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cell_project_space
Cell Project Space
Armineh Negahdari,
The Living River
Opens 3rd June 2026,
04.06.26 - 09.08.26
258 Cambridge Heath Rd
London E2 9DA
info@cellprojects.org
It’s the last chance to see LA Timpa’s solo show ‘Come Back’ this weekend! Don’t miss it.
We are open until Sunday 3 May, 12-6pm.
Pictured: ‘Animations’, 2022-2023
Cassette tape recording and single channel video
Image by Damian Griffiths
Supported by Ontario Arts Council and Canada Council for the Arts
@l.a.timpa
Originally published by 27 Seiten for ‘I got a new joint: what I shouldn’t do with money’ at Kunsthalle Winterthur, LA Timpa’s novella ‘A Destiny in Jeopardy’ (2025) curated by @gerrytedder is now available to purchase.
Copies are priced at £15 and can be acquired in person at the gallery during the final week of ‘Come Back’, LA Timpa’s solo exhibition at Cell Project Space, or ordered online via PayPal through our shop (link in bio / DM for details).
We are open from Thursday until Sunday, 12-6pm
@l.a.timpa
@kunsthallewinterthur
Images by @vadimovna_studio
Originally published by 27 Seiten for ‘I got a new joint: what I shouldn’t do with money’ at Kunsthalle Winterthur, LA Timpa’s novella ‘A Destiny in Jeopardy’ (2025) curated by @gerrytedder is now available to purchase.
Copies are priced at £15 and can be acquired in person at the gallery during the final week of ‘Come Back’, LA Timpa’s solo exhibition at Cell Project Space, or ordered online via PayPal through our shop (link in bio / DM for details).
We are open from Thursday until Sunday, 12-6pm
@l.a.timpa
@kunsthallewinterthur
Images by @vadimovna_studio
Originally published by 27 Seiten for ‘I got a new joint: what I shouldn’t do with money’ at Kunsthalle Winterthur, LA Timpa’s novella ‘A Destiny in Jeopardy’ (2025) curated by @gerrytedder is now available to purchase.
Copies are priced at £15 and can be acquired in person at the gallery during the final week of ‘Come Back’, LA Timpa’s solo exhibition at Cell Project Space, or ordered online via PayPal through our shop (link in bio / DM for details).
We are open from Thursday until Sunday, 12-6pm
@l.a.timpa
@kunsthallewinterthur
Images by @vadimovna_studio
Final days to catch LA Timpa’s ‘Come Back’! We are open all weekend, 12-6pm.
The exhibition runs until Sunday 3rd May.
Through repair, adaptation, and processes of sequencing, erasure, and production, Timpa’s work carries traces of improvisation, reflecting tensions between fragility and resilience. Recording, listening, and making operate as both emotional strategies and conceptual gestures, to navigate the porous terrain between internal worlds and the social and political structures that surround them. Drawing on personal narratives shaped by precarity, the work extends to broader reflections on exile and return.
Slide 1: ‘Mist’, 2026
Mixed media
Variable dimensions
Slide 2: ‘Animations’, 2022-2023
Casette tape recording and single channel video
Slide 3&4: ‘Dorm’, 2026
Mixed media
35 x 39 cm
Images by Damian Griffiths
Supported by Ontario Arts Council and Canada Council for the Arts
@l.a.timpa
Final days to catch LA Timpa’s ‘Come Back’! We are open all weekend, 12-6pm.
The exhibition runs until Sunday 3rd May.
Through repair, adaptation, and processes of sequencing, erasure, and production, Timpa’s work carries traces of improvisation, reflecting tensions between fragility and resilience. Recording, listening, and making operate as both emotional strategies and conceptual gestures, to navigate the porous terrain between internal worlds and the social and political structures that surround them. Drawing on personal narratives shaped by precarity, the work extends to broader reflections on exile and return.
Slide 1: ‘Mist’, 2026
Mixed media
Variable dimensions
Slide 2: ‘Animations’, 2022-2023
Casette tape recording and single channel video
Slide 3&4: ‘Dorm’, 2026
Mixed media
35 x 39 cm
Images by Damian Griffiths
Supported by Ontario Arts Council and Canada Council for the Arts
@l.a.timpa
Final days to catch LA Timpa’s ‘Come Back’! We are open all weekend, 12-6pm.
The exhibition runs until Sunday 3rd May.
Through repair, adaptation, and processes of sequencing, erasure, and production, Timpa’s work carries traces of improvisation, reflecting tensions between fragility and resilience. Recording, listening, and making operate as both emotional strategies and conceptual gestures, to navigate the porous terrain between internal worlds and the social and political structures that surround them. Drawing on personal narratives shaped by precarity, the work extends to broader reflections on exile and return.
