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Studio MBM | Maurizio Bianchi Mattioli
Some interior details from our SoHo Loft and rooftop extension project, close to completion. More soon!
Some interior details from our SoHo Loft and rooftop extension project, close to completion. More soon!
Some interior details from our SoHo Loft and rooftop extension project, close to completion. More soon!
Some interior details from our SoHo Loft and rooftop extension project, close to completion. More soon!
Some interior details from our SoHo Loft and rooftop extension project, close to completion. More soon!
Custom brass wall/sliding and pivot panels part of our penthouse design in Miami during installation.
Custom finish and fabrication @en.zo_metal
Speciality installation and structure @industrialsheetmetal
#studioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Custom brass wall/sliding and pivot panels part of our penthouse design in Miami during installation.
Custom finish and fabrication @en.zo_metal
Speciality installation and structure @industrialsheetmetal
#studioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Custom brass wall/sliding and pivot panels part of our penthouse design in Miami during installation.
Custom finish and fabrication @en.zo_metal
Speciality installation and structure @industrialsheetmetal
#studioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
Pool House construction progress through the seasons.
Landscape by @shaye_land_design
#StudioMBM #MBM #mauriziobianchimattioli #architecturaldesign #interiordesign
A compact sequence where color, pattern, and enclosure heighten thespatial experience.
Collector’s Loft designed by Studio MBM
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
A compact sequence where color, pattern, and enclosure heighten thespatial experience.
Collector’s Loft designed by Studio MBM
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
A compact sequence where color, pattern, and enclosure heighten thespatial experience.
Collector’s Loft designed by Studio MBM
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Collector’s Loft designed by Studio MBM
Artists on display: Sadie Benning, Gerasimos Floratos, Nicole Eisenman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Collector’s Loft designed by Studio MBM
Artists on display: Sadie Benning, Gerasimos Floratos, Nicole Eisenman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Collector’s Loft designed by Studio MBM
Artists on display: Sadie Benning, Gerasimos Floratos, Nicole Eisenman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Details of our custom kitchen for the Collector’s Loft
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Details of our custom kitchen for the Collector’s Loft
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Details of our custom kitchen for the Collector’s Loft
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
Details of our custom kitchen for the Collector’s Loft
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
“The Home Gallery in the Soho Loft: A young couple with a growing art collection reimagines the top floor of a 1903 cast-iron building.“ as featured in @nymag @curbed by @dhwendygoodman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
“The Home Gallery in the Soho Loft: A young couple with a growing art collection reimagines the top floor of a 1903 cast-iron building.“ as featured in @nymag @curbed by @dhwendygoodman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
“The Home Gallery in the Soho Loft: A young couple with a growing art collection reimagines the top floor of a 1903 cast-iron building.“ as featured in @nymag @curbed by @dhwendygoodman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
“The Home Gallery in the Soho Loft: A young couple with a growing art collection reimagines the top floor of a 1903 cast-iron building.“ as featured in @nymag @curbed by @dhwendygoodman
Photography @seandavidson
#studioMBM #MBM #mauriziobianchimattioli
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
The top loft of the 1903 cast-iron Soho building hadn’t been touched in three decades. The renovation would need to be significant. But there was one feature designer Maurizio Bianchi Mattioli (@_mbm_) intended to preserve: a 30-foot-long south-facing window installed by the previous owner.
“We were very lucky to have the lot-line windows,” Mattioli said. “You don’t typically see them from the sidewalk.”
The loft had glossy, black-painted floors and barrel-vaulted ceilings, when it was purchased by Josephine and Alex de Pfyffer, plus some “weird spaces,” says Alex. Josephine appreciated its open layout.
“I grew up in Manhattan in a prewar building, so the spaces were more divided,” she says. “The entertaining rooms ended up not being used very often by our family and then the kitchen was where we spent most of our time.”
Swipe to see more photos of the overhauled space, and head to the link in our bio to read about its transformation.
Photos: Sean Davidson
Sella Stool@interval_collectible @collectiblefair
This custom-designed stainless steel stool is a study in refined geometry and sculptural precision, handcrafted with meticulous at tention to detail. Its design explores the interplay of cur ves and planes, with three seamless, polished steel
panels rising from the ground to form a stable yet visually light base. The seat, delicately curved, introduces a sense of fluidit y that contrasts with the sharp linearity of its supporting structure. Ever y angle and surface reflects light dif ferently, emphasizing the purit y of the material and the elegance of its form. Minimal yet bold, the stool embodies a balance of function and artistry — a piece that merges
architectural rigor with a contemporary, almost futuristic aesthetic.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @studio_mbm_
Thank you @gola.concreto
Sella Stool@interval_collectible @collectiblefair
This custom-designed stainless steel stool is a study in refined geometry and sculptural precision, handcrafted with meticulous at tention to detail. Its design explores the interplay of cur ves and planes, with three seamless, polished steel
panels rising from the ground to form a stable yet visually light base. The seat, delicately curved, introduces a sense of fluidit y that contrasts with the sharp linearity of its supporting structure. Ever y angle and surface reflects light dif ferently, emphasizing the purit y of the material and the elegance of its form. Minimal yet bold, the stool embodies a balance of function and artistry — a piece that merges
architectural rigor with a contemporary, almost futuristic aesthetic.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @studio_mbm_
Thank you @gola.concreto
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
@interval_collectible @collectiblefair
(I)nterval is a design collective conceived as a plat form that activates at its own rhythm — appearing and disappearing with intent— Inter val explores moments of convergence rather than continuit y. Each presentation becomes a distinct temporal and spatial event, shaped by its context and atmosphere.
For the upcoming edition of the COLLECTIBLE Art Fair in New York, Inter val proposes an immersive scenography: a cinematic living room that oscillates bet ween retro nostalgia and speculative futurism. Sparse yet evocative, the space will feature statement furniture by each of the five designers, interspersed with subtly narrative domestic elements—a vintage television set, a paused drink, a sur veillance camera quietly streaming the room in real time. Together, these
fragments suggest a presence just missed or soon to return, inviting visitors into a universe suspended in time.
@monicasordo @piet_fran @arthur_vallin_ @albanrgr @studio_mbm_ @_mbm_
Photogrpahy @arthur_vallin_
View Instagram Stories in Secret
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