Instagram Story Viewer

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Individual Mentoring and Consulting Programs

Applications now open

Contact us to discuss your focus in a free video call

DM or email to:
contact@hyperlinear.net

Design: Joe Gilmore

Nur was schaltbar ist, ist überhaupt

May 21st, 8pm, Zemin Berlin

Eliad Wagner - Modular Synthesizer

Hunter Brown - Computer Music

Ingólfur Vilhjálmsson - Bs Clarinet
+
Benjamin Flesser - Modular Synthesizer

Building on my previous work with metastable networks of analog modular synthesizers in feedback with various organic systems, such as electron flow in plants or the activity of my brain regions, I aim to deepen my research into analog neural networks as feedback systems in order to develop new instruments and performance methods.
Of particular artistic interest to me is the exploration of different neuron models as a way to derive diverse functions, such as sound generators and modulators, from a large network of identical components, and to interconnect these functions. This represents an speculative approach toward an alternative to classical synthesizer models, or, to the standardized computer model (the von Neumann architecture), which consists of discrete units with fixed functions and more or less fixed interconnections.
Rather than focusing on the learning capacity of neural networks, I intend to leverage the transformability and material-specific properties of the circuits themselves.

Building on my previous work with metastable networks of analog modular synthesizers in feedback with various organic systems, such as electron flow in plants or the activity of my brain regions, I aim to deepen my research into analog neural networks as feedback systems in order to develop new instruments and performance methods.
Of particular artistic interest to me is the exploration of different neuron models as a way to derive diverse functions, such as sound generators and modulators, from a large network of identical components, and to interconnect these functions. This represents an speculative approach toward an alternative to classical synthesizer models, or, to the standardized computer model (the von Neumann architecture), which consists of discrete units with fixed functions and more or less fixed interconnections.
Rather than focusing on the learning capacity of neural networks, I intend to leverage the transformability and material-specific properties of the circuits themselves.

Building on my previous work with metastable networks of analog modular synthesizers in feedback with various organic systems, such as electron flow in plants or the activity of my brain regions, I aim to deepen my research into analog neural networks as feedback systems in order to develop new instruments and performance methods.
Of particular artistic interest to me is the exploration of different neuron models as a way to derive diverse functions, such as sound generators and modulators, from a large network of identical components, and to interconnect these functions. This represents an speculative approach toward an alternative to classical synthesizer models, or, to the standardized computer model (the von Neumann architecture), which consists of discrete units with fixed functions and more or less fixed interconnections.
Rather than focusing on the learning capacity of neural networks, I intend to leverage the transformability and material-specific properties of the circuits themselves.

Attended a Bob Ross style painting workshop with Paula 💙. Here is my painting 🥶. What are your thoughts? Roast me in the comments.

Coding Musical Patterns - Algorithmic Composition, Generative Growth, and the Music of Math
Mads Kjeldgaard

Saturday 25.4.26 and Sunday 26.4.26
11am - 4pm with breaks

at Morphine Raum

A two-day workshop diving deep into the theory and practice of algorithmic composition. At the end of this workshop, participants will have a firm understanding of how to use code, math and numbers to write beautiful, living and complex music. The workshop has a theoretical part that mixes traditional music theory and geometry to create a new understanding of pitches, rhythm and harmony, and in the practical part we will harness the potential of this knowledge to write music using the programming environment SuperCollider. The target audience of the workshop include composers, musicians, sound and engineers and artists of all kinds, but no prior programming experience is necessary.

Mads Kjeldgaard is a composer and sound artist from Denmark. He works mainly in the fields of algorithmic composition and interactive sound art, using self-authored software and hardware, generative processes, patterns, biology, and sound environments to create dazzling sonic structures.

In 2024, he founded the platform Exformal Records for sound and listening-based thinking. He studied electronic music composition at The Royal Academy of Music (DIEM) and is a member of The Danish Composers’ Society.

His work has been commissioned by NyMusikk, Aggregate Festival, The Norwegian Centre for Technology and Art, The Ultima Contemporary Music Festival, Intonal Festival, Aggregate Festival and Lemur Ensemble among others. In 2019 he won a gold award at the International Spatial Audio Conference.

He has worked as a technician and developer at The Norwegian Center for Arts and Technology (aka Notam), and as a software developer for music instruments at Torso Electronics, among other things. He is an open source software contributor, and shares creative technology through hyaline.systems.

https://madskjeldgaard.dk/

Enrollment fee per participant 275€

Limited to Max. 15 participants
Online participation is possible
Get in touch to enroll via enrollment@hyperlinear.net or DM us
Design by Joe Gilmore

Anna-Verena Nosthoff - Kybernetik und Kritik #kybernetic #cybernetics #2026

excerpt of my performance for blank pages - page six @arkaodaberlin

#mauriceblanchot

February 12th at Richten25

Wolfgang Ernst - Digital Memory and the Archive
Jussi Parikka - What is Media Archaeology

Friedrich Kittler - Und der Sinus wird weiterschwingen / Über Musik und Mathematik

#kittler #medienwissenschaft

Friedrich Kittler - Und der Sinus wird weiterschwingen / Über Musik und Mathematik

#kittler #medienwissenschaft

Friedrich Kittler - Und der Sinus wird weiterschwingen / Über Musik und Mathematik

#kittler #medienwissenschaft

SoundThread and The Composers Desktop Project
Jontahan Higgins

Saturday 28.3.26 and Sunday 29.3.26
Sat 13:00 - 19:00 with breaks
Sun 10:00 - 16:00 with breaks

at Pallas, Potsdamer Straße 172 c-d, 10783 Berlin
Online participation is possible for this workshop

This workshop will provide an introduction to working with SoundThread, a new node-based front end for the Composers Desktop Project (CDP). It will walk through the basics of getting started before exploring a number of examples of how SoundThread and CDP can be used to transform and generate sound.

CDP is a suite of offline audio processing tools for sound-transformation that offers completely unique ways of processing and generating sound. It has been in development by Trevor Wishart, Richard Dobson, Archer Endrich and Robert Fraser for almost forty years and in this time, it has shaped the progression of experimental electronic music worldwide. SoundThread provides a contemporary method of engaging with this software suite using a node-based approach to transform CDP into a user friendly, modular playground for offline audio processing.

No prior knowledge of SoundThread or CDP is required for this workshop.

Jonathan Higgins is a composer and performer based in London. His music focuses on exploring how noise can be utilised as a creative and generative tool. He works across a variety of different media, including fixed electroacoustic music, instrumental music, live electronics and sound installations. He performs regularly as an improviser using a custom setup of hand modified CD players. His music has been performed, prized and published both nationally and internationally.

jphiggins.co.uk

Enrollment fee per participant 320€
Limited to Max. 12 participants
Online participation is possible

To ensure accessibility, we are offering three reduced-fee spots with a 20% discount for participants for whom the standard fee would be a barrier. These are available on a first-come, first-served basis.

Get in touch to enroll via enrollment@hyperlinear.net or DM us
Design by Joe Gilmore