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SOMBR is the first face of CLASH 133.

From the moment he first exploded onto the technicolour pop landscape, SOMBR – real name Shane Michael Boose – has had his finger on the proverbial pulse of popular culture. Beneath the eye-watering streaming figures and high-profile co-signs, however, lies a tender soul, someone who seeks independence at any cost.

2025 brought debut album ‘I Barely Know Her’ and a slew of international hits, with the coming year promising yet more twists and turns in his narrative. SOMBR lit up our screens at the BRIT Awards with a dazzling, instantly iconic performance, the entrancing opening salvo in a crucial year for this defining pop voice.

CLASH gains an intimate audience with SOMBR live and direct from his New York home, and finds an artist who allows himself space to react, and move forwards. He tells us: “If you listen to my music, you can tell that I don’t have the answers. Just learn to move on. It’ll take time and it’ll be hard, but you will get through it. Even if it’s ugly at times, it’s part of why life is also beautiful.”

A rare and revelatory conversation, SOMBR adds: “I do not have any regrets. I hate when anyone tells me what to do. And that sums me up as a person.”

Order your copy now via the 🔗 in bio…

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Words: @sasha___mills
Photographer: @aaroncrossmann
Fashion: @harryjwclements
Creative Direction: @rbpmstudio
SOMBR wears Saint Laurent by Anthony Vaccarello

Nas is the final face of CLASH 133.

When Nas came of age hip-hop was a young art form, a culture that existed on the fringes of mainstream pop culture. Fast forward three decades and Nas is a rap icon almost without peer, his work instantly identifiable on just about every continent.

New album ‘Light-Years’ is his gift to the culture that bore him. Crafted alongside producer DJ Premier, the two align on a record that feels historic, a space for two all-out legends to create in an inspired, utterly free manner.

CLASH sits down with Nas for a very rare cover interview, and it finds the Queens icon in reflective mode. His new album honours graffiti writers and female rappers, aspects of hip-hop culture that are integral, but often overlooked. Going deep on his passion for the art, he re-affirms his creative commitments, admitting to periods of nostalgia while always remaining tethered to the moment, and the challenges that remain.

As he puts it: “I’m still just an MC.”

Order your copy of CLASH 133 by clicking the link in the bio.

Words: Robin Murray
Photographer: @tbonefletcher
Fashion: @mauriceediallo
Creative Direction: @rbpmstudio
Skin: @mariotti_marta
With Special thanks to @themaritimehotelnyc

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Leigh-Anne is the third face of CLASH 133.

For over a decade, the 34-year-old singer-songwriter from High Wycombe was an integral part of one of the biggest girl groups to hit the world stage, Little Mix. Together, they garnered five number-one singles, three BRIT Awards, and over 50 million records sold across the globe. It’s a period that gave Leigh-Anne the platform to perform and express herself within a group dynamic, even if it occasionally stifled her individual quirks.

Years in the making, Leigh-Anne charts her breakaway with debut solo album ‘My Ego Told Me’; a burnished RnB-pop collection the singer has always wanted to create. Informed by her diasporic roots, Leigh-Anne, alongside her close collaborators, have created a cross-continental amalgam: sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions.

For Leigh-Anne, this era is rooted in creative camaraderie, transparency and trust. Creating art away from the major label monopoly has meant reckoning with her past in order to forge her way forward.

“I’m the happiest I’ve ever been,” she tells CLASH. “I guess that’s just from being able to dictate my own life and my own career. I’m going to look back on this moment, my debut album, and know that I’d done it the way I wanted to do it.”

Honouring Leigh-Anne’s history-making, independently-released debut solo album we present fans with the option of two different covers – a rare salute from CLASH to her indefatigable impact.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g

Cover A: Leigh-Anne is wearing vintage @gucci skirt, top by @trigg_____ & footwear by @puma

Cover B: Leigh-Anne is wearing a vintage jacket by @bottegavenetaworld, earrings by @mrselfportrait.

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

Nia Archives brought her Up Ya Archives label and event series to V&A East last Saturday (May 16th). Presented as part of The Music Is Black: A British Story, the takeover featured DJ sets, talks, workshops and screenings exploring the evolution of jungle, with a particular focus on East London’s grassroots infrastructure and communities that helped sustain the genre.

Co-curated with Rendezvous Projects, the day also included a standout back-to-back set from Nia Archives alongside DJ Flight, Naina and SELECTACEE.

