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Bukowskis
Bukowskis – Arts & Business
Part of the Bonhams Network
The viewing is now open. Welcome to explore a carefully curated selection of modern art and design by Swedish and international artists and designers. The auction spans from the breakthrough of the early twentieth century to the height of modernism in the mid-century period, offering a breadth of expressions, materials and artistic perspectives.
Featured here are “Circus” by Einar Jolin, alongside sought-after design and works of art by Einar Luterkort, Carl Hörvik, Gustaf Axel Berg, Eskil Sundahl, Nils Fougstedt, Sylvia Stave, and Märta Måås-Fjetterström.
Viewing: May 13–19, 2026, Berzelii Park 1, Stockholm
Weekdays: 11 AM – 6 PM
Weekends: 11 AM – 4 PM
Ascension Day 11 AM– 4 PM
Read more about the live auction, browse the catalogue, and place an absentee bid today at the link in bio.
Discover ”Den drunknade flickan I" by Nils von Dardel – to be sold at Modern Art & Design.
Nils von Dardel grew up at the small manor of Svarthåll, situated between Arboga and Kungsör. His upbringing was secure and idyllic, and throughout his adult life he would remember it as a kind of lost paradise.
This childhood idyll could, however, at times be shattered by tragic events along the muddy banks of the Arbogaån. It happened that children bathing there would slip in the mud, drift into deep water and drown. The artist’s elder brother Fredrik once recounted that almost every year they witnessed how a beautiful summer’s day could suddenly turn into a sorrowful tragedy.
From an early age, they were thus confronted with death and its reality. These experiences left a deep impression on the young Dardel and awakened both fear and fascination in the face of death.
The work is among the most psychologically charged compositions from this period of Dardel’s oeuvre. Through the flat, clean linearity of the composition, Dardel conveys an emotional undertone of vulnerability and unease in the face of life’s tragedy – an elegantly veiled image of cruelty and compassion.
”Den drunknade flickan I" originally formed part of the collection of the art lover Jean O. Erikson, whose home was on Erik Dahlbergsgatan in Gothenburg. Erikson was Norwegian Consul General and married to the colourful Norwegian artist Signe Hvistendahl.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Discover ”Den drunknade flickan I" by Nils von Dardel – to be sold at Modern Art & Design.
Nils von Dardel grew up at the small manor of Svarthåll, situated between Arboga and Kungsör. His upbringing was secure and idyllic, and throughout his adult life he would remember it as a kind of lost paradise.
This childhood idyll could, however, at times be shattered by tragic events along the muddy banks of the Arbogaån. It happened that children bathing there would slip in the mud, drift into deep water and drown. The artist’s elder brother Fredrik once recounted that almost every year they witnessed how a beautiful summer’s day could suddenly turn into a sorrowful tragedy.
From an early age, they were thus confronted with death and its reality. These experiences left a deep impression on the young Dardel and awakened both fear and fascination in the face of death.
The work is among the most psychologically charged compositions from this period of Dardel’s oeuvre. Through the flat, clean linearity of the composition, Dardel conveys an emotional undertone of vulnerability and unease in the face of life’s tragedy – an elegantly veiled image of cruelty and compassion.
”Den drunknade flickan I" originally formed part of the collection of the art lover Jean O. Erikson, whose home was on Erik Dahlbergsgatan in Gothenburg. Erikson was Norwegian Consul General and married to the colourful Norwegian artist Signe Hvistendahl.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Discover ”Den drunknade flickan I" by Nils von Dardel – to be sold at Modern Art & Design.
Nils von Dardel grew up at the small manor of Svarthåll, situated between Arboga and Kungsör. His upbringing was secure and idyllic, and throughout his adult life he would remember it as a kind of lost paradise.
This childhood idyll could, however, at times be shattered by tragic events along the muddy banks of the Arbogaån. It happened that children bathing there would slip in the mud, drift into deep water and drown. The artist’s elder brother Fredrik once recounted that almost every year they witnessed how a beautiful summer’s day could suddenly turn into a sorrowful tragedy.
From an early age, they were thus confronted with death and its reality. These experiences left a deep impression on the young Dardel and awakened both fear and fascination in the face of death.
The work is among the most psychologically charged compositions from this period of Dardel’s oeuvre. Through the flat, clean linearity of the composition, Dardel conveys an emotional undertone of vulnerability and unease in the face of life’s tragedy – an elegantly veiled image of cruelty and compassion.
”Den drunknade flickan I" originally formed part of the collection of the art lover Jean O. Erikson, whose home was on Erik Dahlbergsgatan in Gothenburg. Erikson was Norwegian Consul General and married to the colourful Norwegian artist Signe Hvistendahl.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Discover ”Den drunknade flickan I" by Nils von Dardel – to be sold at Modern Art & Design.
Nils von Dardel grew up at the small manor of Svarthåll, situated between Arboga and Kungsör. His upbringing was secure and idyllic, and throughout his adult life he would remember it as a kind of lost paradise.
This childhood idyll could, however, at times be shattered by tragic events along the muddy banks of the Arbogaån. It happened that children bathing there would slip in the mud, drift into deep water and drown. The artist’s elder brother Fredrik once recounted that almost every year they witnessed how a beautiful summer’s day could suddenly turn into a sorrowful tragedy.
From an early age, they were thus confronted with death and its reality. These experiences left a deep impression on the young Dardel and awakened both fear and fascination in the face of death.
The work is among the most psychologically charged compositions from this period of Dardel’s oeuvre. Through the flat, clean linearity of the composition, Dardel conveys an emotional undertone of vulnerability and unease in the face of life’s tragedy – an elegantly veiled image of cruelty and compassion.
