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Anyone who has known me over the past 15+ years will know how special these people and the music they make are to me. I remember hearing this album for the first time and thinking to myself...holy shit is this my favourite Pond album ever? Turns out it is my favourite Pond album ever. 10 albums in and they’ve never been more on fire. I love you with all my heart. Congratulations on Stung! fellas. I’ll be out here buzzing like a bee about to do some stinging in your honour. 🐝🔥🥊

And of course, endless gratitude to the whole @spinningtopmusic team for being the absolute best. Love y’all ♥️

Anyone who has known me over the past 15+ years will know how special these people and the music they make are to me. I remember hearing this album for the first time and thinking to myself...holy shit is this my favourite Pond album ever? Turns out it is my favourite Pond album ever. 10 albums in and they’ve never been more on fire. I love you with all my heart. Congratulations on Stung! fellas. I’ll be out here buzzing like a bee about to do some stinging in your honour. 🐝🔥🥊

And of course, endless gratitude to the whole @spinningtopmusic team for being the absolute best. Love y’all ♥️

Anyone who has known me over the past 15+ years will know how special these people and the music they make are to me. I remember hearing this album for the first time and thinking to myself...holy shit is this my favourite Pond album ever? Turns out it is my favourite Pond album ever. 10 albums in and they’ve never been more on fire. I love you with all my heart. Congratulations on Stung! fellas. I’ll be out here buzzing like a bee about to do some stinging in your honour. 🐝🔥🥊

And of course, endless gratitude to the whole @spinningtopmusic team for being the absolute best. Love y’all ♥️

Anyone who has known me over the past 15+ years will know how special these people and the music they make are to me. I remember hearing this album for the first time and thinking to myself...holy shit is this my favourite Pond album ever? Turns out it is my favourite Pond album ever. 10 albums in and they’ve never been more on fire. I love you with all my heart. Congratulations on Stung! fellas. I’ll be out here buzzing like a bee about to do some stinging in your honour. 🐝🔥🥊

And of course, endless gratitude to the whole @spinningtopmusic team for being the absolute best. Love y’all ♥️

Anyone who has known me over the past 15+ years will know how special these people and the music they make are to me. I remember hearing this album for the first time and thinking to myself...holy shit is this my favourite Pond album ever? Turns out it is my favourite Pond album ever. 10 albums in and they’ve never been more on fire. I love you with all my heart. Congratulations on Stung! fellas. I’ll be out here buzzing like a bee about to do some stinging in your honour. 🐝🔥🥊

And of course, endless gratitude to the whole @spinningtopmusic team for being the absolute best. Love y’all ♥️

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

My first ever international touring trip with the inimitable @haikuhands was to the great escape in Brighton UK in May 2018. That’s where all these pics were taken. They absolutely slayed their showcases and interviews, there was a real buzz following us everywhere we went. It was exhilarating to say the least! We followed that up with a couple more trips to the UK and Europe in ‘18/‘19 and the momentum was really building….Only to be derailed by the ol global pandemic…that really burst our bubble. Cut to NOW, almost 6 years and 2 albums later and we’re back baby! We have a handful of shows in the UK and a stop in Berlin so come dance with us. Grab a ticket, grab some merch, stream the tunes and help make the mammoth (and extremely costly) journey from Australia to the UK as joyful as these badass ladies will make it for you! Love yas. See you there 🪩💃🕺🎶🎤👨‍🎤

Oh and p.s. special shout out to Claire who won’t be coming on this run. We’ll miss you! 🤰🏻

Wed Jan 24- Glasgow, UK - Stereo
Thu Jan 25- Leeds, UK -Brudenell Social Club
Fri Jan 26- Nottingham, UK - Beta Room (Rock City Basement)
Sat Jan 27- Manchester, UK - YES
Thu Feb 01- Brighton, UK - Patterns
Fri Feb 02- London, UK - Oslo Hackney
Sat Feb 03- Bristol, UK - Thekla
Sun Feb 04- Berlin, DE - Frannz Club

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!

Wow, what a year... I was gonna come on here and do my end of year wrap by shining a spotlight on how being a fully independent, self-funded, women-owned, majority women run (should out to all the amazing non-women) label/management company in a majority male dominated industry is tough; And mention how I’ve really felt it this year more than any other.. (aside from the year my brother died and the ol orange fucko was elected president the same day. That was real bad.)

BUT with all of the absolutely horrific shit going on in the world, I can only really bring myself to shine a light on all of the amazing art and artists we are privileged enough to work with. And as hard as it really can be sometimes, and how deflating it is when things aren’t as successful as you want them to be for your favourite people, I still thank my lucky stars that I get to do this every day. With so many people I love.

Our label put out some amazing music this year: Nicholas Allbrook, Gum (special mention for Gumbrose), Fascinator and Haiku Hands all released incredible albums, Chela another real pop banger, and Peter Bibby came back with his first (hot) single in what feels like years. All on our little indie label.
 
Then there’s Kevin Parker and his mad skills on: Barbie, Dua, Thundercat, D&D… still blows my mind after all these years…
 
And we planned some amazing tours too. There was the one where Kevin broke his hip and decided to tour to HUGE CROWDS on crutches all around Mexico and South America, to Automatic touring Australia TWICE, to Haiku Hands touring the USA TWICE, to Gum and Nick and Bibbs all finally playing shows here there and everywhere that we were all desperate for, to Chela at Sydney World Pride, to a few cancelled tours which always knocks the wind out of our sails and it’s no bloody wonder we’re exhausted. But at least we’re here. And we’re in this together. And we will continue to do our best in bringing you what we think is some of the best art on the planet. We just need a little break!