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Opening May 29 from 17:00 to 19:00.

10161055 is a collaborative group exhibition between Ellen de Bruijne PROJECTS and @diez.gallery. Having previously collaborated in international projects, this is the first time they do so in Amsterdam, where both galleries are located.

The exhibition presents work by six artists who share material, conceptual, methodological, and aesthetic resonances with one another. Together, artistic affinities emerge in shared sensitivities to historiography, remembrance, fleetingness, metonymy, and assertiveness, among others.

10161055
Läetitia Badaut Haussmann, Simnimiwe Buhlungu, Sands Murray-Wassink, Maria Pask, Ian Waelder, Jessica Wilson.
May 29–August 1, 2026.
At Ellen de Bruijne PROJECTS, Singel 372, Amsterdam.

For more information, check our website (link in bio).

#edbprojects #diezgallery

Ellen de Bruijne PROJECTS is delighted to present a new limited edition print by Jeremiah Day:

“the people” (Pelham Town Hall, Oldest In Continuous Use For Town Meeting), 2026
Type C Print With Acrylic Paint & Ink
35.5 x 50.5 cm
Edition of 15, each unique
Price: €560,- (ex. VAT)
Enquire via mail, website, or DM.

Proceeds of sales will support a series of performances and public events by the artist across the United States, where Day will reflect on US revolutionary and imperialist political history and articulate gathering spaces to respond to the current Trump administration.

The print image comes from the 2016 slide-show performance the chair remains empty / but the place is set, which bridged the spontaneous assemblies of post-Gezi Istanbul to the New England town hall meetings which inspired historian and philosopher Hannah Arendt—a recurrent inspiration in Day’s work. The image depicts the town meeting hall of Pelham, Massachusetts, a room which has been continuously holding self-governing assemblies since 1743, longer than any other place in the US.

The first events will take place at the Emily Harvey Foundation in New York City on May 1st and 2nd. Day will offer two programs with different approaches to embodiment, imagination and the meaning of gathering in assembly. The point of departure of Day’s performance on May 1st is a vision of assembly itself and its potential, best explored by Hannah Arendt and what she called the “nameless treasure” of council democracy. On May 2nd, Day will present Without The Consent Of The People, a new book by the late Fred Dewey, a long-time friend and collaborator of the artist. Co-edited by Day, this book contains Dewey’s critique of the US as a “proto-totalitarian state” and affirmative strategies and arguments for how it can be counteracted by gathering.

Day is returning to the Emily Harvey Foundation for the first time since 2018, following ten years of collaboration between Fred Dewey, Simone Forti and himself which manifested in presentations at the Emily Harvey Foundation, the ICA in London, and The Box in Los Angeles.

#jeremiahday #edbprojects

Opening next week 🚨

𝓐𝓻𝓮 𝔂𝓸𝓾 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 𝓯𝓸𝓻 𝓟𝓤$$𝓨𝓫𝓲𝓵𝓲𝓽𝓲𝓮𝓼?

We are delighted to present a new solo exhibition by Anne-Lise Coste.

In this second iteration of Pussybilities, Anne-Lise Coste transforms the gallery space into a field of experimentation. The project first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed.

In Anne-Lise Coste’s world, the exhibition space becomes something close to a dance floor for images. Bodies appear, disappear, fragment and recombine. And somewhere between fabric, paper and neon, new pussybilities begin to take shape.

Text by Anouchka Mbia.

Join us on Saturday 18 April for the opening, in the presence of the artist.

More information on our website, link in bio.

#annelisecoste #edbprojects #artopening#artamsterdam

Last two days to visit Anne-Lise Coste’s solo exhibition ‘Pussybilities, Dance Club #2’

In this second iteration of Pussybilities, Anne-Lise Coste transforms the gallery space into a field of experimentation. The project first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed. (Text by Anouchka Mbia)

Anne-Lise Coste
Do you love me now, 2025
72 x 58 cm
Acrylic paint on pants

#annelisecoste #edbprojects

In ‘Pussybilities, Dance Club #2’, bodies themselves rarely appear as complete figures. They are cut, cropped, pasted and recomposed. In collages and photographic assemblages, limbs, postures and expressions detach from their original context and reassemble in new constellations. This strategy directly recalls the visual language of Dada photomontage and later feminist collage practices of the 1970s and 1980s. The body is not a stable image but a field of possibilities. It can be multiplied, fragmented and reimagined.

