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emklaebe
Emily Klaebe
contract @order.design.nyc / @ordertypefoundry 🤍
experiments @kindtypefoundry 🧪
graduate @typewest 🍎
New drop on @futurefonts today! 🌈💡
Missive Bead is a grid-based typeface designed to distill legible display serif forms into a systematic language for beaded embroidery. The grid framework was designed to accommodate the proportions of a “bugle bead”, a type of embroidery bead that is longer than it is wide.
The grid is composed of a horizontal, vertical, and 15-degree diagonal. The inclusion of the diagonal axis allows the natural flow of Missive Serif (Missive Bead’s companion style), to remain present in the structure of the beaded version.
This was an incredibly fun system to develop as I started my amateur beading practice last year. Beading has been a great way to reduce my screen time while still exercising creative play and exploration with typography.
Buying the V0.1 at a discounted price now means you get access to all updates of the typeface in the future. More weights and glyphs to come soon.
Thank you very much to @h_s_gerard for the 3D renders!
Get Missive Bead @futurefonts
See more of Missive Bead @kindtypefoundry
New drop on @futurefonts today! 🌈💡
Missive Bead is a grid-based typeface designed to distill legible display serif forms into a systematic language for beaded embroidery. The grid framework was designed to accommodate the proportions of a “bugle bead”, a type of embroidery bead that is longer than it is wide.
The grid is composed of a horizontal, vertical, and 15-degree diagonal. The inclusion of the diagonal axis allows the natural flow of Missive Serif (Missive Bead’s companion style), to remain present in the structure of the beaded version.
This was an incredibly fun system to develop as I started my amateur beading practice last year. Beading has been a great way to reduce my screen time while still exercising creative play and exploration with typography.
Buying the V0.1 at a discounted price now means you get access to all updates of the typeface in the future. More weights and glyphs to come soon.
Thank you very much to @h_s_gerard for the 3D renders!
Get Missive Bead @futurefonts
See more of Missive Bead @kindtypefoundry
New drop on @futurefonts today! 🌈💡
Missive Bead is a grid-based typeface designed to distill legible display serif forms into a systematic language for beaded embroidery. The grid framework was designed to accommodate the proportions of a “bugle bead”, a type of embroidery bead that is longer than it is wide.
The grid is composed of a horizontal, vertical, and 15-degree diagonal. The inclusion of the diagonal axis allows the natural flow of Missive Serif (Missive Bead’s companion style), to remain present in the structure of the beaded version.
This was an incredibly fun system to develop as I started my amateur beading practice last year. Beading has been a great way to reduce my screen time while still exercising creative play and exploration with typography.
Buying the V0.1 at a discounted price now means you get access to all updates of the typeface in the future. More weights and glyphs to come soon.
Thank you very much to @h_s_gerard for the 3D renders!
Get Missive Bead @futurefonts
See more of Missive Bead @kindtypefoundry
New drop on @futurefonts today! 🌈💡
Missive Bead is a grid-based typeface designed to distill legible display serif forms into a systematic language for beaded embroidery. The grid framework was designed to accommodate the proportions of a “bugle bead”, a type of embroidery bead that is longer than it is wide.
The grid is composed of a horizontal, vertical, and 15-degree diagonal. The inclusion of the diagonal axis allows the natural flow of Missive Serif (Missive Bead’s companion style), to remain present in the structure of the beaded version.
This was an incredibly fun system to develop as I started my amateur beading practice last year. Beading has been a great way to reduce my screen time while still exercising creative play and exploration with typography.
Buying the V0.1 at a discounted price now means you get access to all updates of the typeface in the future. More weights and glyphs to come soon.
Thank you very much to @h_s_gerard for the 3D renders!
Get Missive Bead @futurefonts
See more of Missive Bead @kindtypefoundry
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
New (and first!) release on @futurefonts today!
Missive Serif 💌 was a project that began last year, initially as a revival, and then evolved to be the experimental playground for my typographic beaded embroidery. Usually, what I created in my beaded embroidery were loving affirmations — phrases, words, or statements relating to love. To reflect those sentiments, Missive Serif is big, dramatic, gooey, and charming. Much like being in love!
Releasing a V0.1 version of a typeface is new to me. There is something challenging and vulnerable about sharing work with the world that isn’t finished yet. Feedback is more than welcome for those trying out the beta versions!
Missive Serif’s companion style, Missive Bead, is also coming to Future Fonts on April 21.
You can find Missive Serif V0.1 on @futurefonts under the font name itself, or the foundry name @kindtypefoundry 🍀 Kind Type is my personal typographic portfolio that I’ll be releasing my “wackier”, more experimental typography on. Follow along if you’re interested!
Copy credit: words are by Nikki Giovanni, from one of my favorite songs of hers: “Seduction / Kidnap Poem”.
