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Dancing Foxes Press
Dancing Foxes Press is an independent publisher based in Brooklyn, New York
🦊💃 We’re heading to the LA Art Book Fair 2026 📚✨
Find us at booth C4 at the ArtCenter College of Design in Pasadena this week, May 7–10, with a comprehensive selection of our titles.
Last year’s edition of the fair was incredible—big thanks to the Printed Matter fair team—and the ArtCenter a great place to talk, browse, mingle, get inspired, and enjoy.
Visit pmabf.org to purchase your tickets!
Thursday, May 7
6–9 pm: Opening Night
Friday, May 8
11 am–7 pm: Public Hours, ticketed
Saturday, May 9
11 am–7 pm: Public Hours, ticketed
Sunday, May 10
11 am–6 pm: Public Hours, free
📍 ArtCenter College of Design Los Angeles
South Campus
950 S. Raymond Ave.
@printedmatter_artbookfairs
@artcentercollege
#LAABF2026
#indiepublishing
💃The Jersey Art Book Fair 2026 is here!📚Come visit our 🦊booth and say hi to Alex this weekend, May 2nd and 3rd, from 11am–7pm.
JAB Fair 2026 gathers artists, designers, and independent presses to distribute work, connect with audiences, and build community – “bringing our love of printed matter back to where the offset printing press was first invented: New Jersey.”
We will be among 150 exhibitors from around the world at Mana Contemporary and Monira Foundation, just minutes from NYC.
📍888 Newark Avenue, Jersey City, NJ 07306, a 15-minute walk from the Journal Square PATH Station, with first-come, first-serve onsite parking.
For more information, visit www.manacontemporary.com
#jerseyartbookfair
#jabfair2026
#IndiePublishing
💃The Jersey Art Book Fair 2026 is here!📚Come visit our 🦊booth and say hi to Alex this weekend, May 2nd and 3rd, from 11am–7pm.
JAB Fair 2026 gathers artists, designers, and independent presses to distribute work, connect with audiences, and build community – “bringing our love of printed matter back to where the offset printing press was first invented: New Jersey.”
We will be among 150 exhibitors from around the world at Mana Contemporary and Monira Foundation, just minutes from NYC.
📍888 Newark Avenue, Jersey City, NJ 07306, a 15-minute walk from the Journal Square PATH Station, with first-come, first-serve onsite parking.
For more information, visit www.manacontemporary.com
#jerseyartbookfair
#jabfair2026
#IndiePublishing
While the in-person program is at capacity, we’d love to have you join us via Instagram livestream on Saturday, May 2!
We will be broadcasting most of the afternoon’s celebration of the Mahicannituck Valley launch of “Native Visual Sovereignty: A Reader on Art and Performance.”
⭐Schedule ⭐
2pm — OPENING
🌟Candice Hopkins (@candicebhopkins) & Lauren Cornell (@lauren1cornell)
2:20pm — PRESENTATIONS
🌟2:20–2:40 — Jolene Rickard (@jrickardmakes) on the evolution of Native Visual Sovereignty
🌟3:25–3:45 — Paul Chaat Smith (@paulchaatsmith) on the performance practice of James Luna
4pm — SCREENING
🌟4:00–4:30 — Screening of Sky Hopinka’s “Sunflower Engine Siege” (@skyhopinka)
4:30pm — PANEL
🌟4:30–5:15 — Conversation between renowned scholars and artists Jolene Rickard (@jrickardmakes), Paul Chaat Smith (@paulchaatsmith), Kite (@kitekitekitekitekite), and Sky Hopinka (@skyhopinka), moderated by Candice Hopkins (@candicebhopkins)
Readings by Candice Hopkins (@candicebhopkins) and Brandee Caoba (@brandeecaoba) will be interspersed throughout.
**Please note: The day’s programming includes a performance of Kite’s score “Iktómiwiŋ”. This performance will not be livestreamed due to the nature of the performance and its setting.
***Please also note: Professional recordings of the entire day’s program (including Kite’s score) will be uploaded to Forge’s Vimeo (vimeo.com/forgeprojectny) in the coming weeks for those unable to join us and those who wish to revisit the programming in the future.
While the in-person program is at capacity, we’d love to have you join us via Instagram livestream on Saturday, May 2!
