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“Should we talk about it?”

A sneak peak into “Commuters” starring @berrynewkirk, @justindanielbrush, and @a_pat_tabari

Directed by: @ljshenfilerman
Written by: Vince Boberski
Produced by: @sarah.falco @sophia.center
Director of Photography: @fulcibaby
Production Designer: @seb.kapur
Editor: @ross_cormanoreilly
Sound Designer: @vanfilmsanything
Music by: @samlupoharris @elijahfhill
1st Assistant Director: @timothywithouttheothy
Unit Production Manager: @isaiahvhenderson

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

“A Story of Nanjing” had its world premiere at the CineYouth Festival this past weekend! It is FREE TO WATCH ONLINE until May 3 as part of the Undercurrents program (LINK IN BIO).

This weekend was full of amazing films, wonderful people, and deep dish pizza (shout out Pequod’s). Many thanks to the cast and crew for being an absolute joy to work with, @sarah.falco for being such an incredible creative and life partner, my fam for their constant support, and @alyssliss for being the best sister in the whole wide world.

Thank you so much to all who helped fund this film, and @kaymyers and the whole CineYouth team for putting on this terrific festival! I had a blast :)

I’m incredibly excited to announce that my film “A Story of Nanjing” will be premiering this month at CineYouth, a festival presented by the Chicago International Film Festival! Thank you @chifilmfest for this recognition.

My grandfather survived the Nanjing Massacre as a child, but almost never spoke about his experience. He held it in for so many years. He passed before I was born, and since high school I have been determined to tell this story in his honor. And now I have, brought to life through performances by the amazing Happy Zhu and Jessica Xu, and with the help of our incredible crew.

I’m so full of gratitude :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

A Night with Popo - A moment from the documentary I am making about my Grandmother, my identity, and my trip to Taiwan. I spent many nights like this with Popo, greeting her, tucking her in, and asking her questions about her life. It’s memories like this that I’m most fond of.

So much of my life and family are in this documentary, and I’m still discovering how to cut it as it’s changed over time. For now, I’ve found joy in releasing short moments like this.

DP/Editor/Sound Designer/Composer: @ljshenfilerman

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

This past September, my grandmother (婆婆/ Popo in Chinese) passed away. She was the strongest person I’ve ever met—a refugee and immigrant who devoted her life to helping others as an OR nurse and who single-handedly supported her family after the unexpected passing of her husband, whom she loved dearly. She put family over all else, and was tough as nails.

An excerpt from what I said at her funeral: “Her aging changed what we could do with her, but her blanket of love never wavered. A long walk in the park became squeezing my hand as we fell asleep together on the couch, her head on my shoulder. And board game nights became Mission-Impossible-on-the-TV afternoons. I don’t think there was a single time we saw her where she didn’t offer to cook, check if we were cold, or ask if we needed to rest.” The last slide is a portrait I took of her that was used as her funeral photo.

I’ve spent a lot of time documenting Popo over the years—photographing, filming, and interviewing her. In this time, and through all the moments I’ve spent with her in my lifetime, I‘ve come to intimately understand a certain magic she had. Through all of her hardship, Popo always found opportunities to laugh. Slides 4-7 are photos I took of her less than a week before she passed, where she surprised us by cracking a joke even when she was struggling to speak. This was that magic. My last visit to her apartment, despite the pain, was still filled with laughter.

Popo exuded resilience, determination, and love, and instilled in my family and me the importance of upholding familial respect and Chinese cultural values. To get to know her story was the joy of a lifetime, and to be loved by her was a gift.

我愛妳婆婆。好好休息。

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

Behind the scenes of my film “A Story of Nanjing”, which was shot last fall. This is the most important film I’ve ever made. The film follows two sisters who must grapple with the death of their family while desperately scrambling to flee from the invading Japanese army during the 1937 Nanjing Massacre. My Grandfather grew up during the massacre, so creating this film has been incredibly personal. It is set to release in 2026!

I’m deeply grateful to have had such a wonderful cast and crew help me highlight this piece of history that is often overlooked in U.S. and Western historical teachings. I’d also like to thank all our GoFundMe supporters who made this film possible. So much love :)

Writer/Director: @ljshenfilerman

CAST
Mei Mei: @h_a_ppppp_y
Jie Jie: @jessicayixuanxu

CREW
Produced by: @sarah.falco @ljshenfilerman
DP: @ross_cormanoreilly
Production + Costume Design: @sarah.falco
1st AD: @christineyyu
Gaffer + 1st AC: @rdjhutchins
Sound Mixer: @jake12silber

POST CREW
Editor: @ljshenfilerman
Sound Designer + Foley Artist: @ljshenfilerman
Original Score: @tomahawky_
Colorist: @bradleypelish

BTS: @christineyyu
Historical Research: Anjali Bhatia @uscshoahfoundation
Special Thanks: Erin Li, Sikandar Sidhu @edison_moooo @alyssliss

A few months ago I thought, “How cool would it be to one day rent a sports car and make some sort of spec ad?”