Slide 1: ‘Mist’, 2026
Mixed media
Variable dimensions
Slide 2: ‘Animations’, 2022-2023
Casette tape recording and single channel video
Slide 3&4: ‘Dorm’, 2026
Mixed media
35 x 39 cm
Images by Damian Griffiths
Supported by Ontario Arts Council and Canada Council for the Arts
@l.a.timpa
Final days to catch LA Timpa’s ‘Come Back’! We are open all weekend, 12-6pm.
The exhibition runs until Sunday 3rd May.
Through repair, adaptation, and processes of sequencing, erasure, and production, Timpa’s work carries traces of improvisation, reflecting tensions between fragility and resilience. Recording, listening, and making operate as both emotional strategies and conceptual gestures, to navigate the porous terrain between internal worlds and the social and political structures that surround them. Drawing on personal narratives shaped by precarity, the work extends to broader reflections on exile and return.
Slide 1: ‘Mist’, 2026
Mixed media
Variable dimensions
Slide 2: ‘Animations’, 2022-2023
Casette tape recording and single channel video
Slide 3&4: ‘Dorm’, 2026
Mixed media
35 x 39 cm
Images by Damian Griffiths
Supported by Ontario Arts Council and Canada Council for the Arts
@l.a.timpa
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
It was a pleasure to welcome back members of the Art Writing Group (formerly Goldsmiths Art Writing Group) to the gallery last Monday for their workshop, ‘A Finely Tuned Battery of Senses’, facilitated by co-founders of the group Oli Mardon and Frank Wates.
Participants were invited to engage with LA Timpa’s current exhibition ‘Come Back’, by documenting their journeys to the gallery with a focus on sensory detail and collating small booklets from found images they had brought with them, drawing inspiration from Timpa’s 2025 novella ‘A Destiny in Jeopardy’.
The workshop will continue to develop into the group’s first publication, documenting writing and image experimentation – launch date to be announced in May.
@olmardon
@frank__wates
@eeshcam
@enoch2swag
@sofia.serpa.arango
@ebonyosun
@nicoleedi_
@circe.m.r
@emratamann
@ayshaleach
@ellsoni_
@sam953_
@mayaluciayayaya
__pip__
@l.a.timpa
Images by @vadimovna_studio
If you missed last week's screening !!!!
From 11am today: LA Timpa presents Alex Harsley’s Photodirect—streaming LIVE on our homepage.
A kaleidoscopic series of film and video shorts, Photodirect moves between diaristic fragments, downtown NYC street scenes, and intimate portraits of Black artistic communities across decades.
Shot on 35mm and early video, and drawn from a 60-year archive, Harsley’s work layers collage, sound, and lo-fi experimentation into a richly psychedelic viewing experience.
Link in our bio:
🎧 Headphones recommended.
@l.a.timpa @4thstreetphoto
If you missed last week's screening !!!!
From 11am today: LA Timpa presents Alex Harsley’s Photodirect—streaming LIVE on our homepage.
A kaleidoscopic series of film and video shorts, Photodirect moves between diaristic fragments, downtown NYC street scenes, and intimate portraits of Black artistic communities across decades.
Shot on 35mm and early video, and drawn from a 60-year archive, Harsley’s work layers collage, sound, and lo-fi experimentation into a richly psychedelic viewing experience.
Link in our bio:
🎧 Headphones recommended.
@l.a.timpa @4thstreetphoto
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
Thank you to everyone who joined us yesterday evening for LA Timpa’s special presentation of moving-image shorts from the acclaimed YouTube series Photodirect by artist Alex Harsley (b. 1932, USA). Presented and streamed across multiple screens within Timpa's exhibition the event also featured the premiere of 'Bond', for which Harsley created a new video to accompany the track, set to appear on Timpa’s forthcoming album.
Led by curator and programmer Tabitha Thorlu-Bangura (@ttb_spiral), in conversation with LA Timpa, the event offered a thoughtful expansion on the vast archive of footage that Alex Harsley has built over decades.
Thank you, Tabitha, for so carefully recognising Harsley’s deep commitment to his community, his generosity of spirit, enduring curiosity, dedication to enquiry, experimentation, and chance. Through her framing, she illuminated how his work not only documents the rich network of artists, writers, and scholars in downtown New York, but also attends to immediate surroundings: the everyday, the textures of the city, and the analogue processes that resonate so strongly with LA Timpa’s practice.
