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emilywiniker
Emily Winiker
Photographer, director, mother, human.
REP: @walterschupfermanagement
LICENSING: @trunkarchive
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
In the final stretch before everything shifts.
Sharing a few images from a campaign for WhatsApp that I shot this summer in LA while pregnant, working alongside incredible director Martina Magorin (@martinamagorin). Grateful to have worked with so many talented female directors this year, and to be supported by wonderful producers through my pregnancy (shoutout to @cp_west)
Swipe through to see some billboards spotted in the wild and BTS.
Client – @whatsapp
Program Manager – @maryogamelin
Producers – @shutupvince / @kjacks / @cp_west
Group Creative Director – @janjaworski
Stills Creative Director –@adamayer
Associate Creative Directors – @kursuz / @lynnlnak / @laurazarateln
Copywriter – @taylorjchristmas
Photography – me @emilywiniker
Agency – @walterschupfermanagement
EP – Jillian Johnson
Agent – Kenny Roche
Digital Tech – @colingerse
First Assistant – Sean O’Neill
Production Co – @staygoldenla
Director – @martinamagorin
Managing Director – @matthewdmt
EP – @valleyofthedahlz
Head of Production – @kevyg_5
Producer – @ian_swank_nsour_blizair
DP – @seanpconaty
Production Designer – @contestabile
Stylist – @elisenavidad
Hair & Makeup – @olivemeyer
Casting – @sonnenbergcasting
Cast - @alexia_bailey / @kelly_hall / @missshefali / @doyindomingo
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
River turned five, a week ago. What marks the passage of time? What can stop it? How to hold it close, cradle it, pin it down, preserve it?
My belly is swollen, our baby girl inside kicking, strong kicks that leave me breathless.
What a strange and beautiful year. A hugely successful year professionally. A renovation nearly complete. Time spent on planes, on sets, sweating on hikes and cooling down in lakes, days and hours with friends that have become family, the weather turning cool, then cold. Missing time with Sam as he worked nonstop, delighting in the everyday with Riv.
This past year has moved in a blur, one I have not stopped to document or share in real time, feeling dizzied by the day to day, the unrelenting pace. Even though I photograph as my profession, my only documentation of these last 9 months have been haphazard, lots of mirror selfies, snaps on my phone with no composition, my only intention to crystalize something.
I try to parse out the granules of life this year, taste them individually: waking each morning to 4 year old feet jumping on our bed, diving in between me and Sam, living room dance parties in our underwear, frustration of protested swim lessons, beginnings of public school, advanced and nuanced vocabulary emerging, as well as gen Alpha slang: 6-7. Iykyk.
The everlasting construction, our 6 month move into the one bedroom apartment while it endeavored, the rotation of contractors, the never ending laundry and dishes and trips back and forth to Home Depot. Sam tiling the bathroom, weekend after weekend, a seemingly Sisyphean task that we thought would be completed while the weather was still warm, but finally concluded after the trees had lost their leaves. The boulder finally in place, for the moment at least.
…
(Continued in comments…)
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
New work for the iconic @fontainebleaulasvegas Hotel, shot on the Las Vegas strip last spring. I’m not a Vegas person, but the experience at this hotel was so incredible I would totally go back just to stay here.
Team:
Photographer: Emily Winiker
Agency rep: @walterschupfermanagement
Producer: Jay Rodan @sheriffproduction
VP Brand marketing: Lindsey Riggs
ECD: Ryan Ketchum
CD: Chelsea Caceres
Creative agency: Imaginary Friend
1st assist: Sean O’Neill
2nd assist: Jordie Turner
Digi tech: DJ Dohar
Wardrobe stylist: Heidi Meek
Styling assist: Suzi Grgurich
HMU lead: Lauren Lancaster
HMU assist: Mia Dondero
Manicurist: Teresa Ramangkoun
Models: Ashlyn Lutrick, Katherine Neff, Dylan Benson, Joao Forte, Sabina Nelly, Lorena Medina
Production assist: Amanda dodge
Production Coord: Gloria Koehler
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
I’ve spent basically my entire adult life working as a photographer. I came to it through grief—my mother was dying, and documenting her final years gave me a sense of purpose. Photography turned from a hobby to my entire way of being in the world: a creative outlet, a way to insert myself into different worlds, connect with strangers, and shortly after finding it, it became my livelihood. At 26, I left working at an agency to go back to school for photography, and initially launched a photography business that documented family life: children’s portraits, first birthdays, centenarians surrounded by generations of love. Those early moments shaped the photographer I became.
