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Progetto
Upcoming: Tarik Kiswanson
The Air Conditioner (2016-2025) was produced in Lecce, Italy from iron ingots melted down from a decommissioned air-conditioning unit originally located in an insurance company in Tehran. The unit first appeared as part of a temporary public sculpture in Tehran in 2016. It was subsequently reassembled and returned to its original site in northeast Tehran, where it remained in operation until November 2018. The work was then transported to New York and melted into iron ingots, which were exhibited at the SculptureCenter in 2019 and again in 2021. In 2025, Emamifar brought the ingots to Lecce, where a local ironworker carved them into doorstops.
These were exhibited in Disjecta at Progetto, Lecce, where they functioned to hold open the gallery’s doors. At Emalin, the doorstop continues this operation: here it holds open a door not usually accessible to the public.
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
2.5 x 8 x 4 cm
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
1.5 x 8.2 x 3 cm
Contour Fatigue II, Emalin, London, UK
17 April – 23 May 2026
Olga Balema, Adriano Costa, Niloufar Emamifar, Namio Harukawa, Stanislava Kovalcikova, Jac Leirner, Kate Spencer Stewart, Franco Vimercati
Photos by Stephen James.
#niloufaremamifar @niloufarem @emalinofficial
The Air Conditioner (2016-2025) was produced in Lecce, Italy from iron ingots melted down from a decommissioned air-conditioning unit originally located in an insurance company in Tehran. The unit first appeared as part of a temporary public sculpture in Tehran in 2016. It was subsequently reassembled and returned to its original site in northeast Tehran, where it remained in operation until November 2018. The work was then transported to New York and melted into iron ingots, which were exhibited at the SculptureCenter in 2019 and again in 2021. In 2025, Emamifar brought the ingots to Lecce, where a local ironworker carved them into doorstops.
These were exhibited in Disjecta at Progetto, Lecce, where they functioned to hold open the gallery’s doors. At Emalin, the doorstop continues this operation: here it holds open a door not usually accessible to the public.
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
2.5 x 8 x 4 cm
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
1.5 x 8.2 x 3 cm
Contour Fatigue II, Emalin, London, UK
17 April – 23 May 2026
Olga Balema, Adriano Costa, Niloufar Emamifar, Namio Harukawa, Stanislava Kovalcikova, Jac Leirner, Kate Spencer Stewart, Franco Vimercati
Photos by Stephen James.
#niloufaremamifar @niloufarem @emalinofficial
The Air Conditioner (2016-2025) was produced in Lecce, Italy from iron ingots melted down from a decommissioned air-conditioning unit originally located in an insurance company in Tehran. The unit first appeared as part of a temporary public sculpture in Tehran in 2016. It was subsequently reassembled and returned to its original site in northeast Tehran, where it remained in operation until November 2018. The work was then transported to New York and melted into iron ingots, which were exhibited at the SculptureCenter in 2019 and again in 2021. In 2025, Emamifar brought the ingots to Lecce, where a local ironworker carved them into doorstops.
These were exhibited in Disjecta at Progetto, Lecce, where they functioned to hold open the gallery’s doors. At Emalin, the doorstop continues this operation: here it holds open a door not usually accessible to the public.
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
2.5 x 8 x 4 cm
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
1.5 x 8.2 x 3 cm
Contour Fatigue II, Emalin, London, UK
17 April – 23 May 2026
Olga Balema, Adriano Costa, Niloufar Emamifar, Namio Harukawa, Stanislava Kovalcikova, Jac Leirner, Kate Spencer Stewart, Franco Vimercati
Photos by Stephen James.
#niloufaremamifar @niloufarem @emalinofficial
The Air Conditioner (2016-2025) was produced in Lecce, Italy from iron ingots melted down from a decommissioned air-conditioning unit originally located in an insurance company in Tehran. The unit first appeared as part of a temporary public sculpture in Tehran in 2016. It was subsequently reassembled and returned to its original site in northeast Tehran, where it remained in operation until November 2018. The work was then transported to New York and melted into iron ingots, which were exhibited at the SculptureCenter in 2019 and again in 2021. In 2025, Emamifar brought the ingots to Lecce, where a local ironworker carved them into doorstops.
