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Carnegie Hall
Sharing the transformative power of music, providing visionary education programs, & fostering future artists.
In May 1976, Isaac Stern organized the now-legendary “Concert of the Century,” which brought together some of the world’s greatest musicians in an effort to save Carnegie Hall. Fifty years later—and 135 years after the opening of the Hall—a new lineup of Carnegie Hall icons makes music history of its own.
Limited tickets remain for the 50th Anniversary of the Concert of the Century on May 5! 👉 carnegiehall.org
🎥: Photos courtesy of the Carnegie Hall Rose Archives. Many thanks to Gino Francesconi, Carnegie Hall’s founding archivist and historian emeritus, whose account and memory of the event informed much of this video.
@yujawang.official brings her signature virtuosity to Gershwin’s “Rhapsody in Blue,” performed here alongside the @mahlerchamberorchestra!
Ahead of their return to Carnegie Hall concert on May 1, experience the full work as well and Stravinsky’s Piano Concerto, filmed at Vienna’s Musikverein in 2024, on @carnegiehallplus.
Experience Carnegie Hall’s legendary acoustics for yourself! Our 2025-2026 season kicks off this week, which means there’s no better time to start planning your very own visit.
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Senegalese kora master and djeli @ablayecissoko and French accordionist @cyrille.brotto joined forces for an interactive and restorative Well-Being Concert!
The performance, which featured casual and comfortable seating options in our Resnick Education Wing, showcased music’s singular ability to bridge cultures, expand traditions, and connect individuals. 📷: Stephanie Berger Photography
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Did you know that the history of chamber music performances on Carnegie Hall’s largest stage dates back more than a century?
Learn more about these intimate performances in the grand Stern Auditorium / Perelman Stage and experience it for yourself on May 15 when @lkavakos, @gilshaham_official, @antoine_tamestit, @pabloferrandez.cellist, and @alisaweilerstein perform works by Beethoven and Schubert. Tickets 👉 carnegiehall.org
Violinist @lisabatiashvili returned to Carnegie Hall for her first duo recital, joined by her musical partner and rising star pianist @gigassh!
In addition to some of the most singularly expressive works for violin and piano—sonatas by Franck, Beethoven, and Prokofiev—the program featured the US premiere of a new work by fellow Georgian, Josef Bardanashvili. 📸: Jennifer Taylor
Violinist @lisabatiashvili returned to Carnegie Hall for her first duo recital, joined by her musical partner and rising star pianist @gigassh!
In addition to some of the most singularly expressive works for violin and piano—sonatas by Franck, Beethoven, and Prokofiev—the program featured the US premiere of a new work by fellow Georgian, Josef Bardanashvili. 📸: Jennifer Taylor
Violinist @lisabatiashvili returned to Carnegie Hall for her first duo recital, joined by her musical partner and rising star pianist @gigassh!
In addition to some of the most singularly expressive works for violin and piano—sonatas by Franck, Beethoven, and Prokofiev—the program featured the US premiere of a new work by fellow Georgian, Josef Bardanashvili. 📸: Jennifer Taylor
Violinist @lisabatiashvili returned to Carnegie Hall for her first duo recital, joined by her musical partner and rising star pianist @gigassh!
In addition to some of the most singularly expressive works for violin and piano—sonatas by Franck, Beethoven, and Prokofiev—the program featured the US premiere of a new work by fellow Georgian, Josef Bardanashvili. 📸: Jennifer Taylor
Violinist @lisabatiashvili returned to Carnegie Hall for her first duo recital, joined by her musical partner and rising star pianist @gigassh!
In addition to some of the most singularly expressive works for violin and piano—sonatas by Franck, Beethoven, and Prokofiev—the program featured the US premiere of a new work by fellow Georgian, Josef Bardanashvili. 📸: Jennifer Taylor
We remember pianist Ruth Slenczynska, who made her Carnegie Hall debut at the age of nine in 1934. She returned the following year with a solo recital and again in 1936 with the General Motors Symphony Orchestra.
In 1956, she performed Chopin’s Piano Concerto No. 2 with the New York Philharmonic. Her last appearance was in Zankel Hall in 2009, during which she offered remarks on a program of works by Rachmaninoff, her former teacher.
We remember pianist Ruth Slenczynska, who made her Carnegie Hall debut at the age of nine in 1934. She returned the following year with a solo recital and again in 1936 with the General Motors Symphony Orchestra.
In 1956, she performed Chopin’s Piano Concerto No. 2 with the New York Philharmonic. Her last appearance was in Zankel Hall in 2009, during which she offered remarks on a program of works by Rachmaninoff, her former teacher.
@behzod_abduraimov’s upcoming Carnegie Hall recital has it all: technical showpieces, gorgeous Romantic works, and melodies you’re sure to recognize. Tickets for Wednesday, May 6 at 8 PM 👉 carnegiehall.org
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
@kronos_quartet returned to Carnegie Hall for “Three Bones,” a semi-staged, multisensory exploration of the histories of Indigenous, Gullah-Geechee, and Chinese American communities in the United States.
The musical triptych began with samples of Native music first recorded in 1890 up to contemporary Native compositions and new arrangements, featuring the visceral and poignant artistry of violinist-composer @ortwoman.
The second panel highlighted connections between Western African and American cultures nearly lost to history, centering on Lorenzo Dow Turner’s “Amelia’s Song” and a world premiere by Charlton Singleton with Grammy-winning percussionist Quentin E. Baxter.
Pipa virtuoso @wu_man2019 joined in the triptych’s final panel, featuring new music by Dai Wei, personal histories of Chinese Americans who expanded civil and immigrant rights in San Francisco, and more. 📸: Stephanie Berger
From "Succession" to "The Big Short," "Moonlight and “If Beale Street Could Talk,” Nicholas Britell's compositions have helped bring countless films and shows to life.
In the latest episode of "Classical Music Happy Hour," he joins Manny to discuss writing and performs one of his most recognizable (and Emmy award-winning) pieces in the WQXR studio.
You can listen wherever you get your podcasts.
This podcast is brought to you thanks to support from @vikingcruises.
“Classical Music Happy Hour” is created by WQXR and @CarnegieHall.
From "Succession" to "The Big Short," "Moonlight and “If Beale Street Could Talk,” Nicholas Britell's compositions have helped bring countless films and shows to life.
In the latest episode of "Classical Music Happy Hour," he joins Manny to discuss writing and performs one of his most recognizable (and Emmy award-winning) pieces in the WQXR studio.
You can listen wherever you get your podcasts.
This podcast is brought to you thanks to support from @vikingcruises.
“Classical Music Happy Hour” is created by WQXR and @CarnegieHall.
The chance to create your own Carnegie Hall series is here! Enjoy ultimate flexibility and free exchanges when you purchase tickets to any four (or more) performances in our 2026–2027 season.
Explore the full calendar and start your planning today 👉 carnegiehall.org/CYO
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
What a magical evening celebrating the incomparable Stephen Schwartz and The New York Pops’ 43rd birthday at Carnegie Hall! Thank you to everyone who joined us for this unforgettable event.
📷: Rebecca J. Michelson
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