Over the past 15 years, I’ve built a career in commercial photography—campaigns, large scale productions, big commercial sets and wonderful teams. That world continues to inspire me, and I will keep doing it for as long as I can. But quietly, on the side, I’ve kept photographing families. Some return year after year, letting me witness their children growing up.
So today, I’m formally introducing Emilie’s Families—a boutique family photography offering rooted in honesty, warmth, and depth. I’ll continue to shoot commercially, but this is a new venture that has been in the works for a long time, something I had trouble making “official”. But the time has come to give it a name.
More details are on the website: WWW.EMILIESFAMILIES.COM, and I’m always happy to talk more here. A dedicated Instagram for this work is coming soon.
It’s hard putting something out into the world while our country feels to be collapsing and there are so many atrocities happening globally. But my family is my source of comfort, witnessing my son’s spontaneity, lack of pretense, tenderness, wonder is my greatest source of joy. I would love the opportunity to document those moments in your families; we are allowed joy to live alongside grief.
I am available in the area where I live, which is to say, the upper Hudson Valley and Northern Catskills- Kingston to Catskill, Rhinebeck to Chatham. Summer is my favorite time to shoot, so I hope to get to work with you soon.
@thefolklorehouse and the sisterhood of the traveling sweater.
Danielle bought this beautiful pink vintage sweater from the 60’s from a thrift store, I can’t remember where but I want to say somewhere abroad. Maybe not. After we did this shoot together she gifted it to me (part of a trash bag full of hand me downs that I got to pick through before it went off to Goodwill - my best friends all know me well enough to offer their second hand clothes before donating- it’s my version of Christmas each time) I wore it once or twice before deciding it was too itchy, and I donated it to a local thrift store, knowing it would find a new, loving home.
A year or two later my friend Sara hands me the sweater, saying she saw it in a thrift store and thought of me so she bought it for me as a gift. I thought it looked familiar but couldn’t place it. I pondered and then it hit me. I held on to it again for a while and then re-donated it. If it comes to me a third time I’ll make an alter for it.
The magic in these little synchronicities keeps me going these days, when my nervous system is so fraught with all of the political injustice and instability. Wishing you all some magic in your day.
@thefolklorehouse and the sisterhood of the traveling sweater.
Danielle bought this beautiful pink vintage sweater from the 60’s from a thrift store, I can’t remember where but I want to say somewhere abroad. Maybe not. After we did this shoot together she gifted it to me (part of a trash bag full of hand me downs that I got to pick through before it went off to Goodwill - my best friends all know me well enough to offer their second hand clothes before donating- it’s my version of Christmas each time) I wore it once or twice before deciding it was too itchy, and I donated it to a local thrift store, knowing it would find a new, loving home.
A year or two later my friend Sara hands me the sweater, saying she saw it in a thrift store and thought of me so she bought it for me as a gift. I thought it looked familiar but couldn’t place it. I pondered and then it hit me. I held on to it again for a while and then re-donated it. If it comes to me a third time I’ll make an alter for it.
The magic in these little synchronicities keeps me going these days, when my nervous system is so fraught with all of the political injustice and instability. Wishing you all some magic in your day.
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Winter joy ❄️
(I can finally see it as joy as we approach the spring, after what feels like an eternal freeze)
Another of Ewan at Marble Rock.
______________________________
My imagery has been trending in a darker palette for a while now, maybe a reflection of the collective emotional energy of these times; climate disasters, global inequities, greed in our political climate making the frivolity of brighter images feel unapproachable. But the content of my images largely remains the same: golden light of setting sun, lakes and grass and mountains (currently snow covered), childhood delight, flower petals draped over a face, simple joys that persist in spite of everything. Wishing everyone a bit of beauty today.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
Summer recap: water, flowers, children naked without self consciousness. Enjoying last moments of heat before hibernation.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.