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For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

For this installment of Through the Lens, we’re looking at the work of @boris.acket from a completely different angle. We’re spotlighting a series of unseen images taken by his father, @rob.acket. These photos span everything from the scale of the Fred again.. tour down to the quiet, sometimes frustrating moments of testing in the studio. They offer a private look at the parts of the practice that usually stay hidden.

There’s a natural cadence to this archive. Boris grew up following his dad around on production sets, watching him work. With this series, the lens is turned inward. Rob has spent the last few years capturing the messy, unpolished side of Boris’s practice, the failed prototypes, the late nights, and the reality of building things that move, to create an intimate dialogue between father and son.

Read more via link in bio.

Anna Park (@annaparkart) is deleting “ego” from the art world. Amid of her solo debut, ‘Hot Honey,’ at @lehmannmaupin London (April 30 – June 15), the Brooklyn-based artist discusses the “joy of making,” breaking her longtime “no-color” rule and her transition from charcoal to 3D-printed aluminum.

“I wanted to revert back to that original joy of drawing,” Park says. “In the art world, we can get so caught up in self-importance. I’m not trying to tell people how to feel; I’m just sharing a moment.”

Read the full Hypeart Visits feature via the link in bio.

Video: @hypebeast

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

@hypebeast and @hypebeastmag: Jester. Architect. Enfant terrible. Whatever you want to call him — Slawn doesn’t care. He’s too busy hijacking Saachi Yates for a weeks-long residency, tagging every canvas he gets his hands on alongside graffiti MVP @opake_art , and plotting his next art tour in Japan. @olaoluslawn isn’t just London’s most provocative artist. He’s a global iconoclast, full stop.

Check out the full Hypebeast Magazine cover story via the link in bio. Available now for pre-order on @hbx.

Author: Keith Estiler @keithestiler
Photographer: Kemka Ajoku @kemkaajoku
Production: Keana Sy @keanaldn, Anisah Moosa @ajmoosa, Emily Watts @emilyhwatts
Cinematography: Ed Peacock @ed.peacock
Editor in Chief: Madrell Stinney @madrellstinney
Deputy Editor: Zach Sokol @zachsokol
VP Global Creative Director: Kevin E. Wong @kevinwong
Global Creative Ops & Production Manager: Gabriella Koppelman @gabriellakoppelman
Art Director: David Wise @david_wise
Senior Designer: Forrest Grenfell @4est.psd
Head of Video: Kyle Reyes @chezchezchez.chez
Video Editors: Sophie Schieli @eihpxs, Luke Roberts @rukeloberts
Special Thanks: Fikayo, John Bay Axworthy, Lazer, Nobo Agency, Opake, Tommy Corlito

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

'Ecstasea' by @sashaelage unravels under the sun of the French Riviera.⁠
⁠
A portmanteau of "ecstasy" and "sea," Elage, in a recent interview, described the series as a "quiet attempt to capture something we rarely get to hold: other people’s happiness."⁠
⁠
Swimmers lounge and splash in bodies of blue and green, soft gaze snaps of the serenity of being lost at sea. "I hope the tenderness I felt while making these images lives inside them."⁠
⁠
Credit: @sashaelage via @fotografiska

In the run-up to Venice, @derrickadamsny has mounted “Heavy is the head that wears the crown,” a monumental tribute to Koyo Kouoh, the 2026 Biennale's late curator.⁠
⁠
The installation honors her hand in both the upcoming edition and the indelible mark she left on the art world at large:“ Joyous depictions of Black experience have become synonymous with my practice and played a role within her curatorial philosophy: presenting jubilation as a site of resistance and beauty,” expressed Adams.⁠
⁠
The installation is now on view along Rio della Tana in Venice.⁠
⁠
Credit: Andrea Avezzù / John Berens / Derrick Adams Studio / Gagosian

In the run-up to Venice, @derrickadamsny has mounted “Heavy is the head that wears the crown,” a monumental tribute to Koyo Kouoh, the 2026 Biennale's late curator.⁠
⁠
The installation honors her hand in both the upcoming edition and the indelible mark she left on the art world at large:“ Joyous depictions of Black experience have become synonymous with my practice and played a role within her curatorial philosophy: presenting jubilation as a site of resistance and beauty,” expressed Adams.⁠
⁠
The installation is now on view along Rio della Tana in Venice.⁠
⁠
Credit: Andrea Avezzù / John Berens / Derrick Adams Studio / Gagosian