These were exhibited in Disjecta at Progetto, Lecce, where they functioned to hold open the gallery’s doors. At Emalin, the doorstop continues this operation: here it holds open a door not usually accessible to the public.
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
2.5 x 8 x 4 cm
Niloufar Emamifar
The Air Conditioner, 2016–2025
Mixed iron
1.5 x 8.2 x 3 cm
Contour Fatigue II, Emalin, London, UK
17 April – 23 May 2026
Olga Balema, Adriano Costa, Niloufar Emamifar, Namio Harukawa, Stanislava Kovalcikova, Jac Leirner, Kate Spencer Stewart, Franco Vimercati
Photos by Stephen James.
#niloufaremamifar @niloufarem @emalinofficial
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
The new rooftop space at Progetto is connected to the main space by a small passageway, making concurrent programming possible, including exhibitions, screenings, readings, and more.
When we first conceived of the rooftop, we referred to it as the poetry space—or a space for poetry—thinking of poetics as something expansive. The rooftop is visible from the streets below, from the balconies of our neighbors, and from within Progetto. The stairs leading to the roof were designed by Grant Mooney.
_
Il nuovo spazio sul tetto di Progetto è collegato allo spazio principale tramite un piccolo passaggio. È destinato a mostre, proiezioni, reading e altro. Siamo felici di espandere Progetto in questo modo e di rendere possibile una programmazione parallela.
Quando abbiamo immaginato per la prima volta il tetto, lo abbiamo chiamato lo spazio della poesia — o uno spazio per la poesia — pensando alla poetica come a qualcosa di espansivo. Il tetto è visibile dalla strada sottostante, dai balconi dei nostri vicini e dall’interno di Progetto. Le scale che conducono al tetto sono state progettate da Grant Mooney.
_
Stairs
Grant Mooney & iron work by Emanuele Sergi (Gagliano del Capo) @lilxl
Railing
La Bottega Del Ferro (Squinzano) @labottegadelferrosabetta
Photos @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Marco Vitale
I am you,
you are me.
Let everything be
for our neighbor.
May 19, 2025, 6pm–sunset
Rooftop Space at Progetto
On Monday, May 19, 2025, Progetto inaugurated its new rooftop space with Marco Vitale’s work: I am you, you are me. Let everything be for our neighbor.
This durational, site-responsive work unfolded as an act of writing, witnessing, and intimate exchange. It began with a night spent alone writing inside Progetto and extended into a ritual shared with others—through a writing workshop.
Participants who had taken part in a writing process the day prior returned to guide one-on-one encounters throughout Progetto—a quiet choreography of voices, as performers read texts shaped by their time in the space. The rooftop became the place of arrival: a site of listening and shared reflection, as day turned to dusk.
The work closed with a projection of the writings in the Progetto library—a visual echo, both archive and offering.
Participants: Lara Gigante, Marco La Cava, Thomas Lanzellotti, Marvin Vese, Matteo Terzi, Danilo Billermann, Alba Cobo, Lauren Spedicato, Angelica Calabrese.
#marcovitale @marcovvitale
photos Gianluca Pisicchio @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
Vattene Nuvola Nera: Magic and the South
Symposium with Grazia Amelia Bellitta
Sunday, March 30, 2025
13.00 lunch / 17.00 open discussion with food and wine.
On Sunday, March 30, 2025, Progetto presented Vattene Nuvola Nera, a symposium exploring magic, care, and ritual inherent in food. A lunch for 21 guests, symbolizing ‘The World’ in tarot, inspired by the maternal act of nourishment as a form of protection, healing, and rebirth.
