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IndieWire
The definitive outlet for film and TV news, reviews, and industry analysis.
On June 18-20, the New Bev will screen “One Battle After Another” in 35mm, giving cinephiles an excuse to dive into Paul Thomas Anderson’s Oscar-winning epic once again and see how the grain and color of 35mm measure up against 70mm, VistaVision, and numerous digital formats.
It’s just part of a typically robust June calendar, which sees the New Beverly hosting a wide range of cinematic treats from beloved classics (“The Third Man,” “E.T.”) to crowd-pleasers (a Tom Cruise sci-fi double bill of “War of the Worlds” and “Edge of Tomorrow”), and more.
Learn more at the link in bio.
Looking back at The American Pavilion Member Welcome Party in #Cannes
Thank you to our partners at @scaddotedu
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
#IndieWireHonors returns with its biggest celebration of TV to date, recognizing the creators, performers, and storytellers behind the season’s most distinctive and culture-shaping television.
“IndieWire has always championed artists pushing the medium forward, and this year’s honorees embody that spirit. Their work challenges conventions, expands the possibilities of storytelling, and reflects the evolving future of television,” said Dana Harris-Bridson, IndieWire’s senior VP and editor-in-chief.
The event will take place on June 4 in Los Angeles. To read more about our Spring 2026 honorees, head to the link in bio.
How did the “Star Wars” fandom become so socially radioactive?
Alison Foreman explores how Disney’s handling of the franchise, online culture wars, and fandom radicalization transformed conversations around “Star Wars” into something far bigger — and far more exhausting — than movie discourse alone.
Read more at the link in bio.
Before he could legally drink, Kane Parsons was already directing one of A24’s biggest movies of the summer.
The 20-year-old filmmaker behind “Backrooms” spoke with IndieWire about turning a viral creepypasta into a major theatrical release, balancing Hollywood with internet culture, and choosing an A24 deal over college applications.
“Backrooms” opens in theaters May 29.
Link in bio
Before he could legally drink, Kane Parsons was already directing one of A24’s biggest movies of the summer.
The 20-year-old filmmaker behind “Backrooms” spoke with IndieWire about turning a viral creepypasta into a major theatrical release, balancing Hollywood with internet culture, and choosing an A24 deal over college applications.
“Backrooms” opens in theaters May 29.
Link in bio
Before he could legally drink, Kane Parsons was already directing one of A24’s biggest movies of the summer.
The 20-year-old filmmaker behind “Backrooms” spoke with IndieWire about turning a viral creepypasta into a major theatrical release, balancing Hollywood with internet culture, and choosing an A24 deal over college applications.
“Backrooms” opens in theaters May 29.
Link in bio
Before he could legally drink, Kane Parsons was already directing one of A24’s biggest movies of the summer.
The 20-year-old filmmaker behind “Backrooms” spoke with IndieWire about turning a viral creepypasta into a major theatrical release, balancing Hollywood with internet culture, and choosing an A24 deal over college applications.
“Backrooms” opens in theaters May 29.
Link in bio
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
From Palme d’Or winner “Fjord” to breakout titles like “Club Kid,” “Paper Tiger,” and “Teenage Sex and Death at Camp Miasma,” IndieWire is looking back at the films that defined Cannes 2026.
Our writers and critics break down the movies that surprised, devastated, challenged, and stayed with them long after the festival ended.
Full list at the link in bio.
Cover Photo: Cannes
Seth MacFarlane...creator, showrunner, executive producer, writer, director, and the voice of “TED”, says the best visual effects are the ones audiences never even notice. Alongside the brilliant craft team behind the hit Peacock series, MacFarlane breaks down the insane level of detail, artistry, editing, production design, and invisible VFX work that goes into bringing everyone’s favorite foul-mouthed teddy bear to life.
Featuring Blair Clark, Hoyt Yeatman, Tom Costantino, and Stephen Lineweaver at IndieWire’s UCP and MPTF craft panel.
@ucp @fuzzydoor @peacock @macfarlaneseth #Ted #SethMacFarlane #Peacock #VFX #TelevisionCraft #BehindTheScenes #ProductionDesign #Editing #CGI #TVSeries #IndieWire
At just 24 years old, John Singleton became the youngest filmmaker ever nominated for Best Director with “Boyz n the Hood” — and his work only grew richer from there.
A new Criterion collection revisits three of Singleton’s defining South Central films: “Boyz n the Hood,” “Poetic Justice,” and “Baby Boy,” tracing the evolution of one of American cinema’s most influential modern directors.
Link in bio.
At just 24 years old, John Singleton became the youngest filmmaker ever nominated for Best Director with “Boyz n the Hood” — and his work only grew richer from there.
