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Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Talking to God :: Ernte at Loveless, Tokyo (2010)
A full on takeover for our (Ernte) debut in Tokyo.
Drum machine installation
Window
Performance night with d.K. pan
Back studio
Setup
Setup
Jacket pulley system
Ernte was Tiffa Novoa and me.
Installation in collaboration with Ty Nowotny.
Tyone Raymond as jack of all trades.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
Thank you @dk_pan :: The time we shared in Seattle was incredibly influential on me. During that crazy year, you really represented the true artist archetype for me. Your approach to performance and life was thrilling and inspiring. I really looked up to you. One seemingly mundane memory that stuck with me, was seeing you every morning at the coffee shop, reading the newspaper. The ritual and routine of informing yourself really hit me somehow. It seemed so in contrast with the other aspects of your life, I loved that dichotomy. I do my own version of that, even now, and occasionally that visual comes back to me as a source. I am super honored to have been able to make some works together, they really made an impact on my process.
Videos:
The first 5 videos are cut from a performance by the Butoh group P.A.N. Kishi and I provided the live sounds. I think we had the fan contact mic’d and some weird feedback loops, and I am sure some other nerdy stuff as sound sources.
The very last video was a different time, this was performance titled Report to Plant, that d.K. Pan and I worked on together. We were both trying to communicate with a small plant we brought into the warehouse, Pan by means of a focused meditation, and me via the amplification of the energy of motors (contact microphones as the medium of transmission). The little plant we were talking with was connected to a bigger plant out on the street, by a thin metal wire, conveying our actions out to it. Expanding the communication network. I will do a separate post on this piece some time.
[1999] These drawing machines were the first exploration into mechanical art for Ty Nowotny and I.
Ty was my absolute best art friend and collaborator for years. I learned so much from him, and vice versa. It really was a beautiful exchange of ideas, skills and inspiration. This was the first art class we both enrolled in at school. Figure drawing. Me and Ty met andimmediately started attaching pencils and brushes to machines after class, and the teacher, I think his name was Fritz, was like, “ shit I love you guys! You should just do this and dont need to follow the figure drawing class at all” hahahha, so yeah we spent the whole semester doing weird shit. Everyone in that class hated on us lol — It was the beginning of an incredible friendship. Lost touch. I love you Ty, wherever you are!
We were exploring expression of our weirdness in an innocent and passionate way, trying to push mediums and explore contact with surfaces, breaking rules and learning about ourselves within the process. Innocent and infinite and explorative.
Was so much fun! This was the first thing we did together, and we ended up doing some crazy ass shit over the years.
[1999] These drawing machines were the first exploration into mechanical art for Ty Nowotny and I.
Ty was my absolute best art friend and collaborator for years. I learned so much from him, and vice versa. It really was a beautiful exchange of ideas, skills and inspiration. This was the first art class we both enrolled in at school. Figure drawing. Me and Ty met andimmediately started attaching pencils and brushes to machines after class, and the teacher, I think his name was Fritz, was like, “ shit I love you guys! You should just do this and dont need to follow the figure drawing class at all” hahahha, so yeah we spent the whole semester doing weird shit. Everyone in that class hated on us lol — It was the beginning of an incredible friendship. Lost touch. I love you Ty, wherever you are!
We were exploring expression of our weirdness in an innocent and passionate way, trying to push mediums and explore contact with surfaces, breaking rules and learning about ourselves within the process. Innocent and infinite and explorative.
Was so much fun! This was the first thing we did together, and we ended up doing some crazy ass shit over the years.
[1999] These drawing machines were the first exploration into mechanical art for Ty Nowotny and I.
Ty was my absolute best art friend and collaborator for years. I learned so much from him, and vice versa. It really was a beautiful exchange of ideas, skills and inspiration. This was the first art class we both enrolled in at school. Figure drawing. Me and Ty met andimmediately started attaching pencils and brushes to machines after class, and the teacher, I think his name was Fritz, was like, “ shit I love you guys! You should just do this and dont need to follow the figure drawing class at all” hahahha, so yeah we spent the whole semester doing weird shit. Everyone in that class hated on us lol — It was the beginning of an incredible friendship. Lost touch. I love you Ty, wherever you are!
We were exploring expression of our weirdness in an innocent and passionate way, trying to push mediums and explore contact with surfaces, breaking rules and learning about ourselves within the process. Innocent and infinite and explorative.
Was so much fun! This was the first thing we did together, and we ended up doing some crazy ass shit over the years.
[1999] These drawing machines were the first exploration into mechanical art for Ty Nowotny and I.
Ty was my absolute best art friend and collaborator for years. I learned so much from him, and vice versa. It really was a beautiful exchange of ideas, skills and inspiration. This was the first art class we both enrolled in at school. Figure drawing. Me and Ty met andimmediately started attaching pencils and brushes to machines after class, and the teacher, I think his name was Fritz, was like, “ shit I love you guys! You should just do this and dont need to follow the figure drawing class at all” hahahha, so yeah we spent the whole semester doing weird shit. Everyone in that class hated on us lol — It was the beginning of an incredible friendship. Lost touch. I love you Ty, wherever you are!
We were exploring expression of our weirdness in an innocent and passionate way, trying to push mediums and explore contact with surfaces, breaking rules and learning about ourselves within the process. Innocent and infinite and explorative.
Was so much fun! This was the first thing we did together, and we ended up doing some crazy ass shit over the years.
[1999] These drawing machines were the first exploration into mechanical art for Ty Nowotny and I.
Ty was my absolute best art friend and collaborator for years. I learned so much from him, and vice versa. It really was a beautiful exchange of ideas, skills and inspiration. This was the first art class we both enrolled in at school. Figure drawing. Me and Ty met andimmediately started attaching pencils and brushes to machines after class, and the teacher, I think his name was Fritz, was like, “ shit I love you guys! You should just do this and dont need to follow the figure drawing class at all” hahahha, so yeah we spent the whole semester doing weird shit. Everyone in that class hated on us lol — It was the beginning of an incredible friendship. Lost touch. I love you Ty, wherever you are!
We were exploring expression of our weirdness in an innocent and passionate way, trying to push mediums and explore contact with surfaces, breaking rules and learning about ourselves within the process. Innocent and infinite and explorative.
Was so much fun! This was the first thing we did together, and we ended up doing some crazy ass shit over the years.
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
Flashback: Colette window, 2003
Thank you so much @sarahandelman this is such a fun memory… You and your mom gave me my first real break, and I am forever grateful to both of you! 🫶 #coletteforever
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Enter a public username to view or download stories. The service generates direct links for saving content locally.