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estherschippergallery
Esther Schipper
Berlin | Paris | Seoul 서울
As we prepare for HIVE Art Fair 2026, we are pleased to offer a preview of our upcoming group presentation, bringing together selected artists and works from our program. We look forward to your visit!
📍COEX Magok Le West, Seoul, Booth 10
May 21 – 24, 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #hiveartfair @sojournertruthparsons
Anicka Yi's first large-scale outdoor project, Message from the Mud, on view at Storm King Art Center.
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
Anicka Yi's installation at Storm King, Message from the Mud, the artist's first large-scale outdoor project, is arranged like an archaeological dig, inviting viewers to engage with concepts of deep geological time and evolutionary history through the lens of "prehistoric biofiction." This term refers to an imaginative approach to the early history of the planet, using scientific data as a jumping-off point, to envision what life might have looked like if different evolutionary histories had taken course, and what it could look like in possible futures.
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #anickayi
1-3: Exhibition views: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
Anicka Yi's first large-scale outdoor project, Message from the Mud, on view at Storm King Art Center.
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
Anicka Yi's installation at Storm King, Message from the Mud, the artist's first large-scale outdoor project, is arranged like an archaeological dig, inviting viewers to engage with concepts of deep geological time and evolutionary history through the lens of "prehistoric biofiction." This term refers to an imaginative approach to the early history of the planet, using scientific data as a jumping-off point, to envision what life might have looked like if different evolutionary histories had taken course, and what it could look like in possible futures.
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #anickayi
1-3: Exhibition views: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
Anicka Yi's first large-scale outdoor project, Message from the Mud, on view at Storm King Art Center.
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
Anicka Yi's installation at Storm King, Message from the Mud, the artist's first large-scale outdoor project, is arranged like an archaeological dig, inviting viewers to engage with concepts of deep geological time and evolutionary history through the lens of "prehistoric biofiction." This term refers to an imaginative approach to the early history of the planet, using scientific data as a jumping-off point, to envision what life might have looked like if different evolutionary histories had taken course, and what it could look like in possible futures.
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #anickayi
1-3: Exhibition views: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
Presented at Frieze New York, Tomasz Kręcicki’s series of potted-plant paintings evoke human presence across past and present: cared for or neglected, resigned yet resilient. They also signal his admiration for vanitas still-lifes and modern depictions as metaphors or symbolic representations.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #tomaszkręcicki
1: Tomasz Kręcicki, Root (detail), 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
2: Tomasz Kręcicki, Root, 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
3: Tomasz Kręcicki, Plant (detail), 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
4: Tomasz Kręcicki, Plant, 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
5: Booth view: Frieze New York, 2026. Photo © Sebastiano Pellion di Persano
Presented at Frieze New York, Tomasz Kręcicki’s series of potted-plant paintings evoke human presence across past and present: cared for or neglected, resigned yet resilient. They also signal his admiration for vanitas still-lifes and modern depictions as metaphors or symbolic representations.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #tomaszkręcicki
1: Tomasz Kręcicki, Root (detail), 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
2: Tomasz Kręcicki, Root, 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
3: Tomasz Kręcicki, Plant (detail), 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
4: Tomasz Kręcicki, Plant, 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
5: Booth view: Frieze New York, 2026. Photo © Sebastiano Pellion di Persano
Presented at Frieze New York, Tomasz Kręcicki’s series of potted-plant paintings evoke human presence across past and present: cared for or neglected, resigned yet resilient. They also signal his admiration for vanitas still-lifes and modern depictions as metaphors or symbolic representations.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #tomaszkręcicki
1: Tomasz Kręcicki, Root (detail), 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
2: Tomasz Kręcicki, Root, 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
3: Tomasz Kręcicki, Plant (detail), 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
