Instagram Story Viewer

Coming to @hbo April 12…
Art Department: @atoddholland, @k_signs, @_icahn, @_alexfowler, @miguelrosero, @atticusblatt, @noah_mccormick.98, James Addink, @claudiashanmugam, @kristianllana, Adam Gelbert, @anavisuetti …set decorated by @awcarlino…construction by @imsyracuse #euphoria #hbomax #madeinhollywood

Wayne's Basement — Episode 307.
A 20' long forced-perspective tunnel that read as 50' on camera, built on Stage 15 at Warner Bros... We even 3D-printed the work lights receding into the distance until they were only a few inches tall... An old production design trick, executed with a tremendous team...
@euphoria #EuphoriaSeason3 #ProductionDesign #ForcedPerspective @adg800 #SetDesign #BTS @wbsburbank

Wayne's Basement — Episode 307.
A 20' long forced-perspective tunnel that read as 50' on camera, built on Stage 15 at Warner Bros... We even 3D-printed the work lights receding into the distance until they were only a few inches tall... An old production design trick, executed with a tremendous team...
@euphoria #EuphoriaSeason3 #ProductionDesign #ForcedPerspective @adg800 #SetDesign #BTS @wbsburbank

Euphoria S3E7 - a unique element was the forced perspective tunnel we made.

A combo of ‘how cool would it be if’ + ‘this sells the story because’ + ‘it saves stage space’ + ‘where can we find/make small versions of…’

Euphoria S3E7 - a unique element was the forced perspective tunnel we made.

A combo of ‘how cool would it be if’ + ‘this sells the story because’ + ‘it saves stage space’ + ‘where can we find/make small versions of…’

Euphoria S3E7 - a unique element was the forced perspective tunnel we made.

A combo of ‘how cool would it be if’ + ‘this sells the story because’ + ‘it saves stage space’ + ‘where can we find/make small versions of…’

Euphoria S3E7 - a unique element was the forced perspective tunnel we made.

A combo of ‘how cool would it be if’ + ‘this sells the story because’ + ‘it saves stage space’ + ‘where can we find/make small versions of…’

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

Tonight on #EUPHORIA — Episode 306 🎬
One of my favorite sequences of the season. Every character needs an origin story, and Sam Levison dreamed up a powerful one for Alamo — a flashback to his childhood in 1977.
I convinced Sam to set this in Chicago & was particularly inspired by the film Cooley High (1975), which shot in the Cabrini-Green housing projects.
We built an authentic recreation of the CG projects as a stage set, then constructed two additional apartments to chart the rags-to-riches-to-rags arc. Every interior in this sequence was built on stage — which let us control every detail: the wallpaper, the layered paint, the lino, the fabrics and fixtures...
Period work like this is a true department effort. Grateful to everyone who put their hands on these sets.
—
Art Department
Supervising Art Director: @atoddholland
Art Director: @k_signs
Assistant Art Director: @_alexfowler
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink
Researcher: @collintanderson
Set Decorator: @awcarlino
Construction Coordinator: @imsyracuse
—
#EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia #madeinhollywood

More from the build. #Euphoria Season 3, episode 5.

#ProductionDesign #PracticalEffects #Miniatures #ADG800

More from the build. #Euphoria Season 3, episode 5.

#ProductionDesign #PracticalEffects #Miniatures #ADG800

More from the build. #Euphoria Season 3, episode 5.

#ProductionDesign #PracticalEffects #Miniatures #ADG800

More from the build. #Euphoria Season 3, episode 5.

#ProductionDesign #PracticalEffects #Miniatures #ADG800

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

In #Euphoria Season 3 episode 5, Cassie grows to 50 feet tall and rampages her way through LA. The directive from Sam Levinson: "No CGI."

Six months before the shoot, @john.merritt.studio began constructing a miniature LA: the Eastern Columbia Building, the Orpheum rooftop sign (illuminated by thousands of incandescent bulbs), the Hollywood sign and hills, a tractor-trailer Cassie hoists overhead, and a city aftermath. Everything was built in forced perspective, scaling from 1/24th in the foreground to 1/48th at the horizon, with select street-level shots at 1/12th.

Set Designer @claudiashanmugam drafted scale schematics for every shot, mapping camera position and lens choices to match storyboards. Concept artist @kristianllana illustrated key frames in #blender3d, incorporating the dusk lighting I developed with DP @marcellrev. 

Cassie's apartment was constructed as a 1/2-scale miniature; the NY Street backlot @wbsburbank was dressed for crowd reactions; a custom 135-foot twilight translight from @jcbackings, designed by @miguelrosero, spanned one whole wall of the stage. Art Directors @atoddholland and @k_signs managed the mayhem.

For the moment Cassie leans into an office and crashes through the glass, also on stage. @theofficialknbefxgroup built her chest at full scale.