A new Criterion collection revisits three of Singleton’s defining South Central films: “Boyz n the Hood,” “Poetic Justice,” and “Baby Boy,” tracing the evolution of one of American cinema’s most influential modern directors.
Link in bio.
At just 24 years old, John Singleton became the youngest filmmaker ever nominated for Best Director with “Boyz n the Hood” — and his work only grew richer from there.
A new Criterion collection revisits three of Singleton’s defining South Central films: “Boyz n the Hood,” “Poetic Justice,” and “Baby Boy,” tracing the evolution of one of American cinema’s most influential modern directors.
Link in bio.
At just 24 years old, John Singleton became the youngest filmmaker ever nominated for Best Director with “Boyz n the Hood” — and his work only grew richer from there.
A new Criterion collection revisits three of Singleton’s defining South Central films: “Boyz n the Hood,” “Poetic Justice,” and “Baby Boy,” tracing the evolution of one of American cinema’s most influential modern directors.
Link in bio.
At just 24 years old, John Singleton became the youngest filmmaker ever nominated for Best Director with “Boyz n the Hood” — and his work only grew richer from there.
A new Criterion collection revisits three of Singleton’s defining South Central films: “Boyz n the Hood,” “Poetic Justice,” and “Baby Boy,” tracing the evolution of one of American cinema’s most influential modern directors.
Link in bio.
After turning “It” into one of the biggest horror phenomena of the last decade, Andy and Barbara Muschietti are taking Pennywise somewhere even stranger, and more political, with HBO’s “It: Welcome to Derry.”
In IndieWire’s latest “It’s a Hit!” interview, the siblings discuss Stephen King’s influence, expanding the mythology of Derry across time, and why the new series centers on “the weaponization of fear.”
“It: Welcome to Derry” is now streaming on HBO Max.
Link in bio.
Photos: HBO Max
After turning “It” into one of the biggest horror phenomena of the last decade, Andy and Barbara Muschietti are taking Pennywise somewhere even stranger, and more political, with HBO’s “It: Welcome to Derry.”
In IndieWire’s latest “It’s a Hit!” interview, the siblings discuss Stephen King’s influence, expanding the mythology of Derry across time, and why the new series centers on “the weaponization of fear.”
“It: Welcome to Derry” is now streaming on HBO Max.
Link in bio.
Photos: HBO Max
After turning “It” into one of the biggest horror phenomena of the last decade, Andy and Barbara Muschietti are taking Pennywise somewhere even stranger, and more political, with HBO’s “It: Welcome to Derry.”
In IndieWire’s latest “It’s a Hit!” interview, the siblings discuss Stephen King’s influence, expanding the mythology of Derry across time, and why the new series centers on “the weaponization of fear.”
“It: Welcome to Derry” is now streaming on HBO Max.
Link in bio.
Photos: HBO Max
“Hacks” star Hannah Einbinder and “The X-Files” icon Gillian Anderson react to bringing Teenage Sex and Death at Camp Miasma to Cannes for the first time. 🎬
Speaking at The American Pavilion, Director Jane Schoenbrun’s says Anderson’s final words on wrap day: “See you at Cannes.”
Deborah Vance’s dazzling white jumpsuit in “Hacks” almost came straight from Carol Burnett’s closet.
Costume designer Kathleen Felix-Hager tells IndieWire how Bob Mackie personally hand-delivered the original look from his archives so the team could recreate it for Jean Smart’s massive Madison Square Garden performance.
Read more at the link in bio.
Photos: Courtesy HBO Max
Deborah Vance’s dazzling white jumpsuit in “Hacks” almost came straight from Carol Burnett’s closet.
Costume designer Kathleen Felix-Hager tells IndieWire how Bob Mackie personally hand-delivered the original look from his archives so the team could recreate it for Jean Smart’s massive Madison Square Garden performance.
Read more at the link in bio.
Photos: Courtesy HBO Max
Deborah Vance’s dazzling white jumpsuit in “Hacks” almost came straight from Carol Burnett’s closet.
Costume designer Kathleen Felix-Hager tells IndieWire how Bob Mackie personally hand-delivered the original look from his archives so the team could recreate it for Jean Smart’s massive Madison Square Garden performance.
Read more at the link in bio.
Photos: Courtesy HBO Max
“What No One Tells You” takes Cannes: IndieWire gathered filmmakers, festival strategists, and sales experts for a conversation about the real business of short films.
Featuring Natalie Musteata and Alexandre Singh (“Two People Exchanging Saliva”), Salaud Morisset's Grégoire Féron and Emilie Boulay, and Kickstarter’s Taylor K. Shaw-Omachonu.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.