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🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

🎟️ Introducing: Membership at CUE!

CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.

Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.

The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.

Become part of this generative network.

Link in bio for details 🔗

——

Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.

📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.

📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.

——

www.cueartfoundation.org/support-cue

#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart

mādar brings together artists spanning generations and disciplines, from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York, in a collective gesture of solidarity. While the bombing has temporarily paused, the situation remains precarious. Critical infrastructure has been damaged or destroyed, and millions — already burdened by years of economic crisis, inflation, and U.S. sanctions — face the threat of displacement, food insecurity, and long-term instability.

Curated by Melika Abikenari and Golnar Adili, mādar is a benefit exhibition and auction opening Friday, May 15 at 6 PM at CUE Art Foundation.

Contributed works will be available through a benefit auction supporting relief efforts through Moms Against Poverty and additional on-the-ground initiatives supporting people in Iran. The online auction launches with the opening reception and remains live through 11:59 PM EST on May 15.

Opening night includes sounds by @narrokh beginning at 9 PM, aragh cocktails by @sag.nyc , beer provided by @backhomebeer , and bites by @bazm.nyc .

mādar will remain on view through the weekend at CUE Art Foundation, 137 West 25th Street. Weekend gallery hours on Saturday, May 16 and Sunday, May 17 are from 12–6 PM; no reservations are required.

Original image by Ali Akbar Sadeghi, adapted for this flyer.

mādar brings together artists spanning generations and disciplines, from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York, in a collective gesture of solidarity. While the bombing has temporarily paused, the situation remains precarious. Critical infrastructure has been damaged or destroyed, and millions — already burdened by years of economic crisis, inflation, and U.S. sanctions — face the threat of displacement, food insecurity, and long-term instability.

Curated by Melika Abikenari and Golnar Adili, mādar is a benefit exhibition and auction opening Friday, May 15 at 6 PM at CUE Art Foundation.

Contributed works will be available through a benefit auction supporting relief efforts through Moms Against Poverty and additional on-the-ground initiatives supporting people in Iran. The online auction launches with the opening reception and remains live through 11:59 PM EST on May 15.

Opening night includes sounds by @narrokh beginning at 9 PM, aragh cocktails by @sag.nyc , beer provided by @backhomebeer , and bites by @bazm.nyc .

mādar will remain on view through the weekend at CUE Art Foundation, 137 West 25th Street. Weekend gallery hours on Saturday, May 16 and Sunday, May 17 are from 12–6 PM; no reservations are required.

Original image by Ali Akbar Sadeghi, adapted for this flyer.

Join us on Saturday, May 2nd, for d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by Tsohil Bhatia (@tsohilbhatia) co-presented with Peel (@peel.space) in Pittsburgh, PA. The meal will be followed by a set from multi-disciplinary DJ, artist, and designer Formosa (@formosa.exe).

Guests gather for a shared eight-course meal in which the table becomes a site for speculation on the practices that have shaped what we consider to be either palatable or objectionable.

Drawing upon ingredients and methods that have existed for centuries—ash, clay, salt, grain, fruit, char, fermentation—the menu acts as a set of relations to land across geographies and over time. Recipes carry evidence of the propositions of the land. They draw from histories of accident, spoilage, and contamination, often incorporating ingredients that we have learned to distrust.

Through vocabularies of refusal and relation, the work reconsiders our prevailing conceptions of value and sustenance.

Capacity is limited! Learn more and reserve a seat ($50) at links in bio. 🔗

——

d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩 is made possible through essential support from the Carnegie Mellon School of Art, Brian Wongchaowart, Chris and Dawn Fleischner, and JADED (@jadedpgh).

Drinks graciously provided by @goodlandercocktails and @twofraysbrewery.

d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩
Tsohil Bhatia
Saturday, May 2nd, 8-11 pm
Peel | 5806 Forbes Ave, Pittsburgh, PA

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!

Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.