We will be broadcasting most of the afternoon’s celebration of the Mahicannituck Valley launch of “Native Visual Sovereignty: A Reader on Art and Performance.”
⭐Schedule ⭐
2pm — OPENING
🌟Candice Hopkins (@candicebhopkins) & Lauren Cornell (@lauren1cornell)
2:20pm — PRESENTATIONS
🌟2:20–2:40 — Jolene Rickard (@jrickardmakes) on the evolution of Native Visual Sovereignty
🌟3:25–3:45 — Paul Chaat Smith (@paulchaatsmith) on the performance practice of James Luna
4pm — SCREENING
🌟4:00–4:30 — Screening of Sky Hopinka’s “Sunflower Engine Siege” (@skyhopinka)
4:30pm — PANEL
🌟4:30–5:15 — Conversation between renowned scholars and artists Jolene Rickard (@jrickardmakes), Paul Chaat Smith (@paulchaatsmith), Kite (@kitekitekitekitekite), and Sky Hopinka (@skyhopinka), moderated by Candice Hopkins (@candicebhopkins)
Readings by Candice Hopkins (@candicebhopkins) and Brandee Caoba (@brandeecaoba) will be interspersed throughout.
**Please note: The day’s programming includes a performance of Kite’s score “Iktómiwiŋ”. This performance will not be livestreamed due to the nature of the performance and its setting.
***Please also note: Professional recordings of the entire day’s program (including Kite’s score) will be uploaded to Forge’s Vimeo (vimeo.com/forgeprojectny) in the coming weeks for those unable to join us and those who wish to revisit the programming in the future.
While the in-person program is at capacity, we’d love to have you join us via Instagram livestream on Saturday, May 2!
We will be broadcasting most of the afternoon’s celebration of the Mahicannituck Valley launch of “Native Visual Sovereignty: A Reader on Art and Performance.”
⭐Schedule ⭐
2pm — OPENING
🌟Candice Hopkins (@candicebhopkins) & Lauren Cornell (@lauren1cornell)
2:20pm — PRESENTATIONS
🌟2:20–2:40 — Jolene Rickard (@jrickardmakes) on the evolution of Native Visual Sovereignty
🌟3:25–3:45 — Paul Chaat Smith (@paulchaatsmith) on the performance practice of James Luna
4pm — SCREENING
🌟4:00–4:30 — Screening of Sky Hopinka’s “Sunflower Engine Siege” (@skyhopinka)
4:30pm — PANEL
🌟4:30–5:15 — Conversation between renowned scholars and artists Jolene Rickard (@jrickardmakes), Paul Chaat Smith (@paulchaatsmith), Kite (@kitekitekitekitekite), and Sky Hopinka (@skyhopinka), moderated by Candice Hopkins (@candicebhopkins)
Readings by Candice Hopkins (@candicebhopkins) and Brandee Caoba (@brandeecaoba) will be interspersed throughout.
**Please note: The day’s programming includes a performance of Kite’s score “Iktómiwiŋ”. This performance will not be livestreamed due to the nature of the performance and its setting.
***Please also note: Professional recordings of the entire day’s program (including Kite’s score) will be uploaded to Forge’s Vimeo (vimeo.com/forgeprojectny) in the coming weeks for those unable to join us and those who wish to revisit the programming in the future.
JOIN US at BAXTER ST on Saturday, December 6 for the launch of 'PPI Issue #4: Material Acknowledgment: A Case Study in Environmental
Learning' and 'PPI Issue #5: Input, Use, Stock, and Output' presented by Pratt Institute’s Photography Department and Dancing Foxes Press in partnership with Light Work, Syracuse, NY and BAXTER ST at the Camera Club of New York.
•
The event will take place from 2 PM - 5 PM with presentations at 3 PM by Jamie Kruse (Parsons, The New School, PT Assistant Professor, Sustainable Systems), John O’Toole (Pratt Institute, Technical Director of Photography), and Jennifer Williams, (Cooper Union, Head Technician in Photography and Adjunct Faculty).
•
Materials originate in the land and inevitably return to it; the word landscape speaks to many things, the landscapes of social, cultural, ecological, political, and poetic conditions among them.