4: Tomasz Kręcicki, Plant, 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
5: Booth view: Frieze New York, 2026. Photo © Sebastiano Pellion di Persano
Presented at Frieze New York, Tomasz Kręcicki’s series of potted-plant paintings evoke human presence across past and present: cared for or neglected, resigned yet resilient. They also signal his admiration for vanitas still-lifes and modern depictions as metaphors or symbolic representations.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #tomaszkręcicki
1: Tomasz Kręcicki, Root (detail), 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
2: Tomasz Kręcicki, Root, 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
3: Tomasz Kręcicki, Plant (detail), 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
4: Tomasz Kręcicki, Plant, 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
5: Booth view: Frieze New York, 2026. Photo © Sebastiano Pellion di Persano
Presented at Frieze New York, Tomasz Kręcicki’s series of potted-plant paintings evoke human presence across past and present: cared for or neglected, resigned yet resilient. They also signal his admiration for vanitas still-lifes and modern depictions as metaphors or symbolic representations.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #tomaszkręcicki
1: Tomasz Kręcicki, Root (detail), 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
2: Tomasz Kręcicki, Root, 2026, oil and raw brown pigment on canvas, 138 x 125 cm. © Andrea Rossetti
3: Tomasz Kręcicki, Plant (detail), 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
4: Tomasz Kręcicki, Plant, 2025/2026, oil on canvas, 150 x 150 cm. © Andrea Rossetti
5: Booth view: Frieze New York, 2026. Photo © Sebastiano Pellion di Persano
On view at Frieze New York: Anri Sala’s Body Double in the Doldrums (2025)
Body Double in the Doldrums is a sculptural work with an integral sound component, the piece consists of a snare drum with built-in speakers. The sound looped on these hidden speakers makes the drumhead vibrate. This vibration, in turn, sets the drumsticks that rest on the drum in motion. Taking the eruption of Mount Vesuvius in 79 AD as a sonic point of departure, the nine-minute soundtrack is suggestive of an earthquake, distant rumbles, winds and danger, lower frequencies of a wind instrument cross light higher tones. Hovering between lament and warning, the musical score is unsettling yet consoling, timeless while ancient, melancholic–and harmonic.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
_________________________
#estherschipper #contemporaryart
Video © Andrea Rossetti
For her first large-scale exhibition in Portugal, Rosa Barba presents a new site-specific, choreographed installation, drawing on and expanding a range of conceptual threads she has explored over the years.
📍Centro de Arte Moderna Gulbenkian
May 16 – Sep 28 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #rosabarba
Exhibition views: Rosa Barba, Drawing Vocabularies, Centro de Arte Moderna Gulbenkian, 2026. Images © Rosa Barba
For her first large-scale exhibition in Portugal, Rosa Barba presents a new site-specific, choreographed installation, drawing on and expanding a range of conceptual threads she has explored over the years.
📍Centro de Arte Moderna Gulbenkian
May 16 – Sep 28 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #rosabarba
Exhibition views: Rosa Barba, Drawing Vocabularies, Centro de Arte Moderna Gulbenkian, 2026. Images © Rosa Barba
For her first large-scale exhibition in Portugal, Rosa Barba presents a new site-specific, choreographed installation, drawing on and expanding a range of conceptual threads she has explored over the years.
📍Centro de Arte Moderna Gulbenkian
May 16 – Sep 28 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #rosabarba
Exhibition views: Rosa Barba, Drawing Vocabularies, Centro de Arte Moderna Gulbenkian, 2026. Images © Rosa Barba
For her first large-scale exhibition in Portugal, Rosa Barba presents a new site-specific, choreographed installation, drawing on and expanding a range of conceptual threads she has explored over the years.
📍Centro de Arte Moderna Gulbenkian
May 16 – Sep 28 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #rosabarba
Exhibition views: Rosa Barba, Drawing Vocabularies, Centro de Arte Moderna Gulbenkian, 2026. Images © Rosa Barba
On view: Karin Sander's coordinates, as part of Various Others, Munich:
📍EYES ONLY, Munich
Opening: Friday, May 15, 2026, 6pm - 9pm
Through July 18, 2026
Characteristic of Sander's conceptual practice is that the work is essentially a tautology; the title of the work also designates the place where it is installed and forms its only visual manifestation: signs on the walls or windows indicate the coordinates of the location. The work is radically site-specific, as it cannot exist outside this one place without changing its appearance. At the same time, it is infinitely adaptable: When it is installed in a new location, its signs change, indicating its new geopositioning.
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #karinsander
Exhibition views: Karin Sander, coordinates, 2026, EYES ONLY.
