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huddleberryfinn
HUD OBERLY
Indigenous || Osage
Art - @hudseesart
Board - @santafeindianmarket + @native_forward
Inquiries - hudoberly.in@gmail.com
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
What a moment! @naiomiglasses has led this project with @poloralphlaurenwith deliberate intention all while uplifting community. It’s no easy task to blend traditions & culture with a big brand like RL but she did it. The inaugural Ralph Lauren Artist In Residence. It’s an honor to call her my friend.
All Indigenous cast, media team, even the coffee/food truck was Indig! Lots more to share but just enjoying watching this unfold and mentally bookmarking as a pivotal step for Indigenous creativity.
all RL campaign photos by my Osage brethren: @redcorn
#RLArtistinResidence
Starting today all H2Y clothing will have these INDIGENOUS-OWNED/Quote tags. The 𐓷𐓘𐓻𐓘𐓻𐓟 in the bottom left is Osage in our Osage orthography. The red roach is our headdress that is apart of the ceremonial tradition for men dancers when entering our InLonShka for the first time and worn from that point forward. I’m proud to have this apart of H2Y along with the quote on the opposite side from @ava.
“IF YOUR DREAM ONLY INCLUDES YOU, ITS TOO SMALL.”
Starting today all H2Y clothing will have these INDIGENOUS-OWNED/Quote tags. The 𐓷𐓘𐓻𐓘𐓻𐓟 in the bottom left is Osage in our Osage orthography. The red roach is our headdress that is apart of the ceremonial tradition for men dancers when entering our InLonShka for the first time and worn from that point forward. I’m proud to have this apart of H2Y along with the quote on the opposite side from @ava.
“IF YOUR DREAM ONLY INCLUDES YOU, ITS TOO SMALL.”
Starting today all H2Y clothing will have these INDIGENOUS-OWNED/Quote tags. The 𐓷𐓘𐓻𐓘𐓻𐓟 in the bottom left is Osage in our Osage orthography. The red roach is our headdress that is apart of the ceremonial tradition for men dancers when entering our InLonShka for the first time and worn from that point forward. I’m proud to have this apart of H2Y along with the quote on the opposite side from @ava.
“IF YOUR DREAM ONLY INCLUDES YOU, ITS TOO SMALL.”
Starting today all H2Y clothing will have these INDIGENOUS-OWNED/Quote tags. The 𐓷𐓘𐓻𐓘𐓻𐓟 in the bottom left is Osage in our Osage orthography. The red roach is our headdress that is apart of the ceremonial tradition for men dancers when entering our InLonShka for the first time and worn from that point forward. I’m proud to have this apart of H2Y along with the quote on the opposite side from @ava.
“IF YOUR DREAM ONLY INCLUDES YOU, ITS TOO SMALL.”
Starting today all H2Y clothing will have these INDIGENOUS-OWNED/Quote tags. The 𐓷𐓘𐓻𐓘𐓻𐓟 in the bottom left is Osage in our Osage orthography. The red roach is our headdress that is apart of the ceremonial tradition for men dancers when entering our InLonShka for the first time and worn from that point forward. I’m proud to have this apart of H2Y along with the quote on the opposite side from @ava.
“IF YOUR DREAM ONLY INCLUDES YOU, ITS TOO SMALL.”
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
New location just dropped 📍🤠 (last photo is an old photo of me and my new roommate)
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
me + Santa Fe 🤝 🪶 @swaianativefashion w/ friends, green chile burger w/ a view, impromptu book a few extra days for pool time
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Indigenous art at the 82nd @whitneymuseum Biennial! I had a thorough experience of both, enjoying works from artists I knew and learning about artists who I didn’t, like Kimowan Metchewais who passed in 2011. I’m glad I saw that work. And there’s no better place to rest the legs than sitting in @dwhitehawk permanent installation, ‘Nourish’, at the cafe! List of works ⬇️
Teresa Baker (Mandan/Hidatsa, b. 1985), Multiple works. 2025.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), ‘Antlers and suspenders Kimowan’, n.d. Paper, ink, glue, and graphite on paper.