•
PPI is a series published by Dancing Foxes Press and Pratt Institute through the Pratt Photography Imprint (PPI). In an age defined by the immaterial transmission and circulation of images, the Pounds Per Image (PPI) series makes research, scholarship, and practice the centerpiece of its gravity-bound mission. By commissioning artists, writers, curators, and other voices in the polyvocal field to produce original material about photography, PPI endeavors to make contributions to the discursive field beyond the walls of Pratt Institute.
JOIN US at BAXTER ST on Saturday, December 6 for the launch of 'PPI Issue #4: Material Acknowledgment: A Case Study in Environmental
Learning' and 'PPI Issue #5: Input, Use, Stock, and Output' presented by Pratt Institute’s Photography Department and Dancing Foxes Press in partnership with Light Work, Syracuse, NY and BAXTER ST at the Camera Club of New York.
•
The event will take place from 2 PM - 5 PM with presentations at 3 PM by Jamie Kruse (Parsons, The New School, PT Assistant Professor, Sustainable Systems), John O’Toole (Pratt Institute, Technical Director of Photography), and Jennifer Williams, (Cooper Union, Head Technician in Photography and Adjunct Faculty).
•
Materials originate in the land and inevitably return to it; the word landscape speaks to many things, the landscapes of social, cultural, ecological, political, and poetic conditions among them.
•
PPI is a series published by Dancing Foxes Press and Pratt Institute through the Pratt Photography Imprint (PPI). In an age defined by the immaterial transmission and circulation of images, the Pounds Per Image (PPI) series makes research, scholarship, and practice the centerpiece of its gravity-bound mission. By commissioning artists, writers, curators, and other voices in the polyvocal field to produce original material about photography, PPI endeavors to make contributions to the discursive field beyond the walls of Pratt Institute.
JOIN US at BAXTER ST on Saturday, December 6 for the launch of 'PPI Issue #4: Material Acknowledgment: A Case Study in Environmental
Learning' and 'PPI Issue #5: Input, Use, Stock, and Output' presented by Pratt Institute’s Photography Department and Dancing Foxes Press in partnership with Light Work, Syracuse, NY and BAXTER ST at the Camera Club of New York.
•
The event will take place from 2 PM - 5 PM with presentations at 3 PM by Jamie Kruse (Parsons, The New School, PT Assistant Professor, Sustainable Systems), John O’Toole (Pratt Institute, Technical Director of Photography), and Jennifer Williams, (Cooper Union, Head Technician in Photography and Adjunct Faculty).
•
Materials originate in the land and inevitably return to it; the word landscape speaks to many things, the landscapes of social, cultural, ecological, political, and poetic conditions among them.
•
PPI is a series published by Dancing Foxes Press and Pratt Institute through the Pratt Photography Imprint (PPI). In an age defined by the immaterial transmission and circulation of images, the Pounds Per Image (PPI) series makes research, scholarship, and practice the centerpiece of its gravity-bound mission. By commissioning artists, writers, curators, and other voices in the polyvocal field to produce original material about photography, PPI endeavors to make contributions to the discursive field beyond the walls of Pratt Institute.
JOIN US at BAXTER ST on Saturday, December 6 for the launch of 'PPI Issue #4: Material Acknowledgment: A Case Study in Environmental
Learning' and 'PPI Issue #5: Input, Use, Stock, and Output' presented by Pratt Institute’s Photography Department and Dancing Foxes Press in partnership with Light Work, Syracuse, NY and BAXTER ST at the Camera Club of New York.
•
The event will take place from 2 PM - 5 PM with presentations at 3 PM by Jamie Kruse (Parsons, The New School, PT Assistant Professor, Sustainable Systems), John O’Toole (Pratt Institute, Technical Director of Photography), and Jennifer Williams, (Cooper Union, Head Technician in Photography and Adjunct Faculty).
•
Materials originate in the land and inevitably return to it; the word landscape speaks to many things, the landscapes of social, cultural, ecological, political, and poetic conditions among them.
•
PPI is a series published by Dancing Foxes Press and Pratt Institute through the Pratt Photography Imprint (PPI). In an age defined by the immaterial transmission and circulation of images, the Pounds Per Image (PPI) series makes research, scholarship, and practice the centerpiece of its gravity-bound mission. By commissioning artists, writers, curators, and other voices in the polyvocal field to produce original material about photography, PPI endeavors to make contributions to the discursive field beyond the walls of Pratt Institute.
