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The name Goto Bianco draws on goto de fornasa, a traditional Murano glass technique in which glassmakers would gather remnants and quickly form spontaneous vessels. Colors would swirl, spot, and layer unpredictably. Goto Bianco has soft white tones with subtle variation, retaining a sense of spontaneity in a refined palette.

Available now on incommonwith.com, and on view at Quarters from May 8.

Murano Glass Orb Pendant in Goto Bianco
The Lido Series
Photographed at Casa Tabarelli, Carlo Scarpa, 1968

With diffusers handmade by master Murano glassmakers, the NEW Cosmos Chandelier—available in a limited run of 10 pieces per glass finish—brings one-of-a-kind radiance to entryways, breakfast nooks, and other compact spaces.

Available now on incommonwith.com, and on view at Quarters.

Murano Glass Cosmos Chandelier in Chamomile
The Lido Series
Photographed at Casa Tabarelli, Carlo Scarpa, 1968

A continuation of our quest to preserve old-world craft, the Lido Series combines classic Murano glassmaking techniques with a contemporary approach to production. True to its name (lido translates from Italian to “shore”), the series embodies fluidity: order merging with intuition, familiar structures reimagined with time.

Available now on incommonwith.com, and on view at Quarters from May 8.

The Arundel Orb Pendant is now available in an outdoor-rated version, pairing a glass diffuser with a machined metal shade—built with the same materials and system as its indoor counterpart.

Arundel Orb Pendant in Oxide Red
Casa Monte, Carlos Matos, Puerto Escondido

One fixture, for use across interior and exterior. The Orb Surface Mount is available in multiple sizes and finishes, including an outdoor-rated version that allows for installation just about anywhere.

Orb Surface Mount (4-inch) in Oxide Red
Maison Louis Carré, Alvar Aalto, 1959

The Double Puck Surface Mount can be used in any wet environment, indoors or out, providing soft, even light wherever you need it.

Double Puck Surface Mount
Casa Viento, Aranza de Ariño, Puerto Escondido

A pendant designed for covered outdoor spaces.

The Arundel Mushroom Pendant is available in an outdoor-rated version, built to handle humidity and exposure to the elements without changing the material or form—suited for porches, loggias, and outdoor living areas.

Arundel Mushroom Pendant in Bone
Casa Viento, Aranza de Ariño, Puerto Escondido

A table lamp you can bring anywhere.

The Dune Table Lamp is cordless, rechargeable, and outdoor-rated—designed to move from indoors to outdoors without interruption. Up to 10 hours of dim-to-warm light, with a compact footprint that works across any table.

Dune Table Lamp in Pool
Casa Monte, Carlos Matos, Puerto Escondido

Outdoor lighting that feels consistent with the rest of your space.

The Arundel Orb and Ridge Surface Mounts are available in outdoor-rated versions, extending the same materials across interior and exterior environments.

Arundel Orb Surface Mount in Bone
Ridge Surface Mount in Bone
Maison Louis Carré, Alvar Aalto, 1959

Central to the Strata collection is a silkscreening process we developed, where finely milled glass powder is transferred onto glass through an emulsion using traditional printmaking techniques, then fired. The result is a soft, cloud-like surface. Shown here in Cirrus, the Verso Surface Mount expresses this at its most restrained, diffusing light with subtle variation.

Installed horizontally above a sink, the smaller Verso casts an even, warm glow, the kind of soft, flattering light a vanity calls for.

Verso Surface Mount in / Cirrus / Brass
The Strata Collection
Villa Borsani, Osvaldo Borsani, 1945

The Ecco Surface Mount pairs patterned glass with a geometric wood frame. The glass is composed of hand-cut strips, then fused in a kiln, where the edges soften with heat, giving each piece a unique character.

Ecco Surface Mount in Marigold /Darkened Leopardwood
The Strata Collection
Villa Borsani, Osvaldo Borsani, 1945

The Mira Surface Mount pairs solid wood with colored glass in a compact form. Its slim profile sits close to the wall, delivering functional light without adding visual weight.

Flanking a mirror in one of Villa Borsani’s mosaic-tiled bathrooms, it reads as integrated, intentional, and part of the architecture itself.

Mira Surface Mount in Pecan / Darkened Leopardwood
The Strata Collection
Villa Borsani, Osvaldo Borsani, 1945