As a child, my mother transformed every dish into a daily spell, a medicine that fought weakness and illness, an act of love meant to restore my energy and vitality. But also her despair when I wouldn’t eat. She would suffer too, taking on my discomfort so that I could heal.
In this project, I sought to recreate that gesture of care, transmitting the same protective and regenerative energy to my guests. Every dish became a portal to a symbolic dimension, where food was not just sustenance, but a magical practice that heals and unites. The table, set to evoke the intimacy and imperfection of a home dining space, became the altar of this collective ritual.
The public was invited to observe the ritual, participate in the transformation of the table, and at the end of the meal, reflect and discuss the meaning of this act: food as magic, the meal as a spell, the table as an altar.
Vegetables, cheese, cured meats, meat, and wine were produced by Grazia Amelia’s father from their small family farm in the countryside (Stellosa) in Oriolo, Calabria, and brought to Lecce to be prepared at Progetto. A punk zine menu was created for the event, with a publication to follow.
_
Sunday, March 30, 2025 at Progetto:
13.00: Lunch followed by an open community talk at 17.00 with food & wine.
17.00: Progetto opened to all to speak about magic, the South, food as healing, and more.
_
Zine Menu / Publication: Panopticon Publishing, Grazia Amelia Bellitta, text by Enrico Camprini. Culinary support: Giulia Baglivo (Apulian chef, Tricase)
Photos by Gianluca Pisicchio
#graziaameliabellitta @melamangiai @panopticon_publishing @enrico_camprini@giuliabaglivoo @gianlucapicchio90
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
This past year at Progetto, we opened a new rooftop space and presented several short programs and a symposium.
This week we will post documentation from our 2025 Short Programs and soon announce new programming and publishing projects.
Progetto, 2025
March 30
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Lunch followed by a talk at Progetto
April 26 - May 09
Short program: Queer Market Show Takeover
May 19
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
@melamangiai @_qms_ @hugobauschbelbachir @marcovvitale @lilxl design @peach_wien
_
Quest’ultimo anno a Progetto abbiamo aperto un nuovo spazio sul rooftop e presentato diversi programmi brevi e un simposio.
Questa settimana pubblicheremo la documentazione dei nostri Short Programs del 2025 e presto annunceremo nuovi progetti di programmazione e pubblicazione.
Progetto, 2025
30 marzo
Symposium: Vattene Nuvola Nera:
Magic and the South with Grazia Amelia Bellitta
Pranzo seguito da una conversazione a Progetto
26 aprile – 9 maggio
Short program: Queer Market Show Takeover
19 maggio
Rooftop program: I am you, you are me.
Let everything be for our neighbor, Marco Vitale
Niloufar Emamifar is included in Grant Mooney: sum at Museum Abteiberg.
With his relational concept of sculpture, Mooney creates a field of currents and flows between objects from the collection of Museum Abteiberg, selected historical works, and works by other contemporary artists.
The Wolves is a cast site in Puglia characterized as a zone of indeterminacy. This space is materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. The site was identified in Marittima, Italy, through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
The Wolves
2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
__
Grant Mooney
sum, curated by Alke Heykes
with Laura Aguilar, Olga Balema, Joseph Beuys, Patricia L. Boyd, Wisrah C. V. da R. Celestino, Hanne Darboven, Melvin Edwards, Niloufar Emamifar, Flint Jamison, Jannis Kounellis, Grant Mooney and Winona Sloane Odette, Robert Morris, Ulrich Rückriem, Karin Sander, and Takis
Museum Abteiberg
29 March – 20 September 2026
@niloufarem #niloufaremamifar
@lilxl @alkeheykes @museumabteiberg
Image credits:
1-3 Grant Mooney, sum, installation view, Museum Abteiberg, Mönchengladbach, 2026.
Courtesy the artist and Museum Abteiberg.
Photo: Studio Kukulies.
4 Photo: Simon Veres
Niloufar Emamifar is included in Grant Mooney: sum at Museum Abteiberg.
