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abramovicinstitute
Marina Abramović Institute
Dedicated to long durational performance
CTH Workshops - May
Transforming Energy - @gallerieaccademiavenezia
Counting the Rice @emmamuseum
“Marina Abramović: Balkan Erotic Epic. The Exhibition” – 15 April to 23 August 2026 at Gropius Bau
One of the most influential performance artists of all time, Marina Abramović (@abramovicinstitute) presents “Balkan Erotic Epic. The Exhibition” at Gropius Bau in spring 2026. The show traces her ongoing engagement with ritual, eroticism, death and the body as a site of political resistance. Drawing on the folklore of Abramović’s native Balkans, the exhibition weaves together filmic and sculptural installations with live performance to explore eroticism as an offering that binds life and death, the self and the cosmos.
Curated by Agnes Gryczkowska, curator and writer, and Jenny Schlenzka, Director, Gropius Bau, with Elena Franziska Setzer, Assistant Curator, Gropius Bau, and Savannah Thümler, Curatorial Assistant, Gropius Bau
Celebrating their 75th birthday, the @berlinerfestspiele unfold “Balkan Erotic Epic” in two parts: following the exhibition at Gropius Bau, “Balkan Erotic Epic. The Stage Version”, a new multi-hour theatre production, will open the Performing Arts Season in the Haus der Berliner Festspiele in October 2026.
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(Deutscher Text in den Kommentaren)
Link in bio 🔗
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Image: Marina Abramović, Women Massaging Breasts from the series Balkan Erotic Epic, C-Print, 2005, Serbia © Marina Abramović. Courtesy of the Marina Abramović Archives / VG Bild-Kunst, Bonn 2026#GropiusBau #BerlinerFestspiele #MarinaAbramovic #ExhibitionHall #ArtMuseum #MuseumBerlin #PerformingArtsSeason @agnesgryczkowska @jennyschlenzka @el_fran0 @savannahjadetyson
Excited to announce the release of “Marina Abramović: On the Erotic“, published by @bierkebooks, as part of our exhibition “Marina Abramović: Balkan Erotic Epic. The Exhibition“ (from 15 April) and as the third volume of our book series “The Practice – What Moves Artists“.
For Marina Abramović, eroticism is by no means limited to the romantic relationship between two people but acts as a collective force in many areas of life. According to the performance artist, erotic energy must find a public form through artistic and political practices in order to prevent it from leading to violence and war. In this book, Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet.
Now available at @bierkebooks and at Gropius Bau's bookshop @buchhandlungwaltherfranzkoenig.
With contributions by Marina Abramović, Agnes Gryczkowska (@agnesgryczkowska) and Svetlana Racanović as well as reprints of texts by Silvia Federici, Audre Lorde, Mithu M. Sanyal, Elizabeth M. Stephens and Annie M. Sprinkle
Edited by Jenny Schlenzka (@jennyschlenzka) and Julia Grosse (@julia.grosse.9)
Design by Stoodio Santiago da Silva @stooooooodio
• • •
(Deutscher Text in den Kommentaren)
Link in bio🔗
• • •
#GropiusBau #MarinaAbramovic #OntheErotic #ContemporaryArtBerlin #ExhibitionHall #MuseumBerlin @abramovicinstitute @jennyschlenzka @julia.grosse.9 @el_fran0 @savannahjadetyson
Excited to announce the release of “Marina Abramović: On the Erotic“, published by @bierkebooks, as part of our exhibition “Marina Abramović: Balkan Erotic Epic. The Exhibition“ (from 15 April) and as the third volume of our book series “The Practice – What Moves Artists“.
For Marina Abramović, eroticism is by no means limited to the romantic relationship between two people but acts as a collective force in many areas of life. According to the performance artist, erotic energy must find a public form through artistic and political practices in order to prevent it from leading to violence and war. In this book, Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet.
Now available at @bierkebooks and at Gropius Bau's bookshop @buchhandlungwaltherfranzkoenig.
