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The future has always had a knack for hiding in plain sight—in a 450-square-foot Chelsea studio, say, or a bronze foundry in Milan, or a sun-drenched California hillside built by hand. This month, we went looking for it with our inaugural Rising Stars list, celebrating the next generation of interior designers, artists, architects, and makers changing the way we live. We found them everywhere—as we tend to.

On our cover, designer William Cullum (@jwcullum)—a Thomas Jayne alum who recently launched his own firm—turns a classic Emery Roth studio into a jewel box of personal mythology (see: a @jodymorlock mural stitched with alligators and evil eyes and a gold-tiled bathroom channeling Diana Ross–era Chelsea). He shares it with his partner @jbrhodes00 and their cat Leopold, and not a single surface is wasted.

Inside the issue, Milan-based artist @osannavisconti brings her bronze sorcery stateside for the first time. @communedesign builds a rugged, artisan-made hideaway in California. Designer @ruppstudio makes his Elle Decor debut inside an I.M. Pei landmark, and a new wave of private clubs proves that hospitality is having a big design moment. We also ask the important questions: Does a room have an age? What's the new frontier for natural stone? Can a dog bed be genuinely beautiful? (It can.) These are the names to know and the ideas already in motion. We see the future, and it looks very good. 🔮

Tap the link in our bio to read our cover story.

Story by @bebehoworth; photos by @annieschlechter; styled by @noemibonazzi; visual editor @skimnewyork

The future has always had a knack for hiding in plain sight—in a 450-square-foot Chelsea studio, say, or a bronze foundry in Milan, or a sun-drenched California hillside built by hand. This month, we went looking for it with our inaugural Rising Stars list, celebrating the next generation of interior designers, artists, architects, and makers changing the way we live. We found them everywhere—as we tend to.

On our cover, designer William Cullum (@jwcullum)—a Thomas Jayne alum who recently launched his own firm—turns a classic Emery Roth studio into a jewel box of personal mythology (see: a @jodymorlock mural stitched with alligators and evil eyes and a gold-tiled bathroom channeling Diana Ross–era Chelsea). He shares it with his partner @jbrhodes00 and their cat Leopold, and not a single surface is wasted.

Inside the issue, Milan-based artist @osannavisconti brings her bronze sorcery stateside for the first time. @communedesign builds a rugged, artisan-made hideaway in California. Designer @ruppstudio makes his Elle Decor debut inside an I.M. Pei landmark, and a new wave of private clubs proves that hospitality is having a big design moment. We also ask the important questions: Does a room have an age? What's the new frontier for natural stone? Can a dog bed be genuinely beautiful? (It can.) These are the names to know and the ideas already in motion. We see the future, and it looks very good. 🔮

Tap the link in our bio to read our cover story.

Story by @bebehoworth; photos by @annieschlechter; styled by @noemibonazzi; visual editor @skimnewyork

The future has always had a knack for hiding in plain sight—in a 450-square-foot Chelsea studio, say, or a bronze foundry in Milan, or a sun-drenched California hillside built by hand. This month, we went looking for it with our inaugural Rising Stars list, celebrating the next generation of interior designers, artists, architects, and makers changing the way we live. We found them everywhere—as we tend to.

On our cover, designer William Cullum (@jwcullum)—a Thomas Jayne alum who recently launched his own firm—turns a classic Emery Roth studio into a jewel box of personal mythology (see: a @jodymorlock mural stitched with alligators and evil eyes and a gold-tiled bathroom channeling Diana Ross–era Chelsea). He shares it with his partner @jbrhodes00 and their cat Leopold, and not a single surface is wasted.

Inside the issue, Milan-based artist @osannavisconti brings her bronze sorcery stateside for the first time. @communedesign builds a rugged, artisan-made hideaway in California. Designer @ruppstudio makes his Elle Decor debut inside an I.M. Pei landmark, and a new wave of private clubs proves that hospitality is having a big design moment. We also ask the important questions: Does a room have an age? What's the new frontier for natural stone? Can a dog bed be genuinely beautiful? (It can.) These are the names to know and the ideas already in motion. We see the future, and it looks very good. 🔮

Tap the link in our bio to read our cover story.