Also thanks to Assistant Art Director @_alexfowler, Set Designers James Addink and @noah_mccormick.98, Researcher @collintanderson, ADC @atticusblatt, and Art PA @anavisuetti.
#ProductionDesign #PracticalEffects #Miniatures #ADG800 #attackofthe50footwoman

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

Alamo’s house. Euphoria Season 3.
We found it out in Palmdale — the Brill House. 1986, designed by James Herbert Brownell. It sits on a hill like it owns the Antelope Valley. 6,000 square feet of faceted odd beauty. Barely photographed, rarely shot. That tells you something.
Alamo’s place isn’t about wealth in the usual sense. It’s not trying to impress you. It’s what happens when someone builds a world purely for themselves. A lavish fortress of sorts.
The exterior gave us a lot to start with: stacked windows, wood and stone details, a spiral stair, an indoor pool.
For the stage sets, we leaned in.
The great room became an arena — a black jacuzzi perched above like a throne. Below, a sunken circular conversation pit wrapped in a curved sofa built by the @warnerbros upholstery team.
@awcarlino and his crew pushed the furniture into a throwback 1980s-leaning world.@jcbackings shot massive day and night backings at the real house — 143 feet across.
Inside, we cheated. The stair-step window wall over the pool is forced just enough that your brain clocks it before you can explain it. Something’s off.
That was the point.
—
Art Department
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Construction Coordinator: @imsyracuse
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc #madeinhollywood

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

@euphoria Season 3 - Episode 3 debuts tonight: Cassie & Nate’s Wedding! 🌸

A fairy tale that was trying too hard — which was exactly the point.

The ceremony was shot at @langhampasadena. The reception was built on Stage 23 at @wbsburbank — a Spanish-Mission Revival interior painted in warm caramel, anchored by custom pink and blush-toned carpet, plus ten real ice sculptures with on-site freezers.

But flowers were the obsession. The color palette was sampled from the pinks of a shrimp cocktail. And then we ordered every pink flower in the Western Hemisphere... 25,092 stems & 7,475 roses! Our floral team (@magpie_floral & @flowersongla) cleaned out all local farms & markets, then flew in the rest from Miami, Amsterdam, and Ecuador. 🌷

Art Department: Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam, James Addink, @noah_mccormick.98, Julien Pougnier
Modelmaker: Adam Gelbert
Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
Construction Coordinator: @imsyracuse

#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign @HBO @HBOMax @filmcalifornia filmlainc @adg800

The Silver Slipper: Fully Nude • Always Lewd. Photo by @_icahn #euphoria #hbo

The Silver Slipper.
A strip club built for predators — literally. Deep red and hunter green, wall-to-wall cheetah carpet, taxidermy everywhere (only the hunters, never the hunted). Oh, and an eight-foot Burmese python living in the back hallway.
The exterior went up at an abandoned strip mall in Lancaster — custom neon signage and a 20-foot leg sculpture inspired by roadside Americana.
Euphoria S3 Episode 2 is out tonight. Welcome to Alamo's world. 🐍
Art Department:
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam , James Addink, @noah_mccormick.98 Modelmaker: Adam Gelbert Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign #HBO

The Silver Slipper.
A strip club built for predators — literally. Deep red and hunter green, wall-to-wall cheetah carpet, taxidermy everywhere (only the hunters, never the hunted). Oh, and an eight-foot Burmese python living in the back hallway.
The exterior went up at an abandoned strip mall in Lancaster — custom neon signage and a 20-foot leg sculpture inspired by roadside Americana.
Euphoria S3 Episode 2 is out tonight. Welcome to Alamo's world. 🐍
Art Department:
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam , James Addink, @noah_mccormick.98 Modelmaker: Adam Gelbert Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign #HBO

The Silver Slipper.
A strip club built for predators — literally. Deep red and hunter green, wall-to-wall cheetah carpet, taxidermy everywhere (only the hunters, never the hunted). Oh, and an eight-foot Burmese python living in the back hallway.
The exterior went up at an abandoned strip mall in Lancaster — custom neon signage and a 20-foot leg sculpture inspired by roadside Americana.
Euphoria S3 Episode 2 is out tonight. Welcome to Alamo's world. 🐍
Art Department:
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam , James Addink, @noah_mccormick.98 Modelmaker: Adam Gelbert Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign #HBO

The Silver Slipper.
A strip club built for predators — literally. Deep red and hunter green, wall-to-wall cheetah carpet, taxidermy everywhere (only the hunters, never the hunted). Oh, and an eight-foot Burmese python living in the back hallway.
The exterior went up at an abandoned strip mall in Lancaster — custom neon signage and a 20-foot leg sculpture inspired by roadside Americana.
Euphoria S3 Episode 2 is out tonight. Welcome to Alamo's world. 🐍
Art Department:
Supervising Art Director: @atoddholland
Art Directors: @k_signs, @_icahn
Assistant Art Director: @_alexfowler
Illustrator: @kristianllana
Graphic Designer: @miguelrosero
Set Designers: @claudiashanmugam , James Addink, @noah_mccormick.98 Modelmaker: Adam Gelbert Researcher: @collintanderson
Art Department Coordinator: @atticusblatt
Art PA: @anavisuetti
Set Decorator: @anthonycarlino
#Euphoria #EuphoriaS3 #ProductionDesign #SetDesign #HBO

Euphoria Season 3 episode 1 debuts tomorrow! First five minutes are online showcasing this scene... 150 feet of the Mexico/US border built by incredible @iatse film crews WAY OUT of the TMZ in the Mojave Desert past Lancaster. Supervising Art Director: @atoddholland, Art Director @_icahn, Set Design by James Addink, Construction Coordinator @imsyracuse @euphoria @hbomax #madeinhollywood @filmcalifornia photo by @_icahn