With his relational concept of sculpture, Mooney creates a field of currents and flows between objects from the collection of Museum Abteiberg, selected historical works, and works by other contemporary artists.
The Wolves is a cast site in Puglia characterized as a zone of indeterminacy. This space is materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. The site was identified in Marittima, Italy, through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
The Wolves
2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
__
Grant Mooney
sum, curated by Alke Heykes
with Laura Aguilar, Olga Balema, Joseph Beuys, Patricia L. Boyd, Wisrah C. V. da R. Celestino, Hanne Darboven, Melvin Edwards, Niloufar Emamifar, Flint Jamison, Jannis Kounellis, Grant Mooney and Winona Sloane Odette, Robert Morris, Ulrich Rückriem, Karin Sander, and Takis
Museum Abteiberg
29 March – 20 September 2026
@niloufarem #niloufaremamifar
@lilxl @alkeheykes @museumabteiberg
Image credits:
1-3 Grant Mooney, sum, installation view, Museum Abteiberg, Mönchengladbach, 2026.
Courtesy the artist and Museum Abteiberg.
Photo: Studio Kukulies.
4 Photo: Simon Veres
Niloufar Emamifar is included in Grant Mooney: sum at Museum Abteiberg.
With his relational concept of sculpture, Mooney creates a field of currents and flows between objects from the collection of Museum Abteiberg, selected historical works, and works by other contemporary artists.
The Wolves is a cast site in Puglia characterized as a zone of indeterminacy. This space is materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. The site was identified in Marittima, Italy, through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
The Wolves
2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
__
Grant Mooney
sum, curated by Alke Heykes
with Laura Aguilar, Olga Balema, Joseph Beuys, Patricia L. Boyd, Wisrah C. V. da R. Celestino, Hanne Darboven, Melvin Edwards, Niloufar Emamifar, Flint Jamison, Jannis Kounellis, Grant Mooney and Winona Sloane Odette, Robert Morris, Ulrich Rückriem, Karin Sander, and Takis
Museum Abteiberg
29 March – 20 September 2026
@niloufarem #niloufaremamifar
@lilxl @alkeheykes @museumabteiberg
Image credits:
1-3 Grant Mooney, sum, installation view, Museum Abteiberg, Mönchengladbach, 2026.
Courtesy the artist and Museum Abteiberg.
Photo: Studio Kukulies.
4 Photo: Simon Veres
Niloufar Emamifar is included in Grant Mooney: sum at Museum Abteiberg.
With his relational concept of sculpture, Mooney creates a field of currents and flows between objects from the collection of Museum Abteiberg, selected historical works, and works by other contemporary artists.
The Wolves is a cast site in Puglia characterized as a zone of indeterminacy. This space is materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. The site was identified in Marittima, Italy, through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
The Wolves
2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
__
Grant Mooney
sum, curated by Alke Heykes
with Laura Aguilar, Olga Balema, Joseph Beuys, Patricia L. Boyd, Wisrah C. V. da R. Celestino, Hanne Darboven, Melvin Edwards, Niloufar Emamifar, Flint Jamison, Jannis Kounellis, Grant Mooney and Winona Sloane Odette, Robert Morris, Ulrich Rückriem, Karin Sander, and Takis
Museum Abteiberg
29 March – 20 September 2026
@niloufarem #niloufaremamifar
@lilxl @alkeheykes @museumabteiberg
Image credits:
1-3 Grant Mooney, sum, installation view, Museum Abteiberg, Mönchengladbach, 2026.
Courtesy the artist and Museum Abteiberg.
Photo: Studio Kukulies.
4 Photo: Simon Veres
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
Niloufar Emamifar, Offcut
Kunsthalle Zürich
07.02 – 25.05.2026
Installation views of the exhibition are now online. For more information and the full documentation please visit Kunsthalle Zürich’s website. The exhibition is curated by Fanny Hauser and continues until 25 May 2026.