”Den drunknade flickan I" originally formed part of the collection of the art lover Jean O. Erikson, whose home was on Erik Dahlbergsgatan in Gothenburg. Erikson was Norwegian Consul General and married to the colourful Norwegian artist Signe Hvistendahl.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
The Carpets and Textiles Department highlights a number of unique pieces, with a particular focus on Swedish textile craftsmanship of the highest quality. Among the highlights are exceptional carpets created by the distinguished textile artists Märta Måås-Fjetterström and Barbro Nilsson, together with works by several artists active within AB MMF.
The auction also presents two carpets by the textile artist Margareta Sundbom-Eichenholz. Educated at Konstfack in the 1950s, she developed a distinctive artistic language shaped by both traditional craftsmanship and a more experimental approach to textile art.
Deeply inspired by the forests of Hälsingland, Sundbom-Eichenholz transformed natural impressions into expressive woven compositions, where shifting colours and organic forms evoke the atmosphere and rhythms of the woodland landscape. Her works balance technical precision with a highly personal sense of colour and movement.
Although her artistic career was relatively brief, ending already in 1957, her textiles remain compelling examples of post-war Swedish textile art, uniting nature-inspired imagery with refined craftsmanship and modern expression.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
The Carpets and Textiles Department highlights a number of unique pieces, with a particular focus on Swedish textile craftsmanship of the highest quality. Among the highlights are exceptional carpets created by the distinguished textile artists Märta Måås-Fjetterström and Barbro Nilsson, together with works by several artists active within AB MMF.
The auction also presents two carpets by the textile artist Margareta Sundbom-Eichenholz. Educated at Konstfack in the 1950s, she developed a distinctive artistic language shaped by both traditional craftsmanship and a more experimental approach to textile art.
Deeply inspired by the forests of Hälsingland, Sundbom-Eichenholz transformed natural impressions into expressive woven compositions, where shifting colours and organic forms evoke the atmosphere and rhythms of the woodland landscape. Her works balance technical precision with a highly personal sense of colour and movement.
Although her artistic career was relatively brief, ending already in 1957, her textiles remain compelling examples of post-war Swedish textile art, uniting nature-inspired imagery with refined craftsmanship and modern expression.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Torsten Kreuger & Villa Kvikkjokk – a unique collection of Carl Malmsten furniture to be sold at Modern Art & Design.
Torsten Kreuger (1884–1973) was a Swedish engineer educated at Chalmers in Gothenburg. He primarily worked as an industrialist and banker. On behalf of his family, he worked in the match industry and later supported his brother the "Match King" Ivar Kreuger in building his financial empire. Kreuger was active in the banking sector in Stockholm and owned several newspapers.
Villa Kvikkjokk on Djurgården in Stockholm was built in the 1860s and designed by the architect Theodor Anckarsvärd. Torsten Kreuger moved into the villa in 1926 and remained there into the 1930s. Kreuger had Villa Kvikkjokk extensively restored and hired Carl Malmsten to design several sets of furniture for the villa's various rooms. Malmsten, in turn, commissioned his brother-in-law Alf Munthe to hand paint the decoration on a blue dining room set (cat. no. 331-341) as well as wall and ceiling paintings in Villa Kvikkjokk. For the salon, Malmsten designed a piece of furniture in Chinese red with profiled gilded decoration (cat. no. 342-345). The furniture by Malmsten bears a strong resemblance to the set he designed as early as 1923 and which came to be a wedding gift to the newlywed Crown Prince Gustaf (VI) Adolf and Louise Mountbatten before they moved into Ulriksdal Castle. In a magazine article from 1956, the interior of Villa Kvikkjokk is mentioned:
"We enter the exceptionally homely salon. The artistic touch that Carl Malmsten and Alf Munthe gave the room during the restoration still stands up very well, despite such recent additions as the radiogramophone and the more modernist demands of a younger generation. But the mixing of old and new has been done in a very reverent and harmonious way.”
Read more about the collection and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Torsten Kreuger & Villa Kvikkjokk – a unique collection of Carl Malmsten furniture to be sold at Modern Art & Design.
Torsten Kreuger (1884–1973) was a Swedish engineer educated at Chalmers in Gothenburg. He primarily worked as an industrialist and banker. On behalf of his family, he worked in the match industry and later supported his brother the "Match King" Ivar Kreuger in building his financial empire. Kreuger was active in the banking sector in Stockholm and owned several newspapers.
Villa Kvikkjokk on Djurgården in Stockholm was built in the 1860s and designed by the architect Theodor Anckarsvärd. Torsten Kreuger moved into the villa in 1926 and remained there into the 1930s. Kreuger had Villa Kvikkjokk extensively restored and hired Carl Malmsten to design several sets of furniture for the villa's various rooms. Malmsten, in turn, commissioned his brother-in-law Alf Munthe to hand paint the decoration on a blue dining room set (cat. no. 331-341) as well as wall and ceiling paintings in Villa Kvikkjokk. For the salon, Malmsten designed a piece of furniture in Chinese red with profiled gilded decoration (cat. no. 342-345). The furniture by Malmsten bears a strong resemblance to the set he designed as early as 1923 and which came to be a wedding gift to the newlywed Crown Prince Gustaf (VI) Adolf and Louise Mountbatten before they moved into Ulriksdal Castle. In a magazine article from 1956, the interior of Villa Kvikkjokk is mentioned:
"We enter the exceptionally homely salon. The artistic touch that Carl Malmsten and Alf Munthe gave the room during the restoration still stands up very well, despite such recent additions as the radiogramophone and the more modernist demands of a younger generation. But the mixing of old and new has been done in a very reverent and harmonious way.”
Read more about the collection and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Torsten Kreuger & Villa Kvikkjokk – a unique collection of Carl Malmsten furniture to be sold at Modern Art & Design.
