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One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
One of my favourite jazz discoveries the past few years. Rita Marcotulli’s “Nightcaller” CD from 1992 released on Label Bleu and Recorded in the iconic Rainbow Studios in Oslo with Jan Erik Kongshaug.
I was lucky enough to meet Rita at the Melbourne International Jazz Festival in 2025 and get my copy signed. She referred to this era of her output as her “Nordic Quartet period” and mentioned my favourite track “Siva” was written about her cat with the same name. Had to wear my Romeo Gigli t-shirt to bring a similar air of Italian class to the occasion. Yes I am overcompensating for our height difference.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Türkiye Oct/Nov ‘25, from what I was able to recover from IG stories prior to phone being “rehomed”.
Very proud to have helped a hand to create Lauren’s debut solo record “Tairen” and have been given the opportunity to release it on @elations_recordings
This was honestly a breeze to make, the core of which was mostly recorded over a two day period with a few additional overdub-arrangement sessions over the year that followed. Goes to show you can make beautiful recordings on a shoestring budget and making music is not always hard.
I think this largely comes down to Lauren’s beautiful spirit and mutually nurturing nature. How she helps us feel important within the process of releasing her music, not centring herself at the middle of the process as the “artist” and us as just facilitators to hop from.
It was a pleasure co-producing this with my right-hand man Danny (who did all the engineering. Except, piano on “Sky” recorded by Jono Trawn) and play piano and percussion across some tracks.
Special thanks to Cam, Anna and Jack for helping realise the vision and building the world that is “Tairen”.
📸 Anna Denton
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
Mario Giacomelli from his “On Being Aware of Nature” series between 1954 and 2000 and his “Metamorphosis of the Land” series between 1955 and 1968.
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
We’re back baby!
Espiritu (002) presents - Dj Miki, on his first Australian tour.
Miki (Michele Zamboni) began his DJing career in 1979, initially gaining recognition as a New Wave DJ throughout the 1980s. By the early 1990s, he had started maturing into the Miki we know today, establishing himself as a prominent figure in the Italian electronic music scene, both as a producer and DJ.
I first discovered Miki through the Italian experimental rave label Interactive Test, which was run by the Falsini brothers. They also emerged from an older generation of progressive (rock) musicians who much like Miki embraced progress and a forward looking mentality with music, embracing the new sounds of dance music after stints in the 70s with progressive rock and exploring the new wave sounds of the 1980s. To me, Interactive Test epitomized and extended the psychedelic and progressive sensibilities into a contemporary context. It quickly became one of my favorite early European dance music labels. The music had a fluid, semi-improvised and playful quality, with producers collaborating across each other’s records, giving the label a distinct “jammer” vibe that particularly resonated with me coming from being a fan of these more expressive styles and finding dance music later in life.
Miki’s “Ilaria” 12” was one of my first encounters with the Italian “progressive” (house/trance) dance music sound—a style I’ve spent years pursuing and specializing in as a DJ. Even today, it occupies a unique niche of its own: unconventional, non-linear changes, distinctive teched-out and hypnotic polyrhythms, and a hazy, mirage-like interplay of light and shade between electronic sounds and samples. It seamlessly blends elements of techno, house, and trance, creating a sound that remains effortlessly captivating.
~~~
Run time: 9pm - 5am
DJ Miki
Pjenne
Millu
Espiritu DJs
Artwork by Jak Beevor @de_part_mental
Link in bio 📯
Peak Euro’ contemporary jazz - piano trio format.
Mario Piacentini/Roberto Bonati/Anthony Moreno - ‘Frozen Pool’ [1989 Splasc(h) Records] 🇮🇹.
Peak Euro’ contemporary jazz - piano trio format.
Mario Piacentini/Roberto Bonati/Anthony Moreno - ‘Frozen Pool’ [1989 Splasc(h) Records] 🇮🇹.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Enter a public username to view or download stories. The service generates direct links for saving content locally.