Adham Sameh
Exploring.
Alexandria, 🇪🇬

Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏

Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏

Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏
Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏
Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏

Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏

Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏
Masculine melancholy in Madrid! 🖼️
Latest for @brfootball, one of my proudest pieces in a long time.
Huge thanks to @tomwebby and the entire B/R Football team for the trust, creative freedom, and patience, truly appreciated.
And a special shoutout to my friend @rashadjr for his support throughout the entire journey. 🙏

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.
Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Reactive content has always been one of my favorite tools. I was really happy to get back to it again during AFCON with @caf_online. This time, I used it to reintroduce myself to the audience and to clients, and to say clearly that I’m open to fast, interactive work.
Most clients already know that I usually take 3-5 days to deliver a single graphic, which is genuinely a long time in the AI era - I know that for many designers in the field, having that much time is a huge privilege 😅- So this was important for me. I needed to prove to them, to myself, that my skill set can keep growing, and that I’m always open to adding new tools to my process.
A special mention to @maisonartc , @patrickedooard , @omar_viktor , and all the other artists who inspired me to create this. These weren’t merely inspired pieces; they were intentional recreations, made as a tribute to African art and African artists.
Big thanks to the entire Arqam team. Special thanks to @islamsanad and @ahmadelghareab for trusting me completely and supporting me throughout the whole tournament. And a huge shoutout to @ziadmohie_ , @adhamhaggag, @naddaaamr , @renadaehabb , @mickxyj , @omarfaresss, @omerfathy700, @mahmoud_elsmahy , @farahyahiaeldesoki and everyone else in the office for always bringing ideas and putting in so much effort.

Excited and proud to step into a new role as an art director, and for the first time, be part of the pre-production phase. There's no better opportunity than working with Olympic gold medalist in modern pentathlon at Paris 2024, @ahmedelgendy00_.
A big thanks to my friend, brother, photographer and director @_ahmedkadry, for this amazing opportunity, his collaboration through all stages, and his guidance. Truly grateful!
Excited and proud to step into a new role as an art director, and for the first time, be part of the pre-production phase. There's no better opportunity than working with Olympic gold medalist in modern pentathlon at Paris 2024, @ahmedelgendy00_.
A big thanks to my friend, brother, photographer and director @_ahmedkadry, for this amazing opportunity, his collaboration through all stages, and his guidance. Truly grateful!

Excited and proud to step into a new role as an art director, and for the first time, be part of the pre-production phase. There's no better opportunity than working with Olympic gold medalist in modern pentathlon at Paris 2024, @ahmedelgendy00_.
A big thanks to my friend, brother, photographer and director @_ahmedkadry, for this amazing opportunity, his collaboration through all stages, and his guidance. Truly grateful!

A few projects created for @puma.uk athletes over the past few years.
Work done with my man @ben_baker7. 🤝

A few projects created for @puma.uk athletes over the past few years.
Work done with my man @ben_baker7. 🤝

A few projects created for @puma.uk athletes over the past few years.
Work done with my man @ben_baker7. 🤝

A few projects created for @puma.uk athletes over the past few years.
Work done with my man @ben_baker7. 🤝

A few projects created for @puma.uk athletes over the past few years.
Work done with my man @ben_baker7. 🤝

Cole Palmer’s hat-trick seals all three points for Chelsea against Wolves. ⚽⚽⚽
Latest for @brfootball. 🆕
Cole Palmer’s hat-trick seals all three points for Chelsea against Wolves. ⚽⚽⚽
Latest for @brfootball. 🆕

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.
AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.
AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.
AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.
AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.
AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

AFCON 2025 was full of firsts for me, from creating the line-up graphic used throughout the tournament, to designing the champions’ photoshoot backdrop, animating the goal announcements ft. @zain.studio9, and editing the trophy photoshoot through my friend @_ahmedkadry’s lens.
I also had the honor of leading the graphic design team, sending appreciation to @itseslaam, @omaribrahimm_, @abdelraahmansameh, @yahia.aahmed.22, @lehassay_, @yousefmagddy74, and @rawan.mlek. Special thanks once again to @islamsanad, @ahmadelghareab, and the entire content team for their trust and support.

Lionel Messi is the 2025 MLS MVP, becoming the first ever to win it back-to-back! 🐐🇦🇷
Latest for B/R Football with my favorite creative @gabymno . 🤝
Lionel Messi is the 2025 MLS MVP, becoming the first ever to win it back-to-back! 🐐🇦🇷
Latest for B/R Football with my favorite creative @gabymno . 🤝

Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.
Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.

Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.
Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.

Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.
Thrilled to share my latest project featuring @rayaofficial, @yusramardini and @aliamrfarag for @weareyouthsummit's LEAP Conference 2025, created in collaboration with my friend, director @_ahmedkadry.
Big thanks to Ahmed & @omaraawar for this amazing opportunity.
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
View profiles and photos anonymously with ease using the Private Profile Viewer.
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Anonstories lets users view Instagram stories without alerting the creator.
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Prioritizes secure, anonymous browsing without requiring login credentials.
Users can view public stories by simply entering a username—no account needed.
Downloads photos (JPEG) and videos (MP4) with ease.
The service is free to use.
Content from private accounts can only be accessed by followers.
Files are for personal or educational use only and must comply with copyright rules.
Enter a public username to view or download stories. The service generates direct links for saving content locally.