JOIN US at BAXTER ST on Saturday, December 6 for the launch of 'PPI Issue #4: Material Acknowledgment: A Case Study in Environmental
Learning' and 'PPI Issue #5: Input, Use, Stock, and Output' presented by Pratt Institute’s Photography Department and Dancing Foxes Press in partnership with Light Work, Syracuse, NY and BAXTER ST at the Camera Club of New York.
•
The event will take place from 2 PM - 5 PM with presentations at 3 PM by Jamie Kruse (Parsons, The New School, PT Assistant Professor, Sustainable Systems), John O’Toole (Pratt Institute, Technical Director of Photography), and Jennifer Williams, (Cooper Union, Head Technician in Photography and Adjunct Faculty).
•
Materials originate in the land and inevitably return to it; the word landscape speaks to many things, the landscapes of social, cultural, ecological, political, and poetic conditions among them.
•
PPI is a series published by Dancing Foxes Press and Pratt Institute through the Pratt Photography Imprint (PPI). In an age defined by the immaterial transmission and circulation of images, the Pounds Per Image (PPI) series makes research, scholarship, and practice the centerpiece of its gravity-bound mission. By commissioning artists, writers, curators, and other voices in the polyvocal field to produce original material about photography, PPI endeavors to make contributions to the discursive field beyond the walls of Pratt Institute.
📚Please join @forgeprojectny, @performance.space.new.york, and Dancing Foxes for an evening of readings, performance screenings, and discussion on occasion of the launch of the new publication “Native Visual Sovereignty: A Reader on Art and Performance.”
With 48 contributors, newly commissioned essays and artist notes, 20 reprinted critical texts, and oral history interviews with leaders of the field, “Native Visual Sovereignty” is the first reader on contemporary Native art to use performance and performativity as its praxis. The book seeks to make the case that there is now a shift from sovereignty in a visual sense, to sovereignty in a performative sense.
A reading by book editor, Candice Hopkins @candicebhopkins (Citizen of Carcross/Tagish First Nation), a conversation with Gloria Miguel (Guna/Rappahannock) and Muriel Miguel (Kuna/Rappahannock) of the legendary Spiderwoman Theater @spiderwomantheater, and a screening of DON’T MAKE ME OVER (2023) starring Arielle Twist @arielletwist (Nehiyaw [Cree]), the first theater work of Jeffrey Gibson @jeffrune (Mississippi Band of Choctaw Indians and Cherokee), are the basis of the evening.
The publication will be available for purchase in-person at the event. You can RSVP for November 11 on the Performance Space Website. If you cannot make it in person, you can watch a live stream on forgeproject.com.
Native Visual Sovereignty is copublished by Dancing Foxes Press, in association with the Center for Curatorial Studies, Bard College; Forge Project; MacKenzie Art Gallery; and SITE SANTA FE.
We are proud to announce “Native Visual Sovereignty: A Reader on Art and Performance”, edited by Candice Hopkins @candicebhopkins (Tlingit, citizen of Carcross/Tagish First Nation), Executive Director and Chief Curator at Forge Project and Fellow in Indigenous Art History and Curatorial Studies at Bard College.
“Native Visual Sovereignty” traces a lineage of performance as a site of resistance, collectivity, and self-determination. This 560-page compendium features newly commissioned essays by Hopkins, asinnajaq, and Dylan Robinson; oral-history interviews with G. Peter Jemison, Rebecca Belmore, Spiderwoman Theater, and Theo Jean Cuthand; reprints of 20 significant essays and texts since 1969; and new contributions from artists and scholars across generations.
Published by Dancing Foxes Press, Native Visual Sovereignty is a collaboration with Forge Project, Center for Curatorial Studies, Bard College, MacKenzie Art Gallery, and SITE SANTA FE. The book is designed by Santiago da Silva and Ana Cecilia Breña of Stoodio da Silva.
The book builds upon the exhibition “Indian Theater: Native Performance, Art, and Self-Determination since 1969,” curated by Hopkins, which premiered at the Hessel Museum of Art, CCS Bard (2023), traveling to the MacKenzie Art Gallery, Regina, Canada (2025) and SITE SANTA FE and the IAIA Museum of Contemporary Native Arts (2026).