Story by @bebehoworth; photos by @annieschlechter; styled by @noemibonazzi; visual editor @skimnewyork

The future has always had a knack for hiding in plain sight—in a 450-square-foot Chelsea studio, say, or a bronze foundry in Milan, or a sun-drenched California hillside built by hand. This month, we went looking for it with our inaugural Rising Stars list, celebrating the next generation of interior designers, artists, architects, and makers changing the way we live. We found them everywhere—as we tend to.

On our cover, designer William Cullum (@jwcullum)—a Thomas Jayne alum who recently launched his own firm—turns a classic Emery Roth studio into a jewel box of personal mythology (see: a @jodymorlock mural stitched with alligators and evil eyes and a gold-tiled bathroom channeling Diana Ross–era Chelsea). He shares it with his partner @jbrhodes00 and their cat Leopold, and not a single surface is wasted.

Inside the issue, Milan-based artist @osannavisconti brings her bronze sorcery stateside for the first time. @communedesign builds a rugged, artisan-made hideaway in California. Designer @ruppstudio makes his Elle Decor debut inside an I.M. Pei landmark, and a new wave of private clubs proves that hospitality is having a big design moment. We also ask the important questions: Does a room have an age? What's the new frontier for natural stone? Can a dog bed be genuinely beautiful? (It can.) These are the names to know and the ideas already in motion. We see the future, and it looks very good. 🔮

Tap the link in our bio to read our cover story.

Story by @bebehoworth; photos by @annieschlechter; styled by @noemibonazzi; visual editor @skimnewyork

A courtside seat at the Knicks' first NBA Finals in 27 years will run you $150,000. We're not here to tell you what to do with your money—but we will point out that there are other places to sit. We'll let you decide which is worth the splurge. Swipe to see how the seating stacks up. 🪑

De Sede 'Snake' Sofa by Ueli Berger courtesy @1stDibs and @Dezaakdeluxe; Leda Sculptural Chair by Salvador Dali courtesy @studiotwentyseven; Cowrie Chair by Made in Ratio courtesy @thefutureperfect

A courtside seat at the Knicks' first NBA Finals in 27 years will run you $150,000. We're not here to tell you what to do with your money—but we will point out that there are other places to sit. We'll let you decide which is worth the splurge. Swipe to see how the seating stacks up. 🪑

De Sede 'Snake' Sofa by Ueli Berger courtesy @1stDibs and @Dezaakdeluxe; Leda Sculptural Chair by Salvador Dali courtesy @studiotwentyseven; Cowrie Chair by Made in Ratio courtesy @thefutureperfect

A courtside seat at the Knicks' first NBA Finals in 27 years will run you $150,000. We're not here to tell you what to do with your money—but we will point out that there are other places to sit. We'll let you decide which is worth the splurge. Swipe to see how the seating stacks up. 🪑

De Sede 'Snake' Sofa by Ueli Berger courtesy @1stDibs and @Dezaakdeluxe; Leda Sculptural Chair by Salvador Dali courtesy @studiotwentyseven; Cowrie Chair by Made in Ratio courtesy @thefutureperfect

A courtside seat at the Knicks' first NBA Finals in 27 years will run you $150,000. We're not here to tell you what to do with your money—but we will point out that there are other places to sit. We'll let you decide which is worth the splurge. Swipe to see how the seating stacks up. 🪑

De Sede 'Snake' Sofa by Ueli Berger courtesy @1stDibs and @Dezaakdeluxe; Leda Sculptural Chair by Salvador Dali courtesy @studiotwentyseven; Cowrie Chair by Made in Ratio courtesy @thefutureperfect

Collector Alexandra Marshall saw a François-Xavier Lalanne frog at Artcurial in Paris in the 1980s and had one thought: make it a fountain. “Well, if you can make a toilet, you can probably turn the frog into a fountain, yes?” she asked the artist. The answer was yes. Now those four bronze frogs (and their spitting mouths) are heading to @christiesinc with a $2.5–$3.5M estimate. At the link in our bio, @brea.anaya has the exclusive details.

Collector Alexandra Marshall saw a François-Xavier Lalanne frog at Artcurial in Paris in the 1980s and had one thought: make it a fountain. “Well, if you can make a toilet, you can probably turn the frog into a fountain, yes?” she asked the artist. The answer was yes. Now those four bronze frogs (and their spitting mouths) are heading to @christiesinc with a $2.5–$3.5M estimate. At the link in our bio, @brea.anaya has the exclusive details.