On view: Karin Sander's coordinates, as part of Various Others, Munich:
📍EYES ONLY, Munich
Opening: Friday, May 15, 2026, 6pm - 9pm
Through July 18, 2026
Characteristic of Sander's conceptual practice is that the work is essentially a tautology; the title of the work also designates the place where it is installed and forms its only visual manifestation: signs on the walls or windows indicate the coordinates of the location. The work is radically site-specific, as it cannot exist outside this one place without changing its appearance. At the same time, it is infinitely adaptable: When it is installed in a new location, its signs change, indicating its new geopositioning.
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #karinsander
Exhibition views: Karin Sander, coordinates, 2026, EYES ONLY.
On view: Karin Sander's coordinates, as part of Various Others, Munich:
📍EYES ONLY, Munich
Opening: Friday, May 15, 2026, 6pm - 9pm
Through July 18, 2026
Characteristic of Sander's conceptual practice is that the work is essentially a tautology; the title of the work also designates the place where it is installed and forms its only visual manifestation: signs on the walls or windows indicate the coordinates of the location. The work is radically site-specific, as it cannot exist outside this one place without changing its appearance. At the same time, it is infinitely adaptable: When it is installed in a new location, its signs change, indicating its new geopositioning.
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #karinsander
Exhibition views: Karin Sander, coordinates, 2026, EYES ONLY.
On view at Frieze New York: Sojourner Truth Parson’s paintings distill the world into revelatory moments. Her solo exhibition, Sooner or later you will call my name, is on view at our Paris gallery through May 30.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
📍Esther Schipper, Paris
Through May 30, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #sojournertruthparsons @sojournertruthparsons
1-2: Sojourner Truth Parsons, Kissing a writer, 2026, acrylic on canvas, 170 x 140 cm. Photos © Sebastian Bach.
3-4: Exhibition view: Sojourner Truth Parsons, Sooner or later you will call my name, Esther Schipper, Paris, 2026, Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul
Photo © Andrea Rossetti
On view at Frieze New York: Sojourner Truth Parson’s paintings distill the world into revelatory moments. Her solo exhibition, Sooner or later you will call my name, is on view at our Paris gallery through May 30.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
📍Esther Schipper, Paris
Through May 30, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #sojournertruthparsons @sojournertruthparsons
1-2: Sojourner Truth Parsons, Kissing a writer, 2026, acrylic on canvas, 170 x 140 cm. Photos © Sebastian Bach.
3-4: Exhibition view: Sojourner Truth Parsons, Sooner or later you will call my name, Esther Schipper, Paris, 2026, Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul
Photo © Andrea Rossetti
On view at Frieze New York: Sojourner Truth Parson’s paintings distill the world into revelatory moments. Her solo exhibition, Sooner or later you will call my name, is on view at our Paris gallery through May 30.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
📍Esther Schipper, Paris
Through May 30, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #sojournertruthparsons @sojournertruthparsons
1-2: Sojourner Truth Parsons, Kissing a writer, 2026, acrylic on canvas, 170 x 140 cm. Photos © Sebastian Bach.
3-4: Exhibition view: Sojourner Truth Parsons, Sooner or later you will call my name, Esther Schipper, Paris, 2026, Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul
Photo © Andrea Rossetti
On view at Frieze New York: Sojourner Truth Parson’s paintings distill the world into revelatory moments. Her solo exhibition, Sooner or later you will call my name, is on view at our Paris gallery through May 30.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
📍Esther Schipper, Paris
Through May 30, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #sojournertruthparsons @sojournertruthparsons
1-2: Sojourner Truth Parsons, Kissing a writer, 2026, acrylic on canvas, 170 x 140 cm. Photos © Sebastian Bach.
3-4: Exhibition view: Sojourner Truth Parsons, Sooner or later you will call my name, Esther Schipper, Paris, 2026, Courtesy the artist and Esther Schipper, Berlin/Paris/Seoul
Photo © Andrea Rossetti
Lee Bae is best known for his striking adoption of charcoal as his primary means of expression, turning the material into a versatile instrument.
At Frieze New York we present two works: cast in bronze, a Brushstroke sculpture captures the fluidity and texture of Lee Bae’s ink-wash paintings. The wall-mounted Issu Du Feu is a mosaic-like arrangement constructed from hundreds of charcoal shards. Its shimmering surface reveals wood grain and growth rings shaped by nature and time, refracting light at multiple angles.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #leebae
1: Lee Bae, Brushstroke A4 (detail), 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
2: Lee Bae, Brushstroke A4, 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
3: Lee Bae, Issu Du Feu 5g (detail), 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
4: Lee Bae, Issu Du Feu 5g, 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
Lee Bae is best known for his striking adoption of charcoal as his primary means of expression, turning the material into a versatile instrument.
