Instagram Story Viewer
View Instagram Stories Anonymously
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE”, THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
THE OUTFIT FEATURES A DRAMATIC, OVERSIZED SILHOUETTE WITH A FOCUS ON TEXTURE AND BODY. CRAFTED ENTIRELY IN DEADSTOCK SILK TAFETA FABRIC, IT FEATURES A VOLUMINOUS PUFFER JACKET FLOOR LENGTH COAT WITH EXTENDED TRAIN, A NOD TO THE CAPES FOUND IN MANY OF HENDRICKS’ PIECES. ALL MADE IN USA AT THE ERL VENICE BEACH, CALIFORNIA ATELIER.
UNDER THE COAT, BATISTE WORE ERL PLEATED TROUSERS FROM THE SAME DEADSTOCK TAFETTA, THAT ENHANCE MOVEMENT AND FLUIDITY PAIRED WITH A DEADSTOCK TAFETTA CUSTOM RUFFLE DRESS SHIRT, AND MATCHING CUMMERBUND AND BOW TIE, ADDING DEPTH AND ORNATE DETAIL.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
@hudsonwilliamsofficial in full erl artisanal
handmade in venice beach, california
styled by @neoncomplex
photos by @thestreetsensei
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND
VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
PHOTO: @ALEXLOCKETTUP
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
TO COMMEMORATE THE COLLABORATION BETWEEN ERL, JON BATISTE, AND BARKLEY HENDRICKS, A SPECIAL SERIES OF PHOTOS WERE TAKEN IN FRONT OF HENDRICKS’ ARTWORK “STEVE”, CURRENTLY ON DISPLAY AT THE WHITNEY MUSEUM OF AMERICAN ART.
THANK YOU TO THE WHITNEY MUSEUM FOR ALLOWING US TO SNEAK IN LATE LAST NIGHT FOR A SHOOT WITH THE WORK THAT INSPIRED THIS LOOK.
PHOTO: @ALEXLOCKETTUP
STYLING: @COREYTSTOKES
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR
INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR
INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR
INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR
INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
JON BATISTE WEARS FULL ERL ARTISANAL IN COLLABORATION WITH THE BARKLEY HENDRICKS ESTATE AND THE METROPOLITAN MUSEUM OF ART
PERFORMED IN PARTNERSHIP WITH THE HENDRICKS’ ESTATE, BATISTE AND ERL FOUNDER, ELI RUSSELL LINNETZ, WITH STYLIST COREY STOKES, LOOK TO HONOR ONE OF THE MOST SIGNIFICANT ARTISTS IN THE 20TH AMERICAN CANON, AS WELL AS A BREAKTHROUGH VOICE IN THE MEDIUM OF BLACK PORTRAITURE.
INSPIRED BY HENDRICKS’ SEMINAL 1976 PAINTING “STEVE” , THE REGAL LOOK WAS DESIGNED AND CRAFTED ENTIRELY IN DEADSTOCK PEARLESCENT AND GLITTER SILK TAFFETA FROM THE 1970s, REFERENCING HENDRICKS’ INTENTIONAL USE OF ALL-WHITE CLOTHING TO HIGHLIGHT THE CONTRAST AND PRESENCE OF THE SKIN TONE OF HIS SUBJECTS, STRIPPING THE PALATE TO PURE FORM AND EXPLORING SCULPTURAL POSSIBILITIES OF DRAPING, ASYMMETRY, AND VOLUME.
ERL ARTISANAL CONTINUES ITS STUDY OF THE MODERN AMERICAN MAN AS IT EXPLORES TAILORING, INVENTION, AND NEW CONVENTIONS – REJECTING NORMS FOR
INDIVIDUAL STYLE IN PURSUIT OF NEW CONCEPTS AND SILHOUETTES.
DESIGNED AND CREATED BY ELI RUSSELL LINNETZ IN HIS VENICE BEACH STUDIO WITH STYLING AND CONCEPTING BY COREY STOKES.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL for the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
A$AP Rocky in ERL at the 2021 Met Gala: America: A Lexicon of Fashion.
Constructed from a vintage patchwork quilt sourced from a thrift store, the ERL artisanal piece draws on American quilting traditions rooted in reuse, craftsmanship, and personal narrative.
Subsequent to the gala, the quilt was reunited with the family of its original maker, closing the loop of the object’s authorship and history, transforming it from anonymous found material into a documented cultural artifact.
The work is now widely cited as a defining example of early 21st-century fashion’s engagement with memory, provenance, and the circulation of everyday objects into global cultural discourse.
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
electric green vamps are available now 💚
exclusively on erl.store
limited availability
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
ELECTRIC GREEN VAMPS ARE NOW AVAILABLE 🍏
EXCLUSIVELY ON ERL.STORE
LIMITED AVAILABILITY
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.