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Thank you @embracethepivot for this article! And thanks @dawndwalters and @tspcreative for the photo! Love y’all!

🎵 FINAL CALL 🎵

Three days left to secure your spot at Nashville Leaders in Music! Join us THIS THURSDAY, May 14th for an intimate evening with industry powerhouses who are shaping the future of music.

✨ THE LINEUP:
• Sooner Routhier - Award-winning designer behind Coldplay, The Weeknd & Chris Stapleton's tours
• Liza Saturday - Operations Director at Marathon Live
• Holly Atherton - Production Coordinator for Chris Stapleton's All American Road Show
• Morgan Mills - CMO at CmdShft

🗓 WHEN: May 14, 5-7 PM CT
📍 WHERE: Anzie Blue (2111 Belcourt Ave, Nashville)
🎫 COST: FREE (but space is limited!)

This isn't just another panel, it's real talk about the state of the industry, creating safer industry spaces, and practical advice for the next generation. Plus networking, light bites, and genuine community connection.

Whether you're a student, emerging artist, or seasoned pro, this conversation will inspire and equip you to create positive change in our industry.

Link in @oliviamxtp bio to register 👆

Thank you to our sponsor @cma for making this possible!

#NashvilleMusic #MusicIndustry #Leadership #MusicCommunity #Nashville #LiveMusic #PanelDiscussion

🎵 FINAL CALL 🎵

Three days left to secure your spot at Nashville Leaders in Music! Join us THIS THURSDAY, May 14th for an intimate evening with industry powerhouses who are shaping the future of music.

✨ THE LINEUP:
• Sooner Routhier - Award-winning designer behind Coldplay, The Weeknd & Chris Stapleton's tours
• Liza Saturday - Operations Director at Marathon Live
• Holly Atherton - Production Coordinator for Chris Stapleton's All American Road Show
• Morgan Mills - CMO at CmdShft

🗓 WHEN: May 14, 5-7 PM CT
📍 WHERE: Anzie Blue (2111 Belcourt Ave, Nashville)
🎫 COST: FREE (but space is limited!)

This isn't just another panel, it's real talk about the state of the industry, creating safer industry spaces, and practical advice for the next generation. Plus networking, light bites, and genuine community connection.

Whether you're a student, emerging artist, or seasoned pro, this conversation will inspire and equip you to create positive change in our industry.

Link in @oliviamxtp bio to register 👆

Thank you to our sponsor @cma for making this possible!

#NashvilleMusic #MusicIndustry #Leadership #MusicCommunity #Nashville #LiveMusic #PanelDiscussion

Introducing our first panelist, @soonerrouthier! - An award-winning designer (Parnelli, USITT, Live Design) whose work has been seen by millions on SNL and the AMA’s. She has created iconic show designs for artists like Coldplay, The Weeknd, and Chris Stapleton, and most recently designed the Zac Brown Band residency at The Sphere. Beyond the stage, Sooner is a co-founder of EVEN, fostering the next generation of live event talent.

RSVP to the Nashville Leaders in Music Panel at the link in my bio.
May 14 • 5–8 PM • @anzieblue

Introducing our first panelist, @soonerrouthier! - An award-winning designer (Parnelli, USITT, Live Design) whose work has been seen by millions on SNL and the AMA’s. She has created iconic show designs for artists like Coldplay, The Weeknd, and Chris Stapleton, and most recently designed the Zac Brown Band residency at The Sphere. Beyond the stage, Sooner is a co-founder of EVEN, fostering the next generation of live event talent.

RSVP to the Nashville Leaders in Music Panel at the link in my bio.
May 14 • 5–8 PM • @anzieblue

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

The Playground was tasked by legendary music manager Shep Gordon and shock-rock artist Alice Cooper to design and direct a new theatrical rock show for his 2023 Too Close For Comfort Tour. The team joined together to design and script a theatrical rock show that reimagined the infamous Alice Cooper’s signature performance style, theatrical gags, as well as a few new surprises! The result brought fans closer to the action than ever before with video screens incorporated into the set that displayed the artist’s every sneer, make up smudge, and gruesome theatrics.