We are proud to announce “Native Visual Sovereignty: A Reader on Art and Performance”, edited by Candice Hopkins @candicebhopkins (Tlingit, citizen of Carcross/Tagish First Nation), Executive Director and Chief Curator at Forge Project and Fellow in Indigenous Art History and Curatorial Studies at Bard College.
“Native Visual Sovereignty” traces a lineage of performance as a site of resistance, collectivity, and self-determination. This 560-page compendium features newly commissioned essays by Hopkins, asinnajaq, and Dylan Robinson; oral-history interviews with G. Peter Jemison, Rebecca Belmore, Spiderwoman Theater, and Theo Jean Cuthand; reprints of 20 significant essays and texts since 1969; and new contributions from artists and scholars across generations.
Published by Dancing Foxes Press, Native Visual Sovereignty is a collaboration with Forge Project, Center for Curatorial Studies, Bard College, MacKenzie Art Gallery, and SITE SANTA FE. The book is designed by Santiago da Silva and Ana Cecilia Breña of Stoodio da Silva.
The book builds upon the exhibition “Indian Theater: Native Performance, Art, and Self-Determination since 1969,” curated by Hopkins, which premiered at the Hessel Museum of Art, CCS Bard (2023), traveling to the MacKenzie Art Gallery, Regina, Canada (2025) and SITE SANTA FE and the IAIA Museum of Contemporary Native Arts (2026).
We are proud to announce “Native Visual Sovereignty: A Reader on Art and Performance”, edited by Candice Hopkins @candicebhopkins (Tlingit, citizen of Carcross/Tagish First Nation), Executive Director and Chief Curator at Forge Project and Fellow in Indigenous Art History and Curatorial Studies at Bard College.
“Native Visual Sovereignty” traces a lineage of performance as a site of resistance, collectivity, and self-determination. This 560-page compendium features newly commissioned essays by Hopkins, asinnajaq, and Dylan Robinson; oral-history interviews with G. Peter Jemison, Rebecca Belmore, Spiderwoman Theater, and Theo Jean Cuthand; reprints of 20 significant essays and texts since 1969; and new contributions from artists and scholars across generations.
Published by Dancing Foxes Press, Native Visual Sovereignty is a collaboration with Forge Project, Center for Curatorial Studies, Bard College, MacKenzie Art Gallery, and SITE SANTA FE. The book is designed by Santiago da Silva and Ana Cecilia Breña of Stoodio da Silva.
The book builds upon the exhibition “Indian Theater: Native Performance, Art, and Self-Determination since 1969,” curated by Hopkins, which premiered at the Hessel Museum of Art, CCS Bard (2023), traveling to the MacKenzie Art Gallery, Regina, Canada (2025) and SITE SANTA FE and the IAIA Museum of Contemporary Native Arts (2026).
We are proud to announce “Native Visual Sovereignty: A Reader on Art and Performance”, edited by Candice Hopkins @candicebhopkins (Tlingit, citizen of Carcross/Tagish First Nation), Executive Director and Chief Curator at Forge Project and Fellow in Indigenous Art History and Curatorial Studies at Bard College.
“Native Visual Sovereignty” traces a lineage of performance as a site of resistance, collectivity, and self-determination. This 560-page compendium features newly commissioned essays by Hopkins, asinnajaq, and Dylan Robinson; oral-history interviews with G. Peter Jemison, Rebecca Belmore, Spiderwoman Theater, and Theo Jean Cuthand; reprints of 20 significant essays and texts since 1969; and new contributions from artists and scholars across generations.
Published by Dancing Foxes Press, Native Visual Sovereignty is a collaboration with Forge Project, Center for Curatorial Studies, Bard College, MacKenzie Art Gallery, and SITE SANTA FE. The book is designed by Santiago da Silva and Ana Cecilia Breña of Stoodio da Silva.
The book builds upon the exhibition “Indian Theater: Native Performance, Art, and Self-Determination since 1969,” curated by Hopkins, which premiered at the Hessel Museum of Art, CCS Bard (2023), traveling to the MacKenzie Art Gallery, Regina, Canada (2025) and SITE SANTA FE and the IAIA Museum of Contemporary Native Arts (2026).
