Instagram Story Viewer
View Instagram Stories Anonymously
commonimprint
Common Imprint
A space for Asian art books in Berlin.
🕝 Every Weekend, 11am–5pm
🔔 By appointment via website or link in BIO
📌 Zionskirchstr. 16, 10119 Berlin
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
In Conversation with Dokho Shin (@shindokho)
For this short interview, we asked Dokho Shin about the essentials of book design, navigating practice between Korea and Germany, and the relationship between publishing, typography, and research.
The conversation also introduces one of his recent projects and offers a preview of the ideas and approaches that will shape the upcoming workshop.
“Conditions for Being a Book”
led by Dokho Shin
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
Applications close:
Sunday, 17 May 2026
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Thanks for visiting 🧡💛🧡
I hope you enjoyed time in the reading room!
@lpg_zine_lab
@oficynaperyferie
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
Many thanks to AABB for generously donating beautiful books. Special thanks to Junyeol for organising. The books are now available in the reading room!
AABB (@aabb.inc) is a Seoul-based graphic design studio and cultural space working across typography, publishing, exhibitions, and research. Alongside their design practice, they run OS (@aabb.os.library) — a library, bookstore, and community space that hosts talks, workshops, and exhibitions connecting art, design, and independent publishing.
1. Emotional Diary
2. GaNaDaRa 8
3. Sense Illusion
4. Free Document Format
5. CC 1
6. Publishing Through Digital Networks
7. CC 2
8. Lettering
9. Lettering 2: Leaping Words
10. Chusa, Revisited
11. The Figure in the Carpet
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
Today was such a valuable opportunity to learn about Alyssia’s (@alyssia_lou) design practice.
Thank you, Alicia, for generously sharing your archival project (@single.eyelid.books) with us!
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I recently visited the Outland Publishing Fair (@outlandpublishingfair), which focuses on communities and publishers with diasporic backgrounds.
This visit became an opportunity to reconsider how ‘diaspora’ is translated and embodied differently within various cultural and linguistic contexts, rather than viewing it as a fixed category of identity. Whilst the term ‘diaspora’ often refers to experiences of displacement and migration, the publications I encountered on the ground demonstrated that it represents a multiple state where different systems, sensibilities, languages and memories intersect.
What I found particularly interesting was that even within the same diasporic experience, it is interpreted in entirely different ways depending on the geographical and cultural conditions in which it is situated. Some publications treated the diaspora as a sense of loss and disconnection, whilst other works approached it as a possibility for hybridity and recombination. For some, the diaspora is read as a language of deficiency and suspension, but for others, it appears to serve as the foundation for practices that subvert existing systems of belonging and construct new relationships.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
I’m sharing a few photos from my visit to London.
On the first day, I had the chance to visit Asymmetry Library (@asymmetryartorg) and spend some meaningful time exploring its collection. Many thanks to @jiaying_kk for the introduction to the space and its holdings. Asymmetry Library is open by appointment from Tuesday to Thursday, and more information can be found on their website below.
Asymmetry Library
www.asymmetryart.org/library
Later, I visited the architecture studio of @of__uk, with whom I previously published the zine For Your Convenience. We also exchanged ideas for a new zine project centered around the theme of the market, which I hope to share more about as it develops. Many thanks to @nafromseoul and @jc_making for welcoming me into the studio.
We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.
This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign
Workshop Details:
Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.
This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign
Workshop Details:
Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.
This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign
Workshop Details:
Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.
This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign
Workshop Details:
Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
We are excited to announce our first workshop:
“Conditions for Being a Book”
led by Dokho Shin (@shindokho)
This workshop explores the fundamental conditions of what constitutes a book, engaging with typography, image, and the process of making.
This workshop is for:
– Students and designers interested in books and publishing culture
– Those interested in working with typography and images
– Those who want to experience the full process of making a book
– Participants with basic knowledge of graphic design and Adobe InDesign
Workshop Details:
Conditions for Being a Book
24 May – 28 June 2026,
Every Sunday, 1 – 4 pm (TBD)
– 6-week course (one session per week, 3 hours each)
– Maximum of 10 participants
– Offline at Common Imprint Berlin
– Requirement: Laptop with Adobe InDesign installed
Workshop Fee:
Standard: €360
Student: €300
The fee applies to the first workshop “Conditions for Being a Book” only.
Apply for the workshop:
https://forms.gle/JgsvLoPy21wbjkzb8
Learn more about the workshop:
https://commonimprint.com/common-practice-01
.
.
.
.
.
#designworkshop #bookdesign
#editorialdesign #typography #commonimprint
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Bergen Art Book Fair DAY 1 with Moritz 🏊
@bergenartbookfair
@wemakeitberlin
@gloriaglitzer
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
Many thanks to Leeum (@leeummuseumofart) for generously donating outstanding books.
Special thanks to Hyo (@eventhehyo) for organising. 💛 The books are available in the reading room from now on! 📚
1. Philippe Parreno ‘Voices’ – A Collection of Spoken Works
2. Philippe Parreno ‘Voices’ Exhibition Book
3. 2024 Art Spectrum ‘Dream Screen’ Book
4. Suki Seokyeong Kang ‘Willow Drum Oriole’
5. CLOUD WALKERS
6. LEE BUL
7. Kim Beom ‘How to become a rock’
8. Joseon White Porcelain Paragon Of Virtue‘ Pictorial Record
9. Gyeom jae Jeong seon Exhibition Book
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.