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dzz.daisy
daisy
with design and film
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Some behind-the-scenes of 2025, projectors and walls and screens. Cnstructing and testing is always my fav part although often loaded with stress tears 💦
Pointcloud lacing… processed from 3D scan and one day of cutting in the laser room 🌬️
“An everyday corner”
Part of “Wrinkles”, 2022
Pointcloud lacing… processed from 3D scan and one day of cutting in the laser room 🌬️
“An everyday corner”
Part of “Wrinkles”, 2022
Pointcloud lacing… processed from 3D scan and one day of cutting in the laser room 🌬️
“An everyday corner”
Part of “Wrinkles”, 2022
Pointcloud lacing… processed from 3D scan and one day of cutting in the laser room 🌬️
“An everyday corner”
Part of “Wrinkles”, 2022
Pointcloud lacing… processed from 3D scan and one day of cutting in the laser room 🌬️
“An everyday corner”
Part of “Wrinkles”, 2022
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Wrinkles”
Research, Film
Mexico City, Mexico
Drawing acquired by MIT Museum as permanent collection
2022
This project investigates the aging of architecture. A building is never a static object but a living being that grows - a building exchanges care. Rooted in a standard residential building in the center of Mexico City - one with 70 years of history being born, lived, earthquake-destructed, abandoned, repaired, and cared for - this project traces the reciprocal relationship between the life cycle of the building and the lives unfolding within it.
Working closely with the local residents, this project borrows the camera as a spatial tool to experiment with film language, 3D scanning, digital fabrication and robotic printing. From matters to actions, between bodies and rituals, an alternative literacy is composed that breaks the binary of before/after in architecture design. By disentangling the heavily gendered, and often invisible labor of upkeep, the project foregrounds maintenance not as an afterthought, but as a generative, political force in the built environment.
Special thanks to Lila from Mexico City; thesis advisor William O’Brien Jr. and readers Jeffrey Landman, Rosalyne Shieh, Anne Whiston Spirn. Voiceover by the beautiful Maria del Carmen Medrano Plascencia
Film Screening
Screening and Lecture, Architecture + Urbanism Public Lecture Series, MIT Department of Architecture, USA, 2025
Screening, “Forms of Care”, Salt Beyoğlu, Türkiye, 2025
Screening, XXII Bienal de Arquitectura y Urbanismo de Chile, Chile, 2025
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“Intimate Immensity”
Exhibition, Public Workshop
at UCCA Edge, China
In collaboration with @_yalunli_ and @feiyuec
2023
Borrowing from Gaston Bachelard’s notion of immensity—the expansive, often poetic experience that unfolds within intimate space—this exhibition examines domestic life through “consumption” as both action and condition: consuming, while also being consumed. In the wake of the pandemic, the home has absorbed multiple roles once held apart, collapsing distinctions between retreat and exposure, labor and leisure, intimacy and performance. Within this altered spatial economy, consumption permeates domestic space not only materially, but emotionally and psychologically.
Six participants from varied professions and working conditions were invited to 3D scan a fragment of their home where consumption felt most present. Point-cloud scans were translated into abstract yet faintly recognizable drawings, unrolled at a 1:1 scale along a narrow passageway. As viewers move through the space, domestic objects dissolve into traces of gesture, habits, and rituals. Rather than literal representation, the exhibition constructs an embodied encounter with how everyday acts of consumption inhabit and quietly reshape the spaces we call our very own.
Special thanks to curator @m0naqian 🌸
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“No Leftovers No Left Out”
Film, 02’34
Santiago de Compostela, Spain
2023
From superseded everyday objects to discarded building materials, our surroundings are filled with “waste”. This research questions what is left behind by standardized ways of building, and envisions alternative ways of making architecture. A serene and playful public space, designed by Ensemble Studio using leftover quarry stones and recycled CDs, highlights such materials deemed too irregular or obsolete to be useful. Through a sensual experience, it invites viewers to reconsider how value can be re-assigned in construction. Special thanks to @anton_ensamble and @debora_ensamble
Selected Screening
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture +Design Film Festival Winnipeg, Canada, 2023
“Spring, Along Beijing Central Axis”, animated point-cloud video installation designed for Venice Architecture Biennale 2025, in collaboration with @_yalunli_ and @feiyuec
modified for display in a public art space in Shanghai, retrofitted from an abandoned shipyard
“Spring, Along Beijing Central Axis”, animated point-cloud video installation designed for Venice Architecture Biennale 2025, in collaboration with @_yalunli_ and @feiyuec
modified for display in a public art space in Shanghai, retrofitted from an abandoned shipyard
“Spring, Along Beijing Central Axis”, animated point-cloud video installation designed for Venice Architecture Biennale 2025, in collaboration with @_yalunli_ and @feiyuec
modified for display in a public art space in Shanghai, retrofitted from an abandoned shipyard
adventurous glazing with the best @jasnastrukeljgmuer turned out wild, my fav pieces so far
adventurous glazing with the best @jasnastrukeljgmuer turned out wild, my fav pieces so far
View Instagram Stories in Secret
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