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dannyoca
Daniel Ocanto
Cinematographer
CEO of @lenso.filmservices
Based in Spain 📍
📩 hi@danielocanto.com
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
SAMURAI - LA IRONÍA DEL QUERER
E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz
Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_
1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena
Edit &Color: Pablo Bonal @el.bonal
Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LOLA ÍNDIGO - MOJA1TA
Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle
Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer
1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga
Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx
Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau
Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics
LEIVA - ÁNGULO MUERTO
Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa
1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam
Color: @danigrndo
VFX: @metropolitanapost
Camera Rental: @aks_media_tools
Shot with:
Arri Alexa 35 + Tribe7 Blackwing
LEIVA - ÁNGULO MUERTO
Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa
1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam
Color: @danigrndo
VFX: @metropolitanapost
Camera Rental: @aks_media_tools
Shot with:
Arri Alexa 35 + Tribe7 Blackwing
LEIVA - ÁNGULO MUERTO
Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa
1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam
Color: @danigrndo
VFX: @metropolitanapost
Camera Rental: @aks_media_tools
Shot with:
Arri Alexa 35 + Tribe7 Blackwing
LEIVA - ÁNGULO MUERTO
Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa
1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam
Color: @danigrndo
VFX: @metropolitanapost
Camera Rental: @aks_media_tools
Shot with:
Arri Alexa 35 + Tribe7 Blackwing
LEIVA - ÁNGULO MUERTO
Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa
1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam
Color: @danigrndo
VFX: @metropolitanapost
Camera Rental: @aks_media_tools
Shot with:
Arri Alexa 35 + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza
Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel
Camera rental: @lenso.filmservices
Light Rental: @lavianivel
Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.
A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.
Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.
This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.
Film photos lab @carmencitafilmlab
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.
I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.
Where’s the fun if not?
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
FADE INTO YOU
Directed by Camila Vicentelli
Produced by Santa Mónica
Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
MAX MATITIA - DIME CÓMO TE SIENTES
Directed by Begoña Berenguer
Produced by Topo Collective
Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm
Locations:
Madrid
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.