In the run-up to Venice, @derrickadamsny has mounted “Heavy is the head that wears the crown,” a monumental tribute to Koyo Kouoh, the 2026 Biennale's late curator.⁠
⁠
The installation honors her hand in both the upcoming edition and the indelible mark she left on the art world at large:“ Joyous depictions of Black experience have become synonymous with my practice and played a role within her curatorial philosophy: presenting jubilation as a site of resistance and beauty,” expressed Adams.⁠
⁠
The installation is now on view along Rio della Tana in Venice.⁠
⁠
Credit: Andrea Avezzù / John Berens / Derrick Adams Studio / Gagosian

In the run-up to Venice, @derrickadamsny has mounted “Heavy is the head that wears the crown,” a monumental tribute to Koyo Kouoh, the 2026 Biennale's late curator.⁠
⁠
The installation honors her hand in both the upcoming edition and the indelible mark she left on the art world at large:“ Joyous depictions of Black experience have become synonymous with my practice and played a role within her curatorial philosophy: presenting jubilation as a site of resistance and beauty,” expressed Adams.⁠
⁠
The installation is now on view along Rio della Tana in Venice.⁠
⁠
Credit: Andrea Avezzù / John Berens / Derrick Adams Studio / Gagosian

NY artist @nathanielmaryquinn brings his signature fragmented style to @therollingstones for their new album, “Foreign Tongues,” dropping July 10, 2026.

The primary artwork, “Stones Trinity,” merges the band’s features into a single identity, while a second commission reimagines their iconic lips logo.

Photos: Courtesy of the artist and @gagosian

NY artist @nathanielmaryquinn brings his signature fragmented style to @therollingstones for their new album, “Foreign Tongues,” dropping July 10, 2026.

The primary artwork, “Stones Trinity,” merges the band’s features into a single identity, while a second commission reimagines their iconic lips logo.

Photos: Courtesy of the artist and @gagosian

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

We're still thinking about all the nods to iconic artworks from last night's Met Gala, but these looks were created with the artist at the helm. ⁠
⁠
Some celebs donned garments directly painted on with museum-worthy scenes, while others went the wearable sculpture route. Here are the artist collaborations from last night's carpet that caught our eye.⁠
⁠
Photo: Courtesy of the artists / Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

For the Met Gala 2026 dress code “Fashion Is Art,” the carpet basically turned into a walking gallery, with guests pulling from paintings, sculptures, and everything in between.

Some went near one-to-one, others flipped the reference into something more their own. We’ve compiled the artworks behind the looks so you can see what they were really tapping into.

Which one caught your eye?
Photo: Getty Images

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If the jury’s still out for whether fashion’s art, these looks might change your mind.

From Amy Sherald (@asherald) as Amy Sherald, @troyesivan’s Robert Mapplethorpe fancy, @beyonce’s skeletal splash back onto the carpet or @heidiklum’s tribute to “The Veiled Christ” (we called it), as art lovers, here are some moments that caught our eye tonight.

Credit: Getty Images / Nadia Lee Cohen

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

If Fashion is Art, the @metmuseum steps are the canvas. For 2026, wewant to see the art itself unframed and off the pedestal, from the “liquid marble” of Giuseppe Sanmartino to the mechanical tragedy of Sun Yuan & Peng Yu, translated as costume.

What’s one piece of art you’d actually want to see someone walk in?

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

@lacma releases a new print by @jamesjeanart to mark the opening of its David Geffen Galleries.

Titled “Procession,” the work reflects a shared, non-linear space where forms move together in unexpected harmony.

Register onsite at @lacmastore from May 4–11 for a unique version, or access the edition via James Jean’s website, store.jamesjean.com,for 48 hours starting May 12.

Photo: @jamesjeanart

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠

To celebrate Star Wars Day, we’re spotlighting the matte painters of the original Star Wars trilogy.⁠
⁠
Before CGI, Hollywood's most iconic landscapes and backdrops came courtesy of painters. Sets were created through a meticulous process of laying plexiglass compositions on top of acrylic and oil paintings, projecting elements and characters on clear or masked surfaces for seamless transitions.⁠
⁠
For the OG trilogy, Lucas tapped artists from Industrial Light & Magic, the visual effects studio he founded, and their talents ranged from Ralph McQuarrie, a seasoned concept artist, to newcomer Michael Pangrazio, the then 21-year-old who led visuals for the Battle of Hoth. ⁠
⁠
Credit: Lucas Films⁠
⁠