Torsten Kreuger (1884–1973) was a Swedish engineer educated at Chalmers in Gothenburg. He primarily worked as an industrialist and banker. On behalf of his family, he worked in the match industry and later supported his brother the "Match King" Ivar Kreuger in building his financial empire. Kreuger was active in the banking sector in Stockholm and owned several newspapers.
Villa Kvikkjokk on Djurgården in Stockholm was built in the 1860s and designed by the architect Theodor Anckarsvärd. Torsten Kreuger moved into the villa in 1926 and remained there into the 1930s. Kreuger had Villa Kvikkjokk extensively restored and hired Carl Malmsten to design several sets of furniture for the villa's various rooms. Malmsten, in turn, commissioned his brother-in-law Alf Munthe to hand paint the decoration on a blue dining room set (cat. no. 331-341) as well as wall and ceiling paintings in Villa Kvikkjokk. For the salon, Malmsten designed a piece of furniture in Chinese red with profiled gilded decoration (cat. no. 342-345). The furniture by Malmsten bears a strong resemblance to the set he designed as early as 1923 and which came to be a wedding gift to the newlywed Crown Prince Gustaf (VI) Adolf and Louise Mountbatten before they moved into Ulriksdal Castle. In a magazine article from 1956, the interior of Villa Kvikkjokk is mentioned:
"We enter the exceptionally homely salon. The artistic touch that Carl Malmsten and Alf Munthe gave the room during the restoration still stands up very well, despite such recent additions as the radiogramophone and the more modernist demands of a younger generation. But the mixing of old and new has been done in a very reverent and harmonious way.”
Read more about the collection and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Modern Art & Design presents "Påskafton på turisthotellet" by Bror Hjorth.
Bror Hjorth’s importance to the emergence of modernism in Sweden gathered real momentum during his time in Paris in the 1920s. It was there, at a distance from Sweden, that he not only developed his artistic language but also found a deeper sense of inner grounding.
In Paris, he worked intensively, experimenting with the robust language of Cubism and striving to capture what lay beyond the visible—the inner essence of form. His encounter with Auguste Rodin left a powerful impression through its expressive force, while Vincent van Gogh, Paul Cézanne, and Paul Gauguin opened his eyes to the possibilities of colour.
This shift would later find vivid expression in the present work, rooted in Hjorth’s own life and surroundings.
His motifs were now drawn almost exclusively from home: the surroundings of Uppsala and the family’s travels to Rättvik, Leksand, Varberg, Öland, and Arild. The tourist hotel in Rättvik, commissioned by Wilhelmina Skogh, was completed in 1894. At Easter 1946, a grand ball was held in the dining room—an event Hjorth immortalised with remarkable richness of colour.
To the left appears the artist’s wife, Tove Hjorth, dancing in a blue skirt and white blouse. Their son Ole, dressed in a brown suit and black bow tie, leads his companion between the colourful ribbons hanging from the ceiling.
Hjorth’s work carries a distinctive luminosity. In Easter Eve at the Tourist Hotel, he is at his most expressive, creating a tribute to what lay closest to his heart—music, people, and an inexhaustible joy for life.
Browse the full catalogue and register to bid via the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Modern Art & Design presents "Påskafton på turisthotellet" by Bror Hjorth.
Bror Hjorth’s importance to the emergence of modernism in Sweden gathered real momentum during his time in Paris in the 1920s. It was there, at a distance from Sweden, that he not only developed his artistic language but also found a deeper sense of inner grounding.
In Paris, he worked intensively, experimenting with the robust language of Cubism and striving to capture what lay beyond the visible—the inner essence of form. His encounter with Auguste Rodin left a powerful impression through its expressive force, while Vincent van Gogh, Paul Cézanne, and Paul Gauguin opened his eyes to the possibilities of colour.
This shift would later find vivid expression in the present work, rooted in Hjorth’s own life and surroundings.
His motifs were now drawn almost exclusively from home: the surroundings of Uppsala and the family’s travels to Rättvik, Leksand, Varberg, Öland, and Arild. The tourist hotel in Rättvik, commissioned by Wilhelmina Skogh, was completed in 1894. At Easter 1946, a grand ball was held in the dining room—an event Hjorth immortalised with remarkable richness of colour.
To the left appears the artist’s wife, Tove Hjorth, dancing in a blue skirt and white blouse. Their son Ole, dressed in a brown suit and black bow tie, leads his companion between the colourful ribbons hanging from the ceiling.
Hjorth’s work carries a distinctive luminosity. In Easter Eve at the Tourist Hotel, he is at his most expressive, creating a tribute to what lay closest to his heart—music, people, and an inexhaustible joy for life.
Browse the full catalogue and register to bid via the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Modern Art & Design presents "Påskafton på turisthotellet" by Bror Hjorth.
Bror Hjorth’s importance to the emergence of modernism in Sweden gathered real momentum during his time in Paris in the 1920s. It was there, at a distance from Sweden, that he not only developed his artistic language but also found a deeper sense of inner grounding.
In Paris, he worked intensively, experimenting with the robust language of Cubism and striving to capture what lay beyond the visible—the inner essence of form. His encounter with Auguste Rodin left a powerful impression through its expressive force, while Vincent van Gogh, Paul Cézanne, and Paul Gauguin opened his eyes to the possibilities of colour.
This shift would later find vivid expression in the present work, rooted in Hjorth’s own life and surroundings.
His motifs were now drawn almost exclusively from home: the surroundings of Uppsala and the family’s travels to Rättvik, Leksand, Varberg, Öland, and Arild. The tourist hotel in Rättvik, commissioned by Wilhelmina Skogh, was completed in 1894. At Easter 1946, a grand ball was held in the dining room—an event Hjorth immortalised with remarkable richness of colour.