Creative Team
Production Designer and Show Director - Curtis Adams
Production Designer - Sooner Routhier
Associate Lighting Designer and Programmer - Dane Kick
Lighting Director - Christopher Noll
Video Content - Andy Reuter
Creative Producer - Allison Ciccarelli
Creative Management - Niccolo Cascino

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Hay shows que se piensan como un espectáculo....a este lo pensamos como una casa.

201 nació de imaginar el escenario como un espacio habitable, inspirado en el propio mundo de Manu y su apartamento. Una ventana a 24 horas en la vida de @manuelturizo
Un film en vivo, un viaje cinematográfico a través del tiempo.

Una estructura única que no cambia nunca, pero se transforma todo el tiempo. De la mañana a la noche, el mismo espacio se siente distinto, estudiando la cotidianeidad en un marco de show arraigado a la arquitectura.
Usando una paleta de colores limitada para reducir el ruido visual y resaltar las emociones con equilibrio con colores dominantes, secundarios y de acentos.

Fue muy lindo construir este hogar desde cero, ir encontrando cada espacio, cada clima, cada momento del día.
Hay algo muy especial en cuando el trabajo se vuelve disfrute. Y este proyecto fue eso.
Un cruce entre arquitectura, música y personas, pero sobre todo una hermosa casa que me guardo cerquita del cora para siempre!
Muchas gracias a nuestra Familia 201,
los quiero mucho! ♥️

Production and Show Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Mgmt: @laindustriainc @juanmedinaind @maripilidelac @danielvelez31
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio @taralaplante_@drewsmog @ozvisualdesign
Choreo: @itscultura
Production Management: @willorivera
Lighting Director: @monsalvesjcho
Content Director: @yiyoled
Video Directors: @pksproducciones @jbfotografia_4
Dancers: @teddy_jmz @_ponchoglez @thepaigelillian @paolagamache @sofiichoco @tamarakovalchukk @kaycee.dominguez @b_michaeldavis
Tour stylist: @rasqui_rivera
Business Management and Creative Producer: @dulcemartin
Ph: @javi.shoot @srcristianph

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox,rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.

Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado

📷: Andy Barron / @andybarron

Out. Of. Office. ✌️

I’m thrilled to have accepted the USITT Distinguished Achievement award at this year’s conference. It is a tremendous honor and I thank the USITT Board of Directors and Commissions! I had an absolute blast at the conference meeting all sorts on incredible humans. Can’t wait to see all of you in Maryland and hear about all your accomplishments and adventures.

A house conceived as a stage. A stage lived as a home.
201 was designed as an immersive live experience inspired by Manuel Turizo’s own apartment in Colombia.
Set within a brutalist-inspired environment defined by clear geometry, structure and restrained color palettes, the stage unfolded across a 24-hour cycle (from morning light to deep night). Instead of traditional scenic transitions, the same structure remained present throughout the show, transforming through light, shadow, color temperature and atmosphere.
Developed in close collaboration between Corinne Merolla and Sooner Routhier, the design merged architectural thinking with lighting as a spatial tool. Domestic zones were suggested through framing, depth and interaction, allowing each “room” to hold its own emotional narrative while maintaining visual continuity.
The result: a cinematic, editorial language where architecture, light and performance operated as a single living system.

Production Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio
Choreo: @itscultura
Production Managemer: @willorivera
Lighting Operator: @monsalvesjcho
Content Operator: @yiyoled
Tour stylist: @rasqui_rivera
Video Directors: @pksproducciones
Business Managment and Creative Producer: @dulcemartin
Ph: @javi.shoot

A house conceived as a stage. A stage lived as a home.
201 was designed as an immersive live experience inspired by Manuel Turizo’s own apartment in Colombia.
Set within a brutalist-inspired environment defined by clear geometry, structure and restrained color palettes, the stage unfolded across a 24-hour cycle (from morning light to deep night). Instead of traditional scenic transitions, the same structure remained present throughout the show, transforming through light, shadow, color temperature and atmosphere.
Developed in close collaboration between Corinne Merolla and Sooner Routhier, the design merged architectural thinking with lighting as a spatial tool. Domestic zones were suggested through framing, depth and interaction, allowing each “room” to hold its own emotional narrative while maintaining visual continuity.
The result: a cinematic, editorial language where architecture, light and performance operated as a single living system.

