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er_.ca
erica bech
let’s get lost on purpose ⊹ ࣪ ˖ 𓏲☁️
⟡ retreats @skypunch.world
⟡ coaching @nascentspiral
⚲ brooklyn, most of the time
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
today on earth day i’m thinking about the spiral jetty 🌀i saw it for the first time last year and i haven’t stopped thinking about it since.
robert smithson built it in 1970 from 6,650 tons of black basalt rock on the northeastern shore of the great salt lake. he was obsessed with entropy—the idea that form is always in the process of becoming something else. that loss is not the opposite of creation. it’s part of it.
two years after he finished it, the jetty disappeared. submerged under rising water for almost thirty years. smithson died in 1973 and never saw it reemerge.
what he couldn’t have anticipated was that the great salt lake, amid record drought, would shrink by two-thirds.
the jetty has been bone dry since 2002. the head of the holt/smithson foundation put it plainly: it’s now very unlikely the waters will ever reach spiral jetty again.
smithson built a piece about entropy and got more entropy than he bargained for. the climate completed his argument for him in a way he never could have imagined and definitely never wanted.
i’ve been thinking about this alongside erasure poetry, the practice of removing text to make new meaning, where the ghost of the original is always still there. the spiral jetty feels like that to me. a form shaped by what’s been lost. by what the water used to be. the absence is part of the work now.
land art matters because it can’t be moved indoors when things get hard. it has to stay and witness. it changes with the place it’s in. it becomes a record of what happened to the land itself.
the spiral jetty is 55 years old and it has never been more visible or more heartbreaking
Stillness Study is back! Ahhh, I’m so jazzed to host this retreat again. My love for Agnes Martin and Georgia O’Keeffe runs as wide as the Taos sky and I can’t wait to explore solitude as devotion through the artwork and history of these inspiring artists. Limited seats! (7 + me) Comment if you want me to DM you a link to this brochure 🤎🩷
riso postcards printed at @outletpdx ~ want me to mail you one? 💌
Stillness Study is back! Ahhh, I’m so jazzed to host this retreat again. My love for Agnes Martin and Georgia O’Keeffe runs as wide as the Taos sky and I can’t wait to explore solitude as devotion through the artwork and history of these inspiring artists. Limited seats! (7 + me) Comment if you want me to DM you a link to this brochure 🤎🩷
riso postcards printed at @outletpdx ~ want me to mail you one? 💌
Stillness Study is back! Ahhh, I’m so jazzed to host this retreat again. My love for Agnes Martin and Georgia O’Keeffe runs as wide as the Taos sky and I can’t wait to explore solitude as devotion through the artwork and history of these inspiring artists. Limited seats! (7 + me) Comment if you want me to DM you a link to this brochure 🤎🩷
riso postcards printed at @outletpdx ~ want me to mail you one? 💌
Stillness Study is back! Ahhh, I’m so jazzed to host this retreat again. My love for Agnes Martin and Georgia O’Keeffe runs as wide as the Taos sky and I can’t wait to explore solitude as devotion through the artwork and history of these inspiring artists. Limited seats! (7 + me) Comment if you want me to DM you a link to this brochure 🤎🩷
riso postcards printed at @outletpdx ~ want me to mail you one? 💌
Stillness Study is back! Ahhh, I’m so jazzed to host this retreat again. My love for Agnes Martin and Georgia O’Keeffe runs as wide as the Taos sky and I can’t wait to explore solitude as devotion through the artwork and history of these inspiring artists. Limited seats! (7 + me) Comment if you want me to DM you a link to this brochure 🤎🩷
riso postcards printed at @outletpdx ~ want me to mail you one? 💌
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
2025 started with this reading (thank u CA) and ended with a bestfriends trip to Claire’s* (*NYU, thank u Dr. Hazen) ~ with quitting my job, indulging land art, and hosting retreats tucked sweetly in between. entering my rest era 🥕✨🙏 grateful
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
Some moments from the Stillness Study retreat that happened last month ✨ now a signature @skypunch_retreats offering. I recently came across a screenshot of a text convo from January where I was wondering if I’d even be doing this retreat this year… and looking at these photos (and the retreat group chat that’s still buzzing) feels like a real pinch-me moment.
I’m dreaming up spring and fall 2026 sessions. Wanna come? 🌝
Stillness Study isn’t “go be alone and quiet in the desert.” It’s a guided inquiry into solitude through art history, landscape, shared conversation, and carefully designed programming. We looked at how Georgia O’Keeffe shaped a life devoted around space; how Agnes Martin approached observation; how place can shift our inner tempo.
Swipe through for the in-between moments that made the weekend what it was.
Spring and fall 2026 dates dropping soon ~ DM me with your email to be added to to list for early access 💌
These stunning photos were captured by @calsvisions 🌀🩷☁️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
hi i’m erica and i wrote about door mats and mugs (and reintroductions) on my UNHhhhhhhsubstack 🔗 in bio 🙂↕️ plz share your mugs and door mats in da chat ⬇️
honk if you’re “making waves”
nancy holt ⊹ the world through a circle / making waves / detach here / sun tunnels
honk if you’re “making waves”
nancy holt ⊹ the world through a circle / making waves / detach here / sun tunnels
honk if you’re “making waves”
nancy holt ⊹ the world through a circle / making waves / detach here / sun tunnels
honk if you’re “making waves”
nancy holt ⊹ the world through a circle / making waves / detach here / sun tunnels
honk if you’re “making waves”
nancy holt ⊹ the world through a circle / making waves / detach here / sun tunnels
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Q3 report: When Georgia O’Keeffe said ”I have done nothing all summer but wait for myself to be myself again” I felt that ☁️🪨😌✨
Inside Georgia O’Keeffe’s Abiquiú home where she painted, cooked, and watched the light change over the New Mexico desert 🖼️ She also collected over 1200 rocks 🤯🪨 Visiting her home feels like stepping into an artist’s retreat: devotion in simplicity, space, and silence 😌
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.