With contributions by Marina Abramović, Agnes Gryczkowska (@agnesgryczkowska) and Svetlana Racanović as well as reprints of texts by Silvia Federici, Audre Lorde, Mithu M. Sanyal, Elizabeth M. Stephens and Annie M. Sprinkle
Edited by Jenny Schlenzka (@jennyschlenzka) and Julia Grosse (@julia.grosse.9)
Design by Stoodio Santiago da Silva @stooooooodio
• • •
(Deutscher Text in den Kommentaren)
Link in bio🔗
• • •
#GropiusBau #MarinaAbramovic #OntheErotic #ContemporaryArtBerlin #ExhibitionHall #MuseumBerlin @abramovicinstitute @jennyschlenzka @julia.grosse.9 @el_fran0 @savannahjadetyson
One week to go! Join us next Tuesday, 14 April for the opening of “Marina Abramović: Balkan Erotic Epic. The Exhibition” with a series of opening performances and free admission to the exhibition throughout the evening.
From 19:00, the live performance “Nude with Skeleton” (2002/2026) as well as two scenes from the Manchester‑premiered production “Balkan Erotic Epic” will be presented in our atrium. The two-part performance activates the works “Tito’s Funeral” and “Kafana” (both 2025), through which Marina Abramović engages with the historical period of upheaval that followed the death of Yugoslav president Josip Broz Tito in 1980.
Credits:
Blenard Azizaj (@blenard.azizaj) – Director of Choreography, Performer
Roksanda Ilinčić (@roksandailincic) – Costume Designer
Svetlana Spajić (@spajicsvetlana), Aleksandar Timotić (@aleksandar.timotic.counter), Dragana Jovanović (@dragana____jovanovic) – Singer, Creative Consultant
Marko Nikodijević (@marko.nikodijevicccc) – Composer
Luka Kozlovački – Composer, Sound Designer
Anna Schöttl (@anna_schoettl) – Setdesign
Evgenia Tsanana, Anna Berndtson (@annaberndtson), Herma Auguste Wittstock – Performer
Susan Limbert – Costume Supervisor
Rowan Schratzberger – Assistant Choreographer
Rafi Gokay Wol (@rgokay) – Creative Consultant, Executive Producer for Marina Abramović
Yasemin Kandemiroğlu (@yasemin_kandemiroglu) – Creative Consultant, Producer for Marina Abramović
Christian Fritzenwanker (@fritzenwanker) – Hair & Make-up
Brass Band:
Valerie Barr (@valeriebarr.music) – Accordion
Maxim Kemp – Tuba
Will Bird (willbirdmusic_) – Trumpet
Grace Harman (@grace.harman1) – Flügelhorn
Georgina MacDonell Finlayson (@macfin.music) – Violin
Sam Milton (@smul3_), Emilio Yáñez Ruíz (@emilio_emci) – Percussion
James Seabrook (@james.p.seabrook) – Sousaphone
“Balkan Erotic Epic” is commissioned by Berliner Festspiele; Factory International, Manchester; Gran Teatre del Liceu; Park Avenue Armory; Ruhrtriennale; Les Théâtres de la Ville de Luxembourg and WestK
Produced by Factory International, Manchester
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@abramovicinstitute @agnesgryczkowska @jennyschlenzka @el_fran0 @savannahjadetyson @bllyzh @bebawillfeedyou
The death of Valie Export, a true pioneer of performance art, is extremely sad news. She will be missed immensely in our performance community.
-Marina Abramović
@valieexportfoundation
The death of Valie Export, a true pioneer of performance art, is extremely sad news. She will be missed immensely in our performance community.
-Marina Abramović
@valieexportfoundation
“On the Erotic” – in the hands the artist herself 💛
Published as part of our exhibition “Marina Abramović: Balkan Erotic Epic. The Exhibition”, in this book Marina Abramović talks about female sexuality after menopause, the eroticism of the masses and her love for the planet. Selected texts and recipes provide insights into the politics of eroticism, how to brew a magical love potion, the demands of the eco-sex movement and the symbolism of the vulva and its constitutive power for communities.