To listen to Tabitha & Timpa in conversation, visit the recording on our website - link in our bio
@4thstreetphoto @l.a.timpa @ttb_spiral
Photography: @vadimovna_studio
We are excited to announce that curator and programmer Tabitha Thorlu-Bangura will join us for a special presentation of selected moving image shorts from 'Photodirect’, the acclaimed YouTube series by artist Alex Harsley (b. 1932, USA) on Wednesday 15th April at 7pm.
Please RSVP via the link in our bio.
Selected by LA Timpa, the 'Photodirect' series is a compelling collection of film and video shorts, ranging from diaristic fragments and collage-like edits to grainy glimpses of downtown New York and its Black communities across decades. Using a classic 35mm SLR camera, and video camcorder, Harsley seamlessly moves between everyday life, offering a textured, often unfiltered portrait of people and environments that might otherwise go undocumented.
The event features the more fragmented and experimental body of work, that culminated into a feature length film, 'First Light' 2000-2020, which Harsley describes as depictions of the cosmos, where moving image gradually disintegrates into an expressionistic field of matter. This ambitious project emerged over two decades of shooting, layering, dissolving, and collaging images. Complex montages of flickering visuals and lo-fi early computer graphics are paired with Harsley’s musical scores.
Tabitha Thorlu-Bangura is a curator and programmer from London, specialising in independent music and contemporary culture. She led the celebrated NTS Radio for twelve years, most recently as Director of Music & Programming. She is the founder of the interdisciplinary platform Sabi Arts, presenting projects at institutions including TATE Modern, Haus Der Kunst, ICA London, Somerset House and beyond.
Alex Harsley is a pioneering New York based photographer, curator, and founder of the 4th Street Photo Gallery and The Minority Photographers non-profit since the early 1970's. His practice spans documentary and street photography, capturing everyday life in Harlem and the wider African diaspora. Alongside his artistic work, he has been a vital community figure, creating platforms for emerging artists and fostering dialogue around social justice, culture, and representation.
LA Timpa
Come Back
12-6pm, Thurs-Sun
Until May 3rd
Images:
1. ‘Irregularity (sit up)', 2026
Mixed media
57 x 43 cm
2. ‘Animations', 2022-2023
Cassette tape recording and
single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Mist, 2026
Mixed media
Variable dimensions
3. Detail - ‘Animations', 2022-2023
4. Detail - 'Irregularity (sit up)', 2026
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
@ontarioartscouncil
LA Timpa
Come Back
12-6pm, Thurs-Sun
Until May 3rd
Images:
1. ‘Irregularity (sit up)', 2026
Mixed media
57 x 43 cm
2. ‘Animations', 2022-2023
Cassette tape recording and
single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Mist, 2026
Mixed media
Variable dimensions
3. Detail - ‘Animations', 2022-2023
4. Detail - 'Irregularity (sit up)', 2026
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
@ontarioartscouncil
LA Timpa
Come Back
12-6pm, Thurs-Sun
Until May 3rd
Images:
1. ‘Irregularity (sit up)', 2026
Mixed media
57 x 43 cm
2. ‘Animations', 2022-2023
Cassette tape recording and
single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Mist, 2026
Mixed media
Variable dimensions
3. Detail - ‘Animations', 2022-2023
4. Detail - 'Irregularity (sit up)', 2026
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
@ontarioartscouncil
LA Timpa
Come Back
12-6pm, Thurs-Sun
Until May 3rd
Images:
1. ‘Irregularity (sit up)', 2026
Mixed media
57 x 43 cm
2. ‘Animations', 2022-2023
Cassette tape recording and
single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Mist, 2026
Mixed media
Variable dimensions
3. Detail - ‘Animations', 2022-2023
4. Detail - 'Irregularity (sit up)', 2026
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
@ontarioartscouncil
LA Timpa
Come Back
Circle, 2019
4:47, single channel video
LA Timpa resists clarity, relying instead on the rawness of the world he encounters, constantly reshaped by whatever lies ahead. His approach to constructing sound and narrative becomes a way of practicing presence.
The exhibition opens with the moving-image work Circle (2019), a video capturing fragments of family life. Shot on the artist’s phone and woven into a deliberately patchwork fiction, it traces a world both intimate and elusive. Timpa works with what surrounds him, treating real-world sounds as raw material; walking, recording, and reshaping them into something new. In listening back, he deciphers what has just occurred and what has been made, describing 'Circle' as “a former American spy readjusting to life in society and reconnecting with his daughter.”
Timpa’s practice drifts closer to painting than narrative. Sounds and images gather, overlap, and unfold, forming shapes that arrive quietly, finding a coherence in their own terms.