To the left appears the artist’s wife, Tove Hjorth, dancing in a blue skirt and white blouse. Their son Ole, dressed in a brown suit and black bow tie, leads his companion between the colourful ribbons hanging from the ceiling.
Hjorth’s work carries a distinctive luminosity. In Easter Eve at the Tourist Hotel, he is at his most expressive, creating a tribute to what lay closest to his heart—music, people, and an inexhaustible joy for life.
Browse the full catalogue and register to bid via the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Erik Chambert – Swedish Design of Exceptional Class at Modern Art & Design
Erik Chambert was a versatile artist, designer, and furniture architect with a distinctive expression described as “human functionalism.” He was influenced by the artistic currents of his time but always transformed them into a personal style. Today, he is regarded as one of the foremost Swedish designers of the 20th century, alongside contemporaries such as Josef Frank and Carl Malmsten.
After graduating in 1925, he was employed at Otto Schulz’s design office in Gothenburg. His breakthrough came at the Stockholm Exhibition in 1930, where he furnished a functio¬nalist apartment designed by Kurt von Schmalensee. This success was followed by participation in the world exhibitions in Brussels in 1935, Paris in 1937, and New York City in 1939.
Despite the ideals of functionalism, Chambert remained committed to craftsmanship, and the furniture from the family workshop was always hand-made with great care. During the 1930s and 1940s, his design language softened and nature motifs became increasingly central. He worked with inlays and later with painted floral compositions, alongside a growing interest in drawing and painting, which eventually also established him as a recognised visual artist.
This interest in nature deepened in his furniture design. In the 1940s, he began using cabinet surfaces as artistic canvases, painting lush floral meadows in oil. The unique cabinet in this auction is richly decorated with Swedish wildflowers: hepatica, hawkweed, cow parsley, foxglove, bleeding heart, oxeye daisy, mullein, Carpathian bellflower, columbine, and various grasses. Chambert’s preparatory sketches in gouache for the present decor is held in the collections of Norrköpings konstmuseum.
Also seen here is a 'Ängarna' carpet, knotted pile, by Märta Måås-Fjetterström, signed AB MMF.
Read more about the cabinet and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21,
Erik Chambert – Swedish Design of Exceptional Class at Modern Art & Design
Erik Chambert was a versatile artist, designer, and furniture architect with a distinctive expression described as “human functionalism.” He was influenced by the artistic currents of his time but always transformed them into a personal style. Today, he is regarded as one of the foremost Swedish designers of the 20th century, alongside contemporaries such as Josef Frank and Carl Malmsten.
After graduating in 1925, he was employed at Otto Schulz’s design office in Gothenburg. His breakthrough came at the Stockholm Exhibition in 1930, where he furnished a functio¬nalist apartment designed by Kurt von Schmalensee. This success was followed by participation in the world exhibitions in Brussels in 1935, Paris in 1937, and New York City in 1939.
Despite the ideals of functionalism, Chambert remained committed to craftsmanship, and the furniture from the family workshop was always hand-made with great care. During the 1930s and 1940s, his design language softened and nature motifs became increasingly central. He worked with inlays and later with painted floral compositions, alongside a growing interest in drawing and painting, which eventually also established him as a recognised visual artist.
This interest in nature deepened in his furniture design. In the 1940s, he began using cabinet surfaces as artistic canvases, painting lush floral meadows in oil. The unique cabinet in this auction is richly decorated with Swedish wildflowers: hepatica, hawkweed, cow parsley, foxglove, bleeding heart, oxeye daisy, mullein, Carpathian bellflower, columbine, and various grasses. Chambert’s preparatory sketches in gouache for the present decor is held in the collections of Norrköpings konstmuseum.
Also seen here is a 'Ängarna' carpet, knotted pile, by Märta Måås-Fjetterström, signed AB MMF.
Read more about the cabinet and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21,
Erik Chambert – Swedish Design of Exceptional Class at Modern Art & Design
Erik Chambert was a versatile artist, designer, and furniture architect with a distinctive expression described as “human functionalism.” He was influenced by the artistic currents of his time but always transformed them into a personal style. Today, he is regarded as one of the foremost Swedish designers of the 20th century, alongside contemporaries such as Josef Frank and Carl Malmsten.
After graduating in 1925, he was employed at Otto Schulz’s design office in Gothenburg. His breakthrough came at the Stockholm Exhibition in 1930, where he furnished a functio¬nalist apartment designed by Kurt von Schmalensee. This success was followed by participation in the world exhibitions in Brussels in 1935, Paris in 1937, and New York City in 1939.
Despite the ideals of functionalism, Chambert remained committed to craftsmanship, and the furniture from the family workshop was always hand-made with great care. During the 1930s and 1940s, his design language softened and nature motifs became increasingly central. He worked with inlays and later with painted floral compositions, alongside a growing interest in drawing and painting, which eventually also established him as a recognised visual artist.
This interest in nature deepened in his furniture design. In the 1940s, he began using cabinet surfaces as artistic canvases, painting lush floral meadows in oil. The unique cabinet in this auction is richly decorated with Swedish wildflowers: hepatica, hawkweed, cow parsley, foxglove, bleeding heart, oxeye daisy, mullein, Carpathian bellflower, columbine, and various grasses. Chambert’s preparatory sketches in gouache for the present decor is held in the collections of Norrköpings konstmuseum.
Also seen here is a 'Ängarna' carpet, knotted pile, by Märta Måås-Fjetterström, signed AB MMF.
Read more about the cabinet and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21,
Erik Chambert – Swedish Design of Exceptional Class at Modern Art & Design
Erik Chambert was a versatile artist, designer, and furniture architect with a distinctive expression described as “human functionalism.” He was influenced by the artistic currents of his time but always transformed them into a personal style. Today, he is regarded as one of the foremost Swedish designers of the 20th century, alongside contemporaries such as Josef Frank and Carl Malmsten.
