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An extra day of Berlinale 2027!

Preparations are now underway for the 77th Berlin International Film Festival, which will take place from February 10–21, 2027.

The festival will therefore begin on Wednesday, February 10, 2027 – one day earlier than in previous years, with the Official Awards Ceremony held on the second Friday (February 19, 2027).

The changed start date opens up additional space to introduce the first ever two Audience Days (“Berlinale Publikumstage”) taking place on February 20 and 21, 2027.

Festival Director Tricia Tuttle comments: “Berlinale’s not-so-secret weapon is our wonderful audience; this change allows us to better serve  them, while also responding to increasing demand from attendees at our highly successful European Film Market. We are already planning for the 77th Berlinale with much excitement.” 

👉 European Film Market: Feb 10 - 16

👉 Berlinale Co-Production Market: Feb 13 - 16

👉 Berlinale Talents: Feb 12 - 17

🔗 Find out more via the link in bio.

Best of Berlinale 2026! Enjoy!

Thank you to everyone who has been a part of it and made it so special 🤍

Peek behind the curtains of filmmaking with the Berlinale Talents Talks, which bring outstanding filmmakers to the Talents stage to explore a wide range of creative crafts within the cinematic world, and to reflect on the role and necessity of film in the wider global context. 🎥👀

Earlier this year, filmmaker Chloé Zhao joined Berlinale Talents for an in‑depth conversation about the creative process behind her latest feature-film „Hamnet“ and how she manages to foster a supportive, productive atmosphere on set.

Watch the full talk for free on our website, via the link in bio!

“Rose“ by Markus Schleinzer now screening in German, Austrian and Swiss cinemas. 📽️

Follow the Berlinale on Letterboxd to read all reviews and discover more (Berlinale) films.
🍿🐻

Link in bio! 🔗

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

Release Radar – Berlinale films.

Call your film besties! Here are the releases for May and June in Germany and more countries:

“Roya” by Mahnaz Mohammadi (Germany: May 7).

“Rosebush Pruning” by Karim Aïnouz (Germany: April 23, Austria: May 8, Italy: July 8).

”Sometimes, I Imagine Them All at a Party” by Daniela Magnani Hüller (Germany: May 14).

”Saccharine” by Natalie Erika James (USA: May 22, France: May 27).

“Dao” by Alain Gomis (France: April 29, Germany: June 4).

“I Understand Your Displeasure” by Kilian Armando Friedrich (Germany: June 4).

“Truly Naked” by Muriel d’Ansembourg (France: April 15, Netherlands: April 23, Germany & Austria: June 11).

“My Wife Cries” by Markus Schleinzer (Germany: June 11).

“The House Of The Spirits“ by Francisca Alegría, Fernanda Urrejola, Andrés Wood (streaming: April 29).

Follow the Berlinale on Letterboxd for an overview on all release dates and check your local cinemas for more information.

Enjoy your film time, whether you’re heading to the cinema or cozying up at home.

🍿🎥

“The House of the Spirits“ (Berlinale Special) by Francisca Alegría, Fernanda Urrejola and Andrés Wood – now exclusively streaming on Prime Video.

“The House of the Spirits“ (Berlinale Special) by Francisca Alegría, Fernanda Urrejola and Andrés Wood – now exclusively streaming on Prime Video.

“The House of the Spirits“ (Berlinale Special) by Francisca Alegría, Fernanda Urrejola and Andrés Wood – now exclusively streaming on Prime Video.

“The House of the Spirits“ (Berlinale Special) by Francisca Alegría, Fernanda Urrejola and Andrés Wood – now exclusively streaming on Prime Video.

“The House of the Spirits“ (Berlinale Special) by Francisca Alegría, Fernanda Urrejola and Andrés Wood – now exclusively streaming on Prime Video.

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

The 76th Berlinale in posters!

Film posters are crafted with intention, turning design into a doorway to the film’s world and often even introducing the protagonists. 