Thank you to all the talented people who made this dream project a reality!

Director: @aaron_diament 👋
DP: @ljshenfilerman
1st AC: @blake_zundel
1st AD: @sarah.falco
Corvette Driver: @john_get_gud
Camera Car Driver: @sarah.falco
Drone Op: @jacob.campos_
Editor/Sound Designer: @aaron_diament 👋
Voiceover: @ljshenfilerman
Colorist: @dank_duva and @aaron_diament 👋
Special Thanks: @ivanvelas.co

@corvette @chevrolet

MIDNIGHT was the first short film I made in college at Chapman during my freshman year. We filmed this on the night I turned 19 years old — so fun looking back on it. Thanks to our awesome sauce FTV 130 crew :)

Writer/Director/DP: @ljshenfilerman
Cast: @sam_lyons_31 @rdjhutchins @ljshenfilerman
G&E Swings: @bmccabe05 @ross_cormanoreilly @tyndall_14 @sarah.falco
Editor, Composer, Sound Designer: @ljshenfilerman
Trailer Editor: @ljshenfilerman

Thank you to everyone who came to the IP Showcase! What an awesome night, all the films were fantastic. Shoutout to the team who helped me create the IP Showcase AMC Pre-Show Bumper remake:

Starring: @mcdeweydew @ross_cormanoreilly @lanaesbonita @jake12silber @ljshenfilerman @sophia.center @aaron_diament @sarah.falco

Voiceover: @ljshenfilerman

Director: @ljshenfilerman
Producer: @sarah.falco
DP: @stevenfromtv
VFX: @mattthew.mercer @aaron_diament @ljshenfilerman
Music: @jackhenrymajeski
Sound Design: @trohantr05 @ljshenfilerman

Thank you to everyone who came to the IP Showcase! What an awesome night, all the films were fantastic. Shoutout to the team who helped me create the IP Showcase AMC Pre-Show Bumper remake:

Starring: @mcdeweydew @ross_cormanoreilly @lanaesbonita @jake12silber @ljshenfilerman @sophia.center @aaron_diament @sarah.falco

Voiceover: @ljshenfilerman

Director: @ljshenfilerman
Producer: @sarah.falco
DP: @stevenfromtv
VFX: @mattthew.mercer @aaron_diament @ljshenfilerman
Music: @jackhenrymajeski
Sound Design: @trohantr05 @ljshenfilerman

Thank you to everyone who came to the IP Showcase! What an awesome night, all the films were fantastic. Shoutout to the team who helped me create the IP Showcase AMC Pre-Show Bumper remake:

Starring: @mcdeweydew @ross_cormanoreilly @lanaesbonita @jake12silber @ljshenfilerman @sophia.center @aaron_diament @sarah.falco

Voiceover: @ljshenfilerman

Director: @ljshenfilerman
Producer: @sarah.falco
DP: @stevenfromtv
VFX: @mattthew.mercer @aaron_diament @ljshenfilerman
Music: @jackhenrymajeski
Sound Design: @trohantr05 @ljshenfilerman

Hello everyone! We are putting together an IP Showcase of IP films from the 2024-2025 school year! The showcase will be on FRIDAY, SEPTEMBER 26 at 5:00 PM in the DMAC Screening Room (DMAC 123).

All are welcome, whether you took IP last year or not :) We are so excited to see everyone’s films!

WOOHOOO!

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

Photos of my 91-year-old Grandmother (slide 1) and my 101-year-old Great Aunt (slide 2). The two of them are some of the last living people in the world to have lived through the Japanese invasion of China in WWII, which overlapped with the Chinese Civil War.

Over the years I’ve documented my Grandmother’s life and struggle with Alzheimer’s and have viscerally felt family and Chinese history slipping away. Through interviews, I’ve hoped to capture as much as I can.

Last semester, I continued this work with other family members in Taiwan. When I stepped into my Great Aunt’s house, across the world I instantly felt at home. I’d been there before—the wheelchair, the staring off into the distance, the one spot she loved to watch TV. Her memory loss had placed her and my Grandmother in incredibly similar states. When I came home I compared my photographs and found these visual parallels, where their two separate homes became one.

The two of them, and the spaces they occupy, are capsules of history—stories waiting to be unlocked.

How wonderful and painful it is to care for someone elderly. To help them stand, to hear about their strength and their sorrow, to hold their hand. I’m grateful for every moment.

Shot with Tri-X 400

When Sarry Met Hally!!

When Sarry Met Hally!!