.”

Yusuke Abe
Sometimes appear from the bushes
2019
Oil, paper, ink, coupy-pencil, oil pastel, pencil, pencil cap, eraser, clear case, card sleeve, Animal Crossing card, Gameboy Color, glue on wood panel
42 x 33 cm

Yusuke Abe
Ancient lake
2021
Oil, paper, ink, coupy-pencil, plastic board, canvas, glue on wood panel
46 x 38 cm

Yusuke Abe
Live through the side ditch
2024
Oil, charcoal, ink, coupy-pencil, paper, gesso, gel medium, hologram sheet, resin on canvas
33.5 x 24 cm

Introducing our participating artist represented by 4649, Yusuke Abe:

Yusuke Abe was born in Yamagata, Japan, and currently lives and works in Saitama. Centered on painting, his practice combines oil and spray painting while incorporating various heterogeneous materials such as plastic, cards, video game software, and wood. Through collage and layering, these elements form complex compositions that exist between the flatness of painting and the presence of relief.

Abe’s work draws largely from personal memories and formative experiences. Childhood activities in nature—such as fishing and collecting insects—alongside video games, card games, and the unconscious doodles left in the corners of notebooks and textbooks, frequently reappear as visual motifs. Insects, fish, and monster-like characters often populate his paintings. Abe has noted that in his work these motifs are “completely equal in existence” to a casual line drawn with a brush. Just as insects inhabit grasslands, fish live in water, and monsters belong to the worlds of trading cards or video games—each existing according to the rules of its own environment—this perspective gradually led him to realize that humans likewise live within the limited framework of what we call the “human world.”

Yusuke Abe
Sometimes appear from the bushes
2019
Oil, paper, ink, coupy-pencil, oil pastel, pencil, pencil cap, eraser, clear case, card sleeve, Animal Crossing card, Gameboy Color, glue on wood panel
42 x 33 cm

Yusuke Abe
Ancient lake
2021
Oil, paper, ink, coupy-pencil, plastic board, canvas, glue on wood panel
46 x 38 cm

Yusuke Abe
Live through the side ditch
2024
Oil, charcoal, ink, coupy-pencil, paper, gesso, gel medium, hologram sheet, resin on canvas
33.5 x 24 cm

Introducing our participating artist represented by 4649, Yusuke Abe:

Yusuke Abe was born in Yamagata, Japan, and currently lives and works in Saitama. Centered on painting, his practice combines oil and spray painting while incorporating various heterogeneous materials such as plastic, cards, video game software, and wood. Through collage and layering, these elements form complex compositions that exist between the flatness of painting and the presence of relief.

Abe’s work draws largely from personal memories and formative experiences. Childhood activities in nature—such as fishing and collecting insects—alongside video games, card games, and the unconscious doodles left in the corners of notebooks and textbooks, frequently reappear as visual motifs. Insects, fish, and monster-like characters often populate his paintings. Abe has noted that in his work these motifs are “completely equal in existence” to a casual line drawn with a brush. Just as insects inhabit grasslands, fish live in water, and monsters belong to the worlds of trading cards or video games—each existing according to the rules of its own environment—this perspective gradually led him to realize that humans likewise live within the limited framework of what we call the “human world.”

Yusuke Abe
Sometimes appear from the bushes
2019
Oil, paper, ink, coupy-pencil, oil pastel, pencil, pencil cap, eraser, clear case, card sleeve, Animal Crossing card, Gameboy Color, glue on wood panel
42 x 33 cm

Yusuke Abe
Ancient lake
2021
Oil, paper, ink, coupy-pencil, plastic board, canvas, glue on wood panel
46 x 38 cm

Yusuke Abe
Live through the side ditch
2024
Oil, charcoal, ink, coupy-pencil, paper, gesso, gel medium, hologram sheet, resin on canvas
33.5 x 24 cm

The only thing I can’t stand about China is how bicycles and electric silent scooters run around at fast speeds on the sidewalk, but other than that, Shenzhen might just be my favorite place I’ve ever visited.
By the way, we are showing the works by Emi Mizukami and Yusuke Abe at the “So Shenzhen” art fair, opening today, held at the Shenzhen Sea World Culture and Arts Center. It’s close to Hong Kong so please do stop by.