After graduating in 1925, he was employed at Otto Schulz’s design office in Gothenburg. His breakthrough came at the Stockholm Exhibition in 1930, where he furnished a functio¬nalist apartment designed by Kurt von Schmalensee. This success was followed by participation in the world exhibitions in Brussels in 1935, Paris in 1937, and New York City in 1939.
Despite the ideals of functionalism, Chambert remained committed to craftsmanship, and the furniture from the family workshop was always hand-made with great care. During the 1930s and 1940s, his design language softened and nature motifs became increasingly central. He worked with inlays and later with painted floral compositions, alongside a growing interest in drawing and painting, which eventually also established him as a recognised visual artist.
This interest in nature deepened in his furniture design. In the 1940s, he began using cabinet surfaces as artistic canvases, painting lush floral meadows in oil. The unique cabinet in this auction is richly decorated with Swedish wildflowers: hepatica, hawkweed, cow parsley, foxglove, bleeding heart, oxeye daisy, mullein, Carpathian bellflower, columbine, and various grasses. Chambert’s preparatory sketches in gouache for the present decor is held in the collections of Norrköpings konstmuseum.
Also seen here is a 'Ängarna' carpet, knotted pile, by Märta Måås-Fjetterström, signed AB MMF.
Read more about the cabinet and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21,
Bukowskis is pleased to present Einar Jolin's magnificent painting "Circus," executed in 1917, to be sold at the Modern Art & Design live auction. "Circus" has previously been part of several prominent Swedish collections, including that of Director Herman Gotthardt and the well-known screenwriter and actor Hasse Ekman.
The motif "Circus" was created a few years after Jolin returned from Paris to Stockholm. In his own interpretation of expressionism, charmingly naive and with a refined colour palette, Jolin has created a motif filled with joy of life in a troubled time.
"Circus" is an almost solemnly strict composition. The unusually large canvas for the artist enhances the vertical lines in the motif with its height. Between tall columns, the audience sits upright in the rows of benches. In the foreground, a long silhouette of a solitary gentleman in a top hat dominates. As a counterbalance to the somewhat stiff figures, the oval ring fills the canvas, and its curved shape resonates in the sea of spectators and in the vaulted arches of the ceiling. With warm tones of sand yellow and recurring red details in the decor, the artist creates a secluded scene where a divertissement is taking place. At the centre, a clown with a bright red ball, a small horse, a poodle, a tamer with an unclear task, a dapper rider on a white horse, and a few figures who seem to be waiting for their turn. The exit to the underlying reality is guarded by a group of gentlemen in tailcoats. As observers, we follow the spectacle from the back row.
Jolin stages a drama where the acting performers step back in favour of a visually orchestrated whole; they function more as props than as protagonists. The pictorial space is instead dominated by the spotlight that conjures the performance as an autonomous spectacle, characterised by escapism and optical intensity.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis is pleased to present Einar Jolin's magnificent painting "Circus," executed in 1917, to be sold at the Modern Art & Design live auction. "Circus" has previously been part of several prominent Swedish collections, including that of Director Herman Gotthardt and the well-known screenwriter and actor Hasse Ekman.
The motif "Circus" was created a few years after Jolin returned from Paris to Stockholm. In his own interpretation of expressionism, charmingly naive and with a refined colour palette, Jolin has created a motif filled with joy of life in a troubled time.
"Circus" is an almost solemnly strict composition. The unusually large canvas for the artist enhances the vertical lines in the motif with its height. Between tall columns, the audience sits upright in the rows of benches. In the foreground, a long silhouette of a solitary gentleman in a top hat dominates. As a counterbalance to the somewhat stiff figures, the oval ring fills the canvas, and its curved shape resonates in the sea of spectators and in the vaulted arches of the ceiling. With warm tones of sand yellow and recurring red details in the decor, the artist creates a secluded scene where a divertissement is taking place. At the centre, a clown with a bright red ball, a small horse, a poodle, a tamer with an unclear task, a dapper rider on a white horse, and a few figures who seem to be waiting for their turn. The exit to the underlying reality is guarded by a group of gentlemen in tailcoats. As observers, we follow the spectacle from the back row.
Jolin stages a drama where the acting performers step back in favour of a visually orchestrated whole; they function more as props than as protagonists. The pictorial space is instead dominated by the spotlight that conjures the performance as an autonomous spectacle, characterised by escapism and optical intensity.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis is pleased to present Einar Jolin's magnificent painting "Circus," executed in 1917, to be sold at the Modern Art & Design live auction. "Circus" has previously been part of several prominent Swedish collections, including that of Director Herman Gotthardt and the well-known screenwriter and actor Hasse Ekman.
The motif "Circus" was created a few years after Jolin returned from Paris to Stockholm. In his own interpretation of expressionism, charmingly naive and with a refined colour palette, Jolin has created a motif filled with joy of life in a troubled time.
"Circus" is an almost solemnly strict composition. The unusually large canvas for the artist enhances the vertical lines in the motif with its height. Between tall columns, the audience sits upright in the rows of benches. In the foreground, a long silhouette of a solitary gentleman in a top hat dominates. As a counterbalance to the somewhat stiff figures, the oval ring fills the canvas, and its curved shape resonates in the sea of spectators and in the vaulted arches of the ceiling. With warm tones of sand yellow and recurring red details in the decor, the artist creates a secluded scene where a divertissement is taking place. At the centre, a clown with a bright red ball, a small horse, a poodle, a tamer with an unclear task, a dapper rider on a white horse, and a few figures who seem to be waiting for their turn. The exit to the underlying reality is guarded by a group of gentlemen in tailcoats. As observers, we follow the spectacle from the back row.
