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Directors Guild of America
Represents the creative and economic rights of directors and members of the directorial team.
For awards news: @dgaawards
On April 11, the DGA Women's Steering Committee hosted the 2026 Women's Day, Trailblazing Through Vision: How Creative Leaders Drive Change. During their sixth event, the Committee honored DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
In this clip from the event, Glatter reflects on her first directing jobs and the point of view she brings to her craft.
Watch the full event now on our website and YouTube channel, available through the links in our bio!
#WomensDay #DGA
Our last month of Q&As featured films including a woman brought back from the dead seeking revenge on her killer, a popstar and her costume designer unpacking supernatural trauma, a proud man denying help from his family when faced with financial hardship and much more! Check out the episodes of The Director’s Cut that released in April.
Featured:
The Bride! with Maggie Gyllenhaal and Greta Gerwig (Ep. 607)
Ready or Not 2: Here I Come with Matt Bettinelli-Olpin, Tyler Gillett and Jorma Taccone (Ep. 608)
Mother Mary with David Lowery and Antonio Campos (Ep. 609)
Shame and Money with Visar Morina and Valerie Weiss (Ep. 610)
Our last month of Q&As featured films including a woman brought back from the dead seeking revenge on her killer, a popstar and her costume designer unpacking supernatural trauma, a proud man denying help from his family when faced with financial hardship and much more! Check out the episodes of The Director’s Cut that released in April.
Featured:
The Bride! with Maggie Gyllenhaal and Greta Gerwig (Ep. 607)
Ready or Not 2: Here I Come with Matt Bettinelli-Olpin, Tyler Gillett and Jorma Taccone (Ep. 608)
Mother Mary with David Lowery and Antonio Campos (Ep. 609)
Shame and Money with Visar Morina and Valerie Weiss (Ep. 610)
Our last month of Q&As featured films including a woman brought back from the dead seeking revenge on her killer, a popstar and her costume designer unpacking supernatural trauma, a proud man denying help from his family when faced with financial hardship and much more! Check out the episodes of The Director’s Cut that released in April.
Featured:
The Bride! with Maggie Gyllenhaal and Greta Gerwig (Ep. 607)
Ready or Not 2: Here I Come with Matt Bettinelli-Olpin, Tyler Gillett and Jorma Taccone (Ep. 608)
Mother Mary with David Lowery and Antonio Campos (Ep. 609)
Shame and Money with Visar Morina and Valerie Weiss (Ep. 610)
Our last month of Q&As featured films including a woman brought back from the dead seeking revenge on her killer, a popstar and her costume designer unpacking supernatural trauma, a proud man denying help from his family when faced with financial hardship and much more! Check out the episodes of The Director’s Cut that released in April.
Featured:
The Bride! with Maggie Gyllenhaal and Greta Gerwig (Ep. 607)
Ready or Not 2: Here I Come with Matt Bettinelli-Olpin, Tyler Gillett and Jorma Taccone (Ep. 608)
Mother Mary with David Lowery and Antonio Campos (Ep. 609)
Shame and Money with Visar Morina and Valerie Weiss (Ep. 610)
The DGA applauds SAG-AFTRA on achieving a tentative agreement with the AMPTP that reflects the significance of its members’ work and helps support stable, enduring careers.
We look forward to learning more as additional details are shared.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
We asked for your candid photos and you delivered!
In the pictures featured, First Assistant Director Victoria Rhodes gives a glimpse into the many projects she’s taken part in over the years. Here’s what she shared with us:
“BLADE RUNNER (1982): Bobby Horn, Men's Costumes; Sean Young, actress; and Vicki Rhodes, DGA Trainee. Sean had just gotten a Polaroid camera to commemorate the experience of the shoot. Me and my trusty clipboard.
THE COLOR PURPLE (1985): Norman Langley, "A" Camera Operator; Steven Spielberg, Director; Menno Meyjes, Screenwriter; Vicki Rhodes, Key Second Assistant Director; M. Todd Henry, "A" Camera First Assistant Camera. On location on a farm in North Carolina.
QUICKSILVER (1986): Vicki Rhodes, Key Second Assistant Director, doing paperwork in the office.
DRAGNET (1987): Tom Mankiewicz, Director; Tom Hanks, actor; David Sosna, First Assistant Director; Vicki Rhodes, Key Second Assistant Director; Chevy Chase, actor. David and I had just finished THREE AMIGOS and Chevy was coming by to visit Dan Aykroyd.
THE KENNEDYS OF MASSACHUSETTS (1990): Vicki Rhodes, Key Second Assistant Director, on a 6-Hour Miniseries on location in Massachusetts, Rhode Island and Los Angeles.
EVERYBODY HATES CHRIS (2005-2009): Mitch Katzman, On Set Dresser; Vicki Rhodes, First Assistant Director; Dan Taylor, "B" Camera First Assistant Camera. Set Dressing the street on Paramount's backlot.”