2026 So~Shenzhen! 艺博会
公众开放
2026.3.23-3.2711:00-18:00
2026.3.28-3.2911:00-19:00
* 闭馆前 30 分钟停止入场
地址
海上世界文化艺术中心主展厅
深圳市南山区望海路 1187 号

@aljeaanns
#yusukeabe #emimizukami

The only thing I can’t stand about China is how bicycles and electric silent scooters run around at fast speeds on the sidewalk, but other than that, Shenzhen might just be my favorite place I’ve ever visited.
By the way, we are showing the works by Emi Mizukami and Yusuke Abe at the “So Shenzhen” art fair, opening today, held at the Shenzhen Sea World Culture and Arts Center. It’s close to Hong Kong so please do stop by.

2026 So~Shenzhen! 艺博会
公众开放
2026.3.23-3.2711:00-18:00
2026.3.28-3.2911:00-19:00
* 闭馆前 30 分钟停止入场
地址
海上世界文化艺术中心主展厅
深圳市南山区望海路 1187 号

@aljeaanns
#yusukeabe #emimizukami

check-in SIDE SPACE 2026 is delighted to introduce our participating gallery:

4649

4649 (f. 2018) is a curatorial project and space in Sugamo, Tokyo founded and run by artists Shogo Shimizu, Yuhei Kobayashi and Yuu Takamizawa. 4649’s on-site programme focuses on exhibitions with emerging, international artists to introduce their work to the Tokyo art scene. 4649 also participates in off-site projects, exhibiting Tokyo- based artists internationally. Recent exhibitions include ‘XYZ × 4649 PROJECTS’ (Art Week Tokyo, 2025), ‘Jan Vorisek : Together Alone’ (2025), ‘Lucy Lie and Anna Rubin’ orgainzed by Keenan Jay (2025), ‘ 視線の尽きる涯 (shisen no tsukiru hate)’ hosted by Cherry Hill, Cologne(2025), ‘linger’ (2025), Dreaming of Life (2025), ‘Raiki Yamamoto: Sober Age’ (2024), ‘Tojiba CPU Corp: The Good Factory’ (2024), ‘Motoko Ishibashi’ (2023), ‘Charles Manson, Timothy Leary and the Rats of NIMH’ (2023), ‘Ella Fleck and Tabitha Steinberg’ (2020), ‘Alex Dolan and Jasper Spicero’ (2019). Presentations at CURATION FAIR Tokyo (2026), EAST EAST (2025), Supper Club Hong Kong (2025), Post-Fair, Santa Monica (2025), Feria Material (2024), Art Collebration Kyoto (2022-2025), June Art Fair (2023), NADA Miami Project Booth (2018~2021) and more. 4649 has also published collections of works by Japanese artists Shogo Shimizu and Yasuaki Hamada, organized related exhibitions and published editions of their works, and participated in the Tokyo Art Book Fair (2023).

小林優平、潮田登久子、クリストフ・ヴィーデマンの三人展ご好評につき3月15日(日)まで会期延長いたします。お待ちしてます。

The group show featuring Yuhei Kobayashi, Tokuko Ushioda and Christoph Wiedemann has been extended until Sunday, March 15. We look forward to seeing you Thursday through Saturday from 1 PM to 6 PM, and Sunday from 1 PM to 5 PM.

Yuhei Kobayashi
L’empire des lumières, 2025
Lambda color print, Vintage frame
54.8x46.7 cm
Unique

#yuheikobayashi #tokukoushioda #christophwiedemann

Yuhei Kobayashi, Tokuko Ushioda, Christoph Wiedemann
Saturday 1-6pm, Sunday 1-5pm

Christoph Wiedemann
Office (5), 2025
Lambda print, framed
30x40cm

Office(3), 2025
Lambda print, framed
30x40cm

#yuheikobayashi #tokukoushioda #christophwiedemann

Yuhei Kobayashi, Tokuko Ushioda, Christoph Wiedemann
Saturday 1-6pm, Sunday 1-5pm

Christoph Wiedemann
Office (5), 2025
Lambda print, framed
30x40cm

Office(3), 2025
Lambda print, framed
30x40cm

#yuheikobayashi #tokukoushioda #christophwiedemann