Anne-Lise Coste,
Jambes (Chèvaliere), 2025
Plastic and plexiglass
102 x 72 cm

Text by Anounchka Mbia

Until May 23.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

We are open today with ‘Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

Run away, turn away
2023–2024
Clothing and mixed objects
300 x 300 cm

More information on our website, link in bio.

#annelisecoste #edbprojects #amsterdamart

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In Pussybilities, Dance Club #2, the relationship between body and clothing is quietly inverted. Normally clothing covers or carries the body. In Anne-Lise Coste’s installation the opposite begins to happen. Garments become surfaces that carry bodies as images. Printed faces, silhouettes and photographic fragments migrate onto fabric. Clothing becomes a support, almost a skin that stores gestures, attitudes and identities. The décor of the exhibition is built out of these traces.

Anne-Lise Coste
Free Spirits, 2025
Installation with printed t-shirts
Variable dimensions

The exhibition runs until May 23.

Text by Anounchka Mbia.

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

In their solo exhibition “Pussybilities, Dance Club #2”, Anne-Lise Coste presents an extensive series of drawings on paper from 2024 and 2025. They are all 32 x 24 cm and combine ballpoint pen and collage. Referential and declarative, the drawings are very expressive of Coste’s practice.

For a complete overview and enquiries, see our website (link in bio).

Anne-Lise Coste
Pussybilities, Dance Club #2
until May 23.

#annelisecoste #edbprojects #amsterdamart

We are delighted to announce the participation of Lara Almarcegui and Susan Philipsz in the 18e Biennale de Lyon, titled “To pass from one dream to another” and curated by Catherine Nichols.

“To pass from one dream to another,” the main title of the 18th edition of the Biennale of Contemporary Art draws on the traboules—those distinctive passageways running through Lyon’s courtyards and buildings—to explore how one moves from one mode of perception to another, from one collective dream to another. Lyon, a crossroads of trade and industry, becomes the starting point for a reflection on the economy, approached here as the set of processes through which interdependent beings acquire, transform, and circulate what sustains their existence.

From 19 September to 13 December 2026
Press days: 16-18 September 2026
Preview: 17 & 18 September 2026

#laraalmarcegui #susanphilipsz #bienaledelyon #edbprojects

Last week to opened “Pussybilities, Dance Club #2”, a solo exhibition by Anne-Lise Coste.

The project “Pussybilities” first unfolded in the architecture of a castle turned Contemporary Art Museum of Haute-Vienne and now reappears in Ellen de Bruijne PROJECTS in a new configuration. This movement from one site to another mirrors the logic of the work itself. Nothing is fixed. Images travel. Objects shift position. Meanings are constantly recomposed.

Anne-Lise Coste
RÊVE BB RÊVE
Sprayed mural
254 x 251 cm

Visit today from 13:00 to 18:00.

#annelisecoste #edbprojects #amsterdamart

Jeremiah Day
Proposal To Add Townhall Meetings To The Constitution
The Emily Harvey Foundation, New York

May 1, 6 PM: Performance
May 2, 2 PM: Book presentation, workshop & discussion around ‘Without The Consent Of The People’, by Fred Dewey

“Let’s declare a four-month break from business, and dedicate ourselves, all of us, to a countrywide conversation.

Let’s meet our neighbors and boycott, with them, the void and garbage calling itself news and governance and business. We have a right to this. What do we want? Why are our rights in ruins? What is a meaningful life? What happened to the people’s self-government? Stop the wars and looting for four months and let’s talk and figure this out.

Starting from this rubble, why not begin imagining?”

-Fred Dewey

In this two part program, Jeremiah Day will offer different approaches to embodiment, imagination and the meaning of gathering in assembly.

May 1st, 6:00 PM
Hannah Arendt argued that townhall meetings, or council democracy, represented the potential for “a new concept of the state.” Day’s slideshow performance fleshes out this provocative thought through images of the parks of Istanbul, the New England townhalls, Basque courtyards, aiming to sketch out this “nameless tradition.”

May 2nd, 2:00 PM
At the time of his passing, Day’s long-time collaborator Fred Dewey was known as a cultural organizer and political thinker, simultaneously long-time director of Beyond Baroque poetry center in Los Angeles and a crucial force behind the establishment of neighborhood counciles in Los Angeles. Dewey left behind an unfinished manuscript which Day and a small group of friends carried through to publication which is timelier than ever in evoking a proto-totalitarian situation and how to respond within it. This event will introduce Fred’s work (and its link to Arendt’s) through a participatory format, discussion and book presentation.

The Emily Harvey Foundation
537 Broadway, 2nd Floor
New York, NY 10012