Collector Alexandra Marshall saw a François-Xavier Lalanne frog at Artcurial in Paris in the 1980s and had one thought: make it a fountain. “Well, if you can make a toilet, you can probably turn the frog into a fountain, yes?” she asked the artist. The answer was yes. Now those four bronze frogs (and their spitting mouths) are heading to @christiesinc with a $2.5–$3.5M estimate. At the link in our bio, @brea.anaya has the exclusive details.

Collector Alexandra Marshall saw a François-Xavier Lalanne frog at Artcurial in Paris in the 1980s and had one thought: make it a fountain. “Well, if you can make a toilet, you can probably turn the frog into a fountain, yes?” she asked the artist. The answer was yes. Now those four bronze frogs (and their spitting mouths) are heading to @christiesinc with a $2.5–$3.5M estimate. At the link in our bio, @brea.anaya has the exclusive details.

Collector Alexandra Marshall saw a François-Xavier Lalanne frog at Artcurial in Paris in the 1980s and had one thought: make it a fountain. “Well, if you can make a toilet, you can probably turn the frog into a fountain, yes?” she asked the artist. The answer was yes. Now those four bronze frogs (and their spitting mouths) are heading to @christiesinc with a $2.5–$3.5M estimate. At the link in our bio, @brea.anaya has the exclusive details.

When Roman Alonso of @communedesign renovated this 1959 ranch home in West Marin, he sourced as locally as possible—the wood was salvaged from the region, the furniture made by area craftsmen, the blankets woven in a San Francisco studio. "It breathes the spirit of Northern California, because it is made from it," he says. At the link in our bio, senior editor @annie.goldsmith takes us inside, as seen in our May 2026 Issue.

Photos by @stephenkentjohnson

When Roman Alonso of @communedesign renovated this 1959 ranch home in West Marin, he sourced as locally as possible—the wood was salvaged from the region, the furniture made by area craftsmen, the blankets woven in a San Francisco studio. "It breathes the spirit of Northern California, because it is made from it," he says. At the link in our bio, senior editor @annie.goldsmith takes us inside, as seen in our May 2026 Issue.

Photos by @stephenkentjohnson

When Roman Alonso of @communedesign renovated this 1959 ranch home in West Marin, he sourced as locally as possible—the wood was salvaged from the region, the furniture made by area craftsmen, the blankets woven in a San Francisco studio. "It breathes the spirit of Northern California, because it is made from it," he says. At the link in our bio, senior editor @annie.goldsmith takes us inside, as seen in our May 2026 Issue.

Photos by @stephenkentjohnson

When Roman Alonso of @communedesign renovated this 1959 ranch home in West Marin, he sourced as locally as possible—the wood was salvaged from the region, the furniture made by area craftsmen, the blankets woven in a San Francisco studio. "It breathes the spirit of Northern California, because it is made from it," he says. At the link in our bio, senior editor @annie.goldsmith takes us inside, as seen in our May 2026 Issue.

Photos by @stephenkentjohnson

"This was a rare opportunity and freedom for me to establish the overall narrative of the house from a blank canvas," @nashmitarajiah tells ELLE Decor of this newly built Athens home—all 23,500 square feet of it. She was working from London, navigating a language barrier, and taking on one of the largest projects of her career. The finished interior, layered with color and hand-painted murals and custom furniture at every turn, is the a home that makes the difficulty feel worth it. Take a toura t the link in our bio.

Story by @julietizon; photos by @dean.hearne; styled by @lobsterandswan

"This was a rare opportunity and freedom for me to establish the overall narrative of the house from a blank canvas," @nashmitarajiah tells ELLE Decor of this newly built Athens home—all 23,500 square feet of it. She was working from London, navigating a language barrier, and taking on one of the largest projects of her career. The finished interior, layered with color and hand-painted murals and custom furniture at every turn, is the a home that makes the difficulty feel worth it. Take a toura t the link in our bio.

