Finally found a bit of time to bolt another tune together. You know, for shits and giggles besides all the commercial work.�Link to it is where you’d expect it.
I hope you have shitty speakers.�MDR
Oh, and shoutout to my habibi @juleyman.el.hail for bowing that double bass.�Handkuss
DC for NIKE TRAINING
Campaign directed by @servicesgeneraux
Production @maemybad @aldricmenanteau @__kotro
Nike Training: @niketraining
Nike Art Directors: @99.figs @lulubi_garcia
Nike Lead Designer: @lulubi_garcia
Nike Production: @yoging_around
DOP: @vicmorisse
1st AD: @pim.caloni
1st AC: @lucastourret
2nd AC: @mathis_bonnaeu
Steadicam Operator: @steadi_carl
Gaffer: @hadrien.perrot
Light: @alexsbogart @french_brt @cha_nd_@enzo_sayag
Machinists: @edouardbordier @mathis_liabeuf
Movement Director @manondubourdeaux
Technical Movement Director @jeson.lngdn
Production Designer: @prudencepalle
Builders: @build.paris
Assistants Set Designer: @alexisdougha @felzinx k__zam
Stylist: @damese
Assistant Stylist: @gaux.hinas @alex100drame
HMU: @paulinesuze
Models:
Djamal
Maé
Marvin
Edwige
CREATIVE POST-PRODUCTION BY @servicesgeneraux
[No AI]

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.

Quenching thirst with this little vessel of images. Hope it gives your receptors a little tingle.
Another glance in the rearview as the year slowly fades, returning to the SGvsSUCUK project
A joyful collision of rivalry and resonance
The belt was meant as a quiet symbol of tension, friction, and the strange, productive harmony that emerged when two polar studios clashed
Grateful for the energy, trust, and play shared with @sucukundbratwurst,
and always love to my @servicesgeneraux gang
Art Direction:
Sonia
@jouseyey
@paulblz
Lead:
@abject_studio_
Artists:
@merlin.lp
@rogue_3000
@hr.spx
@mehdi.aloumami
Production:
@maemybad
Another glance in the rearview as the year slowly fades, returning to the SGvsSUCUK project
A joyful collision of rivalry and resonance
The belt was meant as a quiet symbol of tension, friction, and the strange, productive harmony that emerged when two polar studios clashed
Grateful for the energy, trust, and play shared with @sucukundbratwurst,
and always love to my @servicesgeneraux gang
Art Direction:
Sonia
@jouseyey
@paulblz
Lead:
@abject_studio_
Artists:
@merlin.lp
@rogue_3000
@hr.spx
@mehdi.aloumami
Production:
@maemybad

We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac
We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac
We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac

We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac
We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac
We had the pleasure of working on the campaign for the Air Jordan 40.
Inspired by the relentless training ballers put in on the hardwood, we envisioned an environment that evokes the feeling of locking in when everyone else already left the court.
Crafted fully in CG: @antistudio.global
AD by our coach and MVP: @thachermac

torque series
An ode to escapistic street culture
envisioned together with @dominik.leingartner

torque series
An ode to escapistic street culture
envisioned together with @dominik.leingartner

torque series
An ode to escapistic street culture
envisioned together with @dominik.leingartner

torque series
An ode to escapistic street culture
envisioned together with @dominik.leingartner