📚 “On the Erotic” marks the third volume of our book series “The Practice – What Moves Artists“. Available now at @bierkebooks as well as in our online shop and on site at @buchhandlungwaltherfranzkoenig at Gropius Bau.
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„Über Erotik“ – in den Händen der Künstlerin 💛
Anlässlich unserer Ausstellung „Marina Abramović: Balkan Erotic Epic. The Exhibition“ erschienen, spricht Marina Abramović in diesem Buch über weibliche Sexualität nach der Menopause, über die Erotik der Masse und ihre Liebe zum Planeten. Ausgewählte Texte und Rezepte geben Einblicke in die Politik der Erotik: wie man einen magischen Liebestrank braut, was die Ökosexbewegung fordert und welche Rolle die Symbolik der Vulva für die Konstitution von Gemeinschaften spielt.
📚 „Über Erotik“ ist Teil 3 unserer Publikationsreihe „Die Praxis – Was Künstler*innen bewegt“. Jetzt erhältlich bei @bierkebooks, in unserem Onlineshop sowie vor Ort bei @buchhandlungwaltherfranzkoenig im Gropius Bau.
Link in bio🔗
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#GropiusBau #MarinaAbramovic #OntheErotic #ContemporaryArtBerlin #ExhibitionHall #MuseumBerlin @abramovicinstitute @jennyschlenzka @julia.grosse.9 @el_fran0 @savannahjadetyson
Dal 6 maggio apre al pubblico la mostra Transforming Energy di Marina Abramović alle Gallerie dell'Accademia di Venezia!
La mostra celebra l’80º compleanno dell'artista e instaura un profondo dialogo tra la sua ricerca e i capolavori rinascimentali che hanno plasmato l’identità culturale di Venezia.
L’esposizione, curata da Shai Baitel, si articola tra le sale della collezione permanente e negli spazi dedicati alle mostre temporanee, in un nuovo dialogo tra passato e presente.
Non puoi perdertela: ti aspettiamo fino al 18 ottobre 2026!
Scopri di più su gallerieaccademia.it 🔎
Dal 6 maggio apre al pubblico la mostra Transforming Energy di Marina Abramović alle Gallerie dell'Accademia di Venezia!
La mostra celebra l’80º compleanno dell'artista e instaura un profondo dialogo tra la sua ricerca e i capolavori rinascimentali che hanno plasmato l’identità culturale di Venezia.
L’esposizione, curata da Shai Baitel, si articola tra le sale della collezione permanente e negli spazi dedicati alle mostre temporanee, in un nuovo dialogo tra passato e presente.
Non puoi perdertela: ti aspettiamo fino al 18 ottobre 2026!
Scopri di più su gallerieaccademia.it 🔎
Dal 6 maggio apre al pubblico la mostra Transforming Energy di Marina Abramović alle Gallerie dell'Accademia di Venezia!
La mostra celebra l’80º compleanno dell'artista e instaura un profondo dialogo tra la sua ricerca e i capolavori rinascimentali che hanno plasmato l’identità culturale di Venezia.
L’esposizione, curata da Shai Baitel, si articola tra le sale della collezione permanente e negli spazi dedicati alle mostre temporanee, in un nuovo dialogo tra passato e presente.
Non puoi perdertela: ti aspettiamo fino al 18 ottobre 2026!
Scopri di più su gallerieaccademia.it 🔎
Dal 6 maggio apre al pubblico la mostra Transforming Energy di Marina Abramović alle Gallerie dell'Accademia di Venezia!
La mostra celebra l’80º compleanno dell'artista e instaura un profondo dialogo tra la sua ricerca e i capolavori rinascimentali che hanno plasmato l’identità culturale di Venezia.
L’esposizione, curata da Shai Baitel, si articola tra le sale della collezione permanente e negli spazi dedicati alle mostre temporanee, in un nuovo dialogo tra passato e presente.
Non puoi perdertela: ti aspettiamo fino al 18 ottobre 2026!