Swipe through and discover how more of the 76th Berlinale films use different nuances of blue to shape their worlds. 
 
1. “The Thread“ by Fenn O’Meally.
2. “The Education of Jane Cumming“ by Sophie Heldman.
3. “Yellow Letters“ by İlker Çatak.
4. “If Pigeons Turned to Gold“ by Pepa Lubojacki.
5. “Doggerland“ by Kim Ekberg.
6. “Enough Is Enough“ by Elisé Sawasawa.
7. “Given Names“ by Nurith Aviv.
8. “This Suffocating Now“ by Vika Kirchenbauer.

 🩵🐻

Karim Aïnouz’s “Rosebush Pruning“ (Berlinale Competition) – now in cinemas across Germany.

Karim Aïnouz’s “Rosebush Pruning“ (Berlinale Competition) – now in cinemas across Germany.

Karim Aïnouz’s “Rosebush Pruning“ (Berlinale Competition) – now in cinemas across Germany.

Karim Aïnouz’s “Rosebush Pruning“ (Berlinale Competition) – now in cinemas across Germany.

Karim Aïnouz’s “Rosebush Pruning“ (Berlinale Competition) – now in cinemas across Germany.

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

Today is Earth Day, so we turn to Berlinale films that confront the realities of our changing planet. 🌍

Across rural farmlands, dense rainforests, rising seas and collapsing ice fields, this collection traces the many ways humans and nature remain bound together. It follows young people fighting to protect ancient trees, explorers drawn deep into the jungle in search of forgotten worlds, and families confronting drought and famine as the climate shifts around them. Elsewhere, scientists and thinkers reflect on the scars humanity has left on the planet, while coastal communities in the North Atlantic struggle to keep their traditions alive as industrial fishing, oil exploration and ecological decline push their seas toward collapse. Their stories echo those of small fishing villages in southern Europe, where generations of workers navigate the tension between tradition and modernity, holding on to ways of life that risk disappearing in a globalized economy.

Some stories imagine the future: a planet swallowed by water where survival becomes a race against the tides, or a world where nature begins to retaliate, leaving scientists to confront not only an unknown threat but also humanity’s own denial and greed. Others celebrate resilience and interdependence – a centuries‑old tree sustaining an entire ecosystem, or a young woman racing across a country to seal the doors that unleash disaster, transforming chaos into a journey of healing and responsibility. And in a hypnotic meditation on time, memory and architecture, monumental structures stand as the last witnesses of civilizations long gone, inviting us to consider what traces we ourselves will leave behind.

Together, these narratives from different festival years form a sweeping cinematic reflection on the worlds we’ve shaped, the worlds we’ve endangered, and the worlds we still have the power to protect.

It is achieved not only through stark warnings, but also through a range of genres and tones, from serious to humorous, all aiming to reach both hearts and minds.

🐻🎬🍿

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

The 76th Berlinale in posters! 🎬
 
In one carefully composed image, a poster hints at the world of a film – its atmosphere, its tension, its people. Creating it is an art of blending design and feeling into something that lingers in the viewer’s mind.

Swipe through and discover how the films of the 76th Berlinale use shades of grey to shape their worlds.

1. “Abracadabra“ by Amay Mehrisihi.
2. “Shot Reverse Shot“ by Radu Jude and Adrian Cioflâncă.
3. “Tutti“ by Zhuang Rong Zuo.
4. “Hotel Oblique“ by Merlin Flügel.
5. “White“ by Navroz Shaban.
6. “My Name“ by Chung Ji-young.
7. “With a Kind Regard“ by Pavel Mozhar.
 
🩶🐻

One studio, 11 days, 128 star portraits, and 176 signatures.