Jolin stages a drama where the acting performers step back in favour of a visually orchestrated whole; they function more as props than as protagonists. The pictorial space is instead dominated by the spotlight that conjures the performance as an autonomous spectacle, characterised by escapism and optical intensity.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis is pleased to present Einar Jolin's magnificent painting "Circus," executed in 1917, to be sold at the Modern Art & Design live auction. "Circus" has previously been part of several prominent Swedish collections, including that of Director Herman Gotthardt and the well-known screenwriter and actor Hasse Ekman.
The motif "Circus" was created a few years after Jolin returned from Paris to Stockholm. In his own interpretation of expressionism, charmingly naive and with a refined colour palette, Jolin has created a motif filled with joy of life in a troubled time.
"Circus" is an almost solemnly strict composition. The unusually large canvas for the artist enhances the vertical lines in the motif with its height. Between tall columns, the audience sits upright in the rows of benches. In the foreground, a long silhouette of a solitary gentleman in a top hat dominates. As a counterbalance to the somewhat stiff figures, the oval ring fills the canvas, and its curved shape resonates in the sea of spectators and in the vaulted arches of the ceiling. With warm tones of sand yellow and recurring red details in the decor, the artist creates a secluded scene where a divertissement is taking place. At the centre, a clown with a bright red ball, a small horse, a poodle, a tamer with an unclear task, a dapper rider on a white horse, and a few figures who seem to be waiting for their turn. The exit to the underlying reality is guarded by a group of gentlemen in tailcoats. As observers, we follow the spectacle from the back row.
Jolin stages a drama where the acting performers step back in favour of a visually orchestrated whole; they function more as props than as protagonists. The pictorial space is instead dominated by the spotlight that conjures the performance as an autonomous spectacle, characterised by escapism and optical intensity.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
The Silver Department at Modern Art & Design presents highlights such as an 18k gold box by Olle Ohlsson and a pair of Georg Jense silver candlesticks, modell no 264, as seen here in the second image.
As with many creations from Georg Jensen, the Grape candlesticks embody the Art Nouveau style, distinguished by flowing, decorative lines, organic shapes and flora and fauna details, all executed in finely crafted, high-quality materials. First introduced in 1918, the Grape motif became one of Georg Jensen’s defining designs and contributed to his reputation as a world-famous silver designer. His beautiful bowls, candlesticks, beakers and other objects in this series are highly popular collector's items.
The pair of candlesticks included in this auction, catalog number 505, was originally designed in 1926. Beneath the small grape clusters, an intricate floral pattern emerges. This refined detail is also hand-crafted by the chaser, using exceptionally fine punches.
The candle holders are supported by the slender twisted stem which stands on the round base. The grape ornaments are meticulously placed and give the model both its exquisite shape and its name.
Find all highlights and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21, Arsenalsgatan 2, Stockholm
The Silver Department at Modern Art & Design presents highlights such as an 18k gold box by Olle Ohlsson and a pair of Georg Jense silver candlesticks, modell no 264, as seen here in the second image.
As with many creations from Georg Jensen, the Grape candlesticks embody the Art Nouveau style, distinguished by flowing, decorative lines, organic shapes and flora and fauna details, all executed in finely crafted, high-quality materials. First introduced in 1918, the Grape motif became one of Georg Jensen’s defining designs and contributed to his reputation as a world-famous silver designer. His beautiful bowls, candlesticks, beakers and other objects in this series are highly popular collector's items.
The pair of candlesticks included in this auction, catalog number 505, was originally designed in 1926. Beneath the small grape clusters, an intricate floral pattern emerges. This refined detail is also hand-crafted by the chaser, using exceptionally fine punches.
The candle holders are supported by the slender twisted stem which stands on the round base. The grape ornaments are meticulously placed and give the model both its exquisite shape and its name.
Find all highlights and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21, Arsenalsgatan 2, Stockholm
Presenting "Composition: Yellow, Black and Pink by Adrian Heath as part of the Modern Art & Design live auction.
Adrian Heath (1920–1992) is regarded as one of the most significant figures in postwar British abstraction, and his early works from the beginning of the 1950s mark a decisive phase in the development of a new constructive pictorial language in the United Kingdom. Trained at the Slade School of Fine Art and shaped by his experiences during the Second World War, including time spent as a prisoner of war, Heath sought, in the postwar years, to establish a visual language capable of uniting intellectual structure with the material and perceptual possibilities of painting.
It is during the early 1950s that Heath fully articulates his abstract expression. In close dialogue with contemporaries such as Victor Pasmore and Anthony Hill, he occupies a central position in what became the breakthrough of Constructive Abstraction in Britain. At the same time, his painting retains a distinctive sensitivity to colour and surface, setting him apart from a more strictly geometric tradition.
The painting Composition: Yellow, Black and Pink from 1952, included in the auction, is an excellent example of this pivotal period. Here, the pictorial surface is organised through clearly defined areas of colour, in which yellow, black and pink interact within a carefully balanced composition. Rather than creating illusionistic depth, Heath constructs a sense of spatiality that emerges from the interplay of colour intensity, proportion, and relational dynamics.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Presenting "Composition: Yellow, Black and Pink by Adrian Heath as part of the Modern Art & Design live auction.
Adrian Heath (1920–1992) is regarded as one of the most significant figures in postwar British abstraction, and his early works from the beginning of the 1950s mark a decisive phase in the development of a new constructive pictorial language in the United Kingdom. Trained at the Slade School of Fine Art and shaped by his experiences during the Second World War, including time spent as a prisoner of war, Heath sought, in the postwar years, to establish a visual language capable of uniting intellectual structure with the material and perceptual possibilities of painting.