Scopri di più su gallerieaccademia.it 🔎
Dal 6 maggio apre al pubblico la mostra Transforming Energy di Marina Abramović alle Gallerie dell'Accademia di Venezia!
La mostra celebra l’80º compleanno dell'artista e instaura un profondo dialogo tra la sua ricerca e i capolavori rinascimentali che hanno plasmato l’identità culturale di Venezia.
L’esposizione, curata da Shai Baitel, si articola tra le sale della collezione permanente e negli spazi dedicati alle mostre temporanee, in un nuovo dialogo tra passato e presente.
Non puoi perdertela: ti aspettiamo fino al 18 ottobre 2026!
Scopri di più su gallerieaccademia.it 🔎
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
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📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
//🟡 𝗧𝗛𝗘 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘presents the most comprehensive study to date of the twelve-year collaboration between Ulay and Marina Abramović. Spanning more than 440 pages, it brings together essays by 12 authors, offering insight into the aesthetic, ethical, and political dimensions of their shared work. The publication is complemented by an extensive archival section featuring drawings, diaries, correspondence, sketches, and previously unpublished documents from the Marina Abramović Archives (@abramovicinstitute) and ULAY Foundation (@ulay.foundation).
🟡 The essays are accompanied by a wide range of archival materials, documents, drawings, contact sheets, and photographs of performances.
🟡 Available in Slovenian and English at the reception of Cukrarna Gallery or in our online shop (link in bio).
•
•
📷 @blazgutman / MGML
// 🟡 𝗔𝗥𝗧 𝗩𝗜𝗧𝗔𝗟 – 𝟭𝟮 𝗬𝗲𝗮𝗿𝘀 𝗼𝗳 𝗨𝗹𝗮𝘆 / 𝗠𝗮𝗿𝗶𝗻𝗮 𝗔𝗯𝗿𝗮𝗺𝗼𝘃𝗶𝗰́
#UnveilingArt
30. 11. 2025—10. 5. 2026 at Cukrarna Gallery
The exhibition 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘠𝘦𝘢𝘳𝘴 𝘰𝘧 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ offers for the first time a multilayered insight into the unique and uncompromising collaborative work and life of the artist couple Ulay and Marina Abramović over a period of 12 years between 1976 and 1988.
🟡 Exhibition 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 is on view until May 10th 2026 at Cukrarna Gallery in Ljubljana (Slovenia). Get your tickets now.
Curated by Alenka Gregorič, Felicitas Thun-Hohenstein. Produced by Cukrarna Gallery (Museum and Galleries of Ljubljana) in collaboration with Lena Pislak – ULAY Foundation; Sydney Fishman – Marina Abramović Archives. Re-performances program: Billy Zhao, Rebecca Davis – Marina Abramović Institute; Mara Anjoli Vujić, Alenka Gregorič – Cukrarna Gallery; Re-performance actors: Primož Bezjak, Katarina Stegnar
We gratefully acknowledge the institutions and private owners for their loans and collaborations: Marina Abramović Archives; ULAY Foundation; Musée d’art contemporain de Lyon; Akron Art Museum, Ohio; Collection Dacić Hamburg; Kröller-Müller Museum Otterlo; Kunstmuseum Bern
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Cukrarna (Muzej in galerija mesta Ljubljane)
Poljanski nasip 40
All rights reserved, 2026.
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Video / Video by
MGML/y0yproduction
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
Marina Abramović: Balkan Erotic Epic. The Exhibition opened on April 14 — and it was a blast!!! ✨
Created in close collaboration with Marina, this marks her first solo exhibition in Berlin since the 90s.
“You know, to show it here in Berlin is really important to me (...); the exhibition at Gropius Bau, it’s so multidimensional, and you will see the process of my thinking literally from 1975 till now, 2026.”
The opening featured live elements from Balkan Erotic Epic 2025, first premiered at @factory_international last October. The exhibition brings these works together with pieces from Marina’s early practice, tracing her long-standing interest in state and spiritual rituals, and her exploration of myth-making, gender, nation-building, and eroticism. Rooted in Balkan folklore, it weaves film, sculpture, and performance.