To inquire or express interest, visit link in bio. 🔗

Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches

Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches

Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches

Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42  x 30 inches)

Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)

Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs

Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP

Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.

The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.

To inquire or express interest, head to link in bio. 🔗

Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches

—

Keli Safia Maksud (@kelisafiamaksud   / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches

—

Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches

—

Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches

“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches

“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches

—

Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches

—

Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches

—-

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches

——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!

The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.

To inquire or express interest, head to link in bio. 🔗

Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)

James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches

Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches

Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches

Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches

Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches

David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches

Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches

Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches

Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches

——

What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

There’s a little more than a week left to see the works of the 30+ artists taking part in “What’s Left in the Remaking,” a group exhibition and benefit for CUE.

The works in the show are available to collect. Sales support participating artists and also invite a shared investment in the infrastructure that sustains opportunities for emerging and experimental work at CUE in these unprecedented times. 

Check out the following works, listed in order of photos.

To inquire, DM us or see link in bio. 🔗

Levani (@levanmindi) x Papuna (@papuna_dabrundashvili)
“alphabet (i) თ” and “alphabet (i) ი,” 2025
Lilac marble with leather finish
21 x 15 x 12 inches each

Devin Kenny (@crashingwavy)
“Paper Tiger Series,” 2025
Relief print with thermal ink and archival ink on mixed media paper, faceted mirrored glass frame, mp3 audio mix by artist
6 ⅛ x 8 ⅛ inches + digital file

Esperanza Mayobre (@esperanzamayobre)
“Antenas de Golindano,” 2018
Silkscreen on paper
30 x 22 inches (framed: 32 ¼ x 24 ½ inches)
Edition of 7

Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chicks with Dicks,” 2025
Vinyl text on wall
5 x 36 inches
Edition of 2 + 1 AP

Mo Kong (@mosmosk)
“Swift Island Chain Calendar,” 2024
Ink on paper, graphite, costume frame
16 ½ x 72 inches

Kiki Smith (#kikismith)
“Open,” 1987–2018
Ink, watercolor, and pencil on Losiny Prague paper
Monoprint; open edition varié
11 ½ x 8 inches (framed: 14 x 10 ½ inches)

Karen Azoulay (@karen_azoulay)
“Flowers and Their Meanings,” 2023/25
Archival pigment print
10 x 11 inches (framed: 11 ¾ x 10 ¾ inches)
Edition 1 of 5

Rob Davis (@bobsonofdavis)
“Shoes,” 2024
Watercolor on paper
9 x 12 inches (framed: 11 ¾ x 14 ¾ inches)

Cal Siegel (@cal_venn)
“Hi-Ho, Alas,” 2023
Wood, silkscreen on cotton, stain
21 x 21 x 11 inches

Zachary Fabri (@zacharyfabri)
“Duppy_11,” 2017
Black and white gelatin silver print
12 x 8 inches (framed: 16 ½ x 12 ¼ inches )
Edition 1 of 3  + 2 APs

——
What’s Left in the Remaking
On view until April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

“What’s Left in the Remaking” has been extended and will remain on view through April 18th.

The exhibition brings together works by 31 alumni artists and mentors of CUE whose practices take risks and challenge existing boundaries of practice. The show is simultaneously a benefit for our artist-centered program. Works are available to collect; each participating artist has determined the percentage to be donated to CUE in a collective gesture of generosity and advocacy for the organization’s future.

For more than two decades, CUE’s program has connected artists across generations through mentorship, significant financial resources, presenting opportunities, professional development, and long-term dialogue. The exhibition draws upon this history to reflect the value of a program that is entirely oriented around the agency of emerging and underrepresented artists.

At a moment when artists and the small spaces that sustain them are under pressure, we invite you to visit and support in any way you can. Thank you to everyone who has joined us so far.

Inquire about works + read more: 🔗 in bio (or DM us!)