It is during the early 1950s that Heath fully articulates his abstract expression. In close dialogue with contemporaries such as Victor Pasmore and Anthony Hill, he occupies a central position in what became the breakthrough of Constructive Abstraction in Britain. At the same time, his painting retains a distinctive sensitivity to colour and surface, setting him apart from a more strictly geometric tradition.
The painting Composition: Yellow, Black and Pink from 1952, included in the auction, is an excellent example of this pivotal period. Here, the pictorial surface is organised through clearly defined areas of colour, in which yellow, black and pink interact within a carefully balanced composition. Rather than creating illusionistic depth, Heath constructs a sense of spatiality that emerges from the interplay of colour intensity, proportion, and relational dynamics.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Presenting "Composition: Yellow, Black and Pink by Adrian Heath as part of the Modern Art & Design live auction.
Adrian Heath (1920–1992) is regarded as one of the most significant figures in postwar British abstraction, and his early works from the beginning of the 1950s mark a decisive phase in the development of a new constructive pictorial language in the United Kingdom. Trained at the Slade School of Fine Art and shaped by his experiences during the Second World War, including time spent as a prisoner of war, Heath sought, in the postwar years, to establish a visual language capable of uniting intellectual structure with the material and perceptual possibilities of painting.
It is during the early 1950s that Heath fully articulates his abstract expression. In close dialogue with contemporaries such as Victor Pasmore and Anthony Hill, he occupies a central position in what became the breakthrough of Constructive Abstraction in Britain. At the same time, his painting retains a distinctive sensitivity to colour and surface, setting him apart from a more strictly geometric tradition.
The painting Composition: Yellow, Black and Pink from 1952, included in the auction, is an excellent example of this pivotal period. Here, the pictorial surface is organised through clearly defined areas of colour, in which yellow, black and pink interact within a carefully balanced composition. Rather than creating illusionistic depth, Heath constructs a sense of spatiality that emerges from the interplay of colour intensity, proportion, and relational dynamics.
Read more about the work and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Modern Art & Design presents a large private collection of ceramics by Wilhelm Kåge, carefully assembled over more than 20 years through acquisitions at various auctions. Great importance has been placed on provenance, and many of the works come directly from Wilhelm Kåge’s private collection.
Wilhelm Kåge was the artistic director of the Gustavsberg porcelain factory from 1917 to 1949, and initiated the artistic workshop Gustavsbergs Studio in 1942. A pioneering figure in Swedish decorative arts, Kåge played a central role in establishing Swedish ceramics internationally.
In 1953, Nationalmuseum in Stockholm held a major retrospective exhibition of Wilhelm Kåge. The exhibition highlighted his importance to Swedish ceramics, particularly his “Farsta” stoneware. The present sale includes 41 selected lots from this collection, consisting mainly of “Farsta” objects. One of the collection’s key works appears in a photograph from the 1953 Nationalmuseum exhibition.
Wilhelm Kåge gained international recognition during his lifetime, and in 1958 The New York Times described him as one of the world’s three leading ceramicists. His artistic exchange with Japanese master Shōji Hamada is currently explored in the exhibition Wilhelm Kåge & Shōji Hamada – Ceramics Across Borders at Nationalmuseum in Stockholm.
The collection comprises lots 98–138.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21, Arsenalsgatan 2, Stockholm
Explore the catalogue for Bukowskis’ live auction Modern Art & Design. Shown here is an untitled work by the Swedish artist Erik Olson.
Erik Olson was born at the very dawn of the modern age. Industrialism, socialism and modernism shaped a society very different from that of his parents’ generation. Although he grew up in a working-class home, Erik—like his brother Axel—knew early on that he wanted to become an artist. Together with their cousin Waldemar Lorentzon, they formed the artists’ group Gnistan in 1915.
A decisive turning point came in 1919, when Gnistan, exhibiting at an amateur show in Halmstad, caught the attention of engineer Egon Östlund. He introduced them to his protégé Gösta Adrian-Nilsson (GAN), already internationally established, who guided the young Halmstad artists towards the European avant-garde. GAN also helped them gain entry to Léger’s Académie Moderne in Paris, where Erik Olson travelled with Waldemar Lorentzon in early 1924.
At the end of 1924, Erik Olson secured additional financial support from his patron, Dr Oelrich, to continue his stay in Paris. However, he instead travelled to Italy, where he lived in extreme austerity yet remained highly productive.
In the painting featured in this auction, the influence of the Italian masters he encountered in Florence is clear, including visits to the Uffizi Galleries.
These travels and encounters laid the foundation for Erik Olson’s position as one of the most important Swedish artists of his time, and his refined paintings from the 1920s are among his most celebrated works. Works from this period rarely appear on the auction market, and the present painting was purchased directly from the artist in Halmstad and has remained in the same family ever since.
Browse the full catalogue and register to bid via the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21, Arsenalsgatan 2, Stockholm
Explore the catalogue for Bukowskis’ live auction Modern Art & Design. Shown here is an untitled work by the Swedish artist Erik Olson.
Erik Olson was born at the very dawn of the modern age. Industrialism, socialism and modernism shaped a society very different from that of his parents’ generation. Although he grew up in a working-class home, Erik—like his brother Axel—knew early on that he wanted to become an artist. Together with their cousin Waldemar Lorentzon, they formed the artists’ group Gnistan in 1915.
A decisive turning point came in 1919, when Gnistan, exhibiting at an amateur show in Halmstad, caught the attention of engineer Egon Östlund. He introduced them to his protégé Gösta Adrian-Nilsson (GAN), already internationally established, who guided the young Halmstad artists towards the European avant-garde. GAN also helped them gain entry to Léger’s Académie Moderne in Paris, where Erik Olson travelled with Waldemar Lorentzon in early 1924.