“In an essay, the curator Lumi Tan, who restaged ‘Pinwheel’ in 2019, smartly situates the documentation of Girouard’s performances as part of the artist’s desire to connect with broad audiences. This sense of foresight makes Girouard’s eclectic work a lively model for an approach that opens itself to influence while maintaining a commitment to the specificity of its source material. This important point is also articulated in curator Anaïs Duplan’s enlightening discussion of Girouard’s engagement with Haitian voodoo and the artistic collaborations she began with artists based in Port-au-Prince in the 1990s, a celebration of a broad Francophone legacy grounded in her own Cajun roots. Essays by Aruna D’Souza, Jordan Amirkhani, and Pamela M. Lee round out the volume, which includes an opening abecedarium detailing the important sites Girouard helped establish, and a poignant introduction by Andersson that positions Girouard’s ‘memory maps’ as both sigil and guide. Readers of this invaluable text can use these maps, and the rich ephemera of Girouard’s life and practice, to do what the artist herself had done from the very beginning: find a way to keep going forward with a strong sense of where we’ve come from.”
Thank you @tausifnoor and @bookforum for this feature and beautiful read.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
We are thrilled to announce the NY launch of the publication “Tina Girouard: SIGN-IN,” the first monograph of the Louisiana-born artist Tina Girouard (1945–2020), copublished with Rivers Institute for Contemporary Art & Thought. Featuring unpublished texts and images from Girouard’s personal archives and newly commissioned essays by Andrea Andersson, Jordan Amirkhani, Aruna D’Souza, Anaïs Duplan, Pamela M. Lee, and Lumi Tan, Tina Girouard: SIGN-IN emphasizes the artist’s movements between genres and geographies, and the ways in which she invested objecthood with meaning through ritual, performance, role-playing, and community participation from the 1970s until her death.
A galvanizing member of artist-led communities and organizations, including the Anarchitecture Group, the interdisciplinary cohort of 112 Greene Street, FOOD restaurant, The Kitchen, P.S. 1, and the Festival International de Louisiane, Girouard’s practice indelibly shaped community-engaged, feminist craft, textile, performance, and video art of the last century and invested New York’s avant-garde of the 1960s and 1970s with ritual and vernacular knowledge of the American and Global South.
We invite you to join us at CARA on Wednesday, October 1 at 7pm, when we will be in conversation with editors Andrea Andersson and Jordan Amirkhani and author Lumi Tan to discuss the spirit of collaboration and collage at work in this publication—beautifully designed by Julie Peeters and Scott Ponik—and how access to Girouard’s archives shaped the tone and sentiment.
Advance copies of the book will be available to purchase on site.
⏳ Wednesday, October 1, 2025, 7 p.m.
📍Center for Art, Research and Alliances (CARA), 225 West 13th Street, New York
The event is free. RSVP encouraged at www.cara-nyc.org
You can also preorder the book at www.dfpress.org or on the d.a.p. website.
Published on the occasion of his first survey in the United States in over 20 years at @CCSBard, Stan Douglas: Ghostlight, published by @Dancing_Foxes Press, charts the artist’s global influence across photography, film, and installation.
Since the 1980s, Douglas has staged images of unresolved histories—moments of rupture, political tumult, and turning points that continue to shape the present. At the center of the exhibition is Douglas’s major new multichannel video, Birth of a Nation, which reimagines D. W. Griffith’s 1915 film of the same title, framed by four decades of rigorous work that asks us to “think historically in the present.”
Tap to shop this title and learn more about the exhibition, on view through November 30, via the link in bio.
—
#StanDouglas #DavidZwirnerBooks #ArtistBooks #ArtCatalogues
Published on the occasion of his first survey in the United States in over 20 years at @CCSBard, Stan Douglas: Ghostlight, published by @Dancing_Foxes Press, charts the artist’s global influence across photography, film, and installation.
Since the 1980s, Douglas has staged images of unresolved histories—moments of rupture, political tumult, and turning points that continue to shape the present. At the center of the exhibition is Douglas’s major new multichannel video, Birth of a Nation, which reimagines D. W. Griffith’s 1915 film of the same title, framed by four decades of rigorous work that asks us to “think historically in the present.”