Production Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio
Choreo: @itscultura
Production Managemer: @willorivera
Lighting Operator: @monsalvesjcho
Content Operator: @yiyoled
Tour stylist: @rasqui_rivera
Video Directors: @pksproducciones
Business Managment and Creative Producer: @dulcemartin
Ph: @javi.shoot

A house conceived as a stage. A stage lived as a home.
201 was designed as an immersive live experience inspired by Manuel Turizo’s own apartment in Colombia.
Set within a brutalist-inspired environment defined by clear geometry, structure and restrained color palettes, the stage unfolded across a 24-hour cycle (from morning light to deep night). Instead of traditional scenic transitions, the same structure remained present throughout the show, transforming through light, shadow, color temperature and atmosphere.
Developed in close collaboration between Corinne Merolla and Sooner Routhier, the design merged architectural thinking with lighting as a spatial tool. Domestic zones were suggested through framing, depth and interaction, allowing each “room” to hold its own emotional narrative while maintaining visual continuity.
The result: a cinematic, editorial language where architecture, light and performance operated as a single living system.

Production Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio
Choreo: @itscultura
Production Managemer: @willorivera
Lighting Operator: @monsalvesjcho
Content Operator: @yiyoled
Tour stylist: @rasqui_rivera
Video Directors: @pksproducciones
Business Managment and Creative Producer: @dulcemartin
Ph: @javi.shoot

A house conceived as a stage. A stage lived as a home.
201 was designed as an immersive live experience inspired by Manuel Turizo’s own apartment in Colombia.
Set within a brutalist-inspired environment defined by clear geometry, structure and restrained color palettes, the stage unfolded across a 24-hour cycle (from morning light to deep night). Instead of traditional scenic transitions, the same structure remained present throughout the show, transforming through light, shadow, color temperature and atmosphere.
Developed in close collaboration between Corinne Merolla and Sooner Routhier, the design merged architectural thinking with lighting as a spatial tool. Domestic zones were suggested through framing, depth and interaction, allowing each “room” to hold its own emotional narrative while maintaining visual continuity.
The result: a cinematic, editorial language where architecture, light and performance operated as a single living system.

Production Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio
Choreo: @itscultura
Production Managemer: @willorivera
Lighting Operator: @monsalvesjcho
Content Operator: @yiyoled
Tour stylist: @rasqui_rivera
Video Directors: @pksproducciones
Business Managment and Creative Producer: @dulcemartin
Ph: @javi.shoot

A house conceived as a stage. A stage lived as a home.
201 was designed as an immersive live experience inspired by Manuel Turizo’s own apartment in Colombia.
Set within a brutalist-inspired environment defined by clear geometry, structure and restrained color palettes, the stage unfolded across a 24-hour cycle (from morning light to deep night). Instead of traditional scenic transitions, the same structure remained present throughout the show, transforming through light, shadow, color temperature and atmosphere.
Developed in close collaboration between Corinne Merolla and Sooner Routhier, the design merged architectural thinking with lighting as a spatial tool. Domestic zones were suggested through framing, depth and interaction, allowing each “room” to hold its own emotional narrative while maintaining visual continuity.
The result: a cinematic, editorial language where architecture, light and performance operated as a single living system.

Production Design: @corinnemerolla @soonerrouthier
Creative Direction: @v.e.l.o.d.r.o.m.e
Lighting Design and Programming: @bgrey823
Video Content: @immanent_studio
Choreo: @itscultura
Production Managemer: @willorivera
Lighting Operator: @monsalvesjcho
Content Operator: @yiyoled
Tour stylist: @rasqui_rivera
Video Directors: @pksproducciones
Business Managment and Creative Producer: @dulcemartin
Ph: @javi.shoot