Speaking on the takeover Nia shared: “Am super proud of what we did on Saturday in collaboration with the V&A East and Rendevouz Project,” she explains to CLASH. “It was a really special moment for the East London community. I was overwhelmed hearing all the stories in the workshops and panels from all the people who have lived jungle history, seeing kids as young as 3 making pirate radio cassettes through to people in their 60s teaching locals how they produced music in the 90s on old school Amiga and Cubase set ups, it was a moment for bringing intergenerational audiences together.”

“The installations like Deja Vu FM and the iconic Felt Soundsystem really brought the space to life and I don’t think anything like this had been done in a museum before it felt very original and I would have never thought we could do something like that at an establishment like the V&A! Thank you to everyone who came down and contributed to the day!!”

📸 @_luamaro_ @ellamitchell @yasmin_huseyin

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

CLASH went behind the scenes on the video shoot for W1zzy & K-Trap’s latest banger, “More Than Rhymes.

📸 @haruki.design

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

Tara Kumar’s Top New Tunes May 2026

Each month, I am going to curate the songs soundtracking my solo walks, pre-drinks and packed dance floors when I’m spinning. spanning underground discoveries, emerging artists and fresh releases from household names.

Consider this your monthly edit of tracks I recommend all deserve an immediate place on your playlist.

Tap the link in the bio for the full feature 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

CLASH is delighted to confirm that we will be re-uniting with SXSW London this summer, hosting a special stage at the Village Underground in Shoreditch.

The event takes place on June 4th, and will be headlined by Nigerian multi-hyphenate Odumodublvck, UK rap riser Kibo, South London figure PS Hitsquad & online phenomenon Takara.

@odumodublvck
@kibo_69_
@ps_hitsquad
@takarathekoala

SXSW London 2026 runs between June 1st to 6th. Tickets can be found in the link in the bio 🔗

Ms. Lauryn Hill has shared some insight into why she never released another studio album following the success of The Miseducation of Lauryn Hill.

Responding to a post by @fraim.world stating why they think she never followed up her landmark debut, Lauryn Hill joined the comments herself, explaining that burnout and the struggle to create with integrity played a major role.

“When you’re inspired and desire to be principled, what doesn’t get talked about enough is the drain… nor the challenge to find safety so that you can create with integrity,” she wrote.

She also reflected on the pressures that can come with mainstream success, adding: “Most see opportunity as dollars only and often exclude the ‘sense’. ‘The Score’ nor ‘The Miseducation’ were made because we were ‘allowed’ to represent what we did, we fought for every inch. Wild success can cause greed that begins to denigrate the art for the money.”

Ms. Lauryn Hill has shared some insight into why she never released another studio album following the success of The Miseducation of Lauryn Hill.

Responding to a post by @fraim.world stating why they think she never followed up her landmark debut, Lauryn Hill joined the comments herself, explaining that burnout and the struggle to create with integrity played a major role.

“When you’re inspired and desire to be principled, what doesn’t get talked about enough is the drain… nor the challenge to find safety so that you can create with integrity,” she wrote.

She also reflected on the pressures that can come with mainstream success, adding: “Most see opportunity as dollars only and often exclude the ‘sense’. ‘The Score’ nor ‘The Miseducation’ were made because we were ‘allowed’ to represent what we did, we fought for every inch. Wild success can cause greed that begins to denigrate the art for the money.”

Ms. Lauryn Hill has shared some insight into why she never released another studio album following the success of The Miseducation of Lauryn Hill.

Responding to a post by @fraim.world stating why they think she never followed up her landmark debut, Lauryn Hill joined the comments herself, explaining that burnout and the struggle to create with integrity played a major role.

“When you’re inspired and desire to be principled, what doesn’t get talked about enough is the drain… nor the challenge to find safety so that you can create with integrity,” she wrote.

She also reflected on the pressures that can come with mainstream success, adding: “Most see opportunity as dollars only and often exclude the ‘sense’. ‘The Score’ nor ‘The Miseducation’ were made because we were ‘allowed’ to represent what we did, we fought for every inch. Wild success can cause greed that begins to denigrate the art for the money.”

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

New Beginnings: @leighannepinnock

Operating within this industry as a young woman of mixed heritage, Leigh-Anne has long grappled with her identity, which she tackles on her long-gestating debut, ‘My Ego Told Me To’. The album pools together a cross-continental sound palette, moving between sizzling Afrobeats-informed melodies, chest-thumping Amapiano lines, and robust reggae productions, glazed over with a slick pop sheen.