Kimowan Metchewais (Cree, Cold Lake First Nations, 1963-2011), Multiple works.
Nanibah Chacon (Dine(Navajo) b. 1980) Multiple works.
Anna Tsouhlarakis (Navajo Nation and Creek, b. 1977) ‘ SHE MUST BE A MATRIARCH, 2023, Fiberglass, pain, adhesive, resin, plaster, plastic, wood, foam, metal, IKEA remnants, leather, deer hair, menstrual cups, prophylactics, and found objects.
kekahi wahi, ’20-minute workout [WIP]’, 2023/2026. Digital video, sound, and color, 25 min.
Raven Halfmoon (Caddo Nation, b. 1991), ‘Sun Twins’, 2023, Stoneware and glaze.
Dyani White Hawk, (Sičangu Lakota, b. 1976) ‘Nourish’, 2024, Handmade tile mosaic.
Everything I’ve accomplished for the past two years has been fueled by @ekowahcoffee loll. Kidding but not, I’ve been exclusively an Ekowah Coffee drinker ☕️ for over two years now through their subscription service. Osage family-owned + roasted and packaged on the Osage reservation 🪶
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
One year ago I had a top two trip of my life and not number two! 🌊 Incredibly fortunate to be invited to Aotearoa (New Zealand) to partner with a special group @restoringbalancecollab & then my mom joined me for an additional few days vacation that I’ll never forget (we celebrated her birthday 🎂 - last slide)
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Finally made my first trip to @heardmuseum (the week before Heard Market 😀😅) For those interested in Indigenous art it’s a great time to plan a visit with the strong Kay Walkingstick & Harry Fonseca exhibits. List of works ⬇️
Selina A. Scott (Diné/Latina, b. 1998), I knead my dough the way you showed me, 2023, Acrylic on canvas.
Harry Fonseca (Nisenan Maidu, 1946-2006), Untitled (Coyote/Koshare figures with melons), 1980s, Acrylic on canvas.
Ruthe Blalock Jones “Chu-lun-dit”, (Delaware/Shawnee/Peoria, b. 1939), Making Frybread, 1966, Watercolor on paper.
Mary Morez (Diné, 1946-2004), Universal Family, 1970, Mixed media on canvas.
Kay Walkingstick (Cherokee, b. 1935), Hudson Reflection VI, 1973, Acrylic on canvas.
Kay Walkingstick (Cherokee, b. 1935), Saint Mary’s Mountain, 2011, Oil on wood panel in two parts.
Harry Fonseca (Nisenan Maidu, 1946-2006), Coyotes working it out, 1984, Foil mixed media on paper.
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Small moments from a big weekend 🙌🏽 in Phoenix at the Indigenous women entrepreneurship program, Indigenous Regenerative Futures presented by:
@nmccap
@futureisindigenouswomen
@nativewomenlead
📸 by photographybyroshan
My friend @melo3134 invited me to come to the desert to co-facilitate and present on marketing & branding and what an experience! The program featured key topics: Marketing/Branding, Financial Literacy, Mission & Vision Statement, and Business Pitch Practice amongst others.
As a male in a room full of driven Indigenous women entrepreneurs, leaders, facilitators and partners I also want to emphasize the importance of constantly staying aware of what support is needed at any given time. Some of the things that ran through my mind were to be a full time listener, background support, bring as much value as possible from my expertise when I did have the floor, and do my best to ask questions that bring an additional perspective.
I did get to share my favorite Ratatouille quote too 🙃
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
Electric scene for my first time at Madison Square Garden getting the easyyy Thunder W 🤠 (last slide = mood)
shirt: @almost__someday
hat: @whataburger
bracelets: @dineh.co
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
escaped subzero nyc temps for san francisco los angeles and phoenix the past two weeks ✨ I’d like to use my one not-so humble brag to share that I utilized just one carry-on suitcase and a tote bag the whole trip 😤
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.