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kingprincess69
King Princess
Girl Violence is out now 🍒🥲
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
Pretty Girls & Pie Charts: @kingprincess69 Interviewed
Mikaela Straus - better known as King Princess - has overcome a period of seismic transitions, captured in unflinching detail on last year’s album ‘Girl Violence’. Coming out the other side, Straus lets CLASH in on her return to self.
Straus is energetic, charismatic and magnetically witty. With a spliff in hand, she springs from topic to topic, dissecting the ethos of ‘Girl Violence’ (or as she puts it, “an homage to lesbian chaos”), tour life (“nobody's supposed to live in a bus thinking about themselves all day”), and self-promotion (“the existential dread of having to promote yourself - shoot me!”)
Such seismic shifts have given Straus a sense of discernment which radiates through ‘Girl Violence’. A twisted portrait of romance, the collection was born out of nights with the queer community. For Straus, it spurned a series of existential questions.
“We were all going through our own form of chaos, our own form of girl violence,” she tells CLASH. "Why do we cause chaos for each other as queer people? Why are we the masters of our chaos and why do we impose it on others? Why are we so extra?'”
As seen in CLASH 133. Click the link in the bio for the full digital cover feature.
—
Words: @gracedodddd
Photography: @viclentaigne
Fashion: @naifhen
Makeup: @charliefitzjohn
Hair: @tommystayton
Casting: @cruisecasting
@kingprincess69 covering @geesebandnyc in the live lounge late 💕
listen in full on bbc sounds
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