At Frieze New York we present two works: cast in bronze, a Brushstroke sculpture captures the fluidity and texture of Lee Bae’s ink-wash paintings. The wall-mounted Issu Du Feu is a mosaic-like arrangement constructed from hundreds of charcoal shards. Its shimmering surface reveals wood grain and growth rings shaped by nature and time, refracting light at multiple angles.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #leebae
1: Lee Bae, Brushstroke A4 (detail), 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
2: Lee Bae, Brushstroke A4, 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
3: Lee Bae, Issu Du Feu 5g (detail), 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
4: Lee Bae, Issu Du Feu 5g, 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
Lee Bae is best known for his striking adoption of charcoal as his primary means of expression, turning the material into a versatile instrument.
At Frieze New York we present two works: cast in bronze, a Brushstroke sculpture captures the fluidity and texture of Lee Bae’s ink-wash paintings. The wall-mounted Issu Du Feu is a mosaic-like arrangement constructed from hundreds of charcoal shards. Its shimmering surface reveals wood grain and growth rings shaped by nature and time, refracting light at multiple angles.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #leebae
1: Lee Bae, Brushstroke A4 (detail), 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
2: Lee Bae, Brushstroke A4, 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
3: Lee Bae, Issu Du Feu 5g (detail), 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
4: Lee Bae, Issu Du Feu 5g, 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
Lee Bae is best known for his striking adoption of charcoal as his primary means of expression, turning the material into a versatile instrument.
At Frieze New York we present two works: cast in bronze, a Brushstroke sculpture captures the fluidity and texture of Lee Bae’s ink-wash paintings. The wall-mounted Issu Du Feu is a mosaic-like arrangement constructed from hundreds of charcoal shards. Its shimmering surface reveals wood grain and growth rings shaped by nature and time, refracting light at multiple angles.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #leebae
1: Lee Bae, Brushstroke A4 (detail), 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
2: Lee Bae, Brushstroke A4, 2025, Bronze, 86 x 95 x 68 cm. Photo © Lee Bae Studio
3: Lee Bae, Issu Du Feu 5g (detail), 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
4: Lee Bae, Issu Du Feu 5g, 2000-2025, charcoal on panel, 190 x 124 cm. Photo © Lee Bae Studio
Now Open! Visit us at Frieze New York
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny
Booth views: Frieze New York, 2026. Photos © Sebastiano Pellion di Persano
@sojournertruthparsons
Now Open! Visit us at Frieze New York
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny
Booth views: Frieze New York, 2026. Photos © Sebastiano Pellion di Persano
@sojournertruthparsons
Now Open! Visit us at Frieze New York
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny
Booth views: Frieze New York, 2026. Photos © Sebastiano Pellion di Persano
@sojournertruthparsons
Now Open! Visit us at Frieze New York
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny
Booth views: Frieze New York, 2026. Photos © Sebastiano Pellion di Persano
@sojournertruthparsons
Now Open! Visit us at Frieze New York
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny
Booth views: Frieze New York, 2026. Photos © Sebastiano Pellion di Persano
@sojournertruthparsons
HOUSE presents its second chapter at Halle am Berghain with the group exhibition Gravity Ease Contract with Julia Scher's work Mama Bed, 2003.
📍Halle am Berghain
Open Fridays-Sundays, 2pm - 8pm.
Through May 24, 2026
The work is part of the Surveillance Beds series, which Julia Scher created between 1994 and 2003. Each work consists of four steel poles, a flat surface in the middle and various electronic components: cameras, monitors, microphones and cabling. Specific components of Mama Bed include children fairy tale books (namely Goldilocks and the Three Bears) as well as a leather whip, displayed on top of the bed.
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #juliascher
1: Exhibition view: Julia Scher, Mama Bed, 2003, Gravity Ease Contract, 2026, HOUSE, 2026. Photo © Noshe
2: Creative design © Frederick Hornof
HOUSE presents its second chapter at Halle am Berghain with the group exhibition Gravity Ease Contract with Julia Scher's work Mama Bed, 2003.