At the end of 1924, Erik Olson secured additional financial support from his patron, Dr Oelrich, to continue his stay in Paris. However, he instead travelled to Italy, where he lived in extreme austerity yet remained highly productive.
In the painting featured in this auction, the influence of the Italian masters he encountered in Florence is clear, including visits to the Uffizi Galleries.
These travels and encounters laid the foundation for Erik Olson’s position as one of the most important Swedish artists of his time, and his refined paintings from the 1920s are among his most celebrated works. Works from this period rarely appear on the auction market, and the present painting was purchased directly from the artist in Halmstad and has remained in the same family ever since.
Browse the full catalogue and register to bid via the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21, Arsenalsgatan 2, Stockholm
Bukowskis presents an important collection of design from the 1920s to the 1940s – a defining era in Swedish design.
The collection offers an insight into the stylistic period that marked the transition from Swedish Grace to functionalism and further into Swedish Modern. The collection reflects a time of aesthetic refinement and a gradual shift towards the more stripped-down and rational, where craftsmanship meets industrial production.
In the present collection, elegant objects with classical proportions and decorative elements from the 1920s coexist with clean, more functional forms from the breakthrough of functionalism in the 1930s. The collection shows how ideals have changed but at the same time carried with them a consistent sense of quality and form.
Highlights include a gilded folding screen hand painted by ceramist Einar Luterkort, a desk designed by architect Carl Hörvik for the Nordiska Kompaniet store in Paris in 1928, a pewter mirror by Björn Trägårdh for Firma Svenskt Tenn, an elm cabinet by ditto exhibited at the Röhsska Museum in Gothenburg, 1932, and a rare Nils Fougstedt pewter and brass vase model A 903, Firma Svenskt Tenn from 1929. In addition, a rare armchair model “Estelle” by Gustaf Axel Berg should be mentioned.
The collection’s 48 objects, acquired with care and passion over five decades, reflect an era that came to shape Swedish design identity.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis presents an important collection of design from the 1920s to the 1940s – a defining era in Swedish design.
The collection offers an insight into the stylistic period that marked the transition from Swedish Grace to functionalism and further into Swedish Modern. The collection reflects a time of aesthetic refinement and a gradual shift towards the more stripped-down and rational, where craftsmanship meets industrial production.
In the present collection, elegant objects with classical proportions and decorative elements from the 1920s coexist with clean, more functional forms from the breakthrough of functionalism in the 1930s. The collection shows how ideals have changed but at the same time carried with them a consistent sense of quality and form.
Highlights include a gilded folding screen hand painted by ceramist Einar Luterkort, a desk designed by architect Carl Hörvik for the Nordiska Kompaniet store in Paris in 1928, a pewter mirror by Björn Trägårdh for Firma Svenskt Tenn, an elm cabinet by ditto exhibited at the Röhsska Museum in Gothenburg, 1932, and a rare Nils Fougstedt pewter and brass vase model A 903, Firma Svenskt Tenn from 1929. In addition, a rare armchair model “Estelle” by Gustaf Axel Berg should be mentioned.
The collection’s 48 objects, acquired with care and passion over five decades, reflect an era that came to shape Swedish design identity.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis presents an important collection of design from the 1920s to the 1940s – a defining era in Swedish design.
The collection offers an insight into the stylistic period that marked the transition from Swedish Grace to functionalism and further into Swedish Modern. The collection reflects a time of aesthetic refinement and a gradual shift towards the more stripped-down and rational, where craftsmanship meets industrial production.
In the present collection, elegant objects with classical proportions and decorative elements from the 1920s coexist with clean, more functional forms from the breakthrough of functionalism in the 1930s. The collection shows how ideals have changed but at the same time carried with them a consistent sense of quality and form.
Highlights include a gilded folding screen hand painted by ceramist Einar Luterkort, a desk designed by architect Carl Hörvik for the Nordiska Kompaniet store in Paris in 1928, a pewter mirror by Björn Trägårdh for Firma Svenskt Tenn, an elm cabinet by ditto exhibited at the Röhsska Museum in Gothenburg, 1932, and a rare Nils Fougstedt pewter and brass vase model A 903, Firma Svenskt Tenn from 1929. In addition, a rare armchair model “Estelle” by Gustaf Axel Berg should be mentioned.
The collection’s 48 objects, acquired with care and passion over five decades, reflect an era that came to shape Swedish design identity.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
Bukowskis presents an important collection of design from the 1920s to the 1940s – a defining era in Swedish design.
The collection offers an insight into the stylistic period that marked the transition from Swedish Grace to functionalism and further into Swedish Modern. The collection reflects a time of aesthetic refinement and a gradual shift towards the more stripped-down and rational, where craftsmanship meets industrial production.
In the present collection, elegant objects with classical proportions and decorative elements from the 1920s coexist with clean, more functional forms from the breakthrough of functionalism in the 1930s. The collection shows how ideals have changed but at the same time carried with them a consistent sense of quality and form.
Highlights include a gilded folding screen hand painted by ceramist Einar Luterkort, a desk designed by architect Carl Hörvik for the Nordiska Kompaniet store in Paris in 1928, a pewter mirror by Björn Trägårdh for Firma Svenskt Tenn, an elm cabinet by ditto exhibited at the Röhsska Museum in Gothenburg, 1932, and a rare Nils Fougstedt pewter and brass vase model A 903, Firma Svenskt Tenn from 1929. In addition, a rare armchair model “Estelle” by Gustaf Axel Berg should be mentioned.
The collection’s 48 objects, acquired with care and passion over five decades, reflect an era that came to shape Swedish design identity.
Browse the full catalogue and register to bid at the link in bio.
Viewing: May 13–19, Berzelii Park 1, Stockholm
Live auction: May 20–21
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