——

What’s Left in the Remaking
November 6, 2025–April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @micki.yak

Remembering Ted Berger (1940-2026)

Two weeks ago, we lost an important voice for arts and culture in New York. Ted Berger served on CUE’s board for over 20 years, and for the last 8 as Board President. Ted was an energetic advocate for the arts, and for the hard work of continually forging a cultural ecosystem that prioritizes the livelihoods of working artists and the accessibility of the field above all else.

Among his many other engagements, it was an honor for CUE to have his attention, presence, and steadiness, which has greatly contributed to our mission and programs across many eras of the organization’s journey. Ted’s clarity, humor, patience, and dedication were part of the fabric of CUE for many years, and his absence will be felt by us all.

We are deeply saddened by this loss, and are holding space for Ted’s family, friends, and loved ones. If his presence touched you in any way, we welcome you to share thoughts or reflections here or via DM to send to Ted’s family.

May his memory be a blessing. 🤍

CUE’s gallery space is closed on Friday, January 30th for the nationwide shutdown and general strike. The gallery will reopen on Saturday, January 31st.  

We stand in solidarity with the fight against ICE in our communities. We believe in the power of collective action and also acknowledge that any one day strike, public statement, or short term action is an imperfect and incomplete tool. See our stories for broader resources and perspectives.

A recap of CUE’s 2025 exhibitions + programs 🥂

CUE has always been shaped by the agency of artists. Over the past few years, that commitment has deepened through closer attention to the structural and conceptual foundations of each artist’s practice, and to the forms of thinking and making that drive their work and livelihoods.

This moment is marked by contraction and consolidation across the arts field. CUE remains committed to meeting emerging artists with flexible, generative processes, close collaboration, and shared responsibility for how their practices enter public view. Our scale is small, allowing the support we offer to remain intimate, accountable, and materially significant.

In these final moments of 2025, we invite you to stand behind these values.

🔗 Link in bio to support CUE with a year-end gift of any amount.

Thank you to all the artists, mentors, designers, writers, art handlers, educators, photographers, chefs, and many other collaborators we have had the privilege of working with this year 🤍

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki

There are just a few more hours to catch “What’s Left in the Remaking” — but good news: the show has been extended until February 28th!

Thanks to all the artists and friends of CUE who joined us last week at a sweet little public gathering to close out the year.

In 2025, it’s become even more apparent what the stakes are for small organizations who support emerging artists. CUE remains committed to organizing our work around their agency and their needs.

✨Please consider supporting us today! ✨

Here are three immediate ways to contribute: 

[Make a year-end gift]:
Independent spaces like ours rely on engaged communities to make possible values-aligned and artist-driven programming. All amounts are welcome! 🪙

[Collect a work from “What’s Left in the Remaking”]:
Support both CUE and the 31 alumni artists in the show! This is not an auction, and artists have individually allocated the percentage of their sale that they will contribute and retain. 🖼️

[Check out our shop]:
You can find prints, tote bags, and editions from our artist community, including “Flashback,” a recently released ceramic sculpture edition by @jairo_sosa_.🏀

Every contribution is an active investment in the kind of cultural future that artists are already building.

Links in bio to donate and inquire 🔗

——

What’s Left in the Remaking
November 6, 2025–February 28, 2026
CUE will be closed December 21st—January 6th
Gallery Hours: Wed–Sat, 12–6 pm

Including works by:

@golnar.adili, @karen_azoulay, @tsohilbhatia, @taniabruguera, @bobsonofdavis, @victoriouspurple, @zacharyfabri, #ernstfischer, #fereidounghaffari, #camilogodoy, @juan_e_gomez, @aikenhump, @steffanijemison, @mkawstudio, @crashingwavy, @msk3022, @mosmosk, @puppiespuppiesjade, @athena_latocha, @levanmindi, @judylinniam, @kelisafiamaksud, @_yangmai_, @esperanzamayobre, @djspooky_official, @naeem_mohaeiemen, #shellynerodriguez, @cal_venn, #kikismith, @catalina.tuca, @yaki_micki