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fepco_
Fepco
⚡
François Vallet
Cinécreatis Lyon
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.