Open Thursday- Sunday
12-6pm until - 3rd May
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
Come Back
Circle, 2019
4:47, single channel video
LA Timpa resists clarity, relying instead on the rawness of the world he encounters, constantly reshaped by whatever lies ahead. His approach to constructing sound and narrative becomes a way of practicing presence.
The exhibition opens with the moving-image work Circle (2019), a video capturing fragments of family life. Shot on the artist’s phone and woven into a deliberately patchwork fiction, it traces a world both intimate and elusive. Timpa works with what surrounds him, treating real-world sounds as raw material; walking, recording, and reshaping them into something new. In listening back, he deciphers what has just occurred and what has been made, describing 'Circle' as “a former American spy readjusting to life in society and reconnecting with his daughter.”
Timpa’s practice drifts closer to painting than narrative. Sounds and images gather, overlap, and unfold, forming shapes that arrive quietly, finding a coherence in their own terms.
Open Thursday- Sunday
12-6pm until - 3rd May
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
Come Back
Circle, 2019
4:47, single channel video
LA Timpa resists clarity, relying instead on the rawness of the world he encounters, constantly reshaped by whatever lies ahead. His approach to constructing sound and narrative becomes a way of practicing presence.
The exhibition opens with the moving-image work Circle (2019), a video capturing fragments of family life. Shot on the artist’s phone and woven into a deliberately patchwork fiction, it traces a world both intimate and elusive. Timpa works with what surrounds him, treating real-world sounds as raw material; walking, recording, and reshaping them into something new. In listening back, he deciphers what has just occurred and what has been made, describing 'Circle' as “a former American spy readjusting to life in society and reconnecting with his daughter.”
Timpa’s practice drifts closer to painting than narrative. Sounds and images gather, overlap, and unfold, forming shapes that arrive quietly, finding a coherence in their own terms.
Open Thursday- Sunday
12-6pm until - 3rd May
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
Come Back
Circle, 2019
4:47, single channel video
LA Timpa resists clarity, relying instead on the rawness of the world he encounters, constantly reshaped by whatever lies ahead. His approach to constructing sound and narrative becomes a way of practicing presence.
The exhibition opens with the moving-image work Circle (2019), a video capturing fragments of family life. Shot on the artist’s phone and woven into a deliberately patchwork fiction, it traces a world both intimate and elusive. Timpa works with what surrounds him, treating real-world sounds as raw material; walking, recording, and reshaping them into something new. In listening back, he deciphers what has just occurred and what has been made, describing 'Circle' as “a former American spy readjusting to life in society and reconnecting with his daughter.”
Timpa’s practice drifts closer to painting than narrative. Sounds and images gather, overlap, and unfold, forming shapes that arrive quietly, finding a coherence in their own terms.
Open Thursday- Sunday
12-6pm until - 3rd May
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
'Mouth Face Forehead' 2026
Mixed media
120 x 120 x 60cm
Part of the artist's solo exhibition 'Come Back' Open 12-6pm, Thurs-Sun
@l.a.timpa
~ Through repair, adaptation, and processes oferasure and production, Timpa’s work carries traces of improvisation, that reflect tensions between fragility and resilience. Drawing on personal narratives and shaped by precarity, the work extends to broader reflections on exile and return. ~
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
'Mouth Face Forehead' 2026
Mixed media
120 x 120 x 60cm
Part of the artist's solo exhibition 'Come Back' Open 12-6pm, Thurs-Sun
@l.a.timpa
~ Through repair, adaptation, and processes oferasure and production, Timpa’s work carries traces of improvisation, that reflect tensions between fragility and resilience. Drawing on personal narratives and shaped by precarity, the work extends to broader reflections on exile and return. ~
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
'Mouth Face Forehead' 2026
Mixed media
120 x 120 x 60cm
Part of the artist's solo exhibition 'Come Back' Open 12-6pm, Thurs-Sun
@l.a.timpa
~ Through repair, adaptation, and processes oferasure and production, Timpa’s work carries traces of improvisation, that reflect tensions between fragility and resilience. Drawing on personal narratives and shaped by precarity, the work extends to broader reflections on exile and return. ~
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa
'Mouth Face Forehead' 2026
Mixed media
120 x 120 x 60cm
Part of the artist's solo exhibition 'Come Back' Open 12-6pm, Thurs-Sun
@l.a.timpa
~ Through repair, adaptation, and processes oferasure and production, Timpa’s work carries traces of improvisation, that reflect tensions between fragility and resilience. Drawing on personal narratives and shaped by precarity, the work extends to broader reflections on exile and return. ~
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa, 'Come Back'
Open Thurs–Sun, 12-6pm
'Animations' (2022-2023), is a new work compiled of various audio shorts taken from the original 6 episodes released on Timpa's website in 2023 presented in the back space of the gallery (recontextualised). The shorts are sequenced and played in real time through a 1990s Dolby cassette player and speakers, tracked across two visual display devices: one a CRT monitor, the other digitally recorded via the backlit LCD display of a portable linear recorder.