Lil extract from back in the day lurking in the shadow whipping up that oculus shot.
Throwing another round of flowers to everyone who made this project happen:
Directed by @servicesgeneraux & produced by @ocurenscontent
Artist: La Fève
Label : Walone
PRODUCTION by @ocurenscontent
Director: @servicesgeneraux
Director of Photography: @zackspiger
Managing Director: @robingermain
Head of production: @ben_nietop
CNC Grant Applicaton: @mariefessol
Production assistant: @tristan.segn
1st Assistant director: @davidelielevi
2nd Assistant director: @hugo.schmitt.71
Location Manager: Julien MEUNIER
Assistants Loc. Manager: Pierre MARIVIN, Samuel MARTINELLO, Fabrice
1st Assistant Operator: @lebeaudorian
2nd Assistant Operator: @chrisp.photo
Crane Operator: @just_meissonnier
Drone Pilot: @robin_clln
Drone Operator: loic_borne
Steadicam: @nadym_b
Key Grip: Nicolas TARAVEL
Grip : Julien RALU
Assistant Grip: Thibault de CECCO
Crane Operator: Guillaume RENOIR
Gaffer: Baptiste BROUSSE
Best Boy: Arnaud GRISSON
Spark: Gaspard CHORON
Supervisor: Marshall DEBY
Back-up editor: @charlie_droud
Hair stylist: @oummy_youssoufa
Head make-up artist: @igclaura
Stylist: @damese
Assistants Stylist: @alex100drame & @roxane_noel
Production Designer: @sevendamas
Head of SFX: Mehdi HAMILA
Assistant set designer : Romain BOURGUET, Louis BURKE, @lola.grvt, Mehdi HAMILA, Karim OUMESSAD, Amine HAMILA, Sofiane BOUAFI, Khaled DJELLADJ & Houari BENHASSINE
Horse trainer 1 et 2: Juliette MAZINGARBE
Horse trainer 3 (Lining Studio): @martinremigereau
Extra rider 1 (Lining Ext): Guillaume GAUCHER
Assistant trainer : ROMAIN HUAUME
POST-PRODUCED & VFX by @monumental_fx
Head of Post-Production: @laila.hammor
Post-Producer: @alexisdiop & @mel.brt
Editor; @simon_tristant
Color Grading Artist: @nico_gautier_colorist
Post-Production Assistants: @maximeveigneau & @matrin_gel
VFX Creative Director: @colin.journee
VFX Supervisor: @adrienrny
CGI and AI by @servicesgeneraux
CGI/AI Lead: @krauss.fr
CGI/AI Artists: @777.oh, @nino.gib, @abject_studio_
CGI Artists: @kapocci, @itsbenebene
GRAPHIC DESIGN: @basilefournier
Lil extract from back in the day lurking in the shadow whipping up that oculus shot.
Throwing another round of flowers to everyone who made this project happen:
Directed by @servicesgeneraux & produced by @ocurenscontent
Artist: La Fève
Label : Walone
PRODUCTION by @ocurenscontent
Director: @servicesgeneraux
Director of Photography: @zackspiger
Managing Director: @robingermain
Head of production: @ben_nietop
CNC Grant Applicaton: @mariefessol
Production assistant: @tristan.segn
1st Assistant director: @davidelielevi
2nd Assistant director: @hugo.schmitt.71
Location Manager: Julien MEUNIER
Assistants Loc. Manager: Pierre MARIVIN, Samuel MARTINELLO, Fabrice
1st Assistant Operator: @lebeaudorian
2nd Assistant Operator: @chrisp.photo
Crane Operator: @just_meissonnier
Drone Pilot: @robin_clln
Drone Operator: loic_borne
Steadicam: @nadym_b
Key Grip: Nicolas TARAVEL
Grip : Julien RALU
Assistant Grip: Thibault de CECCO
Crane Operator: Guillaume RENOIR
Gaffer: Baptiste BROUSSE
Best Boy: Arnaud GRISSON
Spark: Gaspard CHORON
Supervisor: Marshall DEBY
Back-up editor: @charlie_droud
Hair stylist: @oummy_youssoufa
Head make-up artist: @igclaura
Stylist: @damese
Assistants Stylist: @alex100drame & @roxane_noel
Production Designer: @sevendamas
Head of SFX: Mehdi HAMILA
Assistant set designer : Romain BOURGUET, Louis BURKE, @lola.grvt, Mehdi HAMILA, Karim OUMESSAD, Amine HAMILA, Sofiane BOUAFI, Khaled DJELLADJ & Houari BENHASSINE
Horse trainer 1 et 2: Juliette MAZINGARBE
Horse trainer 3 (Lining Studio): @martinremigereau
Extra rider 1 (Lining Ext): Guillaume GAUCHER
Assistant trainer : ROMAIN HUAUME
POST-PRODUCED & VFX by @monumental_fx
Head of Post-Production: @laila.hammor
Post-Producer: @alexisdiop & @mel.brt
Editor; @simon_tristant
Color Grading Artist: @nico_gautier_colorist
Post-Production Assistants: @maximeveigneau & @matrin_gel
VFX Creative Director: @colin.journee
VFX Supervisor: @adrienrny
CGI and AI by @servicesgeneraux
CGI/AI Lead: @krauss.fr
CGI/AI Artists: @777.oh, @nino.gib, @abject_studio_
CGI Artists: @kapocci, @itsbenebene
GRAPHIC DESIGN: @basilefournier
Lil snippet of a tune I put together over the summer break.
You can listen to the whole thing via the link in bio.
I’ve always made music on the side kind of like a sonic diary never really meant for anyone to hear.
Either way, it was a fun process so I guess I’ll keep them coming.
Next time I promise I won’t mix on laptop speakers tho

Stills for Bézier, a new type foundry for a modern era.
Used some custom STL paths and Houdini shenanigans to get those results.
Made @antistudio.global
I think @krauss.fr @thachermac had fun zooming into the details
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram

Stills for Bézier, a new type foundry for a modern era.
Used some custom STL paths and Houdini shenanigans to get those results.
Made @antistudio.global
I think @krauss.fr @thachermac had fun zooming into the details
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram

Stills for Bézier, a new type foundry for a modern era.
Used some custom STL paths and Houdini shenanigans to get those results.
Made @antistudio.global
I think @krauss.fr @thachermac had fun zooming into the details
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram

Found these lying under the cutting table. Back from the days working on renders for Bézier, a new type foundry of a modern era. Again made: @antistudio.global
Supervised by the almighty force of my ying yang duo:
@krauss.fr
@thachermac

Found these lying under the cutting table. Back from the days working on renders for Bézier, a new type foundry of a modern era. Again made: @antistudio.global
Supervised by the almighty force of my ying yang duo:
@krauss.fr
@thachermac

A couple of stills I crafted for the Tag Heuer project @servicesgeneraux.
I must admit, I might have accidentally dropped them in the deep fryer.
Guided by the stellar duo:
@nemnogoslovye
@kapocci
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram

A couple of stills I crafted for the Tag Heuer project @servicesgeneraux.
I must admit, I might have accidentally dropped them in the deep fryer.
Guided by the stellar duo:
@nemnogoslovye
@kapocci
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram

A couple of stills I crafted for the Tag Heuer project @servicesgeneraux.
I must admit, I might have accidentally dropped them in the deep fryer.
Guided by the stellar duo:
@nemnogoslovye
@kapocci
#cgi #cgiartist #3drender #3d #render #renderlover #cginstagram
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