📍Halle am Berghain
Open Fridays-Sundays, 2pm - 8pm.
Through May 24, 2026
The work is part of the Surveillance Beds series, which Julia Scher created between 1994 and 2003. Each work consists of four steel poles, a flat surface in the middle and various electronic components: cameras, monitors, microphones and cabling. Specific components of Mama Bed include children fairy tale books (namely Goldilocks and the Three Bears) as well as a leather whip, displayed on top of the bed.
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #juliascher
1: Exhibition view: Julia Scher, Mama Bed, 2003, Gravity Ease Contract, 2026, HOUSE, 2026. Photo © Noshe
2: Creative design © Frederick Hornof
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York, we are presenting Anicka Yi’s Nonseparable Parsley, the first New York presentation of the artist’s radiolaria-inspired animatronic sculptures. Yi’s work is also on view at the New Museum, and her first large-scale outdoor project, Message from the Mud, opens May 17 at Storm King Art Center.
📍Frieze New York, Booth A5, Level 2
13 – 17 May 2026
📍New Museum
New Humans: Memories of the Future
Ongoing
📍Storm King Art Center
Anicka Yi: Message from the Mud
May 17 – November 9, 2026
For more information, please follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #frieze2026 #anickayi
1-2: Anicka Yi, Nonseparable Parsley, 2026, PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers, 131,8 x 77,7 x 77,7 cm. Video & Photo © Andrea Rossetti.
3-4: Exhibition views: New Humans: Memories of the Future, 2026. New Museum, New York. Courtesy New Museum. Photo: Dario Lasagni
5: Exhibition view: Anicka Yi, Message from the Mud, 2026, Storm King. Photo © Jeffrey Jenkins
6:Portrait: Anicka Yi. Photo © Lorenzo Palmieri.
At Frieze New York we will present a work by Lotus L Kang from her series of unique luminograms. A major installation by Kang, The face of desire is loss,is currently on view in Venice at Spazio Esedra, Giardini for the Biennale Arte 2026, within the Bvlgari Pavilion.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #lotuslkang
1-2: Lotus L. Kang, Synapse, 13:24, 2025, luminogram mounted to dibond, 177,8 x 127 cm. Photos © Sebastian Bach.
3: Lotus L. Kang, The face of desire is loss, Bvlgari Pavilion, Giardini della Biennale, Venice, 2026, Courtesy the artist, Bvlgari, Commonwealth and Council, Franz Kaka, Kukje Gallery and Esther Schipper Berlin/Paris/Seoul, Photo © Andrea Rossetti
At Frieze New York we will present a work by Lotus L Kang from her series of unique luminograms. A major installation by Kang, The face of desire is loss,is currently on view in Venice at Spazio Esedra, Giardini for the Biennale Arte 2026, within the Bvlgari Pavilion.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #lotuslkang
1-2: Lotus L. Kang, Synapse, 13:24, 2025, luminogram mounted to dibond, 177,8 x 127 cm. Photos © Sebastian Bach.
3: Lotus L. Kang, The face of desire is loss, Bvlgari Pavilion, Giardini della Biennale, Venice, 2026, Courtesy the artist, Bvlgari, Commonwealth and Council, Franz Kaka, Kukje Gallery and Esther Schipper Berlin/Paris/Seoul, Photo © Andrea Rossetti
At Frieze New York we will present a work by Lotus L Kang from her series of unique luminograms. A major installation by Kang, The face of desire is loss,is currently on view in Venice at Spazio Esedra, Giardini for the Biennale Arte 2026, within the Bvlgari Pavilion.
📍The Shed, Booth A5, Level 2
May 13 – 17, 2026
For more information, follow the link in bio.
_________________________
#estherschipper #contemporaryart #friezeny #lotuslkang
1-2: Lotus L. Kang, Synapse, 13:24, 2025, luminogram mounted to dibond, 177,8 x 127 cm. Photos © Sebastian Bach.
3: Lotus L. Kang, The face of desire is loss, Bvlgari Pavilion, Giardini della Biennale, Venice, 2026, Courtesy the artist, Bvlgari, Commonwealth and Council, Franz Kaka, Kukje Gallery and Esther Schipper Berlin/Paris/Seoul, Photo © Andrea Rossetti
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