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col.mm
Colm Moore
03.08 1900 – 2100
Tomorrow my brother and I play @noodsradio
Playing sounds we collected, unreleased compositions and music we shared over the years Call of a Swift was made.
Live from Bristol — where it all began.
03.08 1900 – 2100
Tomorrow my brother and I play @noodsradio
Playing sounds we collected, unreleased compositions and music we shared over the years Call of a Swift was made.
Live from Bristol — where it all began.
Studies of a Broken Organ — Live
@aufmontage
Thank you to @elizawagener & @semi.nice for bringing me to Hamburg.
Photo: @der_fauli_pauli
Studies of a Broken Organ — Live
@aufmontage
Thank you to @elizawagener & @semi.nice for bringing me to Hamburg.
Photo: @der_fauli_pauli
Studies of a Broken Organ — Live
@aufmontage
Thank you to @elizawagener & @semi.nice for bringing me to Hamburg.
Photo: @der_fauli_pauli
Artist made Polymer print
Intaglio Ink
Madrid litho white paper 300gsm
Painted Ash wood frame
Edition of 10 + 2 A.P
Image 21 x 26 cm
Print 58.5 x 47 cm
Frame 64.5 x 53 x 3.5 cm
Exhibited with @court_darkroom
Artist made Polymer print
Intaglio Ink
Madrid litho white paper 300gsm
Painted Ash wood frame
Edition of 10 + 2 A.P
Image 21 x 26 cm
Print 58.5 x 47 cm
Frame 64.5 x 53 x 3.5 cm
Exhibited with @court_darkroom
Artist made Polymer print
Intaglio Ink
Madrid litho white paper 300gsm
Painted Ash wood frame
Edition of 10 + 2 A.P
Image 21 x 26 cm
Print 58.5 x 47 cm
Frame 64.5 x 53 x 3.5 cm
Exhibited with @court_darkroom
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
Call of a Swift
Self-published, 2025
44 pages
Screen printed cover
Magnani Pescia Grey 300gsm cover
Tatami White 200gsm inner pages
Thread bound with exposed spine
Edition of 30
Signed and numbered
Each copy includes a signed handprint on Ilford fibre-based paper
Book 21 × 27 cm
Print 19.5 × 23.5 cm
What lies in the space between two people? What can the landscape we share reveal to us?
In 2020, when the world stood still, my brother and I began making images — asking questions of ourselves, of our time and place.
This series offers a glimpse into that dialogue over the course of 3 years — into how we confront our fears, contradictions and desires. A conversation between my brother and I at a time when everything, and nothing, was in motion.
With the mirror of our surroundings and each other, we turned inwards. Here, we observed, reflected, and tried to understand our place in the world and how we move through it.
The trees swayed, shadows deepened, and we stepped into unknown space. This is for my brother.
Poem by Ian Abbot ‘Passing through September’
Design by Ethan Bradshaw & Colm Moore
Screen printed cover by Matthew Rich
Book handmade by Johnny McMullan
Darkroom prints by Camilla Smart
Type layout by Megan Edwards
Editioned handprint by Colm Moore
My deepest thanks to all my friends and family for the support.
A special thanks to the Richard & Siobhan Coward Foundation — without whom this work would not have been possible.
𝙎𝙇𝙄𝙋
My new work is part of the group show COMMA at The Glue Factory, Glasgow.
Opening is tonight, March 28, 6 — 9 pm.
SLIP, 2025
Oil on Fabriano Paper
Diptych Monotype
Stained Black Walnut Frames
42 x 30 x 2 cm each.
𝙎𝙇𝙄𝙋
My new work is part of the group show COMMA at The Glue Factory, Glasgow.
Opening is tonight, March 28, 6 — 9 pm.
SLIP, 2025
Oil on Fabriano Paper
Diptych Monotype
Stained Black Walnut Frames
42 x 30 x 2 cm each.
𝙎𝙇𝙄𝙋
My new work is part of the group show COMMA at The Glue Factory, Glasgow.
Opening is tonight, March 28, 6 — 9 pm.
SLIP, 2025
Oil on Fabriano Paper
Diptych Monotype
Stained Black Walnut Frames
42 x 30 x 2 cm each.
Betty Burn, 2023
A bright winters day in Oxted, visiting Betty’s grandma Pam.
12” x 16” Fibre based darkroom print.
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