Thank you for sharing your work with us Victoria!
If you have on-set photos both old and new you would like to share with us, please email them and your captions to press@dga.org.
Hot off the press this month for DGA Members, the May 2026 edition of the DGA Monthly!
Featured in this issue:
• An interview with Director Patty Jenkins reflecting on her 2017 feature Wonder Woman
• The PAC Leadership Council meets with Congresswomen Judy Chu and Linda Sánchez
• A summary of events, conversations and screenings in the Guild theater space
• And more!
Hot off the press this month for DGA Members, the May 2026 edition of the DGA Monthly!
Featured in this issue:
• An interview with Director Patty Jenkins reflecting on her 2017 feature Wonder Woman
• The PAC Leadership Council meets with Congresswomen Judy Chu and Linda Sánchez
• A summary of events, conversations and screenings in the Guild theater space
• And more!
Hot off the press this month for DGA Members, the May 2026 edition of the DGA Monthly!
Featured in this issue:
• An interview with Director Patty Jenkins reflecting on her 2017 feature Wonder Woman
• The PAC Leadership Council meets with Congresswomen Judy Chu and Linda Sánchez
• A summary of events, conversations and screenings in the Guild theater space
• And more!
Hot off the press this month for DGA Members, the May 2026 edition of the DGA Monthly!
Featured in this issue:
• An interview with Director Patty Jenkins reflecting on her 2017 feature Wonder Woman
• The PAC Leadership Council meets with Congresswomen Judy Chu and Linda Sánchez
• A summary of events, conversations and screenings in the Guild theater space
• And more!
Los Angeles – Directors Guild of America (DGA) President Christopher Nolan today announced that the DGA has extended National Executive Director Russell Hollander’s contract through the end of 2029.
“For nearly a decade as our National Executive Director, Russ has been a steward for the Guild and its members, seeing us through a period of tremendous upheaval in our industry.” said Nolan. “From the pandemic to the strikes and the global contraction in production, Russ has always prioritized and protected the interests of our members, working closely with me, past Guild Presidents, and our National Board. We are grateful for his continued service to our community.”
Hollander has served as the DGA’s National Executive Director since 2017 and oversees the Guild’s work protecting and extending the economic and creative rights of its more than 19,500 members. He also acts as the Guild’s chief negotiator, is responsible for setting the Guild’s priorities, policies, and strategic agenda, and works with the elected President and Board of Directors. Hollander served as the Guild’s chief negotiator in the 2020 and 2023 negotiations with the major studios and led the industry’s return to work negotiations with the studios following COVID-19 work stoppages. He is Chair and a Trustee for the DGA-Producer Pension and Health Plans.
“I’m honored by the Board’s continued confidence in my service to the membership, especially during times of incredible change.” said Hollander. “The beauty of our Guild is our defining, singular mission to advance the creative and economic rights of our members – and the secret to our longstanding success is the strong partnership between our elected leaders and our professional staff to fulfill that purpose. At a time when the rights of workers need strong champions, it is a privilege to dedicate myself to that purpose and to the members we serve.”
Los Angeles – Directors Guild of America (DGA) President Christopher Nolan today announced that the DGA has extended National Executive Director Russell Hollander’s contract through the end of 2029.
“For nearly a decade as our National Executive Director, Russ has been a steward for the Guild and its members, seeing us through a period of tremendous upheaval in our industry.” said Nolan. “From the pandemic to the strikes and the global contraction in production, Russ has always prioritized and protected the interests of our members, working closely with me, past Guild Presidents, and our National Board. We are grateful for his continued service to our community.”
Hollander has served as the DGA’s National Executive Director since 2017 and oversees the Guild’s work protecting and extending the economic and creative rights of its more than 19,500 members. He also acts as the Guild’s chief negotiator, is responsible for setting the Guild’s priorities, policies, and strategic agenda, and works with the elected President and Board of Directors. Hollander served as the Guild’s chief negotiator in the 2020 and 2023 negotiations with the major studios and led the industry’s return to work negotiations with the studios following COVID-19 work stoppages. He is Chair and a Trustee for the DGA-Producer Pension and Health Plans.
“I’m honored by the Board’s continued confidence in my service to the membership, especially during times of incredible change.” said Hollander. “The beauty of our Guild is our defining, singular mission to advance the creative and economic rights of our members – and the secret to our longstanding success is the strong partnership between our elected leaders and our professional staff to fulfill that purpose. At a time when the rights of workers need strong champions, it is a privilege to dedicate myself to that purpose and to the members we serve.”
Los Angeles – Directors Guild of America (DGA) President Christopher Nolan today announced that the DGA has extended National Executive Director Russell Hollander’s contract through the end of 2029.