Story by @julietizon; photos by @dean.hearne; styled by @lobsterandswan

"This was a rare opportunity and freedom for me to establish the overall narrative of the house from a blank canvas," @nashmitarajiah tells ELLE Decor of this newly built Athens home—all 23,500 square feet of it. She was working from London, navigating a language barrier, and taking on one of the largest projects of her career. The finished interior, layered with color and hand-painted murals and custom furniture at every turn, is the a home that makes the difficulty feel worth it. Take a toura t the link in our bio.

Story by @julietizon; photos by @dean.hearne; styled by @lobsterandswan

"This was a rare opportunity and freedom for me to establish the overall narrative of the house from a blank canvas," @nashmitarajiah tells ELLE Decor of this newly built Athens home—all 23,500 square feet of it. She was working from London, navigating a language barrier, and taking on one of the largest projects of her career. The finished interior, layered with color and hand-painted murals and custom furniture at every turn, is the a home that makes the difficulty feel worth it. Take a toura t the link in our bio.

Story by @julietizon; photos by @dean.hearne; styled by @lobsterandswan

For designer @ruppstudio, this Manhattan apartment reflects the way he approaches every commission: beginning with the emotional experience of a space rather than with a fixed style. “I think of design as storytelling,” he says. “There’s a narrative to how someone enters a room, spends time there, and remembers it afterward. At the link in our bio, @williamlinyc takes us inside, as seen in our May 2026 Issue.

Photos by @william.jess.laird

For designer @ruppstudio, this Manhattan apartment reflects the way he approaches every commission: beginning with the emotional experience of a space rather than with a fixed style. “I think of design as storytelling,” he says. “There’s a narrative to how someone enters a room, spends time there, and remembers it afterward. At the link in our bio, @williamlinyc takes us inside, as seen in our May 2026 Issue.

Photos by @william.jess.laird

For designer @ruppstudio, this Manhattan apartment reflects the way he approaches every commission: beginning with the emotional experience of a space rather than with a fixed style. “I think of design as storytelling,” he says. “There’s a narrative to how someone enters a room, spends time there, and remembers it afterward. At the link in our bio, @williamlinyc takes us inside, as seen in our May 2026 Issue.

Photos by @william.jess.laird

For designer @ruppstudio, this Manhattan apartment reflects the way he approaches every commission: beginning with the emotional experience of a space rather than with a fixed style. “I think of design as storytelling,” he says. “There’s a narrative to how someone enters a room, spends time there, and remembers it afterward. At the link in our bio, @williamlinyc takes us inside, as seen in our May 2026 Issue.

Photos by @william.jess.laird

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

Hamptons on the brain? Revisit some of our favorite seaside homes from the Elle Decor archives, just in time for the unofficial start of summer. 🐚

Photos @pieterestersohnphoto/@ralphlauren; @douglasfriedman/@sherrillfarmhouse; billaltaright/@hollander_design; John M. Hall/@inagarten; @pernilleloof/@fordhuniford; @pieterestersohnphoto/@ralphlauren; @joshuamchughphotography/@hollander_design

The references driving the best outdoor spaces this summer? Donald Judd's SoHo kitchen, Jacques Grange's layered Paris salon, and Villa Necchi's pale green conservatory in Milan. Market director @aspoonfulofbenjamin and market assistant @_sean.kim_ break down how to bring each one outside at the link in our bio.

Photos Arenaimmagini.IT 2014 / © Fondo per l’Ambiente Italiano; Matthew Millman / © 2026 Judd Foundation/101 Spring Street, New York/Artists Rights Society (ARS) New York/Courtesy Judd Foundation; RICARDO L ABOUGLE/INSIDE PARIS/PUBLISHED BY VENDOME PRESS (INTERIOR)

The references driving the best outdoor spaces this summer? Donald Judd's SoHo kitchen, Jacques Grange's layered Paris salon, and Villa Necchi's pale green conservatory in Milan. Market director @aspoonfulofbenjamin and market assistant @_sean.kim_ break down how to bring each one outside at the link in our bio.

Photos Arenaimmagini.IT 2014 / © Fondo per l’Ambiente Italiano; Matthew Millman / © 2026 Judd Foundation/101 Spring Street, New York/Artists Rights Society (ARS) New York/Courtesy Judd Foundation; RICARDO L ABOUGLE/INSIDE PARIS/PUBLISHED BY VENDOME PRESS (INTERIOR)

The references driving the best outdoor spaces this summer? Donald Judd's SoHo kitchen, Jacques Grange's layered Paris salon, and Villa Necchi's pale green conservatory in Milan. Market director @aspoonfulofbenjamin and market assistant @_sean.kim_ break down how to bring each one outside at the link in our bio.