Supported by / Unterstützt vom SüdKulturFonds.
Photos: Gina Folly @gina_folly
@niloufarem @fanny.hauser @kunsthallezurich
@lowenbraukunst @diezurchermuseen @kulturzueri.ch
We are excited to announce our 2026 and early 2027 programs at Progetto: an exhibition by Tarik Kiswanson, a program by Gregg Bordowitz, an exhibition by Onyeka Igwe, and an exhibition with archives, talks, and screenings by Erika Balsom. Additional symposiums, film screenings, and rooftop programs will follow.
We are also organizing programs in 2026–2027 with artist and curator Beatrice Gibson, curator and PhD candidate in Gender Studies Valeria Raho, writer and artist Allison Grimaldi Donahue, and others.
@tarikkiswanson #greggbordowitz @memoriesofabiglife @_e_d_b_ @beatricegibson @oharairelav @allisonuccia
/
Siamo entusiasti di annunciare i nostri programmi 2026 e inizio 2027 a Progetto: una mostra di Tarik Kiswanson, un programma di Gregg Bordowitz, una mostra di Onyeka Igwe e una mostra con archivi, conferenze e proiezioni di Erika Balsom. Seguiranno ulteriori simposi, proiezioni cinematografiche e programmi sul tetto.
Stiamo anche organizzando programmi nel 2026–2027 con l’artista e curatrice Beatrice Gibson, la curatrice e dottoranda in Studi di Genere Valeria Raho, la scrittrice e artista Allison Grimaldi Donahue e altri.
Artists and writers we have worked with at Progetto over the past years through exhibitions, short programs, symposiums, political dinners, and library publications. We look forward to continuing this work with many more artists and writers in the future.
—
Artisti e scrittori con cui abbiamo lavorato a Progetto negli ultimi anni attraverso mostre, brevi programmi, simposi, cene politiche e pubblicazioni della nostra biblioteca. Non vediamo l’ora di continuare questo lavoro, in futuro, con molti altri artisti e scrittori.
—
Sandra Abbate
Ambra Abbaticola
Noah Barker
Hugo Bausch Belbachir
Grazia Amelia Bellitta
Alexander Ingham Brooke
Dora Budor
Nina Canell
Giacomo Cavalera
János Chialá
Cineteca di Bologna – Michela Zegna
Kyle Dancewicz
Aria Dean
Michael Dean
Niloufar Emamifar
Stefano Faoro
ektor garcia
Lara Gigante
Michèle Graf & Selina Grüter
Dan Graham
Ebony L. Haynes
E. Jane
Audre Lorde
Sara Magenheimer
Cecilia Mangini
Enrica Anastasia Marangio
Grant Mooney
Marco Musarò
Wyatt Niehaus
Amalie Svarre Nielsen
Winona Sloane Odette
Pat O’Neill
Lydia Ourahmane
Pier Paolo Pasolini
Queer Market Show
Ser Serpas
SoiL Thornton
K. Verlag
Marco Vitale
Marina Vishmidt
Robin Watkins
Bri Williams
Michaela Züge-Bruton
Design by PEACH @peach_wien
Artists and writers we have worked with at Progetto over the past years through exhibitions, short programs, symposiums, political dinners, and library publications. We look forward to continuing this work with many more artists and writers in the future.
—
Artisti e scrittori con cui abbiamo lavorato a Progetto negli ultimi anni attraverso mostre, brevi programmi, simposi, cene politiche e pubblicazioni della nostra biblioteca. Non vediamo l’ora di continuare questo lavoro, in futuro, con molti altri artisti e scrittori.