XOXO,
💘🫶
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
I’ve been aiming to channel the whimsical, vaguely-Parisian whispers of the early 2000s “shoe diva” aesthetic into a typeface. The result is this deeply unserious and decently ugly single style font seen here 🛍️💄💎🇫🇷🍭👠👑
Working on getting trial font files of a Beta version ready for early testing in March. Stay tuned if you’re interested in unleashing this aspirational and comical monstrosity on the world 💅🏻
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
One of the biggest highlights of this year was getting a chance to work with @ucllc and @brandnewbyucllc on a custom version of my typeface, Stringer, to be used in the visual language for the 2025 Brand New Conference. The result of this customization was Stringer Stencil 🛠️
This year’s @bnconf conference was hosted in Pittsburgh, PA. Designed by @ucllc founders, Armin Vit and Bryony Gomez-Palacio, the identity is rooted in the steel-heavy past of Pittsburgh, demonstrated through thoughtfully selected typographic choices.
It’s clear to see how much work Bryony and Armin put into the design of the conference through the quality of applications—most of them being custom assembled, painted, or made in some degree by the founders themselves.
I’m incredibly honored that Stringer was chosen for this project. Thank you Bryony and Armin!
Made at @order.design.nyc 🖤
Photography by @bnconf 📸
Additional typeface credits:
Pennsylvania Sans by @commercialtype
Thermochrome by @mass.driver
Stringer is available for use on @ordertypefoundry
Yesterday, I completed my first year of training the Indonesian martial art “Pukulan Kuntao Silat” at @onewithheart 🌹🌟
This community has shaped me in so many ways, and I am forever grateful. Thank you to my instructors for their endless guidance, leadership, and generosity. Thank you to my classmates for their radical encouragement this year, throughout the highs and lows.
We walked into the studio as white belts, and walked out as white sashes🥋
Aaaand as an added bonus, a photo of me practicing the form of Cikalong Cross Stepping in business casual taken by my lovely friend @moogyzfilmz 💫 (Note: intense stare is indeed a required part of the form)
Terima kasih banyak 🐒🐅🪽🐍
Yesterday, I completed my first year of training the Indonesian martial art “Pukulan Kuntao Silat” at @onewithheart 🌹🌟
This community has shaped me in so many ways, and I am forever grateful. Thank you to my instructors for their endless guidance, leadership, and generosity. Thank you to my classmates for their radical encouragement this year, throughout the highs and lows.
We walked into the studio as white belts, and walked out as white sashes🥋
Aaaand as an added bonus, a photo of me practicing the form of Cikalong Cross Stepping in business casual taken by my lovely friend @moogyzfilmz 💫 (Note: intense stare is indeed a required part of the form)
Terima kasih banyak 🐒🐅🪽🐍
Yesterday, I completed my first year of training the Indonesian martial art “Pukulan Kuntao Silat” at @onewithheart 🌹🌟
This community has shaped me in so many ways, and I am forever grateful. Thank you to my instructors for their endless guidance, leadership, and generosity. Thank you to my classmates for their radical encouragement this year, throughout the highs and lows.
We walked into the studio as white belts, and walked out as white sashes🥋
Aaaand as an added bonus, a photo of me practicing the form of Cikalong Cross Stepping in business casual taken by my lovely friend @moogyzfilmz 💫 (Note: intense stare is indeed a required part of the form)
Terima kasih banyak 🐒🐅🪽🐍
Yesterday, I completed my first year of training the Indonesian martial art “Pukulan Kuntao Silat” at @onewithheart 🌹🌟
This community has shaped me in so many ways, and I am forever grateful. Thank you to my instructors for their endless guidance, leadership, and generosity. Thank you to my classmates for their radical encouragement this year, throughout the highs and lows.
We walked into the studio as white belts, and walked out as white sashes🥋
Aaaand as an added bonus, a photo of me practicing the form of Cikalong Cross Stepping in business casual taken by my lovely friend @moogyzfilmz 💫 (Note: intense stare is indeed a required part of the form)
Terima kasih banyak 🐒🐅🪽🐍
Long train rides call for a quick digitizing exercise. These letters reference the selects of “Halfvette Aldine” in Houten Letter from @letterformarchive . Liberties were taken with some of the terminal details🍳🧀🥛🧈
Long train rides call for a quick digitizing exercise. These letters reference the selects of “Halfvette Aldine” in Houten Letter from @letterformarchive . Liberties were taken with some of the terminal details🍳🧀🥛🧈
Long train rides call for a quick digitizing exercise. These letters reference the selects of “Halfvette Aldine” in Houten Letter from @letterformarchive . Liberties were taken with some of the terminal details🍳🧀🥛🧈
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
Here’s a typeface I’ve been slowly working on this year. This has been a project deeply tied to my bead embroidery explorations, the latter of which will make an appearance again soon 🐸🧃🍏
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.