Instagram Story Viewer

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

obligatory semi-annual IG post.

(wow I love my friends and my job and making silly art with the coolest people I know)

1. in reflection. Mirror by @yaki.kat
2. operating live cam @mechasonicsessions in July
3. moved out of the hallway apt!
4. @pixelmouthnyc Guerilla Theater
5. built a rat’s nest of a car rig
6. perpetual @yaki.kat doc
7. VJing @mechasonicsessions
8. vortex watching the sunset
9. MVP

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Yeah I rigged a car that won an Oscar.

(a month after it won and I was not involved in the production of Anora at all but still)

@arethfilm was such a fun shoot—always grateful for any opportunity to do a car rig.

-Swipe for some exponentially shittier rigs-

DoP @gabeofsweden
Gaffer @jackmannion_film
Key Grip 🫡
Swing @makmasen
1st AC @arjunbajaja
2nd AC @soselestial
Picture Vehicle Coordinator @russchave

Director @anaperaltachong
Producer @rblandon
UPM @bylucasom
1st AD @annabellacolleo
2nd AD @aidanhamell
PD @spilt____milk
Sound @gavincorneliusedmonds

🫶🫶🫶

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Built some platforms, rigged some projectors, and gave myself the fancy title of “Director of Environmental Construction”.

jkjk this was a massive project + I could not have done it without my incredible team:
@the_flaire (murals/ceiling)
@tench.nology (projection/lighting design)
@the_world_tao_sees (murals)
@pap3rpl4ne (textiles/downstairs)
@feat.leia (spine install/carp help)
@shelbyt0ni (platform adornment)

3 weeks straight of many 14+ hour days, working almost entirely with scrap wood (shout out @materialsforthearts + the warped wood from the Grace basement I finally made use of)—I am beyond thrilled and grateful for everyone who made our @pixelmouthnyc residency happen 🫶

(swipe to see the king of slop castle)

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

Cult of Consumption Environment Construction BTS

7 days of almost round-the-clock work to transform @graceexhibitionspace into the space we saw at INITIATION—catalogued through the eyes of the artists.

The CoCECC team:
@ae.kaz
@the_flaire
@the_world_tao_sees
@tench.nology

With additional ongoing support from @pap3rpl4ne @shelbyt0ni and @feat.leia

The transformation continues…CoC: SALIVATION will be on January 31

Tkts in bio 🦷

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

A year marked by my favorite camera angle 🫡
(comment ur fave ceiling)

Twenty Twenty Four:
Defrost; a slow death of the
cross border commute.

(As per tradition, another year, another haiku.)

Endless love to all of the friends, near and far🫶🫶

pixelating

shot by @imtravisithink

🪑

pixelating

shot by @imtravisithink

🪑

//pixelmouth 2025 loading

shot by @imtravisithink

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

sorry if I haven’t texted u back been busy defrosting

are you not tired?

made with @touchdesigner @adobevideo

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

some moments from life halfway through a 100 day winter shoot🙃

(pov most of your camera roll would violate your nda if posted) (so this is what you get)

swipe for some ✨grip truck philosophy✨

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

Twenty twenty three;
Double vision fever dream—
Fueled by caffeine.

(another year another haiku)
(much love to all the friends near + far ❤️)

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜

some moments from the *highly anticipated* (as advertised by yours truly) third @pixelmouthnyc show: FOLLOW THE MACHINE.

feat. “The Machine” — my installation/performance art piece for buffering, circling the idea that in order to follow the machine, it is our responsibility to feed the machine with our inputs. Audience members answered questions on slips of paper ranging from the mundane to the absurd and deposited them into The Compiler. Between acts, The Machine was powered on, and inputs were “transmitted” via pulley to be read out.

This was my largest installation piece to date, I’m really proud of how it turned out despite some mid-performance troubleshooting 📺Massive thanks to everyone who participated + indulged me in a never ending call and response of “we must feed the machine!”

//PIXELMOUTH always manages to blow me away with what we are able to accomplish, and none of that would be possible without our artists, volunteers, Grace Space, and of course my fellow curators. So so so much love to the team + my pixelites—I wouldn’t want be losing my mind with anyone else.

if anyone is still reading this essay of a caption, swipe to see some bts of where I spent most of my time during setup 🪜