Photos Arenaimmagini.IT 2014 / © Fondo per l’Ambiente Italiano; Matthew Millman / © 2026 Judd Foundation/101 Spring Street, New York/Artists Rights Society (ARS) New York/Courtesy Judd Foundation; RICARDO L ABOUGLE/INSIDE PARIS/PUBLISHED BY VENDOME PRESS (INTERIOR)

The references driving the best outdoor spaces this summer? Donald Judd's SoHo kitchen, Jacques Grange's layered Paris salon, and Villa Necchi's pale green conservatory in Milan. Market director @aspoonfulofbenjamin and market assistant @_sean.kim_ break down how to bring each one outside at the link in our bio.

Photos Arenaimmagini.IT 2014 / © Fondo per l’Ambiente Italiano; Matthew Millman / © 2026 Judd Foundation/101 Spring Street, New York/Artists Rights Society (ARS) New York/Courtesy Judd Foundation; RICARDO L ABOUGLE/INSIDE PARIS/PUBLISHED BY VENDOME PRESS (INTERIOR)

The brief from the homeowners of this Athens home was clear: bold color, layered pattern, and rooms that felt personal. It was designer @nashmitarajiah's job to honor that vision across 23,500 square feet without it becoming cacophonous. Her answer was consistency—not in color or pattern, which vary wildly from room to room, but in tone, proportion, and the way materials speak to each other throughout the house. "Each room has its own mood," she says, "but there is a deliberate rhythm." At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

The brief from the homeowners of this Athens home was clear: bold color, layered pattern, and rooms that felt personal. It was designer @nashmitarajiah's job to honor that vision across 23,500 square feet without it becoming cacophonous. Her answer was consistency—not in color or pattern, which vary wildly from room to room, but in tone, proportion, and the way materials speak to each other throughout the house. "Each room has its own mood," she says, "but there is a deliberate rhythm." At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

The brief from the homeowners of this Athens home was clear: bold color, layered pattern, and rooms that felt personal. It was designer @nashmitarajiah's job to honor that vision across 23,500 square feet without it becoming cacophonous. Her answer was consistency—not in color or pattern, which vary wildly from room to room, but in tone, proportion, and the way materials speak to each other throughout the house. "Each room has its own mood," she says, "but there is a deliberate rhythm." At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

The brief from the homeowners of this Athens home was clear: bold color, layered pattern, and rooms that felt personal. It was designer @nashmitarajiah's job to honor that vision across 23,500 square feet without it becoming cacophonous. Her answer was consistency—not in color or pattern, which vary wildly from room to room, but in tone, proportion, and the way materials speak to each other throughout the house. "Each room has its own mood," she says, "but there is a deliberate rhythm." At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

The brief from the homeowners of this Athens home was clear: bold color, layered pattern, and rooms that felt personal. It was designer @nashmitarajiah's job to honor that vision across 23,500 square feet without it becoming cacophonous. Her answer was consistency—not in color or pattern, which vary wildly from room to room, but in tone, proportion, and the way materials speak to each other throughout the house. "Each room has its own mood," she says, "but there is a deliberate rhythm." At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

When London-based designer @nashmitarajiah was brought on to design a newly built home in Athens, the project came with an unusual kind of freedom: 23,500 square feet still under construction, clients she already knew and trusted, and a blank canvas at a scale she'd never worked at before. She took it. What followed was two and a half years of hand-painted murals, primary-colored rooms, and carefully calibrated maximalism. At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

When London-based designer @nashmitarajiah was brought on to design a newly built home in Athens, the project came with an unusual kind of freedom: 23,500 square feet still under construction, clients she already knew and trusted, and a blank canvas at a scale she'd never worked at before. She took it. What followed was two and a half years of hand-painted murals, primary-colored rooms, and carefully calibrated maximalism. At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

When London-based designer @nashmitarajiah was brought on to design a newly built home in Athens, the project came with an unusual kind of freedom: 23,500 square feet still under construction, clients she already knew and trusted, and a blank canvas at a scale she'd never worked at before. She took it. What followed was two and a half years of hand-painted murals, primary-colored rooms, and carefully calibrated maximalism. At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