These were the star portraits of the 76th Berlinale. A big shoutout to photographer Jens Koch and the team of silver grapes for their amazing work year after year. 🫶🏼

A big round of applause for writer-director Eva Libertad and the entire team behind “Deaf“ (Berlinale Panorama) – winner of the 2026 LUX Audience Award! 👏
 
Selected jointly by EU citizens and Members of the European Parliament, this deeply moving Spanish drama follows Ángela, a deaf woman preparing for motherhood while navigating a world not designed for her. Led by a remarkable performance from deaf actor Miriam Garlo, the film traces the delicate threads between how we speak, who we are, and how we find our place beside others.
 
The LUX Audience Award celebrates films that broaden our understanding of Europe’s diverse experiences. “Deaf“ does exactly that – with honesty, courage and rare emotional clarity. As European Parliament Vice-President Sabine Verheyen noted, the film challenges us to “listen differently and build a Europe where no one is left unheard.”
 
Director Eva Libertad dedicated the award to the deaf community, expressing hope that this recognition will help promote inclusion and shift perceptions of diversity as a source of human richness. 
 
Other films shortlisted for the award were high profile films such as “Christy“ by Brendan Canty, “It Was Just an Accident“ by Jafar Panahi, “Love Me Tender“ by Anna Cazenave Cambet and “Sentimental Value“ by Joachim Trier. 

“Deaf“ premiered at the 75th Berlinale. Once again, congratulations to all the filmmakers, cast and collaborators on this meaningful achievement.

A big round of applause for writer-director Eva Libertad and the entire team behind “Deaf“ (Berlinale Panorama) – winner of the 2026 LUX Audience Award! 👏
 
Selected jointly by EU citizens and Members of the European Parliament, this deeply moving Spanish drama follows Ángela, a deaf woman preparing for motherhood while navigating a world not designed for her. Led by a remarkable performance from deaf actor Miriam Garlo, the film traces the delicate threads between how we speak, who we are, and how we find our place beside others.
 
The LUX Audience Award celebrates films that broaden our understanding of Europe’s diverse experiences. “Deaf“ does exactly that – with honesty, courage and rare emotional clarity. As European Parliament Vice-President Sabine Verheyen noted, the film challenges us to “listen differently and build a Europe where no one is left unheard.”
 
Director Eva Libertad dedicated the award to the deaf community, expressing hope that this recognition will help promote inclusion and shift perceptions of diversity as a source of human richness. 
 
Other films shortlisted for the award were high profile films such as “Christy“ by Brendan Canty, “It Was Just an Accident“ by Jafar Panahi, “Love Me Tender“ by Anna Cazenave Cambet and “Sentimental Value“ by Joachim Trier. 

“Deaf“ premiered at the 75th Berlinale. Once again, congratulations to all the filmmakers, cast and collaborators on this meaningful achievement.

A big round of applause for writer-director Eva Libertad and the entire team behind “Deaf“ (Berlinale Panorama) – winner of the 2026 LUX Audience Award! 👏
 
Selected jointly by EU citizens and Members of the European Parliament, this deeply moving Spanish drama follows Ángela, a deaf woman preparing for motherhood while navigating a world not designed for her. Led by a remarkable performance from deaf actor Miriam Garlo, the film traces the delicate threads between how we speak, who we are, and how we find our place beside others.
 
The LUX Audience Award celebrates films that broaden our understanding of Europe’s diverse experiences. “Deaf“ does exactly that – with honesty, courage and rare emotional clarity. As European Parliament Vice-President Sabine Verheyen noted, the film challenges us to “listen differently and build a Europe where no one is left unheard.”
 
Director Eva Libertad dedicated the award to the deaf community, expressing hope that this recognition will help promote inclusion and shift perceptions of diversity as a source of human richness. 
 
Other films shortlisted for the award were high profile films such as “Christy“ by Brendan Canty, “It Was Just an Accident“ by Jafar Panahi, “Love Me Tender“ by Anna Cazenave Cambet and “Sentimental Value“ by Joachim Trier. 

“Deaf“ premiered at the 75th Berlinale. Once again, congratulations to all the filmmakers, cast and collaborators on this meaningful achievement.