It’s a work that shrugs off the doubters and naysayers who questioned the potency of her solo pop era. It’s a work rooted in creative autonomy, collaboration and cross-cultural exchange; it’s an emblem of a chapter in Leigh-Anne’s life that positions her as not just an independent artist, but an advocate for real change.

“I feel like labels don’t trust us enough,” she tells CLASH. “There aren’t enough platforms to boost Black women in music, especially Black women who are doing more Black-leaning sounds. It’s something that really needs to be spoken about.”

Click the link in the bio to read the full cover feature.

Order your copy of CLASH 133 Leigh-Anne Cover A or Cover B by clicking the 🔗 in our bio.

Words: @anathecoolcat
Photographer: @aaroncrossmann
Fashion: @bethanyferns
Creative Direction: Rob Meyers
Hair: MomosHair
Make Up: @byjemima.g
Footwear: @pumasportstyle

Happy 78th birthday to Grace Jones 🎈

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

No Stylist Needed: Skye Newman by Unai Telleria (@943ut)

@skyenewman__ doesn’t need to be styled. She already knows what she wants — she just needs the space and the craft to bring it to life. In his debut column for CLASH, Unai Telleria reflects on how developing a visual identity is rooted in instinct rather than trend, and the collaborative process behind the one-of-one @studiou.uk pieces she wore throughout her recent UK and European tour.

Tap the link in the bio for the full feature 🔗

On Thursday 28th May, we are bringing Shifa Ligero to the STEREO in Covent Garden with Kin Kin & Talk Nice Sounds.

Shifa Ligero is not just an International DJ—she’s a sonic journey. From Dance to Baile funk, House, Global sounds and Jersey Club her eclectic music taste has no boundaries. There really isn’t a lane you could put her into as a DJ. Shifa’s dynamic sets have garnered attention worldwide her versatile music style transcends typical DJ categorisation’s, ensuring an unforgettable high energy experience for all.

@wilfy.d
@kinkintonight
@talk.nice.sounds

Secure your free tickets via the link in our bio 🔗

On Thursday 28th May, we are bringing Shifa Ligero to the STEREO in Covent Garden with Kin Kin & Talk Nice Sounds.

Shifa Ligero is not just an International DJ—she’s a sonic journey. From Dance to Baile funk, House, Global sounds and Jersey Club her eclectic music taste has no boundaries. There really isn’t a lane you could put her into as a DJ. Shifa’s dynamic sets have garnered attention worldwide her versatile music style transcends typical DJ categorisation’s, ensuring an unforgettable high energy experience for all.

@wilfy.d
@kinkintonight
@talk.nice.sounds

Secure your free tickets via the link in our bio 🔗

On Thursday 28th May, we are bringing Shifa Ligero to the STEREO in Covent Garden with Kin Kin & Talk Nice Sounds.

Shifa Ligero is not just an International DJ—she’s a sonic journey. From Dance to Baile funk, House, Global sounds and Jersey Club her eclectic music taste has no boundaries. There really isn’t a lane you could put her into as a DJ. Shifa’s dynamic sets have garnered attention worldwide her versatile music style transcends typical DJ categorisation’s, ensuring an unforgettable high energy experience for all.

@wilfy.d
@kinkintonight
@talk.nice.sounds

Secure your free tickets via the link in our bio 🔗

On Thursday 28th May, we are bringing Shifa Ligero to the STEREO in Covent Garden with Kin Kin & Talk Nice Sounds.

Shifa Ligero is not just an International DJ—she’s a sonic journey. From Dance to Baile funk, House, Global sounds and Jersey Club her eclectic music taste has no boundaries. There really isn’t a lane you could put her into as a DJ. Shifa’s dynamic sets have garnered attention worldwide her versatile music style transcends typical DJ categorisation’s, ensuring an unforgettable high energy experience for all.

@wilfy.d
@kinkintonight
@talk.nice.sounds

Secure your free tickets via the link in our bio 🔗

On Thursday 28th May, we are bringing Shifa Ligero to the STEREO in Covent Garden with Kin Kin & Talk Nice Sounds.

Shifa Ligero is not just an International DJ—she’s a sonic journey. From Dance to Baile funk, House, Global sounds and Jersey Club her eclectic music taste has no boundaries. There really isn’t a lane you could put her into as a DJ. Shifa’s dynamic sets have garnered attention worldwide her versatile music style transcends typical DJ categorisation’s, ensuring an unforgettable high energy experience for all.

@wilfy.d
@kinkintonight
@talk.nice.sounds

Secure your free tickets via the link in our bio 🔗