Tap to shop this title and learn more about the exhibition, on view through November 30, via the link in bio.
—
#StanDouglas #DavidZwirnerBooks #ArtistBooks #ArtCatalogues
NYABF 2025 is underway!
Come visit us at booth M2 on the second floor of MoMA PS1 alongside exciting new titles and some of our favorite colleagues — Soberscove, Siglio, Reliable Copy, bierke books, chimurenga, Winter Editions, CARA, and Wendy’s Subway. 💗
A truly vibrant fair, a labor of love by the amazing Printed Matter team, and proof that books remain a vital way to connect, engage, and generate conversations.
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
NYABF 2025 is underway!
Come visit us at booth M2 on the second floor of MoMA PS1 alongside exciting new titles and some of our favorite colleagues — Soberscove, Siglio, Reliable Copy, bierke books, chimurenga, Winter Editions, CARA, and Wendy’s Subway. 💗
A truly vibrant fair, a labor of love by the amazing Printed Matter team, and proof that books remain a vital way to connect, engage, and generate conversations.
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
NYABF 2025 is underway!
Come visit us at booth M2 on the second floor of MoMA PS1 alongside exciting new titles and some of our favorite colleagues — Soberscove, Siglio, Reliable Copy, bierke books, chimurenga, Winter Editions, CARA, and Wendy’s Subway. 💗
A truly vibrant fair, a labor of love by the amazing Printed Matter team, and proof that books remain a vital way to connect, engage, and generate conversations.
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
NYABF 2025 is underway!
Come visit us at booth M2 on the second floor of MoMA PS1 alongside exciting new titles and some of our favorite colleagues — Soberscove, Siglio, Reliable Copy, bierke books, chimurenga, Winter Editions, CARA, and Wendy’s Subway. 💗
A truly vibrant fair, a labor of love by the amazing Printed Matter team, and proof that books remain a vital way to connect, engage, and generate conversations.
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
NYABF 2025 is underway!
Come visit us at booth M2 on the second floor of MoMA PS1 alongside exciting new titles and some of our favorite colleagues — Soberscove, Siglio, Reliable Copy, bierke books, chimurenga, Winter Editions, CARA, and Wendy’s Subway. 💗
A truly vibrant fair, a labor of love by the amazing Printed Matter team, and proof that books remain a vital way to connect, engage, and generate conversations.
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
📚🚨Visit us this week at BOOTH M2 at the New York Printed Matter Art Book Fair—a four-day celebration of books, publishing, and independent artistic practice. Come say hello, meet our fellow publishers, connect with artists, and explore a vibrant community of makers.
We will bring our latest titles: Dance Histor(y)s, Anila Quayyum Agha: Interwoven, Lubaina Himid: Make Do and Mend, and Stan Douglas: Ghostlight. We will also have advance copies of our books hot off the press, Tina Girouard: Sign-In and Native Visual Sovereignty: A Reader on Art and Performance.
We look forward to seeing you!
Thursday, September 11, 7-10pm, Opening Night (tickets $40)
Friday, September 12, 11am-7pm (tickets $8)
Saturday, September 13, 11am-7pm (tickets $8)
Sunday, September 14, 12pm-6pm (free) (masked hours: 12pm-2pm)
Get yours tickets at the link in @printedmatter_artbookfairs bio.
📌MoMA PS1
22-25 Jackson Ave,
Long Island City, NY 11101
#nyabf2025
Hello, LA!
Thrilled to bring our fresh releases and treasured backlist to the LA Art Book Fair this weekend. Looking forward to connecting with a West Coast audience and reuniting with our publishing community. Thanks so much to the LAABF team for orchestrating this celebration of independent publishing.
You can find us at table D1 in “the 950 building” at:
ArtCenter College of Design
950 S. Raymond Avenue
Pasadena, CA 91105
Advance registration on the PMABF website is highly recommended.
Opening Night
6–9pm, $30
Friday, May 16
11am–1pm, Preview (registration required)
1–7pm, $5
Saturday, May 17
11am–7pm, $5
Sunday, May 18
11am–1pm, mask required hours, free
1–5pm, free
See you there,
The Foxes
#pmabf #laabf2025
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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