In October 2026, @berlinerfestspiele will present Balkan Erotic Epic. The Stage Version at Haus der Berliner Festspiele.
A heartfelt thank you to my wonderful co-curator @agnesgryczkowska @el_fran0 & @savannahjadetyson the entire @gropiusbau team, Marina’s studio @abramovicinstitute and our partners at Factory International — truly a cross-continental effort. 🖤
On view through August 23, 2026, with daily re-performances of Nude with Skeleton.
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
// 🟡 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗜𝗡 / 𝗕𝗥𝗘𝗔𝗧𝗛𝗜𝗡𝗚 𝗢𝗨𝗧 (𝟭𝟵𝟳𝟳)
𝗩 𝗱𝗮𝗻𝗲𝗺 𝗽𝗿𝗼𝘀𝘁𝗼𝗿𝘂.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀.
𝗞𝗹𝗲𝗰̌𝗶𝘃𝗮, 𝗼𝗯𝗿𝗻𝗷𝗲𝗻𝗮 𝗱𝗿𝘂𝗴 𝗽𝗿𝗼𝘁𝗶 𝗱𝗿𝘂𝗴𝗲𝗺𝘂,
𝘂𝘀𝘁𝗮 𝘁𝗶𝘀̌𝗰̌𝗶𝘃𝗮 𝘀𝗸𝘂𝗽𝗮𝗷.
𝗡𝗼𝘀 𝗶𝗺𝗮𝘃𝗮 𝘇𝗮𝗺𝗮𝘀̌𝗲𝗻 𝘀 𝗰𝗶𝗴𝗮𝗿𝗲𝘁𝗻𝗶𝗺 𝗳𝗶𝗹𝘁𝗿𝗼𝗺.
𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝘀 𝘇𝗮𝗰̌𝗻𝗲 𝗨𝗹𝗮𝘆,
𝗸𝗼 𝘃𝗱𝗶𝗵𝗻𝗲 𝗸𝗶𝘀𝗶𝗸.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗸𝗶𝘀𝗶𝗸.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗠𝗮𝗿𝗶𝗻𝗮
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗨𝗹𝗮𝘆
𝗩𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
𝗜𝘇𝗱𝗶𝗵𝗻𝗲𝗺 𝗼𝗴𝗹𝗷𝗶𝗸𝗼𝘃 𝗱𝗶𝗼𝗸𝘀𝗶𝗱.
🟡 Ulay in Marina Abramović sta performans 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘐𝘯 / 𝘉𝘳𝘦𝘢𝘵𝘩𝘪𝘯𝘨 𝘖𝘶𝘵 izvedla dvakrat. Prvič v Študentskem kulturnem centru v Beogradu in nato v Stedelijk Museum v Amsterdamu leta 1977. Prvič je performans trajal 19 minut, drugič pa 15 minut. V sredo, 8. 4., sta ga v sklopu programa reperformansov 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 poustvarila umetnika Primož Bezjak in Katarina Stegnar.
🟡 Naslednji 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 reperformans je 𝘞𝘰𝘳𝘬 𝘙𝘦𝘭𝘢𝘵𝘪𝘰𝘯, ki ga bosta umetnika izvedla v nedeljo, 19. 4. 2026, ob 19.30. Reperformansi so živi del razstave 𝘈𝘙𝘛 𝘝𝘐𝘛𝘈𝘓 – 12 𝘭𝘦𝘵 𝘵𝘢𝘯𝘥𝘦𝘮𝘢 𝘜𝘭𝘢𝘺 / 𝘔𝘢𝘳𝘪𝘯𝘢 𝘈𝘣𝘳𝘢𝘮𝘰𝘷𝘪𝘤́ in omogočajo izkušnjo zgodovinskih performansov tandema, katerih izvirnih izvedb nismo mogli doživeti.
🟡 Vstopnice so še na voljo (link v bio). Vabljeni!
📷 @blazgutman / MGML
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.