Sound ' Channel #2, Bone throw', 2026
from the linear recorder is simultaneously channeled into 'No Title' 2026, a sculpture and resonant architecture installed in the adjacent room.
Image: Animations, 2022-2023
Cassette tape recording and single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa, 'Come Back'
Open Thurs–Sun, 12-6pm
'Animations' (2022-2023), is a new work compiled of various audio shorts taken from the original 6 episodes released on Timpa's website in 2023 presented in the back space of the gallery (recontextualised). The shorts are sequenced and played in real time through a 1990s Dolby cassette player and speakers, tracked across two visual display devices: one a CRT monitor, the other digitally recorded via the backlit LCD display of a portable linear recorder.
Sound ' Channel #2, Bone throw', 2026
from the linear recorder is simultaneously channeled into 'No Title' 2026, a sculpture and resonant architecture installed in the adjacent room.
Image: Animations, 2022-2023
Cassette tape recording and single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa, 'Come Back'
Open Thurs–Sun, 12-6pm
'Animations' (2022-2023), is a new work compiled of various audio shorts taken from the original 6 episodes released on Timpa's website in 2023 presented in the back space of the gallery (recontextualised). The shorts are sequenced and played in real time through a 1990s Dolby cassette player and speakers, tracked across two visual display devices: one a CRT monitor, the other digitally recorded via the backlit LCD display of a portable linear recorder.
Sound ' Channel #2, Bone throw', 2026
from the linear recorder is simultaneously channeled into 'No Title' 2026, a sculpture and resonant architecture installed in the adjacent room.
Image: Animations, 2022-2023
Cassette tape recording and single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
LA Timpa, 'Come Back'
Open Thurs–Sun, 12-6pm
'Animations' (2022-2023), is a new work compiled of various audio shorts taken from the original 6 episodes released on Timpa's website in 2023 presented in the back space of the gallery (recontextualised). The shorts are sequenced and played in real time through a 1990s Dolby cassette player and speakers, tracked across two visual display devices: one a CRT monitor, the other digitally recorded via the backlit LCD display of a portable linear recorder.
Sound ' Channel #2, Bone throw', 2026
from the linear recorder is simultaneously channeled into 'No Title' 2026, a sculpture and resonant architecture installed in the adjacent room.
Image: Animations, 2022-2023
Cassette tape recording and single channel video
- Without shouting, 4:58
- Patience, 3:05
- It’s ok to burn it to the pot, 3:52
- Moving, 5:45
- Passing up, 3:43
- Gal’s, 3:53
Supported by Ontario Arts Council and Canada Council for the Arts
Photography: Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
'Come Back' LA Timpa
Open today, Thurs–Sun
12-6pm - 3 May
'No Title' 2026- The artist considers how sound leaves its trace on physical matter, proposing sculpture as a resonant architecture through which histories are held, carried, and given agency.
Emanating from a make-shift exterior, that serves as interior basement space, built in the main part of the gallery, a subterranean soundscape unfolds through a layered collision of noise captured via a Sony Ericsson, mini-cassette and linear recorder that blend found audio with field recordings. These are crafted and composed using raw, organic playback, that employ methods of looping, repetition, silence, reverberation, pitch, cut-ups, and volume shift. Physical gesture is embedded within the composition through the clacking mechanics of the cassette recorder. Its indexical stop, start, rewind, pause, and playback are audible throughout - not digital glitch, but the sound of human intervention. These motorized articulations become material and integral to the soundscape itself.
No Title, 2026
Mixed media installation,
'Channel #3, You can do it in two, 2026
Portable cassette tape player
Improvised tape compositions
- YOU CAN DO IT IN TWO
- You don’t have to like me
Channel #1, Come back, 2026, Stereo cassette tape player
Improvised tape compositions
- from the age
- Don’t move
- Good for life
- 221003_0085
Channel #2, Bone throw, 2026, Digital audio recording
-“Bone Throw” Bone thrown in room (reverberated)
Supported by Ontario Arts Council and Canada Council for the Arts
Photography Damian Griffiths
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Anonstories lets users view Instagram stories without alerting the creator.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.