—
Sandra Abbate
Ambra Abbaticola
Noah Barker
Hugo Bausch Belbachir
Grazia Amelia Bellitta
Alexander Ingham Brooke
Dora Budor
Nina Canell
Giacomo Cavalera
János Chialá
Cineteca di Bologna – Michela Zegna
Kyle Dancewicz
Aria Dean
Michael Dean
Niloufar Emamifar
Stefano Faoro
ektor garcia
Lara Gigante
Michèle Graf & Selina Grüter
Dan Graham
Ebony L. Haynes
E. Jane
Audre Lorde
Sara Magenheimer
Cecilia Mangini
Enrica Anastasia Marangio
Grant Mooney
Marco Musarò
Wyatt Niehaus
Amalie Svarre Nielsen
Winona Sloane Odette
Pat O’Neill
Lydia Ourahmane
Pier Paolo Pasolini
Queer Market Show
Ser Serpas
SoiL Thornton
K. Verlag
Marco Vitale
Marina Vishmidt
Robin Watkins
Bri Williams
Michaela Züge-Bruton
Design by PEACH @peach_wien
Artists and writers we have worked with at Progetto over the past years through exhibitions, short programs, symposiums, political dinners, and library publications. We look forward to continuing this work with many more artists and writers in the future.
—
Artisti e scrittori con cui abbiamo lavorato a Progetto negli ultimi anni attraverso mostre, brevi programmi, simposi, cene politiche e pubblicazioni della nostra biblioteca. Non vediamo l’ora di continuare questo lavoro, in futuro, con molti altri artisti e scrittori.
—
Sandra Abbate
Ambra Abbaticola
Noah Barker
Hugo Bausch Belbachir
Grazia Amelia Bellitta
Alexander Ingham Brooke
Dora Budor
Nina Canell
Giacomo Cavalera
János Chialá
Cineteca di Bologna – Michela Zegna
Kyle Dancewicz
Aria Dean
Michael Dean
Niloufar Emamifar
Stefano Faoro
ektor garcia
Lara Gigante
Michèle Graf & Selina Grüter
Dan Graham
Ebony L. Haynes
E. Jane
Audre Lorde
Sara Magenheimer
Cecilia Mangini
Enrica Anastasia Marangio
Grant Mooney
Marco Musarò
Wyatt Niehaus
Amalie Svarre Nielsen
Winona Sloane Odette
Pat O’Neill
Lydia Ourahmane
Pier Paolo Pasolini
Queer Market Show
Ser Serpas
SoiL Thornton
K. Verlag
Marco Vitale
Marina Vishmidt
Robin Watkins
Bri Williams
Michaela Züge-Bruton
Design by PEACH @peach_wien
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
402 x 203 x 2.75 cm
Niloufar Emamifar
The Wolves, 2025
Polyurethane resin, soil, asphalt, dust
380 x 47 x 3.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Cinema Anita, 2025
Wood, paint, nails, glue
Dimensions variable
The Teatro Anita, constructed between 1922 and 1925 in Poggiardo by Avv. Paolo Pispico, was conceived as a project to promote popular culture through the adaptation of part of an adjacent ancient convent next to the Church of Santa Maria degli Angeli.
Inaugurated in 1925 with the operetta ‘Il paese dei campanelli’, the theater soon encountered financial difficulties, leading to its conversion into a silent film cinema in 1928, a function it maintained until the advent of sound cinema in 1934. Substantial renovations in 1950 included the removal of the original box seating. The theater has remained vacant for the past thirty years.
All acoustic wooden wall panels from Cinema Anita were removed and reinstalled in the final room of Progetto, following the architectural configuration of the space while maintaining the original dimensions of the panels. Remaining panels are stored on site at Progetto.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
Niloufar Emamifar
Manduria, 2025
Polyurethane resin, soil, dust, rocks, glass
272 x 137 x 5.5 cm
The Wolves and Manduria are casts of sites in Puglia characterized as zones of indeterminacy. These spaces are materially present yet juridically unsettled, and thus excluded from conventional zoning regulation. These sites were identified in Manduria and Marittima through a process of fieldwork that relied on local knowledge and oral accounts.
Niloufar Emamifar
Disjecta
July 27 - December 31, 2025
#niloufaremamifar @niloufarem
photos @simonveres_aeph
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.