“For nearly a decade as our National Executive Director, Russ has been a steward for the Guild and its members, seeing us through a period of tremendous upheaval in our industry.” said Nolan. “From the pandemic to the strikes and the global contraction in production, Russ has always prioritized and protected the interests of our members, working closely with me, past Guild Presidents, and our National Board. We are grateful for his continued service to our community.”
Hollander has served as the DGA’s National Executive Director since 2017 and oversees the Guild’s work protecting and extending the economic and creative rights of its more than 19,500 members. He also acts as the Guild’s chief negotiator, is responsible for setting the Guild’s priorities, policies, and strategic agenda, and works with the elected President and Board of Directors. Hollander served as the Guild’s chief negotiator in the 2020 and 2023 negotiations with the major studios and led the industry’s return to work negotiations with the studios following COVID-19 work stoppages. He is Chair and a Trustee for the DGA-Producer Pension and Health Plans.
“I’m honored by the Board’s continued confidence in my service to the membership, especially during times of incredible change.” said Hollander. “The beauty of our Guild is our defining, singular mission to advance the creative and economic rights of our members – and the secret to our longstanding success is the strong partnership between our elected leaders and our professional staff to fulfill that purpose. At a time when the rights of workers need strong champions, it is a privilege to dedicate myself to that purpose and to the members we serve.”
Los Angeles – Directors Guild of America (DGA) President Christopher Nolan today announced that the DGA has extended National Executive Director Russell Hollander’s contract through the end of 2029.
“For nearly a decade as our National Executive Director, Russ has been a steward for the Guild and its members, seeing us through a period of tremendous upheaval in our industry.” said Nolan. “From the pandemic to the strikes and the global contraction in production, Russ has always prioritized and protected the interests of our members, working closely with me, past Guild Presidents, and our National Board. We are grateful for his continued service to our community.”
Hollander has served as the DGA’s National Executive Director since 2017 and oversees the Guild’s work protecting and extending the economic and creative rights of its more than 19,500 members. He also acts as the Guild’s chief negotiator, is responsible for setting the Guild’s priorities, policies, and strategic agenda, and works with the elected President and Board of Directors. Hollander served as the Guild’s chief negotiator in the 2020 and 2023 negotiations with the major studios and led the industry’s return to work negotiations with the studios following COVID-19 work stoppages. He is Chair and a Trustee for the DGA-Producer Pension and Health Plans.
“I’m honored by the Board’s continued confidence in my service to the membership, especially during times of incredible change.” said Hollander. “The beauty of our Guild is our defining, singular mission to advance the creative and economic rights of our members – and the secret to our longstanding success is the strong partnership between our elected leaders and our professional staff to fulfill that purpose. At a time when the rights of workers need strong champions, it is a privilege to dedicate myself to that purpose and to the members we serve.”
Director Boots Riley reflects on the project that got him a DGA card.
#DGA #Director #DirectorShortTakes #BootsRiley #SorryToBotherYou #ImAVirgo
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
Since the first Women’s Day event, the Women’s Steering Committee has brought together talented women members of the Guild to discuss leading topics. On April 11, during their sixth event, Trailblazing Through Vision: How Creative Leaders Drive Change, the Committee honored now DGA Past President Lesli Linka Glatter and Board Alternate Patricia Riggen, two women whose groundbreaking work has expanded opportunity, representation, and artistic excellence in television and film.
Click the link in our bio to see more on this event and others!
#DGA #WomensDay
"Be entrepreneurial."
That's not great advice. Franklin Leonard argues that if Hollywood took a lesson from the NBA (yes, the National Basketball Association), then aspiring directors and writers would have much better guidance.
The NBA had the discovery infrastructure to find Giannis Antetokounmpo, he said, but studios haven't invested in comparable frameworks to find talent.
Leonard, founder of The Blacklist, was part of "Changing the Game," a panel at the DGA Theater sponsored by IW Group in partnership with the Directors Guild of America.
See more from the insightful, relevant, and funny panel at the link in bio 🏀
Director Patricia Riggen reflects on the project that got her a DGA card and offers advice to young filmmakers.
#DGA #Director #DirectorShortTakes #PatriciaRiggen #LemonadeMouth #UndertheSameMoon
The DGA is working to make sure you #KnowYourContract.
Creative rights are a critical cornerstone of the DGA, and we want to make sure you know what they encompass.
Daniel Tenkman, the DGA’s Associate Western Executive Director, goes over the history of Creative Rights, when they come into play and the resources you can use if they aren't being provided.
If you have any questions, please reach out to the DGA's Creative Rights Hotline at 310.289.5355 or CreativeRights@dga.org.
Checklists outlining DGA Creative Rights in features and television are available on the Creative Rights page in the Contracts section of the DGA website, or linked in our bio here.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.