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On view:

Juan Manuel Salas
Untitled (Bathtub #2), 2026
Oil on canvas
9 x 12 in

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Photo by @before10am

Palimpsest
Through June 12

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Photos by @before10am

Palimpsest
Through June 12

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Photos by @before10am

Palimpsest
Through June 12

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Photos by @before10am

Palimpsest on view through June 12

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Juan Manuel Salas
Pursuit in the Countryside, 2026
Oil, acrylic and collage on canvas
56 x 47 in

Palimpsest, featuring works by @juanmasalasv is on view through June 12.

Juan Manuel Salas
Winter Room, 2026
Oil on canvas
14 x 17 in

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Photos by @before10am

Palimpsest, featuring works by @juanmasalasv is on view through June 12.

Juan Manuel Salas
Winter Room, 2026
Oil on canvas
14 x 17 in

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Photos by @before10am

Thank you for joining us for the opening of Palimpsest by Fidelis Joseph and Juan Manuel-Salas.

This body of works reflects on the shifting nature of memory and imagery pulling from personal moments and archival fragments that are incomplete, anonymous, or often overlooked, remaining perpetually in flux. The works will be on view at C24 gallery through June 12.

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Fidelis Joseph
Maye a Bishiya, 2024
Oil on canvas
60 x 48 in

Juan Manuel Salas
Resting on the Shore with Objects, 2026
Oil and acrylic on canvas with wood panel
59 x 48 in

Photos by @before10am

Thank you for joining us for the opening of Palimpsest by Fidelis Joseph and Juan Manuel-Salas.

This body of works reflects on the shifting nature of memory and imagery pulling from personal moments and archival fragments that are incomplete, anonymous, or often overlooked, remaining perpetually in flux. The works will be on view at C24 gallery through June 12.

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Fidelis Joseph
Maye a Bishiya, 2024
Oil on canvas
60 x 48 in

Juan Manuel Salas
Resting on the Shore with Objects, 2026
Oil and acrylic on canvas with wood panel
59 x 48 in

Photos by @before10am

We are pleased to present Palimpsest, a painting exhibition featuring works by Juan Manuel Salas (Mexico, 1992) @juanmasalasv and Fidelis Joseph @fidelis_studio (Nigeria, 1989).

Grounded in the materiality of accumulation and erasure, this duo exhibition examines how images out live their original context taking into consideration quiet moments of daily life and collapsing the temporality of the canon.

Join us for an opening reception on Thursday, April 23, 6-8pm.

We are pleased to present Palimpsest, a painting exhibition featuring works by Juan Manuel Salas (Mexico, 1992) @juanmasalasv and Fidelis Joseph @fidelis_studio (Nigeria, 1989).

Grounded in the materiality of accumulation and erasure, this duo exhibition examines how images out live their original context taking into consideration quiet moments of daily life and collapsing the temporality of the canon.

Join us for an opening reception on Thursday, April 23, 6-8pm.

Closing on Friday April 17th, join us for the final week of Business as Usual by Gabriel Barcia-Colombo.

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Studies Show, 2026
LED panels, custom hardware, aluminum, algorithmically generated “Studies”
50 x 50 x 4 in
127 x 127 x 10.2 cm
Edition of 3

Video courtesy of @before10am

“I think the exhibition is a mirror, but like a weird funhouse mirror that’s showing us a part of ourselves in a way that might enhance these parts of society, but then also raise some questions.” - Gabriel Barcia-Colombo

Gabriel Barcia-Colombo sits down with @FineActs to discuss Business As Usual. Find out more about what when into the exhibition at the link on our story.

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Commuters, 2026
UV print onto aluminum, LCD monitor, acrylic, 22 min loop video
35 x 9.5 x 2 in
Edition 1 of 3

Video courtesy of @before10am

Please join us on April 9th at 5pm for an evening with Gabriel Barcia-Colombo as he shares the story behind Business as Usual.

The artist will be sharing his process, the technology behind his interactive and algorithmically generated works, and what it all says about knowledge, attention, and the way we engage with the world.

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Holy Roller, 2024
Interactive video sculpture, glass, metal
13.5 x 38.5 x 8.35 in.
Edition 2 of 5

Video courtesy of @before10am

“I wanted to imagine the end of civilization—people gambling, scrolling on their phones, doing yoga, burning books—while the world quietly falls apart around them…like a dream—or nightmare—of society at the edge of collapse.”
- Gabriel Barcia-Colombo

In Gabriel Barcia-Colombo’s Afterparty, the artist presents a confrontation between the viewer and three distinct pillars of contemporary life - knowledge, relationships, and entertainment.In the final moments of the work, each performer turns to face the camera collapsing the perception of observation and closing the distance between spectacle and complicity.

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Gabriel Barca-Colombo
Afterparty, 2026
LCD monitors, 8k video 9.5 min loop

Created with the support of @fineacts and @onassis.onx

“I wanted to imagine the end of civilization—people gambling, scrolling on their phones, doing yoga, burning books—while the world quietly falls apart around them…like a dream—or nightmare—of society at the edge of collapse.”
- Gabriel Barcia-Colombo

In Gabriel Barcia-Colombo’s Afterparty, the artist presents a confrontation between the viewer and three distinct pillars of contemporary life - knowledge, relationships, and entertainment.In the final moments of the work, each performer turns to face the camera collapsing the perception of observation and closing the distance between spectacle and complicity.

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Gabriel Barca-Colombo
Afterparty, 2026
LCD monitors, 8k video 9.5 min loop

Created with the support of @fineacts and @onassis.onx

Thank you to everyone who joined us to celebrate the opening of Business as Usual by Gabriel Garcia-Colombo.

This new body of works considering paradoxes of modern connection rooted in collective movement, spaces of transit, and fleeting human encounters will be on view at C24 gallery through April 18th.

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Gabriel Barcia-Colombo
“Escalate,” 2026
LCD monitor, aluminum, rubber, acrylic, 12.5 min loop

Video courtesy of @before10am

At Cheryl Molnar’s studio every element of her process truly comes to light. With full scale works hung on the walls and tables of painted paper and archival materials waiting to be used, her studio truly captures every stage of her process and investigation between man and nature.

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Photos by Charlie Rubin

At Cheryl Molnar’s studio every element of her process truly comes to light. With full scale works hung on the walls and tables of painted paper and archival materials waiting to be used, her studio truly captures every stage of her process and investigation between man and nature.

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Photos by Charlie Rubin