When London-based designer @nashmitarajiah was brought on to design a newly built home in Athens, the project came with an unusual kind of freedom: 23,500 square feet still under construction, clients she already knew and trusted, and a blank canvas at a scale she'd never worked at before. She took it. What followed was two and a half years of hand-painted murals, primary-colored rooms, and carefully calibrated maximalism. At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

When London-based designer @nashmitarajiah was brought on to design a newly built home in Athens, the project came with an unusual kind of freedom: 23,500 square feet still under construction, clients she already knew and trusted, and a blank canvas at a scale she'd never worked at before. She took it. What followed was two and a half years of hand-painted murals, primary-colored rooms, and carefully calibrated maximalism. At the link in our bio, @julietizon takes us inside.

Photos by @dean.hearne; styled by @lobsterandswan

Furniture designer @maxidny and @withkro, a stylist and content creator, have treated every space they've shared, from Bali to Sag Harbor to Southampton, as design laboratories. Their SoHo apartment is the fullest expression of that, including a basement full of prototypes, paintings, and original plaster models from 'A Clockwork Orange,’ plus a ground floor anchored by a 3,000-pound marble table that Maximilian designed. "The apartment never looks the same," Maximilian says. "Every two or three weeks the space has a different change to it." At the link in our bio, @julia.cancilla takes us inside.

Photos by @bjornwallander

Furniture designer @maxidny and @withkro, a stylist and content creator, have treated every space they've shared, from Bali to Sag Harbor to Southampton, as design laboratories. Their SoHo apartment is the fullest expression of that, including a basement full of prototypes, paintings, and original plaster models from 'A Clockwork Orange,’ plus a ground floor anchored by a 3,000-pound marble table that Maximilian designed. "The apartment never looks the same," Maximilian says. "Every two or three weeks the space has a different change to it." At the link in our bio, @julia.cancilla takes us inside.

Photos by @bjornwallander

Furniture designer @maxidny and @withkro, a stylist and content creator, have treated every space they've shared, from Bali to Sag Harbor to Southampton, as design laboratories. Their SoHo apartment is the fullest expression of that, including a basement full of prototypes, paintings, and original plaster models from 'A Clockwork Orange,’ plus a ground floor anchored by a 3,000-pound marble table that Maximilian designed. "The apartment never looks the same," Maximilian says. "Every two or three weeks the space has a different change to it." At the link in our bio, @julia.cancilla takes us inside.

Photos by @bjornwallander

Furniture designer @maxidny and @withkro, a stylist and content creator, have treated every space they've shared, from Bali to Sag Harbor to Southampton, as design laboratories. Their SoHo apartment is the fullest expression of that, including a basement full of prototypes, paintings, and original plaster models from 'A Clockwork Orange,’ plus a ground floor anchored by a 3,000-pound marble table that Maximilian designed. "The apartment never looks the same," Maximilian says. "Every two or three weeks the space has a different change to it." At the link in our bio, @julia.cancilla takes us inside.

Photos by @bjornwallander

Furniture designer @maxidny and @withkro, a stylist and content creator, have treated every space they've shared, from Bali to Sag Harbor to Southampton, as design laboratories. Their SoHo apartment is the fullest expression of that, including a basement full of prototypes, paintings, and original plaster models from 'A Clockwork Orange,’ plus a ground floor anchored by a 3,000-pound marble table that Maximilian designed. "The apartment never looks the same," Maximilian says. "Every two or three weeks the space has a different change to it." At the link in our bio, @julia.cancilla takes us inside.

Photos by @bjornwallander

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.

@hannahtraore takes us inside Louis Vuitton’s Cruise show at the Frick—from her Sunday fitting to the welcome dinner at Chez Fifi to a front-row seat as models climbed the grand staircase in Keith Haring–referenced looks. The @hannahtraoregallery founder and director had just returned from a week that included the Venice Biennale, a London visit, and a Skidmore board meeting, and spent show day fielding Zoom calls and customs forms before doing her own hair and makeup. At the link in our bio, @meg.wahn brings us behind the scenes with Traore as she walks us through The Frick’s newly restored halls, the sculptural black two-piece she chose on the spot, the no-phone afterparty at Maxime’s, and more.